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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E2CB it is the complementary color #3A1D34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E2CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E2CB shade: #CAE2C6, #DBF4D9, #ECFFEC and #FDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E2CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E2CB shade: #C5E2CB, #B4D0B8, #A3BEA5, #92AC92 and #819A7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E2CB shade: #C5E1CB, #C7E1C5, #CEE1C5, #D6E1C5 and #DEE1C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E2CB shade: #C5E1CB, #C5E1D2, #C5E1DA, #C5E1E1 and #C5D9E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E2CB shade matches the following richer shades: #C5E1CB, #BEE8C7, #B7EFC3, #B0F6BE and #A9FEBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E2CB shade: #C5E1CB, #CCDACF, #D3D3D3, #DACCD7 and #E1C5DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E2CB shade: #CEE1C5, #C7E1C5, #C5E1CB, #C5E1D2 and #C5E1DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E2CB shade: #8EC69A, #A9D4B2, #C5E1CB, #E0EFE3 and #FCFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E2CB shade: #C5E2CB, #C5D6E1 and #E1C5CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E2CB shade: #C5E2CB, #CBC5E1 and #E1CBC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E2CB shade: #C5E2CB, #C5D6E1, #E1C5DC and #E1D0C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E2CB shade: #C5E2CB, #C5CDE1, #E1C5DC and #E1D9C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 10 / 11

HEX #C5E2CB

RGB 197 226 203

HSL 132.41, 0.33%, 0.83%

LAB 87.28, -13.87, 8.03

 

Complementary color

CMYK 0 / 50 / 10 / 77

HEX #3A1D34

RGB 58 29 52

HSL 312.41, 0.33%, 0.17%

LAB 15.62, 18.19, -9.02

 

CMYK 11 / 0 / 12 / 11

HEX #CAE2C6

RGB 202 226 198

HSL 111.43, 0.33%, 0.83%

LAB 87.5, -13.07, 11.01

 

CMYK 10 / 0 / 11 / 4

HEX #DBF4D9

RGB 219 244 217

HSL 115.56, 0.55%, 0.9%

LAB 93.78, -13.05, 10.25

 

CMYK 7 / 0 / 7 / 0

HEX #ECFFEC

RGB 236 255 236

HSL 120, 1%, 0.96%

LAB 98.2, -9.58, 6.95

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 13 / 0 / 10 / 11

HEX #C5E2CB

RGB 197 226 203

HSL 132.41, 0.33%, 0.83%

LAB 87.28, -13.87, 8.03

 

CMYK 13 / 0 / 12 / 18

HEX #B4D0B8

RGB 180 208 184

HSL 128.57, 0.23%, 0.76%

LAB 80.89, -13.93, 8.79

 

CMYK 14 / 0 / 13 / 25

HEX #A3BEA5

RGB 163 190 165

HSL 124.44, 0.17%, 0.69%

LAB 74.4, -14, 9.57

 

CMYK 15 / 0 / 15 / 33

HEX #92AC92

RGB 146 172 146

HSL 120, 0.14%, 0.62%

LAB 67.79, -14.08, 10.41

 

CMYK 16 / 0 / 18 / 40

HEX #819A7F

RGB 129 154 127

HSL 115.56, 0.12%, 0.55%

LAB 61.05, -14.19, 11.29

 

CMYK 12 / 0 / 10 / 12

HEX #C5E1CB

RGB 197 225 203

HSL 132.86, 0.32%, 0.83%

LAB 87.01, -13.37, 7.65

 

CMYK 12 / 0 / 12 / 12

HEX #C7E1C5

RGB 199 225 197

HSL 115.71, 0.32%, 0.83%

LAB 87.01, -13.76, 10.81

 

CMYK 8 / 0 / 12 / 12

HEX #CEE1C5

RGB 206 225 197

HSL 100.71, 0.32%, 0.83%

LAB 87.49, -11.37, 11.56

 

CMYK 5 / 0 / 12 / 12

HEX #D6E1C5

RGB 214 225 197

HSL 83.57, 0.32%, 0.83%

LAB 88.05, -8.59, 12.44

 

CMYK 1 / 0 / 12 / 12

HEX #DEE1C5

RGB 222 225 197

HSL 66.43, 0.32%, 0.83%

LAB 88.64, -5.78, 13.36

 

CMYK 12 / 0 / 10 / 12

HEX #C5E1CB

RGB 197 225 203

HSL 132.86, 0.32%, 0.83%

LAB 87.01, -13.37, 7.65

 

CMYK 12 / 0 / 7 / 12

HEX #C5E1D2

RGB 197 225 210

HSL 147.86, 0.32%, 0.83%

LAB 87.18, -12.08, 4.21

 

CMYK 12 / 0 / 3 / 12

HEX #C5E1DA

RGB 197 225 218

HSL 165, 0.32%, 0.83%

LAB 87.38, -10.56, 0.29

 

CMYK 12 / 0 / 0 / 12

HEX #C5E1E1

RGB 197 225 225

HSL 180, 0.32%, 0.83%

LAB 87.56, -9.19, -3.13

 

CMYK 12 / 4 / 0 / 12

HEX #C5D9E1

RGB 197 217 225

HSL 197.14, 0.32%, 0.83%

LAB 85.47, -5.07, -6.21

 

CMYK 12 / 0 / 10 / 12

HEX #C5E1CB

RGB 197 225 203

HSL 132.86, 0.32%, 0.83%

LAB 87.01, -13.37, 7.65

 

CMYK 18 / 0 / 14 / 9

HEX #BEE8C7

RGB 190 232 199

HSL 132.86, 0.48%, 0.83%

LAB 88.34, -19.89, 11.59

 

CMYK 23 / 0 / 18 / 6

HEX #B7EFC3

RGB 183 239 195

HSL 132.86, 0.64%, 0.83%

LAB 89.74, -26.27, 15.59

 

CMYK 28 / 0 / 23 / 4

HEX #B0F6BE

RGB 176 246 190

HSL 132, 0.8%, 0.83%

LAB 91.17, -32.66, 20.11

 

CMYK 33 / 0 / 27 / 0

HEX #A9FEBA

RGB 169 254 186

HSL 132, 0.98%, 0.83%

LAB 92.95, -39.13, 24.57

 

CMYK 12 / 0 / 10 / 12

HEX #C5E1CB

RGB 197 225 203

HSL 132.86, 0.32%, 0.83%

LAB 87.01, -13.37, 7.65

 

CMYK 6 / 0 / 5 / 15

HEX #CCDACF

RGB 204 218 207

HSL 132.86, 0.16%, 0.83%

LAB 85.75, -6.73, 3.78

 

CMYK 0 / 0 / 0 / 17

HEX #D3D3D3

RGB 211 211 211

HSL 0, 0%, 0.83%

LAB 84.56, 0, -0.01

 

CMYK 0 / 6 / 1 / 15

HEX #DACCD7

RGB 218 204 215

HSL 312.86, 0.16%, 0.83%

LAB 83.44, 6.8, -3.71

 

CMYK 0 / 12 / 3 / 12

HEX #E1C5DB

RGB 225 197 219

HSL 312.86, 0.32%, 0.83%

LAB 82.41, 13.62, -7.31

 

CMYK 8 / 0 / 12 / 12

HEX #CEE1C5

RGB 206 225 197

HSL 100.71, 0.32%, 0.83%

LAB 87.49, -11.37, 11.56

 

CMYK 12 / 0 / 12 / 12

HEX #C7E1C5

RGB 199 225 197

HSL 115.71, 0.32%, 0.83%

LAB 87.01, -13.76, 10.81

 

CMYK 12 / 0 / 10 / 12

HEX #C5E1CB

RGB 197 225 203

HSL 132.86, 0.32%, 0.83%

LAB 87.01, -13.37, 7.65

 

CMYK 12 / 0 / 7 / 12

HEX #C5E1D2

RGB 197 225 210

HSL 147.86, 0.32%, 0.83%

LAB 87.18, -12.08, 4.21

 

CMYK 12 / 0 / 3 / 12

HEX #C5E1DA

RGB 197 225 218

HSL 165, 0.32%, 0.83%

LAB 87.38, -10.56, 0.29

 

CMYK 28 / 0 / 22 / 22

HEX #8EC69A

RGB 142 198 154

HSL 132.86, 0.33%, 0.67%

LAB 75.12, -27.09, 16.33

 

CMYK 20 / 0 / 16 / 17

HEX #A9D4B2

RGB 169 212 178

HSL 132.56, 0.33%, 0.75%

LAB 81.15, -20.72, 12.24

 

CMYK 12 / 0 / 10 / 12

HEX #C5E1CB

RGB 197 225 203

HSL 132.86, 0.32%, 0.83%

LAB 87.01, -13.37, 7.65

 

CMYK 6 / 0 / 5 / 6

HEX #E0EFE3

RGB 224 239 227

HSL 132, 0.32%, 0.91%

LAB 93.07, -7.12, 4.08

 

CMYK 0 / 0 / 0 / 1

HEX #FCFDFC

RGB 252 253 252

HSL 120, 0.2%, 0.99%

LAB 99.21, -0.5, 0.35

 

CMYK 13 / 0 / 10 / 11

HEX #C5E2CB

RGB 197 226 203

HSL 132.41, 0.33%, 0.83%

LAB 87.28, -13.87, 8.03

 

CMYK 12 / 5 / 0 / 12

HEX #C5D6E1

RGB 197 214 225

HSL 203.57, 0.32%, 0.83%

LAB 84.69, -3.51, -7.36

 

CMYK 0 / 12 / 10 / 12

HEX #E1C5CB

RGB 225 197 203

HSL 347.14, 0.32%, 0.83%

LAB 81.97, 10.85, 0.63

 

CMYK 13 / 0 / 10 / 11

HEX #C5E2CB

RGB 197 226 203

HSL 132.41, 0.33%, 0.83%

LAB 87.28, -13.87, 8.03

 

CMYK 10 / 12 / 0 / 12

HEX #CBC5E1

RGB 203 197 225

HSL 252.86, 0.32%, 0.83%

LAB 80.78, 7.42, -13.15

 

CMYK 0 / 10 / 12 / 12

HEX #E1CBC5

RGB 225 203 197

HSL 12.86, 0.32%, 0.83%

LAB 83.31, 6.7, 5.77

 

CMYK 13 / 0 / 10 / 11

HEX #C5E2CB

RGB 197 226 203

HSL 132.41, 0.33%, 0.83%

LAB 87.28, -13.87, 8.03

 

CMYK 12 / 5 / 0 / 12

HEX #C5D6E1

RGB 197 214 225

HSL 203.57, 0.32%, 0.83%

LAB 84.69, -3.51, -7.36

 

CMYK 0 / 12 / 2 / 12

HEX #E1C5DC

RGB 225 197 220

HSL 310.71, 0.32%, 0.83%

LAB 82.44, 13.8, -7.8

 

CMYK 0 / 8 / 12 / 12

HEX #E1D0C5

RGB 225 208 197

HSL 23.57, 0.32%, 0.83%

LAB 84.56, 4.07, 7.57

 

CMYK 13 / 0 / 10 / 11

HEX #C5E2CB

RGB 197 226 203

HSL 132.41, 0.33%, 0.83%

LAB 87.28, -13.87, 8.03

 

CMYK 12 / 9 / 0 / 12

HEX #C5CDE1

RGB 197 205 225

HSL 222.86, 0.32%, 0.83%

LAB 82.36, 1.21, -10.82

 

CMYK 0 / 12 / 2 / 12

HEX #E1C5DC

RGB 225 197 220

HSL 310.71, 0.32%, 0.83%

LAB 82.44, 13.8, -7.8

 

CMYK 0 / 4 / 12 / 12

HEX #E1D9C5

RGB 225 217 197

HSL 42.86, 0.32%, 0.83%

LAB 86.83, -0.61, 10.82

 

Description

Color code: HEX #C5E2CB | qconv.com Color code: HEX #C5E2CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 226 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 226 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 10 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 10% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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