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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E31C it is the complementary color #3A1CE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E31C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E31C shade: #CAE317, #DBF52A, #ECFF3D, #FDFF50 and #FFFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E31C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E31C shade: #C5E31C, #B4D109, #A3BF00, #92AD00 and #819B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E31C shade: #C5E31C, #E3CB1C, #E3961C, #E3601C and #E32A1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E31C shade: #C5E31C, #8FE31C, #5AE31C, #24E31C and #1CE34A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E31C shade matches the following richer shades: #C5E31C and #D3F807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E31C shade: #C5E31C, #B7CE31, #A8BA45, #9AA55A and #8B906F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E31C shade: #E3971C, #E3CC1C, #C5E31C, #90E31C and #5BE31C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E31C shade: #859A13, #A5BE18, #C5E31C, #CEE741 and #D8EC65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E31C shade: #C5E31C, #1CE362 and #B11CE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E31C shade: #C5E31C, #1CC5E3 and #E31CC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E31C shade: #C5E31C, #1CE362, #3A1CE3 and #E31C9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E31C shade: #C5E31C, #1CE39D, #3A1CE3 and #E31C62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

Complementary color

CMYK 74 / 88 / 0 / 11

HEX #3A1CE3

RGB 58 28 227

HSL 249.05, 0.78%, 0.5%

LAB 32.43, 67.48, -91.74

 

CMYK 11 / 0 / 90 / 11

HEX #CAE317

RGB 202 227 23

HSL 67.35, 0.82%, 0.49%

LAB 85.78, -29.84, 82.03

 

CMYK 11 / 0 / 83 / 4

HEX #DBF52A

RGB 219 245 42

HSL 67.68, 0.91%, 0.56%

LAB 91.92, -30.89, 84.05

 

CMYK 7 / 0 / 76 / 0

HEX #ECFF3D

RGB 236 255 61

HSL 65.88, 1%, 0.62%

LAB 95.87, -28.1, 83.16

 

CMYK 1 / 0 / 69 / 0

HEX #FDFF50

RGB 253 255 80

HSL 60.69, 1%, 0.66%

LAB 97.22, -20.47, 78.85

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 14 / 0 / 96 / 18

HEX #B4D109

RGB 180 209 9

HSL 68.7, 0.92%, 0.43%

LAB 79.23, -30.62, 77.91

 

CMYK 15 / 0 / 100 / 25

HEX #A3BF00

RGB 163 191 0

HSL 68.8, 1%, 0.37%

LAB 72.92, -29.28, 73.51

 

CMYK 16 / 0 / 100 / 32

HEX #92AD00

RGB 146 173 0

HSL 69.36, 1%, 0.34%

LAB 66.52, -27.82, 68.18

 

CMYK 17 / 0 / 100 / 39

HEX #819B00

RGB 129 155 0

HSL 70.06, 1%, 0.3%

LAB 59.99, -26.35, 62.74

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 0 / 11 / 88 / 11

HEX #E3CB1C

RGB 227 203 28

HSL 52.76, 0.78%, 0.5%

LAB 81.36, -7.49, 78.53

 

CMYK 0 / 34 / 88 / 11

HEX #E3961C

RGB 227 150 28

HSL 36.78, 0.78%, 0.5%

LAB 68.19, 20.35, 68.12

 

CMYK 0 / 58 / 88 / 11

HEX #E3601C

RGB 227 96 28

HSL 20.5, 0.78%, 0.5%

LAB 56.86, 47.95, 59.24

 

CMYK 0 / 81 / 88 / 11

HEX #E32A1C

RGB 227 42 28

HSL 4.22, 0.78%, 0.5%

LAB 49.58, 67.73, 53.6

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 37 / 0 / 88 / 11

HEX #8FE31C

RGB 143 227 28

HSL 85.33, 0.78%, 0.5%

LAB 82.3, -52.16, 76.94

 

CMYK 60 / 0 / 88 / 11

HEX #5AE31C

RGB 90 227 28

HSL 101.31, 0.78%, 0.5%

LAB 80.29, -67.59, 74.43

 

CMYK 84 / 0 / 88 / 11

HEX #24E31C

RGB 36 227 28

HSL 117.59, 0.78%, 0.5%

LAB 79.27, -76.35, 73.15

 

CMYK 88 / 0 / 67 / 11

HEX #1CE34A

RGB 28 227 74

HSL 133.87, 0.78%, 0.5%

LAB 79.43, -74.02, 59.69

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 15 / 0 / 97 / 3

HEX #D3F807

RGB 211 248 7

HSL 69.21, 0.95%, 0.5%

LAB 92.13, -36.05, 88.85

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 11 / 0 / 76 / 19

HEX #B7CE31

RGB 183 206 49

HSL 68.79, 0.62%, 0.5%

LAB 78.71, -26.94, 69.62

 

CMYK 10 / 0 / 63 / 27

HEX #A8BA45

RGB 168 186 69

HSL 69.23, 0.46%, 0.5%

LAB 72.14, -22.29, 55.38

 

CMYK 7 / 0 / 45 / 35

HEX #9AA55A

RGB 154 165 90

HSL 68.8, 0.29%, 0.5%

LAB 65.37, -15.58, 37.4

 

CMYK 3 / 0 / 23 / 44

HEX #8B906F

RGB 139 144 111

HSL 69.09, 0.13%, 0.5%

LAB 58.59, -7.72, 16.97

 

CMYK 0 / 33 / 88 / 11

HEX #E3971C

RGB 227 151 28

HSL 37.09, 0.78%, 0.5%

LAB 68.42, 19.81, 68.3

 

CMYK 0 / 10 / 88 / 11

HEX #E3CC1C

RGB 227 204 28

HSL 53.07, 0.78%, 0.5%

LAB 81.62, -7.99, 78.73

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 37 / 0 / 88 / 11

HEX #90E31C

RGB 144 227 28

HSL 85.03, 0.78%, 0.5%

LAB 82.35, -51.82, 77

 

CMYK 60 / 0 / 88 / 11

HEX #5BE31C

RGB 91 227 28

HSL 101.01, 0.78%, 0.5%

LAB 80.32, -67.35, 74.46

 

CMYK 14 / 0 / 88 / 40

HEX #859A13

RGB 133 154 19

HSL 69.33, 0.78%, 0.34%

LAB 60.02, -23.75, 59.81

 

CMYK 13 / 0 / 87 / 25

HEX #A5BE18

RGB 165 190 24

HSL 69.04, 0.78%, 0.42%

LAB 72.82, -27.58, 70.32

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 11 / 0 / 72 / 9

HEX #CEE741

RGB 206 231 65

HSL 69.04, 0.78%, 0.58%

LAB 87.32, -28.72, 73.17

 

CMYK 8 / 0 / 57 / 7

HEX #D8EC65

RGB 216 236 101

HSL 68.89, 0.78%, 0.66%

LAB 89.64, -24.85, 61.84

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 88 / 0 / 57 / 11

HEX #1CE362

RGB 28 227 98

HSL 141.11, 0.78%, 0.5%

LAB 79.65, -71.28, 49.75

 

CMYK 22 / 88 / 0 / 11

HEX #B11CE3

RGB 177 28 227

HSL 284.92, 0.78%, 0.5%

LAB 46.61, 79.45, -67.89

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 88 / 13 / 0 / 11

HEX #1CC5E3

RGB 28 197 227

HSL 189.05, 0.78%, 0.5%

LAB 73.37, -29.19, -26.16

 

CMYK 0 / 88 / 13 / 11

HEX #E31CC5

RGB 227 28 197

HSL 309.05, 0.78%, 0.5%

LAB 53.16, 83.25, -39.74

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 88 / 0 / 57 / 11

HEX #1CE362

RGB 28 227 98

HSL 141.11, 0.78%, 0.5%

LAB 79.65, -71.28, 49.75

 

CMYK 74 / 88 / 0 / 11

HEX #3A1CE3

RGB 58 28 227

HSL 249.05, 0.78%, 0.5%

LAB 32.43, 67.48, -91.74

 

CMYK 0 / 88 / 31 / 11

HEX #E31C9D

RGB 227 28 157

HSL 321.11, 0.78%, 0.5%

LAB 51.38, 78.5, -19.08

 

CMYK 13 / 0 / 88 / 11

HEX #C5E31C

RGB 197 227 28

HSL 69.05, 0.78%, 0.5%

LAB 85.45, -31.77, 80.82

 

CMYK 88 / 0 / 31 / 11

HEX #1CE39D

RGB 28 227 157

HSL 158.89, 0.78%, 0.5%

LAB 80.53, -61.01, 21.74

 

CMYK 74 / 88 / 0 / 11

HEX #3A1CE3

RGB 58 28 227

HSL 249.05, 0.78%, 0.5%

LAB 32.43, 67.48, -91.74

 

CMYK 0 / 88 / 57 / 11

HEX #E31C62

RGB 227 28 98

HSL 338.89, 0.78%, 0.5%

LAB 49.55, 73.43, 13.95

 

Description

Color code: HEX #C5E31C | qconv.com Color code: HEX #C5E31C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 227 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 227 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 88 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 88% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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