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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5DCAD it is the complementary color #3A2352. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5DCAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5DCAD shade: #CADCA8, #DBEEBB, #ECFFCE, #FDFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5DCAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5DCAD shade: #C5DCAD, #B4CA9A, #A3B887, #92A674 and #819461

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5DCAD shade: #C5DCAD, #D2DCAD, #DCD9AD, #DCCDAD and #DCC0AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5DCAD shade: #C5DCAD, #B8DCAD, #ADDCAE, #ADDCBB and #ADDCC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5DCAD shade matches the following richer shades: #C5DCAD, #C5E5A3, #C5EF9A and #C5F890

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5DCAD shade: #C5DCAD, #C5D2B6, #C4C9C0, #C4BFC9 and #C4B6D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5DCAD shade: #DCD9AD, #D2DCAD, #C5DCAD, #B9DCAD and #ADDCAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5DCAD shade: #9CC373, #B0CF90, #C5DCAD, #D9E8CA and #EEF5E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5DCAD shade: #C5DCAD, #ADDCCD and #DCADD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5DCAD shade: #C5DCAD, #ADC5DC and #DCADC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5DCAD shade: #C5DCAD, #ADDCCD, #C4ADDC and #DCADBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5DCAD shade: #C5DCAD, #ADDCDB, #C4ADDC and #DCADAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

Complementary color

CMYK 29 / 57 / 0 / 68

HEX #3A2352

RGB 58 35 82

HSL 269.36, 0.4%, 0.23%

LAB 18.85, 21.8, -24.73

 

CMYK 8 / 0 / 24 / 14

HEX #CADCA8

RGB 202 220 168

HSL 80.77, 0.43%, 0.76%

LAB 85.29, -14.89, 23.6

 

CMYK 8 / 0 / 21 / 7

HEX #DBEEBB

RGB 219 238 187

HSL 82.35, 0.6%, 0.83%

LAB 91.59, -14.92, 22.65

 

CMYK 7 / 0 / 19 / 0

HEX #ECFFCE

RGB 236 255 206

HSL 83.27, 1%, 0.9%

LAB 97.56, -14.46, 21.38

 

CMYK 1 / 0 / 12 / 0

HEX #FDFFE1

RGB 253 255 225

HSL 64, 1%, 0.94%

LAB 99.16, -5.64, 14.12

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

CMYK 11 / 0 / 24 / 21

HEX #B4CA9A

RGB 180 202 154

HSL 87.5, 0.31%, 0.7%

LAB 78.62, -15.93, 21.55

 

CMYK 11 / 0 / 27 / 28

HEX #A3B887

RGB 163 184 135

HSL 85.71, 0.26%, 0.63%

LAB 72.11, -15.95, 22.57

 

CMYK 12 / 0 / 30 / 35

HEX #92A674

RGB 146 166 116

HSL 84, 0.22%, 0.55%

LAB 65.47, -15.95, 23.64

 

CMYK 13 / 0 / 34 / 42

HEX #819461

RGB 129 148 97

HSL 82.35, 0.21%, 0.48%

LAB 58.7, -15.94, 24.79

 

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

CMYK 5 / 0 / 21 / 14

HEX #D2DCAD

RGB 210 220 173

HSL 72.77, 0.4%, 0.77%

LAB 85.96, -11.24, 22.01

 

CMYK 0 / 1 / 21 / 14

HEX #DCD9AD

RGB 220 217 173

HSL 56.17, 0.4%, 0.77%

LAB 85.94, -6.05, 22.1

 

CMYK 0 / 7 / 21 / 14

HEX #DCCDAD

RGB 220 205 173

HSL 40.85, 0.4%, 0.77%

LAB 82.86, 0.14, 17.83

 

CMYK 0 / 13 / 21 / 14

HEX #DCC0AD

RGB 220 192 173

HSL 24.26, 0.4%, 0.77%

LAB 79.58, 6.97, 13.22

 

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

CMYK 16 / 0 / 21 / 14

HEX #B8DCAD

RGB 184 220 173

HSL 105.96, 0.4%, 0.77%

LAB 84.17, -20.48, 19.26

 

CMYK 21 / 0 / 21 / 14

HEX #ADDCAE

RGB 173 220 174

HSL 121.28, 0.4%, 0.77%

LAB 83.51, -24.04, 17.71

 

CMYK 21 / 0 / 15 / 14

HEX #ADDCBB

RGB 173 220 187

HSL 137.87, 0.4%, 0.77%

LAB 83.79, -21.71, 11.26

 

CMYK 21 / 0 / 9 / 14

HEX #ADDCC8

RGB 173 220 200

HSL 154.47, 0.4%, 0.77%

LAB 84.09, -19.23, 4.83

 

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

CMYK 14 / 0 / 29 / 10

HEX #C5E5A3

RGB 197 229 163

HSL 89.09, 0.56%, 0.77%

LAB 87.27, -21.86, 28.82

 

CMYK 18 / 0 / 36 / 6

HEX #C5EF9A

RGB 197 239 154

HSL 89.65, 0.73%, 0.77%

LAB 89.83, -27.9, 36.78

 

CMYK 21 / 0 / 42 / 3

HEX #C5F890

RGB 197 248 144

HSL 89.42, 0.88%, 0.77%

LAB 92.14, -33.36, 44.69

 

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

CMYK 6 / 0 / 13 / 18

HEX #C5D2B6

RGB 197 210 182

HSL 87.86, 0.24%, 0.77%

LAB 82.56, -9.4, 12.39

 

CMYK 2 / 0 / 4 / 21

HEX #C4C9C0

RGB 196 201 192

HSL 93.33, 0.08%, 0.77%

LAB 80.36, -3.36, 3.88

 

CMYK 2 / 5 / 0 / 21

HEX #C4BFC9

RGB 196 191 201

HSL 270, 0.08%, 0.77%

LAB 78, 3.6, -4.4

 

CMYK 7 / 14 / 0 / 17

HEX #C4B6D3

RGB 196 182 211

HSL 268.97, 0.25%, 0.77%

LAB 76, 10.39, -12.79

 

CMYK 0 / 1 / 21 / 14

HEX #DCD9AD

RGB 220 217 173

HSL 56.17, 0.4%, 0.77%

LAB 85.94, -6.05, 22.1

 

CMYK 5 / 0 / 21 / 14

HEX #D2DCAD

RGB 210 220 173

HSL 72.77, 0.4%, 0.77%

LAB 85.96, -11.24, 22.01

 

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

CMYK 16 / 0 / 21 / 14

HEX #B9DCAD

RGB 185 220 173

HSL 104.68, 0.4%, 0.77%

LAB 84.23, -20.13, 19.36

 

CMYK 21 / 0 / 21 / 14

HEX #ADDCAE

RGB 173 220 174

HSL 121.28, 0.4%, 0.77%

LAB 83.51, -24.04, 17.71

 

CMYK 20 / 0 / 41 / 24

HEX #9CC373

RGB 156 195 115

HSL 89.25, 0.4%, 0.61%

LAB 74.4, -26.84, 36

 

CMYK 15 / 0 / 30 / 19

HEX #B0CF90

RGB 176 207 144

HSL 89.52, 0.4%, 0.69%

LAB 79.54, -21.39, 28

 

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

CMYK 6 / 0 / 13 / 9

HEX #D9E8CA

RGB 217 232 202

HSL 90, 0.39%, 0.85%

LAB 90.2, -10.26, 12.9

 

CMYK 3 / 0 / 6 / 4

HEX #EEF5E7

RGB 238 245 231

HSL 90, 0.41%, 0.93%

LAB 95.69, -4.77, 5.92

 

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

CMYK 21 / 0 / 7 / 14

HEX #ADDCCD

RGB 173 220 205

HSL 160.85, 0.4%, 0.77%

LAB 84.21, -18.24, 2.36

 

CMYK 0 / 21 / 2 / 14

HEX #DCADD8

RGB 220 173 216

HSL 305.11, 0.4%, 0.77%

LAB 76.11, 24.27, -15.14

 

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

CMYK 21 / 10 / 0 / 14

HEX #ADC5DC

RGB 173 197 220

HSL 209.36, 0.4%, 0.77%

LAB 78.45, -3.18, -14.16

 

CMYK 0 / 21 / 10 / 14

HEX #DCADC5

RGB 220 173 197

HSL 329.36, 0.4%, 0.77%

LAB 75.53, 20.94, -5.63

 

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

CMYK 21 / 0 / 7 / 14

HEX #ADDCCD

RGB 173 220 205

HSL 160.85, 0.4%, 0.77%

LAB 84.21, -18.24, 2.36

 

CMYK 11 / 21 / 0 / 14

HEX #C4ADDC

RGB 196 173 220

HSL 269.36, 0.4%, 0.77%

LAB 74.06, 17.14, -20.63

 

CMYK 0 / 21 / 15 / 14

HEX #DCADBC

RGB 220 173 188

HSL 340.85, 0.4%, 0.77%

LAB 75.29, 19.45, -1.08

 

CMYK 10 / 0 / 21 / 14

HEX #C5DCAD

RGB 197 220 173

HSL 89.36, 0.4%, 0.77%

LAB 85.03, -15.92, 20.59

 

CMYK 21 / 0 / 0 / 14

HEX #ADDCDB

RGB 173 220 219

HSL 178.72, 0.4%, 0.77%

LAB 84.58, -15.33, -4.52

 

CMYK 11 / 21 / 0 / 14

HEX #C4ADDC

RGB 196 173 220

HSL 269.36, 0.4%, 0.77%

LAB 74.06, 17.14, -20.63

 

CMYK 0 / 21 / 21 / 14

HEX #DCADAE

RGB 220 173 174

HSL 358.72, 0.4%, 0.77%

LAB 74.92, 17.28, 6.05

 

Description

Color code: HEX #C5DCAD | qconv.com Color code: HEX #C5DCAD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 220 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 220 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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