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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5DEED it is the complementary color #3A2112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5DEED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5DEED shade: #CADEE8, #DBF0FB, #ECFFFF and #FDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5DEED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5DEED shade: #C5DEED, #B4CCDA, #A3BAC7, #92A8B4 and #8196A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5DEED shade: #C4DDED, #C4D2ED, #C4C7ED, #CBC4ED and #D6C4ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5DEED shade: #C4DDED, #C4D2ED, #C4C7ED and #C4C4ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5DEED shade matches the following richer shades: #C4DDED, #BEDFF3 and #B8E0F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5DEED shade: #C4DDED, #CADCE6, #D0DAE0, #D7D9DA and #DDD7D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5DEED shade: #C4EDE6, #C4E8ED, #C4DEED, #C4D3ED and #C4C8ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5DEED shade: #85BAD9, #A4CBE3, #C4DDED and #E4EFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5DEED shade: #C5DEED, #DBC4ED and #EDEBC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5DEED shade: #C5DEED, #EDC4DE and #DEEDC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5DEED shade: #C5DEED, #DBC4ED, #EDD3C4 and #D6EDC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5DEED shade: #C5DEED, #E7C4ED, #EDD3C4 and #C9EDC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 6 / 0 / 7

HEX #C5DEED

RGB 197 222 237

HSL 202.5, 0.53%, 0.85%

LAB 87.11, -5.2, -10.12

 

Complementary color

CMYK 0 / 43 / 69 / 77

HEX #3A2112

RGB 58 33 18

HSL 22.5, 0.53%, 0.15%

LAB 15.65, 10.23, 15

 

CMYK 13 / 4 / 0 / 9

HEX #CADEE8

RGB 202 222 232

HSL 200, 0.39%, 0.85%

LAB 87.3, -4.65, -7.16

 

CMYK 13 / 4 / 0 / 2

HEX #DBF0FB

RGB 219 240 251

HSL 200.63, 0.8%, 0.92%

LAB 93.6, -4.73, -7.65

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 17 / 6 / 0 / 7

HEX #C5DEED

RGB 197 222 237

HSL 202.5, 0.53%, 0.85%

LAB 87.11, -5.2, -10.12

 

CMYK 17 / 6 / 0 / 15

HEX #B4CCDA

RGB 180 204 218

HSL 202.11, 0.34%, 0.78%

LAB 80.71, -5.14, -9.66

 

CMYK 18 / 7 / 0 / 22

HEX #A3BAC7

RGB 163 186 199

HSL 201.67, 0.24%, 0.71%

LAB 74.21, -5.07, -9.2

 

CMYK 19 / 7 / 0 / 29

HEX #92A8B4

RGB 146 168 180

HSL 201.18, 0.18%, 0.64%

LAB 67.58, -5.01, -8.74

 

CMYK 20 / 7 / 0 / 37

HEX #8196A1

RGB 129 150 161

HSL 200.63, 0.15%, 0.57%

LAB 60.83, -4.96, -8.27

 

CMYK 17 / 7 / 0 / 7

HEX #C4DDED

RGB 196 221 237

HSL 203.41, 0.53%, 0.85%

LAB 86.78, -4.99, -10.61

 

CMYK 17 / 11 / 0 / 7

HEX #C4D2ED

RGB 196 210 237

HSL 219.51, 0.53%, 0.85%

LAB 83.94, 0.76, -14.87

 

CMYK 17 / 16 / 0 / 7

HEX #C4C7ED

RGB 196 199 237

HSL 235.61, 0.53%, 0.85%

LAB 81.12, 6.61, -19.1

 

CMYK 14 / 17 / 0 / 7

HEX #CBC4ED

RGB 203 196 237

HSL 250.24, 0.53%, 0.85%

LAB 80.9, 10.42, -19.39

 

CMYK 10 / 17 / 0 / 7

HEX #D6C4ED

RGB 214 196 237

HSL 266.34, 0.53%, 0.85%

LAB 81.78, 13.93, -17.98

 

CMYK 17 / 7 / 0 / 7

HEX #C4DDED

RGB 196 221 237

HSL 203.41, 0.53%, 0.85%

LAB 86.78, -4.99, -10.61

 

CMYK 17 / 11 / 0 / 7

HEX #C4D2ED

RGB 196 210 237

HSL 219.51, 0.53%, 0.85%

LAB 83.94, 0.76, -14.87

 

CMYK 17 / 16 / 0 / 7

HEX #C4C7ED

RGB 196 199 237

HSL 235.61, 0.53%, 0.85%

LAB 81.12, 6.61, -19.1

 

CMYK 17 / 17 / 0 / 7

HEX #C4C4ED

RGB 196 196 237

HSL 240, 0.53%, 0.85%

LAB 80.36, 8.22, -20.25

 

CMYK 17 / 7 / 0 / 7

HEX #C4DDED

RGB 196 221 237

HSL 203.41, 0.53%, 0.85%

LAB 86.78, -4.99, -10.61

 

CMYK 22 / 8 / 0 / 5

HEX #BEDFF3

RGB 190 223 243

HSL 202.64, 0.69%, 0.85%

LAB 87.09, -6.57, -13.35

 

CMYK 26 / 10 / 0 / 2

HEX #B8E0F9

RGB 184 224 249

HSL 203.08, 0.84%, 0.85%

LAB 87.16, -7.52, -16.44

 

CMYK 17 / 7 / 0 / 7

HEX #C4DDED

RGB 196 221 237

HSL 203.41, 0.53%, 0.85%

LAB 86.78, -4.99, -10.61

 

CMYK 12 / 4 / 0 / 10

HEX #CADCE6

RGB 202 220 230

HSL 201.43, 0.36%, 0.85%

LAB 86.73, -4.02, -6.95

 

CMYK 7 / 3 / 0 / 12

HEX #D0DAE0

RGB 208 218 224

HSL 202.5, 0.21%, 0.85%

LAB 86.47, -2.22, -4.11

 

CMYK 1 / 0 / 0 / 15

HEX #D7D9DA

RGB 215 217 218

HSL 200, 0.04%, 0.85%

LAB 86.57, -0.49, -0.74

 

CMYK 0 / 3 / 4 / 13

HEX #DDD7D4

RGB 221 215 212

HSL 20, 0.12%, 0.85%

LAB 86.37, 1.53, 2.19

 

CMYK 17 / 0 / 3 / 7

HEX #C4EDE6

RGB 196 237 230

HSL 169.76, 0.53%, 0.85%

LAB 90.79, -14.57, -1.02

 

CMYK 17 / 2 / 0 / 7

HEX #C4E8ED

RGB 196 232 237

HSL 187.32, 0.53%, 0.85%

LAB 89.66, -10.63, -6.35

 

CMYK 17 / 6 / 0 / 7

HEX #C4DEED

RGB 196 222 237

HSL 201.95, 0.53%, 0.85%

LAB 87.04, -5.51, -10.22

 

CMYK 17 / 11 / 0 / 7

HEX #C4D3ED

RGB 196 211 237

HSL 218.05, 0.53%, 0.85%

LAB 84.19, 0.23, -14.48

 

CMYK 17 / 16 / 0 / 7

HEX #C4C8ED

RGB 196 200 237

HSL 234.15, 0.53%, 0.85%

LAB 81.38, 6.07, -18.72

 

CMYK 39 / 14 / 0 / 15

HEX #85BAD9

RGB 133 186 217

HSL 202.14, 0.53%, 0.69%

LAB 72.97, -9.55, -21.06

 

CMYK 28 / 11 / 0 / 11

HEX #A4CBE3

RGB 164 203 227

HSL 202.86, 0.53%, 0.77%

LAB 79.7, -7.45, -16.11

 

CMYK 17 / 7 / 0 / 7

HEX #C4DDED

RGB 196 221 237

HSL 203.41, 0.53%, 0.85%

LAB 86.78, -4.99, -10.61

 

CMYK 7 / 3 / 0 / 4

HEX #E4EFF6

RGB 228 239 246

HSL 203.33, 0.5%, 0.93%

LAB 93.83, -2.32, -4.64

 

CMYK 17 / 6 / 0 / 7

HEX #C5DEED

RGB 197 222 237

HSL 202.5, 0.53%, 0.85%

LAB 87.11, -5.2, -10.12

 

CMYK 8 / 17 / 0 / 7

HEX #DBC4ED

RGB 219 196 237

HSL 273.66, 0.53%, 0.85%

LAB 82.19, 15.55, -17.31

 

CMYK 0 / 1 / 17 / 7

HEX #EDEBC4

RGB 237 235 196

HSL 57.07, 0.53%, 0.85%

LAB 92.31, -5.65, 19.21

 

CMYK 17 / 6 / 0 / 7

HEX #C5DEED

RGB 197 222 237

HSL 202.5, 0.53%, 0.85%

LAB 87.11, -5.2, -10.12

 

CMYK 0 / 17 / 6 / 7

HEX #EDC4DE

RGB 237 196 222

HSL 321.95, 0.53%, 0.85%

LAB 83.32, 18.78, -7.45

 

CMYK 6 / 0 / 17 / 7

HEX #DEEDC4

RGB 222 237 196

HSL 81.95, 0.53%, 0.85%

LAB 91.72, -11.99, 18.22

 

CMYK 17 / 6 / 0 / 7

HEX #C5DEED

RGB 197 222 237

HSL 202.5, 0.53%, 0.85%

LAB 87.11, -5.2, -10.12

 

CMYK 8 / 17 / 0 / 7

HEX #DBC4ED

RGB 219 196 237

HSL 273.66, 0.53%, 0.85%

LAB 82.19, 15.55, -17.31

 

CMYK 0 / 11 / 17 / 7

HEX #EDD3C4

RGB 237 211 196

HSL 21.95, 0.53%, 0.85%

LAB 86.29, 6.67, 10.72

 

CMYK 10 / 0 / 17 / 7

HEX #D6EDC4

RGB 214 237 196

HSL 93.66, 0.53%, 0.85%

LAB 91.17, -14.78, 17.36

 

CMYK 17 / 6 / 0 / 7

HEX #C5DEED

RGB 197 222 237

HSL 202.5, 0.53%, 0.85%

LAB 87.11, -5.2, -10.12

 

CMYK 3 / 17 / 0 / 7

HEX #E7C4ED

RGB 231 196 237

HSL 291.22, 0.53%, 0.85%

LAB 83.22, 19.47, -15.66

 

CMYK 0 / 11 / 17 / 7

HEX #EDD3C4

RGB 237 211 196

HSL 21.95, 0.53%, 0.85%

LAB 86.29, 6.67, 10.72

 

CMYK 15 / 0 / 17 / 7

HEX #C9EDC4

RGB 201 237 196

HSL 112.68, 0.53%, 0.85%

LAB 90.31, -19.22, 16.03

 

Description

Color code: HEX #C5DEED | qconv.com Color code: HEX #C5DEED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 222 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 222 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 6 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 6% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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