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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5D591 it is the complementary color #3A2A6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5D591. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5D591 shade: #CAD58C, #DBE79F, #ECF9B2, #FDFFC5 and #FFFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5D591. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5D591 shade: #C5D591, #B4C37E, #A3B16B, #929F58 and #818D45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5D591 shade: #C5D590, #D5D390, #D5C090, #D5AD90 and #D59B90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5D591 shade: #C5D590, #B2D590, #A0D590, #90D593 and #90D5A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5D591 shade matches the following richer shades: #C5D590, #CBE184, #D2EE77 and #D8FA6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5D591 shade: #C5D590, #BEC99C, #B8BCA9, #B1B0B5 and #ABA3C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5D591 shade: #D5C090, #D5D390, #C5D590, #B3D590 and #A0D590

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5D591 shade: #A5BE54, #B5CA72, #C5D590, #D4E0AE and #E4ECCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5D591 shade: #C5D591, #90D5AE and #C990D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5D591 shade: #C5D591, #90C5D5 and #D590C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5D591 shade: #C5D591, #90D5AE, #A090D5 and #D590B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5D591 shade: #C5D591, #90D5C3, #A090D5 and #D590A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 32 / 16

HEX #C5D591

RGB 197 213 145

HSL 74.12, 0.45%, 0.7%

LAB 82.65, -16.45, 31.89

 

Complementary color

CMYK 47 / 62 / 0 / 57

HEX #3A2A6E

RGB 58 42 110

HSL 254.12, 0.45%, 0.3%

LAB 22.59, 25.74, -37.17

 

CMYK 5 / 0 / 34 / 16

HEX #CAD58C

RGB 202 213 140

HSL 69.04, 0.46%, 0.69%

LAB 82.93, -15.19, 34.89

 

CMYK 5 / 0 / 31 / 9

HEX #DBE79F

RGB 219 231 159

HSL 70, 0.6%, 0.76%

LAB 89.26, -15.35, 33.79

 

CMYK 5 / 0 / 29 / 2

HEX #ECF9B2

RGB 236 249 178

HSL 70.99, 0.86%, 0.84%

LAB 95.5, -15.48, 32.73

 

CMYK 1 / 0 / 23 / 0

HEX #FDFFC5

RGB 253 255 197

HSL 62.07, 1%, 0.89%

LAB 98.6, -9.73, 27.58

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 8 / 0 / 32 / 16

HEX #C5D591

RGB 197 213 145

HSL 74.12, 0.45%, 0.7%

LAB 82.65, -16.45, 31.89

 

CMYK 8 / 0 / 35 / 24

HEX #B4C37E

RGB 180 195 126

HSL 73.04, 0.37%, 0.63%

LAB 76.22, -16.33, 33.01

 

CMYK 8 / 0 / 40 / 31

HEX #A3B16B

RGB 163 177 107

HSL 72, 0.31%, 0.56%

LAB 69.68, -16.18, 34.18

 

CMYK 8 / 0 / 45 / 38

HEX #929F58

RGB 146 159 88

HSL 70.99, 0.29%, 0.48%

LAB 63.02, -15.98, 35.39

 

CMYK 9 / 0 / 51 / 45

HEX #818D45

RGB 129 141 69

HSL 70, 0.34%, 0.41%

LAB 56.23, -15.69, 36.6

 

CMYK 8 / 0 / 32 / 16

HEX #C5D590

RGB 197 213 144

HSL 73.91, 0.45%, 0.7%

LAB 82.63, -16.58, 32.38

 

CMYK 0 / 1 / 32 / 16

HEX #D5D390

RGB 213 211 144

HSL 58.26, 0.45%, 0.7%

LAB 83.31, -9.47, 33.5

 

CMYK 0 / 10 / 32 / 16

HEX #D5C090

RGB 213 192 144

HSL 41.74, 0.45%, 0.7%

LAB 78.38, 0.35, 26.94

 

CMYK 0 / 19 / 32 / 16

HEX #D5AD90

RGB 213 173 144

HSL 25.22, 0.45%, 0.7%

LAB 73.58, 10.45, 20.41

 

CMYK 0 / 27 / 32 / 16

HEX #D59B90

RGB 213 155 144

HSL 9.57, 0.45%, 0.7%

LAB 69.19, 20.18, 14.32

 

CMYK 8 / 0 / 32 / 16

HEX #C5D590

RGB 197 213 144

HSL 73.91, 0.45%, 0.7%

LAB 82.63, -16.58, 32.38

 

CMYK 16 / 0 / 32 / 16

HEX #B2D590

RGB 178 213 144

HSL 90.43, 0.45%, 0.7%

LAB 81.33, -23.6, 30.41

 

CMYK 25 / 0 / 32 / 16

HEX #A0D590

RGB 160 213 144

HSL 106.09, 0.45%, 0.7%

LAB 80.22, -29.95, 28.74

 

CMYK 32 / 0 / 31 / 16

HEX #90D593

RGB 144 213 147

HSL 122.61, 0.45%, 0.7%

LAB 79.4, -34.76, 25.93

 

CMYK 32 / 0 / 22 / 16

HEX #90D5A6

RGB 144 213 166

HSL 139.13, 0.45%, 0.7%

LAB 79.77, -31.41, 16.46

 

CMYK 8 / 0 / 32 / 16

HEX #C5D590

RGB 197 213 144

HSL 73.91, 0.45%, 0.7%

LAB 82.63, -16.58, 32.38

 

CMYK 10 / 0 / 41 / 12

HEX #CBE184

RGB 203 225 132

HSL 74.19, 0.61%, 0.7%

LAB 86.11, -21.68, 43

 

CMYK 12 / 0 / 50 / 7

HEX #D2EE77

RGB 210 238 119

HSL 74.12, 0.78%, 0.7%

LAB 89.94, -26.59, 54.03

 

CMYK 14 / 0 / 57 / 2

HEX #D8FA6B

RGB 216 250 107

HSL 74.27, 0.93%, 0.7%

LAB 93.46, -30.96, 63.56

 

CMYK 8 / 0 / 32 / 16

HEX #C5D590

RGB 197 213 144

HSL 73.91, 0.45%, 0.7%

LAB 82.63, -16.58, 32.38

 

CMYK 5 / 0 / 22 / 21

HEX #BEC99C

RGB 190 201 156

HSL 74.67, 0.29%, 0.7%

LAB 79.11, -11.45, 21.28

 

CMYK 2 / 0 / 10 / 26

HEX #B8BCA9

RGB 184 188 169

HSL 72.63, 0.12%, 0.7%

LAB 75.46, -4.8, 9.13

 

CMYK 2 / 3 / 0 / 29

HEX #B1B0B5

RGB 177 176 181

HSL 252, 0.03%, 0.7%

LAB 72.05, 1.3, -2.43

 

CMYK 12 / 16 / 0 / 24

HEX #ABA3C2

RGB 171 163 194

HSL 255.48, 0.2%, 0.7%

LAB 68.57, 9.02, -14.84

 

CMYK 0 / 10 / 32 / 16

HEX #D5C090

RGB 213 192 144

HSL 41.74, 0.45%, 0.7%

LAB 78.38, 0.35, 26.94

 

CMYK 0 / 1 / 32 / 16

HEX #D5D390

RGB 213 211 144

HSL 58.26, 0.45%, 0.7%

LAB 83.31, -9.47, 33.5

 

CMYK 8 / 0 / 32 / 16

HEX #C5D590

RGB 197 213 144

HSL 73.91, 0.45%, 0.7%

LAB 82.63, -16.58, 32.38

 

CMYK 16 / 0 / 32 / 16

HEX #B3D590

RGB 179 213 144

HSL 89.57, 0.45%, 0.7%

LAB 81.39, -23.24, 30.51

 

CMYK 25 / 0 / 32 / 16

HEX #A0D590

RGB 160 213 144

HSL 106.09, 0.45%, 0.7%

LAB 80.22, -29.95, 28.74

 

CMYK 13 / 0 / 56 / 25

HEX #A5BE54

RGB 165 190 84

HSL 74.15, 0.45%, 0.54%

LAB 73.2, -24.29, 49.83

 

CMYK 10 / 0 / 44 / 21

HEX #B5CA72

RGB 181 202 114

HSL 74.32, 0.45%, 0.62%

LAB 78.04, -20.87, 41.45

 

CMYK 8 / 0 / 32 / 16

HEX #C5D590

RGB 197 213 144

HSL 73.91, 0.45%, 0.7%

LAB 82.63, -16.58, 32.38

 

CMYK 5 / 0 / 22 / 12

HEX #D4E0AE

RGB 212 224 174

HSL 74.4, 0.45%, 0.78%

LAB 87.18, -12.38, 23.19

 

CMYK 3 / 0 / 14 / 7

HEX #E4ECCC

RGB 228 236 204

HSL 75, 0.46%, 0.86%

LAB 92.06, -8.12, 14.62

 

CMYK 8 / 0 / 32 / 16

HEX #C5D591

RGB 197 213 145

HSL 74.12, 0.45%, 0.7%

LAB 82.65, -16.45, 31.89

 

CMYK 32 / 0 / 18 / 16

HEX #90D5AE

RGB 144 213 174

HSL 146.09, 0.45%, 0.7%

LAB 79.94, -29.89, 12.46

 

CMYK 6 / 32 / 0 / 16

HEX #C990D5

RGB 201 144 213

HSL 289.57, 0.45%, 0.7%

LAB 67.4, 33.27, -26.9

 

CMYK 8 / 0 / 32 / 16

HEX #C5D591

RGB 197 213 145

HSL 74.12, 0.45%, 0.7%

LAB 82.65, -16.45, 31.89

 

CMYK 32 / 8 / 0 / 16

HEX #90C5D5

RGB 144 197 213

HSL 193.91, 0.45%, 0.7%

LAB 76.48, -13.35, -13.53

 

CMYK 0 / 32 / 8 / 16

HEX #D590C5

RGB 213 144 197

HSL 313.91, 0.45%, 0.7%

LAB 68.11, 34.21, -16.81

 

CMYK 8 / 0 / 32 / 16

HEX #C5D591

RGB 197 213 145

HSL 74.12, 0.45%, 0.7%

LAB 82.65, -16.45, 31.89

 

CMYK 32 / 0 / 18 / 16

HEX #90D5AE

RGB 144 213 174

HSL 146.09, 0.45%, 0.7%

LAB 79.94, -29.89, 12.46

 

CMYK 25 / 32 / 0 / 16

HEX #A090D5

RGB 160 144 213

HSL 253.91, 0.45%, 0.7%

LAB 63.53, 20.57, -33.2

 

CMYK 0 / 32 / 14 / 16

HEX #D590B7

RGB 213 144 183

HSL 326.09, 0.45%, 0.7%

LAB 67.66, 31.85, -9.67

 

CMYK 8 / 0 / 32 / 16

HEX #C5D591

RGB 197 213 145

HSL 74.12, 0.45%, 0.7%

LAB 82.65, -16.45, 31.89

 

CMYK 32 / 0 / 8 / 16

HEX #90D5C3

RGB 144 213 195

HSL 164.35, 0.45%, 0.7%

LAB 80.44, -25.56, 1.99

 

CMYK 25 / 32 / 0 / 16

HEX #A090D5

RGB 160 144 213

HSL 253.91, 0.45%, 0.7%

LAB 63.53, 20.57, -33.2

 

CMYK 0 / 32 / 24 / 16

HEX #D590A2

RGB 213 144 162

HSL 344.35, 0.45%, 0.7%

LAB 67.05, 28.62, 1.22

 

Description

Color code: HEX #C5D591 | qconv.com Color code: HEX #C5D591 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 213 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 213 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 32 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 32% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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