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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E613 it is the complementary color #3A19EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E613. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E613 shade: #CAE60E, #DBF821, #ECFF34, #FDFF47 and #FFFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E613. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E613 shade: #C5E613, #B4D400, #A3C200, #92B000 and #819E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E613 shade: #C6E713, #E7CF13, #E79613, #E75D13 and #E72313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E613 shade: #C6E713, #8DE713, #53E713, #1AE713 and #13E745

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E613 shade matches the following richer shades: #C6E713

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E613 shade: #C6E713, #B8D327, #AABF3B, #9CAB4F and #8E9664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E613 shade: #E79613, #E7CE13, #C7E713, #8FE713 and #56E713

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E613 shade: #859B0D, #A5C110, #C6E713, #D2EF35 and #DAF25B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E613 shade: #C5E613, #13E75D and #B213E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E613 shade: #C5E613, #13C7E7 and #E713C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E613 shade: #C5E613, #13E75D, #3313E7 and #E7139D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E613 shade: #C5E613, #13E79D, #3313E7 and #E7135D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 92 / 10

HEX #C5E613

RGB 197 230 19

HSL 69.38, 0.85%, 0.49%

LAB 86.26, -33.32, 82.8

 

Complementary color

CMYK 75 / 89 / 0 / 7

HEX #3A19EC

RGB 58 25 236

HSL 249.38, 0.85%, 0.51%

LAB 33.25, 70.73, -95.51

 

CMYK 12 / 0 / 94 / 10

HEX #CAE60E

RGB 202 230 14

HSL 67.78, 0.89%, 0.48%

LAB 86.59, -31.36, 83.77

 

CMYK 12 / 0 / 87 / 3

HEX #DBF821

RGB 219 248 33

HSL 68.09, 0.94%, 0.55%

LAB 92.71, -32.5, 86.48

 

CMYK 7 / 0 / 80 / 0

HEX #ECFF34

RGB 236 255 52

HSL 65.62, 1%, 0.6%

LAB 95.83, -28.42, 85.54

 

CMYK 1 / 0 / 72 / 0

HEX #FDFF47

RGB 253 255 71

HSL 60.65, 1%, 0.64%

LAB 97.17, -20.88, 81.8

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 14 / 0 / 92 / 10

HEX #C5E613

RGB 197 230 19

HSL 69.38, 0.85%, 0.49%

LAB 86.26, -33.32, 82.8

 

CMYK 15 / 0 / 100 / 17

HEX #B4D400

RGB 180 212 0

HSL 69.06, 1%, 0.42%

LAB 80.06, -32.12, 79.39

 

CMYK 16 / 0 / 100 / 24

HEX #A3C200

RGB 163 194 0

HSL 69.59, 1%, 0.38%

LAB 73.79, -30.7, 74.16

 

CMYK 17 / 0 / 100 / 31

HEX #92B000

RGB 146 176 0

HSL 70.23, 1%, 0.35%

LAB 67.4, -29.26, 68.84

 

CMYK 18 / 0 / 100 / 38

HEX #819E00

RGB 129 158 0

HSL 71.01, 1%, 0.31%

LAB 60.89, -27.8, 63.42

 

CMYK 14 / 0 / 92 / 9

HEX #C6E713

RGB 198 231 19

HSL 69.34, 0.85%, 0.49%

LAB 86.61, -33.37, 83.1

 

CMYK 0 / 10 / 92 / 9

HEX #E7CF13

RGB 231 207 19

HSL 53.21, 0.85%, 0.49%

LAB 82.73, -7.95, 81.22

 

CMYK 0 / 35 / 92 / 9

HEX #E79613

RGB 231 150 19

HSL 37.08, 0.85%, 0.49%

LAB 68.64, 21.89, 70.7

 

CMYK 0 / 60 / 92 / 9

HEX #E75D13

RGB 231 93 19

HSL 20.94, 0.85%, 0.49%

LAB 56.94, 50.63, 62.38

 

CMYK 0 / 85 / 92 / 9

HEX #E72313

RGB 231 35 19

HSL 4.53, 0.85%, 0.49%

LAB 49.78, 70.25, 57.64

 

CMYK 14 / 0 / 92 / 9

HEX #C6E713

RGB 198 231 19

HSL 69.34, 0.85%, 0.49%

LAB 86.61, -33.37, 83.1

 

CMYK 39 / 0 / 92 / 9

HEX #8DE713

RGB 141 231 19

HSL 85.47, 0.85%, 0.49%

LAB 83.37, -54.63, 79.15

 

CMYK 64 / 0 / 92 / 9

HEX #53E713

RGB 83 231 19

HSL 101.89, 0.85%, 0.49%

LAB 81.31, -70.67, 76.62

 

CMYK 89 / 0 / 92 / 9

HEX #1AE713

RGB 26 231 19

HSL 118.02, 0.85%, 0.49%

LAB 80.41, -78.51, 75.51

 

CMYK 92 / 0 / 70 / 9

HEX #13E745

RGB 19 231 69

HSL 134.15, 0.85%, 0.49%

LAB 80.58, -76.18, 62.78

 

CMYK 14 / 0 / 92 / 9

HEX #C6E713

RGB 198 231 19

HSL 69.34, 0.85%, 0.49%

LAB 86.61, -33.37, 83.1

 

CMYK 14 / 0 / 92 / 9

HEX #C6E713

RGB 198 231 19

HSL 69.34, 0.85%, 0.49%

LAB 86.61, -33.37, 83.1

 

CMYK 13 / 0 / 82 / 17

HEX #B8D327

RGB 184 211 39

HSL 69.42, 0.69%, 0.49%

LAB 80.14, -29.28, 73.7

 

CMYK 11 / 0 / 69 / 25

HEX #AABF3B

RGB 170 191 59

HSL 69.55, 0.53%, 0.49%

LAB 73.63, -24.56, 60.98

 

CMYK 9 / 0 / 54 / 33

HEX #9CAB4F

RGB 156 171 79

HSL 69.78, 0.37%, 0.49%

LAB 67.1, -18.93, 44.97

 

CMYK 5 / 0 / 33 / 41

HEX #8E9664

RGB 142 150 100

HSL 69.6, 0.2%, 0.49%

LAB 60.32, -11.37, 25.46

 

CMYK 0 / 35 / 92 / 9

HEX #E79613

RGB 231 150 19

HSL 37.08, 0.85%, 0.49%

LAB 68.64, 21.89, 70.7

 

CMYK 0 / 11 / 92 / 9

HEX #E7CE13

RGB 231 206 19

HSL 52.92, 0.85%, 0.49%

LAB 82.47, -7.44, 81.02

 

CMYK 14 / 0 / 92 / 9

HEX #C7E713

RGB 199 231 19

HSL 69.06, 0.85%, 0.49%

LAB 86.67, -32.97, 83.18

 

CMYK 38 / 0 / 92 / 9

HEX #8FE713

RGB 143 231 19

HSL 84.91, 0.85%, 0.49%

LAB 83.46, -53.96, 79.27

 

CMYK 63 / 0 / 92 / 9

HEX #56E713

RGB 86 231 19

HSL 101.04, 0.85%, 0.49%

LAB 81.39, -70.03, 76.71

 

CMYK 14 / 0 / 92 / 39

HEX #859B0D

RGB 133 155 13

HSL 69.3, 0.85%, 0.33%

LAB 60.3, -24.39, 61.18

 

CMYK 15 / 0 / 92 / 24

HEX #A5C110

RGB 165 193 16

HSL 69.49, 0.85%, 0.41%

LAB 73.66, -29.18, 72.33

 

CMYK 14 / 0 / 92 / 9

HEX #C6E713

RGB 198 231 19

HSL 69.34, 0.85%, 0.49%

LAB 86.61, -33.37, 83.1

 

CMYK 12 / 0 / 78 / 6

HEX #D2EF35

RGB 210 239 53

HSL 69.35, 0.85%, 0.57%

LAB 89.72, -31.36, 79.17

 

CMYK 10 / 0 / 62 / 5

HEX #DAF25B

RGB 218 242 91

HSL 69.54, 0.85%, 0.65%

LAB 91.31, -27.62, 67.87

 

CMYK 14 / 0 / 92 / 10

HEX #C5E613

RGB 197 230 19

HSL 69.38, 0.85%, 0.49%

LAB 86.26, -33.32, 82.8

 

CMYK 92 / 0 / 60 / 9

HEX #13E75D

RGB 19 231 93

HSL 140.94, 0.85%, 0.49%

LAB 80.78, -73.66, 53.29

 

CMYK 23 / 92 / 0 / 9

HEX #B213E7

RGB 178 19 231

HSL 285, 0.85%, 0.49%

LAB 46.58, 81.75, -70.21

 

CMYK 14 / 0 / 92 / 10

HEX #C5E613

RGB 197 230 19

HSL 69.38, 0.85%, 0.49%

LAB 86.26, -33.32, 82.8

 

CMYK 92 / 14 / 0 / 9

HEX #13C7E7

RGB 19 199 231

HSL 189.06, 0.85%, 0.49%

LAB 74.03, -29.29, -27.31

 

CMYK 0 / 92 / 14 / 9

HEX #E713C7

RGB 231 19 199

HSL 309.06, 0.85%, 0.49%

LAB 53.58, 85.41, -40.19

 

CMYK 14 / 0 / 92 / 10

HEX #C5E613

RGB 197 230 19

HSL 69.38, 0.85%, 0.49%

LAB 86.26, -33.32, 82.8

 

CMYK 92 / 0 / 60 / 9

HEX #13E75D

RGB 19 231 93

HSL 140.94, 0.85%, 0.49%

LAB 80.78, -73.66, 53.29

 

CMYK 78 / 92 / 0 / 9

HEX #3313E7

RGB 51 19 231

HSL 249.06, 0.85%, 0.49%

LAB 31.67, 70.74, -95.3

 

CMYK 0 / 92 / 32 / 9

HEX #E7139D

RGB 231 19 157

HSL 320.94, 0.85%, 0.49%

LAB 51.71, 80.55, -18.5

 

CMYK 14 / 0 / 92 / 10

HEX #C5E613

RGB 197 230 19

HSL 69.38, 0.85%, 0.49%

LAB 86.26, -33.32, 82.8

 

CMYK 92 / 0 / 32 / 9

HEX #13E79D

RGB 19 231 157

HSL 159.06, 0.85%, 0.49%

LAB 81.69, -62.93, 23.32

 

CMYK 78 / 92 / 0 / 9

HEX #3313E7

RGB 51 19 231

HSL 249.06, 0.85%, 0.49%

LAB 31.67, 70.74, -95.3

 

CMYK 0 / 92 / 60 / 9

HEX #E7135D

RGB 231 19 93

HSL 339.06, 0.85%, 0.49%

LAB 49.79, 75.35, 17.48

 

Description

Color code: HEX #C5E613 | qconv.com Color code: HEX #C5E613 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 230 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 230 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 92 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 92% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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