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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5E03C it is the complementary color #3A1FC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5E03C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5E03C shade: #CAE037, #DBF24A, #ECFF5D, #FDFF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5E03C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5E03C shade: #C5E03C, #B4CE29, #A3BC16, #92AA03 and #819800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5E03C shade: #C5E03C, #E0CF3C, #E0A33C, #E0773C and #E04A3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5E03C shade: #C5E03C, #99E03C, #6DE03C, #41E03C and #3CE064

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5E03C shade matches the following richer shades: #C5E03C and #D1F22A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5E03C shade: #C5E03C, #B9CE4F, #ADBC61, #A1AA73 and #959885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5E03C shade: #E0A13C, #E0CD3C, #C8E03C, #9CE03C and #70E03C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5E03C shade: #97AF1B, #B5D320, #C5E03C, #D0E660 and #DAEB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5E03C shade: #C5E03C, #3CE076 and #B73CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5E03C shade: #C5E03C, #3CC8E0 and #E03CC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5E03C shade: #C5E03C, #3CE076, #553CE0 and #E03CA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5E03C shade: #C5E03C, #3CE0A7, #553CE0 and #E03C76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 73 / 12

HEX #C5E03C

RGB 197 224 60

HSL 69.88, 0.73%, 0.56%

LAB 84.74, -29.28, 72.14

 

Complementary color

CMYK 70 / 84 / 0 / 24

HEX #3A1FC3

RGB 58 31 195

HSL 249.88, 0.73%, 0.44%

LAB 28.95, 57.66, -78.94

 

CMYK 10 / 0 / 75 / 12

HEX #CAE037

RGB 202 224 55

HSL 67.81, 0.73%, 0.55%

LAB 85.07, -27.49, 74.15

 

CMYK 10 / 0 / 69 / 5

HEX #DBF24A

RGB 219 242 74

HSL 68.21, 0.87%, 0.62%

LAB 91.26, -28.23, 74.24

 

CMYK 7 / 0 / 64 / 0

HEX #ECFF5D

RGB 236 255 93

HSL 67.04, 1%, 0.68%

LAB 96.06, -26.52, 72.48

 

CMYK 1 / 0 / 56 / 0

HEX #FDFF70

RGB 253 255 112

HSL 60.84, 1%, 0.72%

LAB 97.46, -18.56, 66.62

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 12 / 0 / 73 / 12

HEX #C5E03C

RGB 197 224 60

HSL 69.88, 0.73%, 0.56%

LAB 84.74, -29.28, 72.14

 

CMYK 13 / 0 / 80 / 19

HEX #B4CE29

RGB 180 206 41

HSL 69.45, 0.67%, 0.48%

LAB 78.47, -28.49, 71.61

 

CMYK 13 / 0 / 88 / 26

HEX #A3BC16

RGB 163 188 22

HSL 69.04, 0.79%, 0.41%

LAB 72.1, -27.51, 70.05

 

CMYK 14 / 0 / 98 / 33

HEX #92AA03

RGB 146 170 3

HSL 68.62, 0.97%, 0.34%

LAB 65.64, -26.33, 67.14

 

CMYK 15 / 0 / 100 / 40

HEX #819800

RGB 129 152 0

HSL 69.08, 1%, 0.3%

LAB 59.09, -24.87, 62.07

 

CMYK 12 / 0 / 73 / 12

HEX #C5E03C

RGB 197 224 60

HSL 69.88, 0.73%, 0.56%

LAB 84.74, -29.28, 72.14

 

CMYK 0 / 8 / 73 / 12

HEX #E0CF3C

RGB 224 207 60

HSL 53.78, 0.73%, 0.56%

LAB 82.27, -9.8, 70.52

 

CMYK 0 / 27 / 73 / 12

HEX #E0A33C

RGB 224 163 60

HSL 37.68, 0.73%, 0.56%

LAB 71.12, 13.16, 59.68

 

CMYK 0 / 47 / 73 / 12

HEX #E0773C

RGB 224 119 60

HSL 21.59, 0.73%, 0.56%

LAB 61.1, 36.49, 49.41

 

CMYK 0 / 67 / 73 / 12

HEX #E04A3C

RGB 224 74 60

HSL 5.12, 0.73%, 0.56%

LAB 53.03, 57.42, 40.65

 

CMYK 12 / 0 / 73 / 12

HEX #C5E03C

RGB 197 224 60

HSL 69.88, 0.73%, 0.56%

LAB 84.74, -29.28, 72.14

 

CMYK 32 / 0 / 73 / 12

HEX #99E03C

RGB 153 224 60

HSL 85.98, 0.73%, 0.56%

LAB 82.06, -46.09, 68.62

 

CMYK 51 / 0 / 73 / 12

HEX #6DE03C

RGB 109 224 60

HSL 102.07, 0.73%, 0.56%

LAB 80.12, -60.14, 66.05

 

CMYK 71 / 0 / 73 / 12

HEX #41E03C

RGB 65 224 60

HSL 118.17, 0.73%, 0.56%

LAB 78.9, -69.96, 64.44

 

CMYK 73 / 0 / 55 / 12

HEX #3CE064

RGB 60 224 100

HSL 134.63, 0.73%, 0.56%

LAB 79.15, -66.63, 48.34

 

CMYK 12 / 0 / 73 / 12

HEX #C5E03C

RGB 197 224 60

HSL 69.88, 0.73%, 0.56%

LAB 84.74, -29.28, 72.14

 

CMYK 14 / 0 / 83 / 5

HEX #D1F22A

RGB 209 242 42

HSL 69.9, 0.88%, 0.56%

LAB 90.43, -33.5, 82.51

 

CMYK 12 / 0 / 73 / 12

HEX #C5E03C

RGB 197 224 60

HSL 69.88, 0.73%, 0.56%

LAB 84.74, -29.28, 72.14

 

CMYK 10 / 0 / 62 / 19

HEX #B9CE4F

RGB 185 206 79

HSL 69.92, 0.56%, 0.56%

LAB 79.05, -24.42, 58.95

 

CMYK 8 / 0 / 48 / 26

HEX #ADBC61

RGB 173 188 97

HSL 69.89, 0.4%, 0.56%

LAB 73.36, -18.86, 43.97

 

CMYK 5 / 0 / 32 / 33

HEX #A1AA73

RGB 161 170 115

HSL 69.82, 0.24%, 0.56%

LAB 67.7, -12.33, 27.35

 

CMYK 2 / 0 / 13 / 40

HEX #959885

RGB 149 152 133

HSL 69.47, 0.08%, 0.56%

LAB 62.12, -4.59, 9.63

 

CMYK 0 / 28 / 73 / 12

HEX #E0A13C

RGB 224 161 60

HSL 36.95, 0.73%, 0.56%

LAB 70.64, 14.23, 59.2

 

CMYK 0 / 8 / 73 / 12

HEX #E0CD3C

RGB 224 205 60

HSL 53.05, 0.73%, 0.56%

LAB 81.75, -8.79, 70.02

 

CMYK 11 / 0 / 73 / 12

HEX #C8E03C

RGB 200 224 60

HSL 68.78, 0.73%, 0.56%

LAB 84.95, -28.08, 72.41

 

CMYK 30 / 0 / 73 / 12

HEX #9CE03C

RGB 156 224 60

HSL 84.88, 0.73%, 0.56%

LAB 82.22, -45.01, 68.83

 

CMYK 50 / 0 / 73 / 12

HEX #70E03C

RGB 112 224 60

HSL 100.98, 0.73%, 0.56%

LAB 80.23, -59.3, 66.2

 

CMYK 14 / 0 / 85 / 31

HEX #97AF1B

RGB 151 175 27

HSL 69.73, 0.73%, 0.4%

LAB 67.52, -26.14, 64.84

 

CMYK 14 / 0 / 85 / 17

HEX #B5D320

RGB 181 211 32

HSL 70.06, 0.74%, 0.48%

LAB 79.91, -30.72, 75.03

 

CMYK 12 / 0 / 73 / 12

HEX #C5E03C

RGB 197 224 60

HSL 69.88, 0.73%, 0.56%

LAB 84.74, -29.28, 72.14

 

CMYK 10 / 0 / 58 / 10

HEX #D0E660

RGB 208 230 96

HSL 69.85, 0.73%, 0.64%

LAB 87.41, -25.52, 61.35

 

CMYK 7 / 0 / 44 / 8

HEX #DAEB84

RGB 218 235 132

HSL 69.9, 0.72%, 0.72%

LAB 89.85, -20.81, 47.91

 

CMYK 12 / 0 / 73 / 12

HEX #C5E03C

RGB 197 224 60

HSL 69.88, 0.73%, 0.56%

LAB 84.74, -29.28, 72.14

 

CMYK 73 / 0 / 47 / 12

HEX #3CE076

RGB 60 224 118

HSL 141.22, 0.73%, 0.56%

LAB 79.37, -64.03, 40.05

 

CMYK 18 / 73 / 0 / 12

HEX #B73CE0

RGB 183 60 224

HSL 285, 0.73%, 0.56%

LAB 50.31, 71.18, -60.16

 

CMYK 12 / 0 / 73 / 12

HEX #C5E03C

RGB 197 224 60

HSL 69.88, 0.73%, 0.56%

LAB 84.74, -29.28, 72.14

 

CMYK 73 / 11 / 0 / 12

HEX #3CC8E0

RGB 60 200 224

HSL 188.78, 0.73%, 0.56%

LAB 74.6, -28.87, -22.6

 

CMYK 0 / 73 / 11 / 12

HEX #E03CC8

RGB 224 60 200

HSL 308.78, 0.73%, 0.56%

LAB 55.33, 75.74, -38.09

 

CMYK 12 / 0 / 73 / 12

HEX #C5E03C

RGB 197 224 60

HSL 69.88, 0.73%, 0.56%

LAB 84.74, -29.28, 72.14

 

CMYK 73 / 0 / 47 / 12

HEX #3CE076

RGB 60 224 118

HSL 141.22, 0.73%, 0.56%

LAB 79.37, -64.03, 40.05

 

CMYK 62 / 73 / 0 / 12

HEX #553CE0

RGB 85 60 224

HSL 249.15, 0.73%, 0.56%

LAB 38.8, 55.19, -79.4

 

CMYK 0 / 73 / 25 / 12

HEX #E03CA7

RGB 224 60 167

HSL 320.85, 0.73%, 0.56%

LAB 53.89, 71.35, -21.18

 

CMYK 12 / 0 / 73 / 12

HEX #C5E03C

RGB 197 224 60

HSL 69.88, 0.73%, 0.56%

LAB 84.74, -29.28, 72.14

 

CMYK 73 / 0 / 25 / 12

HEX #3CE0A7

RGB 60 224 167

HSL 159.15, 0.73%, 0.56%

LAB 80.21, -54.66, 16.14

 

CMYK 62 / 73 / 0 / 12

HEX #553CE0

RGB 85 60 224

HSL 249.15, 0.73%, 0.56%

LAB 38.8, 55.19, -79.4

 

CMYK 0 / 73 / 47 / 12

HEX #E03C76

RGB 224 60 118

HSL 338.78, 0.73%, 0.56%

LAB 52.27, 66.23, 5.56

 

Description

Color code: HEX #C5E03C | qconv.com Color code: HEX #C5E03C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 224 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 224 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 73 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 73% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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