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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5D367 it is the complementary color #3A2C98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5D367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5D367 shade: #CAD362, #DBE575, #ECF788, #FDFF9B and #FFFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5D367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5D367 shade: #C5D367, #B4C154, #A3AF41, #929D2E and #818B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5D367 shade: #C6D369, #D3C469, #D3A869, #D38B69 and #D36E69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5D367 shade: #C6D369, #A9D369, #8CD369, #6FD369 and #69D37F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5D367 shade matches the following richer shades: #C6D369, #D1E359 and #DDF349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5D367 shade: #C6D369, #BAC478, #AEB488, #A3A498 and #9795A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5D367 shade: #D3A769, #D3C369, #C7D369, #ABD369 and #8ED369

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5D367 shade: #A4B535, #B9CA49, #C6D369, #D2DD89 and #DEE6A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5D367 shade: #C5D367, #69D38B and #B569D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5D367 shade: #C5D367, #69C7D3 and #D369C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5D367 shade: #C5D367, #69D38B, #7569D3 and #D369B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5D367 shade: #C5D367, #69D3AB, #7569D3 and #D36992

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 51 / 17

HEX #C5D367

RGB 197 211 103

HSL 67.78, 0.55%, 0.62%

LAB 81.53, -20.11, 51.27

 

Complementary color

CMYK 62 / 71 / 0 / 40

HEX #3A2C98

RGB 58 44 152

HSL 247.78, 0.55%, 0.38%

LAB 26.64, 38.14, -56.95

 

CMYK 4 / 0 / 54 / 17

HEX #CAD362

RGB 202 211 98

HSL 64.78, 0.56%, 0.61%

LAB 81.85, -18.54, 54.06

 

CMYK 4 / 0 / 49 / 10

HEX #DBE575

RGB 219 229 117

HSL 65.36, 0.68%, 0.68%

LAB 88.15, -18.96, 52.98

 

CMYK 4 / 0 / 45 / 3

HEX #ECF788

RGB 236 247 136

HSL 65.95, 0.87%, 0.75%

LAB 94.37, -19.31, 51.86

 

CMYK 1 / 0 / 39 / 0

HEX #FDFF9B

RGB 253 255 155

HSL 61.2, 1%, 0.8%

LAB 97.94, -14.78, 47.51

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 7 / 0 / 51 / 17

HEX #C5D367

RGB 197 211 103

HSL 67.78, 0.55%, 0.62%

LAB 81.53, -20.11, 51.27

 

CMYK 7 / 0 / 56 / 24

HEX #B4C154

RGB 180 193 84

HSL 67.16, 0.47%, 0.54%

LAB 75.13, -19.69, 52.32

 

CMYK 7 / 0 / 63 / 31

HEX #A3AF41

RGB 163 175 65

HSL 66.55, 0.46%, 0.47%

LAB 68.63, -19.16, 53.21

 

CMYK 7 / 0 / 71 / 38

HEX #929D2E

RGB 146 157 46

HSL 65.95, 0.55%, 0.4%

LAB 62.02, -18.49, 53.75

 

CMYK 7 / 0 / 81 / 45

HEX #818B1B

RGB 129 139 27

HSL 65.36, 0.67%, 0.33%

LAB 55.29, -17.6, 53.55

 

CMYK 6 / 0 / 50 / 17

HEX #C6D369

RGB 198 211 105

HSL 67.36, 0.55%, 0.62%

LAB 81.63, -19.53, 50.47

 

CMYK 0 / 7 / 50 / 17

HEX #D3C469

RGB 211 196 105

HSL 51.51, 0.55%, 0.62%

LAB 78.66, -6.7, 47.18

 

CMYK 0 / 20 / 50 / 17

HEX #D3A869

RGB 211 168 105

HSL 35.66, 0.55%, 0.62%

LAB 71.47, 8.05, 38.36

 

CMYK 0 / 34 / 50 / 17

HEX #D38B69

RGB 211 139 105

HSL 19.25, 0.55%, 0.62%

LAB 64.43, 23.74, 29.39

 

CMYK 0 / 48 / 50 / 17

HEX #D36E69

RGB 211 110 105

HSL 2.83, 0.55%, 0.62%

LAB 58.06, 39.14, 20.96

 

CMYK 6 / 0 / 50 / 17

HEX #C6D369

RGB 198 211 105

HSL 67.36, 0.55%, 0.62%

LAB 81.63, -19.53, 50.47

 

CMYK 20 / 0 / 50 / 17

HEX #A9D369

RGB 169 211 105

HSL 83.77, 0.55%, 0.62%

LAB 79.64, -30.77, 47.61

 

CMYK 34 / 0 / 50 / 17

HEX #8CD369

RGB 140 211 105

HSL 100.19, 0.55%, 0.62%

LAB 77.98, -41.14, 45.22

 

CMYK 47 / 0 / 50 / 17

HEX #6FD369

RGB 111 211 105

HSL 116.6, 0.55%, 0.62%

LAB 76.67, -50.17, 43.32

 

CMYK 50 / 0 / 40 / 17

HEX #69D37F

RGB 105 211 127

HSL 132.45, 0.55%, 0.62%

LAB 76.75, -48.56, 32.42

 

CMYK 6 / 0 / 50 / 17

HEX #C6D369

RGB 198 211 105

HSL 67.36, 0.55%, 0.62%

LAB 81.63, -19.53, 50.47

 

CMYK 8 / 0 / 61 / 11

HEX #D1E359

RGB 209 227 89

HSL 67.83, 0.71%, 0.62%

LAB 86.61, -24.2, 63.45

 

CMYK 9 / 0 / 70 / 5

HEX #DDF349

RGB 221 243 73

HSL 67.76, 0.88%, 0.62%

LAB 91.66, -27.95, 75.03

 

CMYK 6 / 0 / 50 / 17

HEX #C6D369

RGB 198 211 105

HSL 67.36, 0.55%, 0.62%

LAB 81.63, -19.53, 50.47

 

CMYK 5 / 0 / 39 / 23

HEX #BAC478

RGB 186 196 120

HSL 67.89, 0.39%, 0.62%

LAB 76.85, -15.23, 36.99

 

CMYK 3 / 0 / 24 / 29

HEX #AEB488

RGB 174 180 136

HSL 68.18, 0.23%, 0.62%

LAB 71.84, -9.56, 21.8

 

CMYK 1 / 0 / 7 / 36

HEX #A3A498

RGB 163 164 152

HSL 65, 0.06%, 0.62%

LAB 66.98, -2.57, 6.09

 

CMYK 10 / 11 / 0 / 34

HEX #9795A8

RGB 151 149 168

HSL 246.32, 0.1%, 0.62%

LAB 62.42, 4.57, -9.68

 

CMYK 0 / 21 / 50 / 17

HEX #D3A769

RGB 211 167 105

HSL 35.09, 0.55%, 0.62%

LAB 71.22, 8.59, 38.05

 

CMYK 0 / 8 / 50 / 17

HEX #D3C369

RGB 211 195 105

HSL 50.94, 0.55%, 0.62%

LAB 78.4, -6.18, 46.86

 

CMYK 6 / 0 / 50 / 17

HEX #C7D369

RGB 199 211 105

HSL 66.79, 0.55%, 0.62%

LAB 81.7, -19.13, 50.57

 

CMYK 19 / 0 / 50 / 17

HEX #ABD369

RGB 171 211 105

HSL 82.64, 0.55%, 0.62%

LAB 79.77, -30.02, 47.79

 

CMYK 33 / 0 / 50 / 17

HEX #8ED369

RGB 142 211 105

HSL 99.06, 0.55%, 0.62%

LAB 78.09, -40.47, 45.37

 

CMYK 9 / 0 / 71 / 29

HEX #A4B535

RGB 164 181 53

HSL 67.97, 0.55%, 0.46%

LAB 70.31, -22.49, 59.78

 

CMYK 8 / 0 / 64 / 21

HEX #B9CA49

RGB 185 202 73

HSL 67.91, 0.55%, 0.54%

LAB 77.9, -22.89, 60.21

 

CMYK 6 / 0 / 50 / 17

HEX #C6D369

RGB 198 211 105

HSL 67.36, 0.55%, 0.62%

LAB 81.63, -19.53, 50.47

 

CMYK 5 / 0 / 38 / 13

HEX #D2DD89

RGB 210 221 137

HSL 67.86, 0.55%, 0.7%

LAB 85.62, -16.47, 39.99

 

CMYK 3 / 0 / 27 / 10

HEX #DEE6A9

RGB 222 230 169

HSL 67.87, 0.55%, 0.78%

LAB 89.39, -12.43, 28.9

 

CMYK 7 / 0 / 51 / 17

HEX #C5D367

RGB 197 211 103

HSL 67.78, 0.55%, 0.62%

LAB 81.53, -20.11, 51.27

 

CMYK 50 / 0 / 34 / 17

HEX #69D38B

RGB 105 211 139

HSL 139.25, 0.55%, 0.62%

LAB 76.95, -46.5, 26.5

 

CMYK 14 / 50 / 0 / 17

HEX #B569D3

RGB 181 105 211

HSL 283.02, 0.55%, 0.62%

LAB 56.71, 47.89, -42.59

 

CMYK 7 / 0 / 51 / 17

HEX #C5D367

RGB 197 211 103

HSL 67.78, 0.55%, 0.62%

LAB 81.53, -20.11, 51.27

 

CMYK 50 / 6 / 0 / 17

HEX #69C7D3

RGB 105 199 211

HSL 186.79, 0.55%, 0.62%

LAB 75.17, -24.62, -14.59

 

CMYK 0 / 50 / 6 / 17

HEX #D369C7

RGB 211 105 199

HSL 306.79, 0.55%, 0.62%

LAB 59.96, 54.11, -30.44

 

CMYK 7 / 0 / 51 / 17

HEX #C5D367

RGB 197 211 103

HSL 67.78, 0.55%, 0.62%

LAB 81.53, -20.11, 51.27

 

CMYK 50 / 0 / 34 / 17

HEX #69D38B

RGB 105 211 139

HSL 139.25, 0.55%, 0.62%

LAB 76.95, -46.5, 26.5

 

CMYK 45 / 50 / 0 / 17

HEX #7569D3

RGB 117 105 211

HSL 246.79, 0.55%, 0.62%

LAB 50.2, 31.31, -53.34

 

CMYK 0 / 50 / 16 / 17

HEX #D369B2

RGB 211 105 178

HSL 318.68, 0.55%, 0.62%

LAB 59.13, 50.71, -19.73

 

CMYK 7 / 0 / 51 / 17

HEX #C5D367

RGB 197 211 103

HSL 67.78, 0.55%, 0.62%

LAB 81.53, -20.11, 51.27

 

CMYK 50 / 0 / 19 / 17

HEX #69D3AB

RGB 105 211 171

HSL 157.36, 0.55%, 0.62%

LAB 77.6, -40.11, 10.5

 

CMYK 45 / 50 / 0 / 17

HEX #7569D3

RGB 117 105 211

HSL 246.79, 0.55%, 0.62%

LAB 50.2, 31.31, -53.34

 

CMYK 0 / 50 / 31 / 17

HEX #D36992

RGB 211 105 146

HSL 336.79, 0.55%, 0.62%

LAB 58.06, 46.19, -2.83

 

Description

Color code: HEX #C5D367 | qconv.com Color code: HEX #C5D367 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 211 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 211 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 51 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 51% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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