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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5D514 it is the complementary color #3A2AEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5D514. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5D514 shade: #CAD50F, #DBE722, #ECF935, #FDFF48 and #FFFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5D514. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5D514 shade: #C5D514, #B4C301, #A3B100, #929F00 and #818D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5D514 shade: #C7D714, #D7B214, #D77E14, #D74914 and #D71514

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5D514 shade: #C7D714, #92D714, #5ED714, #29D714 and #14D733

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5D514 shade matches the following richer shades: #C7D714 and #D6EA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5D514 shade: #C7D714, #B7C427, #A7B13A, #979E4D and #878B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5D514 shade: #D77C14, #D7B014, #CAD714, #96D714 and #62D714

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5D514 shade: #818B0D, #A4B110, #C7D714, #DBEB29 and #E1EF4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5D514 shade: #C5D514, #14D748 and #9614D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5D514 shade: #C5D514, #14CAD7 and #D714CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5D514 shade: #C5D514, #14D748, #2114D7 and #D714A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5D514 shade: #C5D514, #14D782, #2114D7 and #D71468

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 91 / 16

HEX #C5D514

RGB 197 213 20

HSL 64.97, 0.83%, 0.46%

LAB 81.57, -25.33, 78.98

 

Complementary color

CMYK 75 / 82 / 0 / 8

HEX #3A2AEB

RGB 58 42 235

HSL 244.97, 0.83%, 0.54%

LAB 35.11, 64.51, -91.84

 

CMYK 5 / 0 / 93 / 16

HEX #CAD50F

RGB 202 213 15

HSL 63.33, 0.87%, 0.45%

LAB 81.94, -23.31, 80.07

 

CMYK 5 / 0 / 85 / 9

HEX #DBE722

RGB 219 231 34

HSL 63.65, 0.8%, 0.52%

LAB 88.13, -24.53, 82.55

 

CMYK 5 / 0 / 79 / 2

HEX #ECF935

RGB 236 249 53

HSL 63.98, 0.94%, 0.59%

LAB 94.24, -25.58, 83.89

 

CMYK 1 / 0 / 72 / 0

HEX #FDFF48

RGB 253 255 72

HSL 60.66, 1%, 0.64%

LAB 97.18, -20.83, 81.49

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 8 / 0 / 91 / 16

HEX #C5D514

RGB 197 213 20

HSL 64.97, 0.83%, 0.46%

LAB 81.57, -25.33, 78.98

 

CMYK 8 / 0 / 99 / 24

HEX #B4C301

RGB 180 195 1

HSL 64.64, 0.99%, 0.38%

LAB 75.29, -24.03, 75.72

 

CMYK 8 / 0 / 100 / 31

HEX #A3B100

RGB 163 177 0

HSL 64.75, 1%, 0.35%

LAB 68.92, -22.5, 70.53

 

CMYK 8 / 0 / 100 / 38

HEX #929F00

RGB 146 159 0

HSL 64.91, 1%, 0.31%

LAB 62.43, -20.92, 65.13

 

CMYK 9 / 0 / 100 / 45

HEX #818D00

RGB 129 141 0

HSL 65.11, 1%, 0.28%

LAB 55.8, -19.32, 59.62

 

CMYK 7 / 0 / 91 / 16

HEX #C7D714

RGB 199 215 20

HSL 64.92, 0.83%, 0.46%

LAB 82.27, -25.45, 79.59

 

CMYK 0 / 17 / 91 / 16

HEX #D7B214

RGB 215 178 20

HSL 48.62, 0.83%, 0.46%

LAB 73.76, 0.08, 73.58

 

CMYK 0 / 41 / 91 / 16

HEX #D77E14

RGB 215 126 20

HSL 32.62, 0.83%, 0.46%

LAB 61.15, 27.91, 64.06

 

CMYK 0 / 66 / 91 / 16

HEX #D74914

RGB 215 73 20

HSL 16.31, 0.83%, 0.46%

LAB 50.99, 53.67, 56.68

 

CMYK 0 / 90 / 91 / 16

HEX #D71514

RGB 215 21 20

HSL 0.31, 0.83%, 0.46%

LAB 45.68, 68.48, 53

 

CMYK 7 / 0 / 91 / 16

HEX #C7D714

RGB 199 215 20

HSL 64.92, 0.83%, 0.46%

LAB 82.27, -25.45, 79.59

 

CMYK 32 / 0 / 91 / 16

HEX #92D714

RGB 146 215 20

HSL 81.23, 0.83%, 0.46%

LAB 78.9, -46.37, 75.49

 

CMYK 56 / 0 / 91 / 16

HEX #5ED714

RGB 94 215 20

HSL 97.23, 0.83%, 0.46%

LAB 76.7, -62.79, 72.76

 

CMYK 81 / 0 / 91 / 16

HEX #29D714

RGB 41 215 20

HSL 113.54, 0.83%, 0.46%

LAB 75.53, -72.71, 71.31

 

CMYK 91 / 0 / 76 / 16

HEX #14D733

RGB 20 215 51

HSL 129.54, 0.83%, 0.46%

LAB 75.44, -73, 63.79

 

CMYK 7 / 0 / 91 / 16

HEX #C7D714

RGB 199 215 20

HSL 64.92, 0.83%, 0.46%

LAB 82.27, -25.45, 79.59

 

CMYK 9 / 0 / 100 / 8

HEX #D6EA01

RGB 214 234 1

HSL 65.15, 0.99%, 0.46%

LAB 88.52, -28.46, 86.67

 

CMYK 7 / 0 / 91 / 16

HEX #C7D714

RGB 199 215 20

HSL 64.92, 0.83%, 0.46%

LAB 82.27, -25.45, 79.59

 

CMYK 7 / 0 / 80 / 23

HEX #B7C427

RGB 183 196 39

HSL 64.97, 0.67%, 0.46%

LAB 75.88, -22.49, 69.95

 

CMYK 6 / 0 / 67 / 31

HEX #A7B13A

RGB 167 177 58

HSL 65.04, 0.51%, 0.46%

LAB 69.44, -18.94, 57.06

 

CMYK 4 / 0 / 51 / 38

HEX #979E4D

RGB 151 158 77

HSL 65.19, 0.34%, 0.46%

LAB 62.98, -14.51, 41.02

 

CMYK 3 / 0 / 31 / 45

HEX #878B60

RGB 135 139 96

HSL 65.58, 0.18%, 0.46%

LAB 56.55, -8.83, 22.56

 

CMYK 0 / 42 / 91 / 16

HEX #D77C14

RGB 215 124 20

HSL 32, 0.83%, 0.46%

LAB 60.7, 28.98, 63.73

 

CMYK 0 / 18 / 91 / 16

HEX #D7B014

RGB 215 176 20

HSL 48, 0.83%, 0.46%

LAB 73.25, 1.13, 73.19

 

CMYK 6 / 0 / 91 / 16

HEX #CAD714

RGB 202 215 20

HSL 64, 0.83%, 0.46%

LAB 82.49, -24.2, 79.86

 

CMYK 30 / 0 / 91 / 16

HEX #96D714

RGB 150 215 20

HSL 80, 0.83%, 0.46%

LAB 79.12, -44.9, 75.75

 

CMYK 54 / 0 / 91 / 16

HEX #62D714

RGB 98 215 20

HSL 96, 0.83%, 0.46%

LAB 76.83, -61.73, 72.93

 

CMYK 7 / 0 / 91 / 45

HEX #818B0D

RGB 129 139 13

HSL 64.76, 0.83%, 0.3%

LAB 55.24, -18.04, 56.99

 

CMYK 7 / 0 / 91 / 31

HEX #A4B110

RGB 164 177 16

HSL 64.84, 0.83%, 0.38%

LAB 69.02, -21.83, 68.63

 

CMYK 7 / 0 / 91 / 16

HEX #C7D714

RGB 199 215 20

HSL 64.92, 0.83%, 0.46%

LAB 82.27, -25.45, 79.59

 

CMYK 7 / 0 / 83 / 8

HEX #DBEB29

RGB 219 235 41

HSL 64.95, 0.83%, 0.54%

LAB 89.22, -26.25, 81.99

 

CMYK 6 / 0 / 67 / 6

HEX #E1EF4F

RGB 225 239 79

HSL 65.25, 0.83%, 0.62%

LAB 90.92, -24.15, 72.24

 

CMYK 8 / 0 / 91 / 16

HEX #C5D514

RGB 197 213 20

HSL 64.97, 0.83%, 0.46%

LAB 81.57, -25.33, 78.98

 

CMYK 91 / 0 / 67 / 16

HEX #14D748

RGB 20 215 72

HSL 136, 0.83%, 0.46%

LAB 75.59, -71.2, 56.31

 

CMYK 30 / 91 / 0 / 16

HEX #9614D7

RGB 150 20 215

HSL 280, 0.83%, 0.46%

LAB 41.04, 74.89, -70.28

 

CMYK 8 / 0 / 91 / 16

HEX #C5D514

RGB 197 213 20

HSL 64.97, 0.83%, 0.46%

LAB 81.57, -25.33, 78.98

 

CMYK 91 / 6 / 0 / 16

HEX #14CAD7

RGB 20 202 215

HSL 184, 0.83%, 0.46%

LAB 74.38, -35.76, -18.13

 

CMYK 0 / 91 / 6 / 16

HEX #D714CA

RGB 215 20 202

HSL 304, 0.83%, 0.46%

LAB 50.93, 82.83, -46.29

 

CMYK 8 / 0 / 91 / 16

HEX #C5D514

RGB 197 213 20

HSL 64.97, 0.83%, 0.46%

LAB 81.57, -25.33, 78.98

 

CMYK 91 / 0 / 67 / 16

HEX #14D748

RGB 20 215 72

HSL 136, 0.83%, 0.46%

LAB 75.59, -71.2, 56.31

 

CMYK 85 / 91 / 0 / 16

HEX #2114D7

RGB 33 20 215

HSL 244, 0.83%, 0.46%

LAB 28.72, 65.8, -91.04

 

CMYK 0 / 91 / 24 / 16

HEX #D714A3

RGB 215 20 163

HSL 316, 0.83%, 0.46%

LAB 49, 77.83, -26.5

 

CMYK 8 / 0 / 91 / 16

HEX #C5D514

RGB 197 213 20

HSL 64.97, 0.83%, 0.46%

LAB 81.57, -25.33, 78.98

 

CMYK 91 / 0 / 40 / 16

HEX #14D782

RGB 20 215 130

HSL 153.85, 0.83%, 0.46%

LAB 76.29, -62.68, 29.95

 

CMYK 85 / 91 / 0 / 16

HEX #2114D7

RGB 33 20 215

HSL 244, 0.83%, 0.46%

LAB 28.72, 65.8, -91.04

 

CMYK 0 / 91 / 52 / 16

HEX #D71468

RGB 215 20 104

HSL 334.15, 0.83%, 0.46%

LAB 46.9, 72.19, 6.2

 

Description

Color code: HEX #C5D514 | qconv.com Color code: HEX #C5D514 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 213 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 213 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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