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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E72D it is the complementary color #3A18D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E72D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E72D shade: #CAE728, #DBF93B, #ECFF4E, #FDFF61 and #FFFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E72D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E72D shade: #C5E72D, #B4D51A, #A3C307, #92B100 and #819F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E72D shade: #C4E62D, #E6D62D, #E6A42D, #E6722D and #E6402D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E72D shade: #C4E62D, #93E62D, #61E62D, #2FE62D and #2DE65D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E72D shade matches the following richer shades: #C4E62D and #D1F91A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E72D shade: #C4E62D, #B8D340, #ACC053, #A0AD66 and #949A79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E72D shade: #E6A22D, #E6D42D, #C7E62D, #96E62D and #65E62D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E72D shade: #91AD14, #B0D219, #C4E62D, #CFEB52 and #D9EF77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E72D shade: #C5E72D, #2DE671 and #BB2DE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E72D shade: #C5E72D, #2DC7E6 and #E62DC7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E72D shade: #C5E72D, #2DE671, #4C2DE6 and #E62DA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E72D shade: #C5E72D, #2DE6A9, #4C2DE6 and #E62D6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 81 / 9

HEX #C5E72D

RGB 197 231 45

HSL 70.97, 0.79%, 0.54%

LAB 86.61, -33.14, 78.18

 

Complementary color

CMYK 72 / 89 / 0 / 18

HEX #3A18D2

RGB 58 24 210

HSL 250.97, 0.79%, 0.46%

LAB 29.93, 64.23, -86.09

 

CMYK 13 / 0 / 83 / 9

HEX #CAE728

RGB 202 231 40

HSL 69.11, 0.8%, 0.53%

LAB 86.93, -31.3, 79.79

 

CMYK 12 / 0 / 76 / 2

HEX #DBF93B

RGB 219 249 59

HSL 69.47, 0.94%, 0.6%

LAB 93.07, -32.16, 80.75

 

CMYK 7 / 0 / 69 / 0

HEX #ECFF4E

RGB 236 255 78

HSL 66.44, 1%, 0.65%

LAB 95.96, -27.35, 77.88

 

CMYK 1 / 0 / 62 / 0

HEX #FDFF61

RGB 253 255 97

HSL 60.76, 1%, 0.69%

LAB 97.34, -19.55, 72.65

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 15 / 0 / 81 / 9

HEX #C5E72D

RGB 197 231 45

HSL 70.97, 0.79%, 0.54%

LAB 86.61, -33.14, 78.18

 

CMYK 15 / 0 / 88 / 16

HEX #B4D51A

RGB 180 213 26

HSL 70.59, 0.78%, 0.47%

LAB 80.39, -32.2, 76.57

 

CMYK 16 / 0 / 96 / 24

HEX #A3C307

RGB 163 195 7

HSL 70.21, 0.93%, 0.4%

LAB 74.08, -31.08, 73.65

 

CMYK 18 / 0 / 100 / 31

HEX #92B100

RGB 146 177 0

HSL 70.51, 1%, 0.35%

LAB 67.69, -29.73, 69.06

 

CMYK 19 / 0 / 100 / 38

HEX #819F00

RGB 129 159 0

HSL 71.32, 1%, 0.31%

LAB 61.19, -28.29, 63.65

 

CMYK 15 / 0 / 80 / 10

HEX #C4E62D

RGB 196 230 45

HSL 71.03, 0.79%, 0.54%

LAB 86.27, -33.08, 77.86

 

CMYK 0 / 7 / 80 / 10

HEX #E6D62D

RGB 230 214 45

HSL 54.81, 0.79%, 0.54%

LAB 84.54, -11.33, 77.35

 

CMYK 0 / 29 / 80 / 10

HEX #E6A42D

RGB 230 164 45

HSL 38.59, 0.79%, 0.54%

LAB 71.94, 14.61, 66.32

 

CMYK 0 / 50 / 80 / 10

HEX #E6722D

RGB 230 114 45

HSL 22.38, 0.79%, 0.54%

LAB 60.82, 40.8, 56.23

 

CMYK 0 / 72 / 80 / 10

HEX #E6402D

RGB 230 64 45

HSL 6.16, 0.79%, 0.54%

LAB 52.6, 62.5, 48.45

 

CMYK 15 / 0 / 80 / 10

HEX #C4E62D

RGB 196 230 45

HSL 71.03, 0.79%, 0.54%

LAB 86.27, -33.08, 77.86

 

CMYK 36 / 0 / 80 / 10

HEX #93E62D

RGB 147 230 45

HSL 86.92, 0.79%, 0.54%

LAB 83.44, -51.41, 74.26

 

CMYK 58 / 0 / 80 / 10

HEX #61E62D

RGB 97 230 45

HSL 103.14, 0.79%, 0.54%

LAB 81.47, -66.24, 71.74

 

CMYK 80 / 0 / 80 / 10

HEX #2FE62D

RGB 47 230 45

HSL 119.35, 0.79%, 0.54%

LAB 80.4, -75.29, 70.36

 

CMYK 80 / 0 / 60 / 10

HEX #2DE65D

RGB 45 230 93

HSL 135.57, 0.79%, 0.54%

LAB 80.71, -71.36, 53.26

 

CMYK 15 / 0 / 80 / 10

HEX #C4E62D

RGB 196 230 45

HSL 71.03, 0.79%, 0.54%

LAB 86.27, -33.08, 77.86

 

CMYK 16 / 0 / 90 / 2

HEX #D1F91A

RGB 209 249 26

HSL 70.76, 0.95%, 0.54%

LAB 92.3, -37.05, 86.99

 

CMYK 15 / 0 / 80 / 10

HEX #C4E62D

RGB 196 230 45

HSL 71.03, 0.79%, 0.54%

LAB 86.27, -33.08, 77.86

 

CMYK 13 / 0 / 70 / 17

HEX #B8D340

RGB 184 211 64

HSL 71.02, 0.63%, 0.54%

LAB 80.26, -28.18, 66.09

 

CMYK 10 / 0 / 57 / 25

HEX #ACC053

RGB 172 192 83

HSL 71.01, 0.46%, 0.54%

LAB 74.25, -22.54, 51.62

 

CMYK 8 / 0 / 41 / 32

HEX #A0AD66

RGB 160 173 102

HSL 70.99, 0.3%, 0.54%

LAB 68.26, -15.92, 34.92

 

CMYK 4 / 0 / 21 / 40

HEX #949A79

RGB 148 154 121

HSL 70.91, 0.14%, 0.54%

LAB 62.33, -8.05, 16.64

 

CMYK 0 / 30 / 80 / 10

HEX #E6A22D

RGB 230 162 45

HSL 37.95, 0.79%, 0.54%

LAB 71.46, 15.68, 65.89

 

CMYK 0 / 8 / 80 / 10

HEX #E6D42D

RGB 230 212 45

HSL 54.16, 0.79%, 0.54%

LAB 84.02, -10.33, 76.9

 

CMYK 13 / 0 / 80 / 10

HEX #C7E62D

RGB 199 230 45

HSL 70.05, 0.79%, 0.54%

LAB 86.47, -31.88, 78.11

 

CMYK 35 / 0 / 80 / 10

HEX #96E62D

RGB 150 230 45

HSL 85.95, 0.79%, 0.54%

LAB 83.58, -50.38, 74.45

 

CMYK 56 / 0 / 80 / 10

HEX #65E62D

RGB 101 230 45

HSL 101.84, 0.79%, 0.54%

LAB 81.59, -65.25, 71.9

 

CMYK 16 / 0 / 88 / 32

HEX #91AD14

RGB 145 173 20

HSL 70.98, 0.79%, 0.38%

LAB 66.49, -27.9, 65.31

 

CMYK 16 / 0 / 88 / 18

HEX #B0D219

RGB 176 210 25

HSL 71.03, 0.79%, 0.46%

LAB 79.27, -32.46, 75.72

 

CMYK 15 / 0 / 80 / 10

HEX #C4E62D

RGB 196 230 45

HSL 71.03, 0.79%, 0.54%

LAB 86.27, -33.08, 77.86

 

CMYK 12 / 0 / 65 / 8

HEX #CFEB52

RGB 207 235 82

HSL 70.98, 0.79%, 0.62%

LAB 88.59, -29.25, 68.31

 

CMYK 9 / 0 / 50 / 6

HEX #D9EF77

RGB 217 239 119

HSL 71, 0.79%, 0.7%

LAB 90.7, -24.38, 55.04

 

CMYK 15 / 0 / 81 / 9

HEX #C5E72D

RGB 197 231 45

HSL 70.97, 0.79%, 0.54%

LAB 86.61, -33.14, 78.18

 

CMYK 80 / 0 / 51 / 10

HEX #2DE671

RGB 45 230 113

HSL 142.05, 0.79%, 0.54%

LAB 80.93, -68.67, 44.36

 

CMYK 19 / 80 / 0 / 10

HEX #BB2DE6

RGB 187 45 230

HSL 286.05, 0.79%, 0.54%

LAB 49.68, 77.69, -64.54

 

CMYK 15 / 0 / 81 / 9

HEX #C5E72D

RGB 197 231 45

HSL 70.97, 0.79%, 0.54%

LAB 86.61, -33.14, 78.18

 

CMYK 80 / 13 / 0 / 10

HEX #2DC7E6

RGB 45 199 230

HSL 190.05, 0.79%, 0.54%

LAB 74.27, -28.02, -26.39

 

CMYK 0 / 80 / 13 / 10

HEX #E62DC7

RGB 230 45 199

HSL 310.05, 0.79%, 0.54%

LAB 54.89, 80.88, -38.14

 

CMYK 15 / 0 / 81 / 9

HEX #C5E72D

RGB 197 231 45

HSL 70.97, 0.79%, 0.54%

LAB 86.61, -33.14, 78.18

 

CMYK 80 / 0 / 51 / 10

HEX #2DE671

RGB 45 230 113

HSL 142.05, 0.79%, 0.54%

LAB 80.93, -68.67, 44.36

 

CMYK 67 / 80 / 0 / 10

HEX #4C2DE6

RGB 76 45 230

HSL 250.05, 0.79%, 0.54%

LAB 36.23, 63.09, -87.1

 

CMYK 0 / 80 / 30 / 10

HEX #E62DA2

RGB 230 45 162

HSL 322.05, 0.79%, 0.54%

LAB 53.29, 76.34, -19.07

 

CMYK 15 / 0 / 81 / 9

HEX #C5E72D

RGB 197 231 45

HSL 70.97, 0.79%, 0.54%

LAB 86.61, -33.14, 78.18

 

CMYK 80 / 0 / 27 / 10

HEX #2DE6A9

RGB 45 230 169

HSL 160.22, 0.79%, 0.54%

LAB 81.85, -58.19, 17.34

 

CMYK 67 / 80 / 0 / 10

HEX #4C2DE6

RGB 76 45 230

HSL 250.05, 0.79%, 0.54%

LAB 36.23, 63.09, -87.1

 

CMYK 0 / 80 / 53 / 10

HEX #E62D6B

RGB 230 45 107

HSL 339.89, 0.79%, 0.54%

LAB 51.57, 71.28, 11.36

 

Description

Color code: HEX #C5E72D | qconv.com Color code: HEX #C5E72D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 231 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 231 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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