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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5D52F it is the complementary color #3A2AD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5D52F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5D52F shade: #CAD52A, #DBE73D, #ECF950, #FDFF63 and #FFFF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5D52F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5D52F shade: #C5D52F, #B4C31C, #A3B109, #929F00 and #818D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5D52F shade: #C5D530, #D5B830, #D58B30, #D55F30 and #D53230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5D52F shade: #C5D530, #98D530, #6CD530, #3FD530 and #30D54C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5D52F shade matches the following richer shades: #C5D530, #D5E91B and #E5FD07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5D52F shade: #C5D530, #B4C044, #A4AC58, #94986C and #838480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5D52F shade: #D58A30, #D5B630, #C7D530, #9BD530 and #6FD530

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5D52F shade: #88931E, #A8B625, #C5D530, #CEDC52 and #D8E374

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5D52F shade: #C5D52F, #30D55E and #A030D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5D52F shade: #C5D52F, #30C7D5 and #D530C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5D52F shade: #C5D52F, #30D55E, #3D30D5 and #D530A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5D52F shade: #C5D52F, #30D590, #3D30D5 and #D53074

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 78 / 16

HEX #C5D52F

RGB 197 213 47

HSL 65.78, 0.66%, 0.51%

LAB 81.66, -24.61, 73.26

 

Complementary color

CMYK 72 / 80 / 0 / 18

HEX #3A2AD0

RGB 58 42 208

HSL 245.78, 0.66%, 0.49%

LAB 32.05, 56.66, -81.4

 

CMYK 5 / 0 / 80 / 16

HEX #CAD52A

RGB 202 213 42

HSL 63.86, 0.67%, 0.5%

LAB 82.01, -22.71, 75.07

 

CMYK 5 / 0 / 74 / 9

HEX #DBE73D

RGB 219 231 61

HSL 64.24, 0.78%, 0.57%

LAB 88.23, -23.64, 75.67

 

CMYK 5 / 0 / 68 / 2

HEX #ECF950

RGB 236 249 80

HSL 64.62, 0.93%, 0.65%

LAB 94.38, -24.43, 75.62

 

CMYK 1 / 0 / 61 / 0

HEX #FDFF63

RGB 253 255 99

HSL 60.77, 1%, 0.69%

LAB 97.35, -19.42, 71.87

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 8 / 0 / 78 / 16

HEX #C5D52F

RGB 197 213 47

HSL 65.78, 0.66%, 0.51%

LAB 81.66, -24.61, 73.26

 

CMYK 8 / 0 / 86 / 24

HEX #B4C31C

RGB 180 195 28

HSL 65.39, 0.75%, 0.44%

LAB 75.34, -23.59, 72.04

 

CMYK 8 / 0 / 95 / 31

HEX #A3B109

RGB 163 177 9

HSL 65, 0.9%, 0.36%

LAB 68.93, -22.37, 69.46

 

CMYK 8 / 0 / 100 / 38

HEX #929F00

RGB 146 159 0

HSL 64.91, 1%, 0.31%

LAB 62.43, -20.92, 65.13

 

CMYK 9 / 0 / 100 / 45

HEX #818D00

RGB 129 141 0

HSL 65.11, 1%, 0.28%

LAB 55.8, -19.32, 59.62

 

CMYK 8 / 0 / 77 / 16

HEX #C5D530

RGB 197 213 48

HSL 65.82, 0.66%, 0.51%

LAB 81.66, -24.57, 72.98

 

CMYK 0 / 14 / 77 / 16

HEX #D5B830

RGB 213 184 48

HSL 49.45, 0.66%, 0.51%

LAB 75.23, -3.19, 67.64

 

CMYK 0 / 35 / 77 / 16

HEX #D58B30

RGB 213 139 48

HSL 33.09, 0.66%, 0.51%

LAB 64.02, 20.85, 57.2

 

CMYK 0 / 55 / 77 / 16

HEX #D55F30

RGB 213 95 48

HSL 17.09, 0.66%, 0.51%

LAB 54.6, 43.77, 47.98

 

CMYK 0 / 77 / 77 / 16

HEX #D53230

RGB 213 50 48

HSL 0.73, 0.66%, 0.51%

LAB 47.8, 62.03, 40.99

 

CMYK 8 / 0 / 77 / 16

HEX #C5D530

RGB 197 213 48

HSL 65.82, 0.66%, 0.51%

LAB 81.66, -24.57, 72.98

 

CMYK 29 / 0 / 77 / 16

HEX #98D530

RGB 152 213 48

HSL 82.18, 0.66%, 0.51%

LAB 78.74, -42.37, 69.23

 

CMYK 49 / 0 / 77 / 16

HEX #6CD530

RGB 108 213 48

HSL 98.18, 0.66%, 0.51%

LAB 76.67, -57.09, 66.55

 

CMYK 70 / 0 / 77 / 16

HEX #3FD530

RGB 63 213 48

HSL 114.55, 0.66%, 0.51%

LAB 75.36, -67.67, 64.84

 

CMYK 77 / 0 / 64 / 16

HEX #30D54C

RGB 48 213 76

HSL 130.18, 0.66%, 0.51%

LAB 75.29, -67.59, 54.43

 

CMYK 8 / 0 / 77 / 16

HEX #C5D530

RGB 197 213 48

HSL 65.82, 0.66%, 0.51%

LAB 81.66, -24.57, 72.98

 

CMYK 9 / 0 / 88 / 9

HEX #D5E91B

RGB 213 233 27

HSL 65.83, 0.82%, 0.51%

LAB 88.21, -28.08, 83.68

 

CMYK 9 / 0 / 97 / 1

HEX #E5FD07

RGB 229 253 7

HSL 65.85, 0.98%, 0.51%

LAB 94.71, -31.14, 91.33

 

CMYK 8 / 0 / 77 / 16

HEX #C5D530

RGB 197 213 48

HSL 65.82, 0.66%, 0.51%

LAB 81.66, -24.57, 72.98

 

CMYK 6 / 0 / 65 / 25

HEX #B4C044

RGB 180 192 68

HSL 65.81, 0.5%, 0.51%

LAB 74.71, -20.36, 58.79

 

CMYK 5 / 0 / 49 / 33

HEX #A4AC58

RGB 164 172 88

HSL 65.71, 0.34%, 0.51%

LAB 68.1, -15.29, 41.91

 

CMYK 3 / 0 / 29 / 40

HEX #94986C

RGB 148 152 108

HSL 65.45, 0.18%, 0.51%

LAB 61.51, -8.91, 22.73

 

CMYK 1 / 0 / 3 / 48

HEX #838480

RGB 131 132 128

HSL 75, 0.02%, 0.51%

LAB 54.96, -1.15, 2.02

 

CMYK 0 / 35 / 77 / 16

HEX #D58A30

RGB 213 138 48

HSL 32.73, 0.66%, 0.51%

LAB 63.78, 21.39, 56.97

 

CMYK 0 / 15 / 77 / 16

HEX #D5B630

RGB 213 182 48

HSL 48.73, 0.66%, 0.51%

LAB 74.71, -2.15, 67.16

 

CMYK 7 / 0 / 77 / 16

HEX #C7D530

RGB 199 213 48

HSL 65.09, 0.66%, 0.51%

LAB 81.81, -23.74, 73.16

 

CMYK 27 / 0 / 77 / 16

HEX #9BD530

RGB 155 213 48

HSL 81.09, 0.66%, 0.51%

LAB 78.91, -41.25, 69.45

 

CMYK 48 / 0 / 77 / 16

HEX #6FD530

RGB 111 213 48

HSL 97.09, 0.66%, 0.51%

LAB 76.79, -56.21, 66.7

 

CMYK 7 / 0 / 80 / 42

HEX #88931E

RGB 136 147 30

HSL 65.64, 0.66%, 0.35%

LAB 58.22, -18.51, 55.47

 

CMYK 8 / 0 / 80 / 29

HEX #A8B625

RGB 168 182 37

HSL 65.79, 0.66%, 0.43%

LAB 70.81, -22.02, 65.59

 

CMYK 8 / 0 / 77 / 16

HEX #C5D530

RGB 197 213 48

HSL 65.82, 0.66%, 0.51%

LAB 81.66, -24.57, 72.98

 

CMYK 6 / 0 / 63 / 14

HEX #CEDC52

RGB 206 220 82

HSL 66.09, 0.66%, 0.59%

LAB 84.44, -22.51, 63.93

 

CMYK 5 / 0 / 49 / 11

HEX #D8E374

RGB 216 227 116

HSL 65.95, 0.66%, 0.67%

LAB 87.39, -19.25, 52.48

 

CMYK 8 / 0 / 78 / 16

HEX #C5D52F

RGB 197 213 47

HSL 65.78, 0.66%, 0.51%

LAB 81.66, -24.61, 73.26

 

CMYK 77 / 0 / 56 / 16

HEX #30D55E

RGB 48 213 94

HSL 136.73, 0.66%, 0.51%

LAB 75.47, -65.43, 46.67

 

CMYK 25 / 77 / 0 / 16

HEX #A030D5

RGB 160 48 213

HSL 280.73, 0.66%, 0.51%

LAB 44.79, 68.94, -62.97

 

CMYK 8 / 0 / 78 / 16

HEX #C5D52F

RGB 197 213 47

HSL 65.78, 0.66%, 0.51%

LAB 81.66, -24.61, 73.26

 

CMYK 77 / 7 / 0 / 16

HEX #30C7D5

RGB 48 199 213

HSL 185.09, 0.66%, 0.51%

LAB 73.73, -33.03, -18

 

CMYK 0 / 77 / 7 / 16

HEX #D530C7

RGB 213 48 199

HSL 305.09, 0.66%, 0.51%

LAB 52.27, 76.67, -42.46

 

CMYK 8 / 0 / 78 / 16

HEX #C5D52F

RGB 197 213 47

HSL 65.78, 0.66%, 0.51%

LAB 81.66, -24.61, 73.26

 

CMYK 77 / 0 / 56 / 16

HEX #30D55E

RGB 48 213 94

HSL 136.73, 0.66%, 0.51%

LAB 75.47, -65.43, 46.67

 

CMYK 71 / 77 / 0 / 16

HEX #3D30D5

RGB 61 48 213

HSL 244.73, 0.66%, 0.51%

LAB 33.79, 55.52, -81.41

 

CMYK 0 / 77 / 22 / 16

HEX #D530A6

RGB 213 48 166

HSL 317.09, 0.66%, 0.51%

LAB 50.7, 72.16, -25.66

 

CMYK 8 / 0 / 78 / 16

HEX #C5D52F

RGB 197 213 47

HSL 65.78, 0.66%, 0.51%

LAB 81.66, -24.61, 73.26

 

CMYK 77 / 0 / 32 / 16

HEX #30D590

RGB 48 213 144

HSL 154.91, 0.66%, 0.51%

LAB 76.21, -56.85, 22.64

 

CMYK 71 / 77 / 0 / 16

HEX #3D30D5

RGB 61 48 213

HSL 244.73, 0.66%, 0.51%

LAB 33.79, 55.52, -81.41

 

CMYK 0 / 77 / 46 / 16

HEX #D53074

RGB 213 48 116

HSL 335.27, 0.66%, 0.51%

LAB 48.91, 66.78, 1.67

 

Description

Color code: HEX #C5D52F | qconv.com Color code: HEX #C5D52F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 213 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 213 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 78 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 78% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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