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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E405 it is the complementary color #3A1BFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E405. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E405 shade: #CAE400, #DBF613, #ECFF26, #FDFF39 and #FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E405. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E405 shade: #C5E405, #B4D200, #A3C000, #92AE00 and #819C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E405 shade: #C6E504, #E5C804, #E58B04, #E54F04 and #E51204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E405 shade: #C6E504, #89E504, #4DE504, #10E504 and #04E535

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E405 shade matches the following richer shades: #C6E504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E405 shade: #C6E504, #B8D217, #ABBF2A, #9DAC3D and #8F9950

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E405 shade: #E58B04, #E5C704, #C7E504, #8BE504 and #4FE504

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E405 shade: #809503, #A3BD03, #C6E504, #DBFA19 and #E1FB41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E405 shade: #C5E405, #04E54F and #A904E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E405 shade: #C5E405, #04C7E5 and #E504C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E405 shade: #C5E405, #04E54F, #2204E5 and #E5049A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E405 shade: #C5E405, #04E593, #2204E5 and #E50457

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 98 / 11

HEX #C5E405

RGB 197 228 5

HSL 68.34, 0.96%, 0.46%

LAB 85.69, -32.56, 83.7

 

Complementary color

CMYK 77 / 89 / 0 / 2

HEX #3A1BFA

RGB 58 27 250

HSL 248.34, 0.96%, 0.54%

LAB 35.17, 73.77, -100.21

 

CMYK 11 / 0 / 100 / 11

HEX #CAE400

RGB 202 228 0

HSL 66.84, 1%, 0.45%

LAB 86.03, -30.57, 84.52

 

CMYK 11 / 0 / 92 / 4

HEX #DBF613

RGB 219 246 19

HSL 67.14, 0.93%, 0.52%

LAB 92.14, -31.82, 88.04

 

CMYK 7 / 0 / 85 / 0

HEX #ECFF26

RGB 236 255 38

HSL 65.25, 1%, 0.57%

LAB 95.79, -28.8, 88.57

 

CMYK 1 / 0 / 78 / 0

HEX #FDFF39

RGB 253 255 57

HSL 60.61, 1%, 0.61%

LAB 97.1, -21.4, 85.85

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 14 / 0 / 98 / 11

HEX #C5E405

RGB 197 228 5

HSL 68.34, 0.96%, 0.46%

LAB 85.69, -32.56, 83.7

 

CMYK 14 / 0 / 100 / 18

HEX #B4D200

RGB 180 210 0

HSL 68.57, 1%, 0.41%

LAB 79.5, -31.19, 78.96

 

CMYK 15 / 0 / 100 / 25

HEX #A3C000

RGB 163 192 0

HSL 69.06, 1%, 0.38%

LAB 73.21, -29.75, 73.73

 

CMYK 16 / 0 / 100 / 32

HEX #92AE00

RGB 146 174 0

HSL 69.66, 1%, 0.34%

LAB 66.81, -28.3, 68.4

 

CMYK 17 / 0 / 100 / 39

HEX #819C00

RGB 129 156 0

HSL 70.38, 1%, 0.31%

LAB 60.29, -26.84, 62.97

 

CMYK 14 / 0 / 98 / 10

HEX #C6E504

RGB 198 229 4

HSL 68.27, 0.97%, 0.46%

LAB 86.03, -32.62, 84.07

 

CMYK 0 / 13 / 98 / 10

HEX #E5C804

RGB 229 200 4

HSL 52.27, 0.97%, 0.46%

LAB 80.73, -5.4, 81.25

 

CMYK 0 / 39 / 98 / 10

HEX #E58B04

RGB 229 139 4

HSL 36, 0.97%, 0.46%

LAB 65.85, 26.72, 70.94

 

CMYK 0 / 66 / 98 / 10

HEX #E54F04

RGB 229 79 4

HSL 20, 0.97%, 0.46%

LAB 54.3, 55.81, 63.91

 

CMYK 0 / 92 / 98 / 10

HEX #E51204

RGB 229 18 4

HSL 3.73, 0.97%, 0.46%

LAB 48.39, 72.3, 61.02

 

CMYK 14 / 0 / 98 / 10

HEX #C6E504

RGB 198 229 4

HSL 68.27, 0.97%, 0.46%

LAB 86.03, -32.62, 84.07

 

CMYK 40 / 0 / 98 / 10

HEX #89E504

RGB 137 229 4

HSL 84.53, 0.97%, 0.46%

LAB 82.57, -55.4, 79.91

 

CMYK 66 / 0 / 98 / 10

HEX #4DE504

RGB 77 229 4

HSL 100.53, 0.97%, 0.46%

LAB 80.53, -71.53, 77.42

 

CMYK 93 / 0 / 98 / 10

HEX #10E504

RGB 16 229 4

HSL 116.8, 0.97%, 0.46%

LAB 79.7, -78.82, 76.41

 

CMYK 98 / 0 / 77 / 10

HEX #04E535

RGB 4 229 53

HSL 133.07, 0.97%, 0.46%

LAB 79.8, -77.43, 67.38

 

CMYK 14 / 0 / 98 / 10

HEX #C6E504

RGB 198 229 4

HSL 68.27, 0.97%, 0.46%

LAB 86.03, -32.62, 84.07

 

CMYK 14 / 0 / 98 / 10

HEX #C6E504

RGB 198 229 4

HSL 68.27, 0.97%, 0.46%

LAB 86.03, -32.62, 84.07

 

CMYK 12 / 0 / 89 / 18

HEX #B8D217

RGB 184 210 23

HSL 68.34, 0.8%, 0.46%

LAB 79.81, -29.23, 76.73

 

CMYK 10 / 0 / 78 / 25

HEX #ABBF2A

RGB 171 191 42

HSL 68.05, 0.64%, 0.46%

LAB 73.6, -24.98, 66.73

 

CMYK 9 / 0 / 65 / 33

HEX #9DAC3D

RGB 157 172 61

HSL 68.11, 0.48%, 0.46%

LAB 67.28, -20.46, 53.35

 

CMYK 7 / 0 / 48 / 40

HEX #8F9950

RGB 143 153 80

HSL 68.22, 0.31%, 0.46%

LAB 60.96, -14.96, 36.93

 

CMYK 0 / 39 / 98 / 10

HEX #E58B04

RGB 229 139 4

HSL 36, 0.97%, 0.46%

LAB 65.85, 26.72, 70.94

 

CMYK 0 / 13 / 98 / 10

HEX #E5C704

RGB 229 199 4

HSL 52, 0.97%, 0.46%

LAB 80.47, -4.89, 81.06

 

CMYK 13 / 0 / 98 / 10

HEX #C7E504

RGB 199 229 4

HSL 68, 0.97%, 0.46%

LAB 86.1, -32.22, 84.15

 

CMYK 39 / 0 / 98 / 10

HEX #8BE504

RGB 139 229 4

HSL 84, 0.97%, 0.46%

LAB 82.67, -54.73, 80.02

 

CMYK 66 / 0 / 98 / 10

HEX #4FE504

RGB 79 229 4

HSL 100, 0.97%, 0.46%

LAB 80.58, -71.13, 77.48

 

CMYK 14 / 0 / 98 / 42

HEX #809503

RGB 128 149 3

HSL 68.63, 0.96%, 0.3%

LAB 58.12, -23.77, 60.84

 

CMYK 14 / 0 / 98 / 26

HEX #A3BD03

RGB 163 189 3

HSL 68.39, 0.97%, 0.38%

LAB 72.35, -28.29, 72.75

 

CMYK 14 / 0 / 98 / 10

HEX #C6E504

RGB 198 229 4

HSL 68.27, 0.97%, 0.46%

LAB 86.03, -32.62, 84.07

 

CMYK 12 / 0 / 90 / 2

HEX #DBFA19

RGB 219 250 25

HSL 68.27, 0.96%, 0.54%

LAB 93.23, -33.56, 88.15

 

CMYK 10 / 0 / 74 / 2

HEX #E1FB41

RGB 225 251 65

HSL 68.39, 0.96%, 0.62%

LAB 94.05, -30.46, 80.02

 

CMYK 14 / 0 / 98 / 11

HEX #C5E405

RGB 197 228 5

HSL 68.34, 0.96%, 0.46%

LAB 85.69, -32.56, 83.7

 

CMYK 98 / 0 / 66 / 10

HEX #04E54F

RGB 4 229 79

HSL 140, 0.97%, 0.46%

LAB 79.97, -75.21, 58.25

 

CMYK 26 / 98 / 0 / 10

HEX #A904E5

RGB 169 4 229

HSL 284, 0.97%, 0.46%

LAB 44.49, 81.77, -72.54

 

CMYK 14 / 0 / 98 / 11

HEX #C5E405

RGB 197 228 5

HSL 68.34, 0.96%, 0.46%

LAB 85.69, -32.56, 83.7

 

CMYK 98 / 13 / 0 / 10

HEX #04C7E5

RGB 4 199 229

HSL 188, 0.97%, 0.46%

LAB 73.89, -30.38, -26.45

 

CMYK 0 / 98 / 13 / 10

HEX #E504C7

RGB 229 4 199

HSL 308, 0.97%, 0.46%

LAB 52.81, 86.26, -41.43

 

CMYK 14 / 0 / 98 / 11

HEX #C5E405

RGB 197 228 5

HSL 68.34, 0.96%, 0.46%

LAB 85.69, -32.56, 83.7

 

CMYK 98 / 0 / 66 / 10

HEX #04E54F

RGB 4 229 79

HSL 140, 0.97%, 0.46%

LAB 79.97, -75.21, 58.25

 

CMYK 85 / 98 / 0 / 10

HEX #2204E5

RGB 34 4 229

HSL 248, 0.97%, 0.46%

LAB 29.62, 72.62, -97.59

 

CMYK 0 / 98 / 33 / 10

HEX #E5049A

RGB 229 4 154

HSL 320, 0.97%, 0.46%

LAB 50.78, 81.12, -18.17

 

CMYK 14 / 0 / 98 / 11

HEX #C5E405

RGB 197 228 5

HSL 68.34, 0.96%, 0.46%

LAB 85.69, -32.56, 83.7

 

CMYK 98 / 0 / 36 / 10

HEX #04E593

RGB 4 229 147

HSL 158.13, 0.97%, 0.46%

LAB 80.83, -64.78, 27.3

 

CMYK 85 / 98 / 0 / 10

HEX #2204E5

RGB 34 4 229

HSL 248, 0.97%, 0.46%

LAB 29.62, 72.62, -97.59

 

CMYK 0 / 98 / 62 / 10

HEX #E50457

RGB 229 4 87

HSL 337.87, 0.97%, 0.46%

LAB 48.8, 75.89, 19.76

 

Description

Color code: HEX #C5E405 | qconv.com Color code: HEX #C5E405 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 228 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 228 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 98 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 98% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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