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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E161 it is the complementary color #3A1E9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E161 shade: #CAE15C, #DBF36F, #ECFF82, #FDFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E161 shade: #C5E161, #B4CF4E, #A3BD3B, #92AB28 and #819915

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E161 shade: #C4E060, #E0DA60, #E0B760, #E09560 and #E07260

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E161 shade: #C4E060, #A2E060, #7FE060, #60E064 and #60E086

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E161 shade matches the following richer shades: #C4E060 and #CDF051

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E161 shade: #C4E060, #BCD16F, #B3C27F, #AAB38E and #A2A39D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E161 shade: #E0B860, #E0DA60, #C5E060, #A2E060 and #80E060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E161 shade: #A5C826, #B7DA3D, #C4E060, #D1E783 and #DEEEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E161 shade: #C5E161, #60E095 and #C960E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E161 shade: #C5E161, #60C5E0 and #E060C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E161 shade: #C5E161, #60E095, #7C60E0 and #E060AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E161 shade: #C5E161, #60E0BC, #7C60E0 and #E06084

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 57 / 12

HEX #C5E161

RGB 197 225 97

HSL 73.13, 0.68%, 0.63%

LAB 85.29, -27.39, 58.33

 

Complementary color

CMYK 63 / 81 / 0 / 38

HEX #3A1E9E

RGB 58 30 158

HSL 253.13, 0.68%, 0.37%

LAB 24.63, 47.42, -63.93

 

CMYK 10 / 0 / 59 / 12

HEX #CAE15C

RGB 202 225 92

HSL 70.38, 0.69%, 0.62%

LAB 85.59, -25.81, 60.93

 

CMYK 10 / 0 / 54 / 5

HEX #DBF36F

RGB 219 243 111

HSL 70.91, 0.85%, 0.69%

LAB 91.82, -26.21, 60

 

CMYK 7 / 0 / 49 / 0

HEX #ECFF82

RGB 236 255 130

HSL 69.12, 1%, 0.75%

LAB 96.4, -23.7, 57.1

 

CMYK 1 / 0 / 42 / 0

HEX #FDFF95

RGB 253 255 149

HSL 61.13, 1%, 0.79%

LAB 97.86, -15.39, 50.29

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 12 / 0 / 57 / 12

HEX #C5E161

RGB 197 225 97

HSL 73.13, 0.68%, 0.63%

LAB 85.29, -27.39, 58.33

 

CMYK 13 / 0 / 62 / 19

HEX #B4CF4E

RGB 180 207 78

HSL 72.56, 0.57%, 0.56%

LAB 78.97, -26.99, 59.18

 

CMYK 14 / 0 / 69 / 26

HEX #A3BD3B

RGB 163 189 59

HSL 72, 0.52%, 0.49%

LAB 72.56, -26.47, 59.74

 

CMYK 15 / 0 / 77 / 33

HEX #92AB28

RGB 146 171 40

HSL 71.45, 0.62%, 0.41%

LAB 66.05, -25.8, 59.75

 

CMYK 16 / 0 / 86 / 40

HEX #819915

RGB 129 153 21

HSL 70.91, 0.76%, 0.34%

LAB 59.44, -24.92, 58.76

 

CMYK 13 / 0 / 57 / 12

HEX #C4E060

RGB 196 224 96

HSL 73.13, 0.67%, 0.63%

LAB 84.94, -27.38, 58.36

 

CMYK 0 / 3 / 57 / 12

HEX #E0DA60

RGB 224 218 96

HSL 57.19, 0.67%, 0.63%

LAB 85.42, -13.25, 59.47

 

CMYK 0 / 18 / 57 / 12

HEX #E0B760

RGB 224 183 96

HSL 40.78, 0.67%, 0.63%

LAB 76.41, 4.73, 49.16

 

CMYK 0 / 33 / 57 / 12

HEX #E09560

RGB 224 149 96

HSL 24.84, 0.67%, 0.63%

LAB 68.16, 22.86, 39.25

 

CMYK 0 / 49 / 57 / 12

HEX #E07260

RGB 224 114 96

HSL 8.44, 0.67%, 0.63%

LAB 60.54, 41.22, 29.69

 

CMYK 13 / 0 / 57 / 12

HEX #C4E060

RGB 196 224 96

HSL 73.13, 0.67%, 0.63%

LAB 84.94, -27.38, 58.36

 

CMYK 28 / 0 / 57 / 12

HEX #A2E060

RGB 162 224 96

HSL 89.06, 0.67%, 0.63%

LAB 82.83, -40.17, 55.39

 

CMYK 43 / 0 / 57 / 12

HEX #7FE060

RGB 127 224 96

HSL 105.47, 0.67%, 0.63%

LAB 81.11, -51.79, 52.96

 

CMYK 57 / 0 / 55 / 12

HEX #60E064

RGB 96 224 100

HSL 121.88, 0.67%, 0.63%

LAB 80.02, -59.71, 49.59

 

CMYK 57 / 0 / 40 / 12

HEX #60E086

RGB 96 224 134

HSL 137.81, 0.67%, 0.63%

LAB 80.47, -54.79, 33.68

 

CMYK 13 / 0 / 57 / 12

HEX #C4E060

RGB 196 224 96

HSL 73.13, 0.67%, 0.63%

LAB 84.94, -27.38, 58.36

 

CMYK 15 / 0 / 66 / 6

HEX #CDF051

RGB 205 240 81

HSL 73.21, 0.84%, 0.63%

LAB 89.81, -32.41, 69.92

 

CMYK 13 / 0 / 57 / 12

HEX #C4E060

RGB 196 224 96

HSL 73.13, 0.67%, 0.63%

LAB 84.94, -27.38, 58.36

 

CMYK 10 / 0 / 47 / 18

HEX #BCD16F

RGB 188 209 111

HSL 72.86, 0.52%, 0.63%

LAB 80.43, -21.91, 45.98

 

CMYK 8 / 0 / 35 / 24

HEX #B3C27F

RGB 179 194 127

HSL 73.43, 0.35%, 0.63%

LAB 75.88, -16.09, 32.04

 

CMYK 5 / 0 / 21 / 30

HEX #AAB38E

RGB 170 179 142

HSL 74.59, 0.2%, 0.63%

LAB 71.38, -9.65, 17.87

 

CMYK 1 / 0 / 4 / 36

HEX #A2A39D

RGB 162 163 157

HSL 70, 0.03%, 0.63%

LAB 66.76, -1.48, 2.98

 

CMYK 0 / 18 / 57 / 12

HEX #E0B860

RGB 224 184 96

HSL 41.25, 0.67%, 0.63%

LAB 76.66, 4.2, 49.45

 

CMYK 0 / 3 / 57 / 12

HEX #E0DA60

RGB 224 218 96

HSL 57.19, 0.67%, 0.63%

LAB 85.42, -13.25, 59.47

 

CMYK 12 / 0 / 57 / 12

HEX #C5E060

RGB 197 224 96

HSL 72.66, 0.67%, 0.63%

LAB 85.01, -26.99, 58.45

 

CMYK 28 / 0 / 57 / 12

HEX #A2E060

RGB 162 224 96

HSL 89.06, 0.67%, 0.63%

LAB 82.83, -40.17, 55.39

 

CMYK 43 / 0 / 57 / 12

HEX #80E060

RGB 128 224 96

HSL 105, 0.67%, 0.63%

LAB 81.15, -51.49, 53.02

 

CMYK 18 / 0 / 81 / 22

HEX #A5C826

RGB 165 200 38

HSL 72.96, 0.68%, 0.47%

LAB 75.73, -31.88, 69.59

 

CMYK 16 / 0 / 72 / 15

HEX #B7DA3D

RGB 183 218 61

HSL 73.38, 0.68%, 0.55%

LAB 82.13, -32.02, 68.96

 

CMYK 13 / 0 / 57 / 12

HEX #C4E060

RGB 196 224 96

HSL 73.13, 0.67%, 0.63%

LAB 84.94, -27.38, 58.36

 

CMYK 10 / 0 / 43 / 9

HEX #D1E783

RGB 209 231 131

HSL 73.2, 0.68%, 0.71%

LAB 88.13, -22.41, 46.12

 

CMYK 7 / 0 / 31 / 7

HEX #DEEEA5

RGB 222 238 165

HSL 73.15, 0.68%, 0.79%

LAB 91.41, -16.92, 33.65

 

CMYK 12 / 0 / 57 / 12

HEX #C5E161

RGB 197 225 97

HSL 73.13, 0.68%, 0.63%

LAB 85.29, -27.39, 58.33

 

CMYK 57 / 0 / 33 / 12

HEX #60E095

RGB 96 224 149

HSL 144.84, 0.67%, 0.63%

LAB 80.72, -52.13, 26.35

 

CMYK 10 / 57 / 0 / 12

HEX #C960E0

RGB 201 96 224

HSL 289.22, 0.67%, 0.63%

LAB 58.19, 60.21, -47.42

 

CMYK 12 / 0 / 57 / 12

HEX #C5E161

RGB 197 225 97

HSL 73.13, 0.68%, 0.63%

LAB 85.29, -27.39, 58.33

 

CMYK 57 / 12 / 0 / 12

HEX #60C5E0

RGB 96 197 224

HSL 192.66, 0.67%, 0.63%

LAB 74.7, -21.81, -22.37

 

CMYK 0 / 57 / 12 / 12

HEX #E060C5

RGB 224 96 197

HSL 312.66, 0.67%, 0.63%

LAB 60.11, 61.65, -28.93

 

CMYK 12 / 0 / 57 / 12

HEX #C5E161

RGB 197 225 97

HSL 73.13, 0.68%, 0.63%

LAB 85.29, -27.39, 58.33

 

CMYK 57 / 0 / 33 / 12

HEX #60E095

RGB 96 224 149

HSL 144.84, 0.67%, 0.63%

LAB 80.72, -52.13, 26.35

 

CMYK 45 / 57 / 0 / 12

HEX #7C60E0

RGB 124 96 224

HSL 253.13, 0.67%, 0.63%

LAB 49.54, 41.88, -61.76

 

CMYK 0 / 57 / 24 / 12

HEX #E060AB

RGB 224 96 171

HSL 324.84, 0.67%, 0.63%

LAB 59.12, 57.89, -15.55

 

CMYK 12 / 0 / 57 / 12

HEX #C5E161

RGB 197 225 97

HSL 73.13, 0.68%, 0.63%

LAB 85.29, -27.39, 58.33

 

CMYK 57 / 0 / 16 / 12

HEX #60E0BC

RGB 96 224 188

HSL 163.13, 0.67%, 0.63%

LAB 81.53, -43.95, 7.05

 

CMYK 45 / 57 / 0 / 12

HEX #7C60E0

RGB 124 96 224

HSL 253.13, 0.67%, 0.63%

LAB 49.54, 41.88, -61.76

 

CMYK 0 / 57 / 41 / 12

HEX #E06084

RGB 224 96 132

HSL 343.13, 0.67%, 0.63%

LAB 57.92, 53.2, 5.37

 

Description

Color code: HEX #C5E161 | qconv.com Color code: HEX #C5E161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 225 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 225 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 57 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 57% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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