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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E67E it is the complementary color #3A1981. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E67E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E67E shade: #CAE679, #DBF88C, #ECFF9F, #FDFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E67E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E67E shade: #C5E67E, #B4D46B, #A3C258, #92B045 and #819E32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E67E shade: #C6E77E, #E2E77E, #E7CF7E, #E7B37E and #E7977E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E67E shade: #C6E77E, #A9E77E, #8DE77E, #7EE78C and #7EE7A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E67E shade matches the following richer shades: #C6E77E and #CAF372

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E67E shade: #C6E77E, #C1DA8B, #BCCE97, #B8C1A4 and #B3B5B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E67E shade: #E7D07E, #E1E77E, #C6E77E, #AAE77E and #8EE77E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E67E shade: #A6D939, #B6E05C, #C6E77E, #D5EDA1 and #E5F4C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E67E shade: #C5E67E, #7EE7B4 and #DE7EE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E67E shade: #C5E67E, #7EC6E7 and #E77EC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E67E shade: #C5E67E, #7EE7B4, #9F7EE7 and #E77EB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E67E shade: #C5E67E, #7EE7D3, #9F7EE7 and #E77E92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 45 / 10

HEX #C5E67E

RGB 197 230 126

HSL 79.04, 0.68%, 0.7%

LAB 86.98, -27.01, 46.92

 

Complementary color

CMYK 55 / 81 / 0 / 49

HEX #3A1981

RGB 58 25 129

HSL 259.04, 0.68%, 0.3%

LAB 20.75, 41.29, -52.31

 

CMYK 12 / 0 / 47 / 10

HEX #CAE679

RGB 202 230 121

HSL 75.41, 0.69%, 0.69%

LAB 87.26, -25.64, 49.73

 

CMYK 12 / 0 / 44 / 3

HEX #DBF88C

RGB 219 248 140

HSL 76.11, 0.89%, 0.76%

LAB 93.49, -25.81, 48.6

 

CMYK 7 / 0 / 38 / 0

HEX #ECFF9F

RGB 236 255 159

HSL 71.88, 1%, 0.81%

LAB 96.76, -20.72, 43.81

 

CMYK 1 / 0 / 30 / 0

HEX #FDFFB2

RGB 253 255 178

HSL 61.56, 1%, 0.85%

LAB 98.28, -12.18, 36.67

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 14 / 0 / 45 / 10

HEX #C5E67E

RGB 197 230 126

HSL 79.04, 0.68%, 0.7%

LAB 86.98, -27.01, 46.92

 

CMYK 15 / 0 / 50 / 17

HEX #B4D46B

RGB 180 212 107

HSL 78.29, 0.55%, 0.63%

LAB 80.66, -26.87, 48.05

 

CMYK 16 / 0 / 55 / 24

HEX #A3C258

RGB 163 194 88

HSL 77.55, 0.46%, 0.55%

LAB 74.24, -26.66, 49.14

 

CMYK 17 / 0 / 61 / 31

HEX #92B045

RGB 146 176 69

HSL 76.82, 0.44%, 0.48%

LAB 67.72, -26.38, 50.12

 

CMYK 18 / 0 / 68 / 38

HEX #819E32

RGB 129 158 50

HSL 76.11, 0.52%, 0.41%

LAB 61.09, -25.96, 50.82

 

CMYK 14 / 0 / 45 / 9

HEX #C6E77E

RGB 198 231 126

HSL 78.86, 0.69%, 0.7%

LAB 87.32, -27.11, 47.36

 

CMYK 2 / 0 / 45 / 9

HEX #E2E77E

RGB 226 231 126

HSL 62.86, 0.69%, 0.7%

LAB 89.31, -16.36, 50.25

 

CMYK 0 / 10 / 45 / 9

HEX #E7CF7E

RGB 231 207 126

HSL 46.29, 0.69%, 0.7%

LAB 83.51, -2.3, 43.16

 

CMYK 0 / 23 / 45 / 9

HEX #E7B37E

RGB 231 179 126

HSL 30.29, 0.69%, 0.7%

LAB 76.52, 12.34, 34.26

 

CMYK 0 / 35 / 45 / 9

HEX #E7977E

RGB 231 151 126

HSL 14.29, 0.69%, 0.7%

LAB 69.91, 27.26, 25.56

 

CMYK 14 / 0 / 45 / 9

HEX #C6E77E

RGB 198 231 126

HSL 78.86, 0.69%, 0.7%

LAB 87.32, -27.11, 47.36

 

CMYK 27 / 0 / 45 / 9

HEX #A9E77E

RGB 169 231 126

HSL 95.43, 0.69%, 0.7%

LAB 85.55, -37.61, 44.77

 

CMYK 39 / 0 / 45 / 9

HEX #8DE77E

RGB 141 231 126

HSL 111.43, 0.69%, 0.7%

LAB 84.13, -46.8, 42.69

 

CMYK 45 / 0 / 39 / 9

HEX #7EE78C

RGB 126 231 140

HSL 128, 0.69%, 0.7%

LAB 83.69, -49.14, 35.07

 

CMYK 45 / 0 / 27 / 9

HEX #7EE7A8

RGB 126 231 168

HSL 144, 0.69%, 0.7%

LAB 84.18, -44.3, 21.42

 

CMYK 14 / 0 / 45 / 9

HEX #C6E77E

RGB 198 231 126

HSL 78.86, 0.69%, 0.7%

LAB 87.32, -27.11, 47.36

 

CMYK 17 / 0 / 53 / 5

HEX #CAF372

RGB 202 243 114

HSL 79.07, 0.84%, 0.7%

LAB 90.72, -32.42, 57.1

 

CMYK 14 / 0 / 45 / 9

HEX #C6E77E

RGB 198 231 126

HSL 78.86, 0.69%, 0.7%

LAB 87.32, -27.11, 47.36

 

CMYK 11 / 0 / 36 / 15

HEX #C1DA8B

RGB 193 218 139

HSL 78.99, 0.52%, 0.7%

LAB 83.62, -21.2, 36.18

 

CMYK 9 / 0 / 27 / 19

HEX #BCCE97

RGB 188 206 151

HSL 79.64, 0.36%, 0.7%

LAB 80.22, -15.47, 25.4

 

CMYK 5 / 0 / 15 / 24

HEX #B8C1A4

RGB 184 193 164

HSL 78.62, 0.19%, 0.7%

LAB 76.69, -8.26, 13.56

 

CMYK 1 / 0 / 3 / 29

HEX #B3B5B0

RGB 179 181 176

HSL 84, 0.03%, 0.7%

LAB 73.39, -1.63, 2.29

 

CMYK 0 / 10 / 45 / 9

HEX #E7D07E

RGB 231 208 126

HSL 46.86, 0.69%, 0.7%

LAB 83.76, -2.82, 43.48

 

CMYK 3 / 0 / 45 / 9

HEX #E1E77E

RGB 225 231 126

HSL 63.43, 0.69%, 0.7%

LAB 89.24, -16.75, 50.14

 

CMYK 14 / 0 / 45 / 9

HEX #C6E77E

RGB 198 231 126

HSL 78.86, 0.69%, 0.7%

LAB 87.32, -27.11, 47.36

 

CMYK 26 / 0 / 45 / 9

HEX #AAE77E

RGB 170 231 126

HSL 94.86, 0.69%, 0.7%

LAB 85.61, -37.26, 44.85

 

CMYK 39 / 0 / 45 / 9

HEX #8EE77E

RGB 142 231 126

HSL 110.86, 0.69%, 0.7%

LAB 84.18, -46.49, 42.76

 

CMYK 24 / 0 / 74 / 15

HEX #A6D939

RGB 166 217 57

HSL 79.13, 0.68%, 0.54%

LAB 80.75, -38.4, 68.6

 

CMYK 19 / 0 / 59 / 12

HEX #B6E05C

RGB 182 224 92

HSL 79.09, 0.68%, 0.62%

LAB 83.98, -33.12, 58.77

 

CMYK 14 / 0 / 45 / 9

HEX #C6E77E

RGB 198 231 126

HSL 78.86, 0.69%, 0.7%

LAB 87.32, -27.11, 47.36

 

CMYK 10 / 0 / 32 / 7

HEX #D5EDA1

RGB 213 237 161

HSL 78.95, 0.68%, 0.78%

LAB 90.45, -20.25, 34.29

 

CMYK 6 / 0 / 20 / 4

HEX #E5F4C4

RGB 229 244 196

HSL 78.75, 0.69%, 0.86%

LAB 94.03, -13, 21.51

 

CMYK 14 / 0 / 45 / 10

HEX #C5E67E

RGB 197 230 126

HSL 79.04, 0.68%, 0.7%

LAB 86.98, -27.01, 46.92

 

CMYK 45 / 0 / 22 / 9

HEX #7EE7B4

RGB 126 231 180

HSL 150.86, 0.69%, 0.7%

LAB 84.42, -41.96, 15.51

 

CMYK 4 / 45 / 0 / 9

HEX #DE7EE7

RGB 222 126 231

HSL 294.86, 0.69%, 0.7%

LAB 66.69, 52.55, -37.79

 

CMYK 14 / 0 / 45 / 10

HEX #C5E67E

RGB 197 230 126

HSL 79.04, 0.68%, 0.7%

LAB 86.98, -27.01, 46.92

 

CMYK 45 / 14 / 0 / 9

HEX #7EC6E7

RGB 126 198 231

HSL 198.86, 0.69%, 0.7%

LAB 76.43, -13.92, -23.4

 

CMYK 0 / 45 / 14 / 9

HEX #E77EC6

RGB 231 126 198

HSL 318.86, 0.69%, 0.7%

LAB 66.51, 49.61, -19.59

 

CMYK 14 / 0 / 45 / 10

HEX #C5E67E

RGB 197 230 126

HSL 79.04, 0.68%, 0.7%

LAB 86.98, -27.01, 46.92

 

CMYK 45 / 0 / 22 / 9

HEX #7EE7B4

RGB 126 231 180

HSL 150.86, 0.69%, 0.7%

LAB 84.42, -41.96, 15.51

 

CMYK 31 / 45 / 0 / 9

HEX #9F7EE7

RGB 159 126 231

HSL 258.86, 0.69%, 0.7%

LAB 59.94, 35.03, -48.86

 

CMYK 0 / 45 / 23 / 9

HEX #E77EB1

RGB 231 126 177

HSL 330.86, 0.69%, 0.7%

LAB 65.81, 46.49, -8.81

 

CMYK 14 / 0 / 45 / 10

HEX #C5E67E

RGB 197 230 126

HSL 79.04, 0.68%, 0.7%

LAB 86.98, -27.01, 46.92

 

CMYK 45 / 0 / 9 / 9

HEX #7EE7D3

RGB 126 231 211

HSL 168.57, 0.69%, 0.7%

LAB 85.14, -35.22, 0.27

 

CMYK 31 / 45 / 0 / 9

HEX #9F7EE7

RGB 159 126 231

HSL 258.86, 0.69%, 0.7%

LAB 59.94, 35.03, -48.86

 

CMYK 0 / 45 / 37 / 9

HEX #E77E92

RGB 231 126 146

HSL 348.57, 0.69%, 0.7%

LAB 64.95, 42.51, 7.51

 

Description

Color code: HEX #C5E67E | qconv.com Color code: HEX #C5E67E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 230 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 230 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 45 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 45% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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