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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5D35F it is the complementary color #3A2CA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5D35F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5D35F shade: #CAD35A, #DBE56D, #ECF780, #FDFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5D35F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5D35F shade: #C5D35F, #B4C14C, #A3AF39, #929D26 and #818B13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5D35F shade: #C5D35F, #D3C25F, #D3A25F, #D3835F and #D3645F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5D35F shade: #C5D35F, #A6D35F, #86D35F, #67D35F and #5FD376

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5D35F shade matches the following richer shades: #C5D35F, #D2E44E and #DEF43E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5D35F shade: #C5D35F, #B9C36F, #ACB280, #A0A290 and #9391A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5D35F shade: #D3A35F, #D3C25F, #C6D35F, #A7D35F and #88D35F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5D35F shade: #A0AF30, #B9CA3E, #C5D35F, #D1DC7F and #DDE5A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5D35F shade: #C5D35F, #5FD384 and #B25FD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5D35F shade: #C5D35F, #5FC6D3 and #D35FC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5D35F shade: #C5D35F, #5FD384, #6C5FD3 and #D35FAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5D35F shade: #C5D35F, #5FD3A7, #6C5FD3 and #D35F8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 55 / 17

HEX #C5D35F

RGB 197 211 95

HSL 67.24, 0.57%, 0.6%

LAB 81.45, -20.8, 54.86

 

Complementary color

CMYK 64 / 73 / 0 / 37

HEX #3A2CA0

RGB 58 44 160

HSL 247.24, 0.57%, 0.4%

LAB 27.41, 40.73, -60.58

 

CMYK 4 / 0 / 57 / 17

HEX #CAD35A

RGB 202 211 90

HSL 64.46, 0.58%, 0.59%

LAB 81.77, -19.17, 57.56

 

CMYK 4 / 0 / 52 / 10

HEX #DBE56D

RGB 219 229 109

HSL 65, 0.7%, 0.66%

LAB 88.07, -19.66, 56.56

 

CMYK 4 / 0 / 48 / 3

HEX #ECF780

RGB 236 247 128

HSL 65.55, 0.88%, 0.74%

LAB 94.28, -20.06, 55.48

 

CMYK 1 / 0 / 42 / 0

HEX #FDFF93

RGB 253 255 147

HSL 61.11, 1%, 0.79%

LAB 97.84, -15.59, 51.21

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35F

RGB 197 211 95

HSL 67.24, 0.57%, 0.6%

LAB 81.45, -20.8, 54.86

 

CMYK 7 / 0 / 61 / 24

HEX #B4C14C

RGB 180 193 76

HSL 66.67, 0.49%, 0.53%

LAB 75.05, -20.31, 55.79

 

CMYK 7 / 0 / 67 / 31

HEX #A3AF39

RGB 163 175 57

HSL 66.1, 0.51%, 0.45%

LAB 68.56, -19.69, 56.46

 

CMYK 7 / 0 / 76 / 38

HEX #929D26

RGB 146 157 38

HSL 65.55, 0.61%, 0.38%

LAB 61.97, -18.9, 56.6

 

CMYK 7 / 0 / 86 / 45

HEX #818B13

RGB 129 139 19

HSL 65, 0.76%, 0.31%

LAB 55.26, -17.88, 55.71

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35F

RGB 197 211 95

HSL 67.24, 0.57%, 0.6%

LAB 81.45, -20.8, 54.86

 

CMYK 0 / 8 / 55 / 17

HEX #D3C25F

RGB 211 194 95

HSL 51.21, 0.57%, 0.6%

LAB 78.03, -6.51, 51.21

 

CMYK 0 / 23 / 55 / 17

HEX #D3A25F

RGB 211 162 95

HSL 34.66, 0.57%, 0.6%

LAB 69.84, 10.4, 41.49

 

CMYK 0 / 38 / 55 / 17

HEX #D3835F

RGB 211 131 95

HSL 18.62, 0.57%, 0.6%

LAB 62.43, 27.17, 32.3

 

CMYK 0 / 53 / 55 / 17

HEX #D3645F

RGB 211 100 95

HSL 2.59, 0.57%, 0.6%

LAB 55.88, 43.33, 23.82

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35F

RGB 197 211 95

HSL 67.24, 0.57%, 0.6%

LAB 81.45, -20.8, 54.86

 

CMYK 21 / 0 / 55 / 17

HEX #A6D35F

RGB 166 211 95

HSL 83.28, 0.57%, 0.6%

LAB 79.34, -32.9, 51.88

 

CMYK 36 / 0 / 55 / 17

HEX #86D35F

RGB 134 211 95

HSL 99.83, 0.57%, 0.6%

LAB 77.57, -44.28, 49.36

 

CMYK 51 / 0 / 55 / 17

HEX #67D35F

RGB 103 211 95

HSL 115.86, 0.57%, 0.6%

LAB 76.25, -53.64, 47.48

 

CMYK 55 / 0 / 44 / 17

HEX #5FD376

RGB 95 211 118

HSL 131.9, 0.57%, 0.6%

LAB 76.27, -52.5, 36.29

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35F

RGB 197 211 95

HSL 67.24, 0.57%, 0.6%

LAB 81.45, -20.8, 54.86

 

CMYK 8 / 0 / 66 / 11

HEX #D2E44E

RGB 210 228 78

HSL 67.2, 0.74%, 0.6%

LAB 86.87, -24.99, 68.14

 

CMYK 9 / 0 / 75 / 4

HEX #DEF43E

RGB 222 244 62

HSL 67.25, 0.89%, 0.6%

LAB 91.94, -28.53, 78.9

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35F

RGB 197 211 95

HSL 67.24, 0.57%, 0.6%

LAB 81.45, -20.8, 54.86

 

CMYK 5 / 0 / 43 / 24

HEX #B9C36F

RGB 185 195 111

HSL 67.14, 0.41%, 0.6%

LAB 76.37, -16.13, 40.93

 

CMYK 3 / 0 / 28 / 30

HEX #ACB280

RGB 172 178 128

HSL 67.2, 0.25%, 0.6%

LAB 70.99, -10.43, 24.92

 

CMYK 1 / 0 / 11 / 36

HEX #A0A290

RGB 160 162 144

HSL 66.67, 0.09%, 0.6%

LAB 66, -4, 9.12

 

CMYK 9 / 10 / 0 / 37

HEX #9391A1

RGB 147 145 161

HSL 247.5, 0.08%, 0.6%

LAB 60.81, 3.96, -8.16

 

CMYK 0 / 23 / 55 / 17

HEX #D3A35F

RGB 211 163 95

HSL 35.17, 0.57%, 0.6%

LAB 70.08, 9.87, 41.79

 

CMYK 0 / 8 / 55 / 17

HEX #D3C25F

RGB 211 194 95

HSL 51.21, 0.57%, 0.6%

LAB 78.03, -6.51, 51.21

 

CMYK 6 / 0 / 55 / 17

HEX #C6D35F

RGB 198 211 95

HSL 66.72, 0.57%, 0.6%

LAB 81.52, -20.4, 54.96

 

CMYK 21 / 0 / 55 / 17

HEX #A7D35F

RGB 167 211 95

HSL 82.76, 0.57%, 0.6%

LAB 79.4, -32.52, 51.97

 

CMYK 36 / 0 / 55 / 17

HEX #88D35F

RGB 136 211 95

HSL 98.79, 0.57%, 0.6%

LAB 77.67, -43.61, 49.5

 

CMYK 9 / 0 / 73 / 31

HEX #A0AF30

RGB 160 175 48

HSL 67.09, 0.57%, 0.44%

LAB 68.28, -21.47, 59.5

 

CMYK 8 / 0 / 69 / 21

HEX #B9CA3E

RGB 185 202 62

HSL 67.29, 0.57%, 0.52%

LAB 77.82, -23.56, 64.41

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35F

RGB 197 211 95

HSL 67.24, 0.57%, 0.6%

LAB 81.45, -20.8, 54.86

 

CMYK 5 / 0 / 42 / 14

HEX #D1DC7F

RGB 209 220 127

HSL 67.1, 0.57%, 0.68%

LAB 85.14, -17.47, 44.33

 

CMYK 3 / 0 / 30 / 10

HEX #DDE5A0

RGB 221 229 160

HSL 66.96, 0.57%, 0.76%

LAB 88.9, -13.48, 32.83

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35F

RGB 197 211 95

HSL 67.24, 0.57%, 0.6%

LAB 81.45, -20.8, 54.86

 

CMYK 55 / 0 / 37 / 17

HEX #5FD384

RGB 95 211 132

HSL 139.14, 0.57%, 0.6%

LAB 76.49, -50.18, 29.44

 

CMYK 16 / 55 / 0 / 17

HEX #B25FD3

RGB 178 95 211

HSL 282.93, 0.57%, 0.6%

LAB 54.4, 52.22, -46.28

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35F

RGB 197 211 95

HSL 67.24, 0.57%, 0.6%

LAB 81.45, -20.8, 54.86

 

CMYK 55 / 6 / 0 / 17

HEX #5FC6D3

RGB 95 198 211

HSL 186.72, 0.57%, 0.6%

LAB 74.52, -26.19, -15.6

 

CMYK 0 / 55 / 6 / 17

HEX #D35FC6

RGB 211 95 198

HSL 306.72, 0.57%, 0.6%

LAB 58.14, 58.67, -32.69

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35F

RGB 197 211 95

HSL 67.24, 0.57%, 0.6%

LAB 81.45, -20.8, 54.86

 

CMYK 55 / 0 / 37 / 17

HEX #5FD384

RGB 95 211 132

HSL 139.14, 0.57%, 0.6%

LAB 76.49, -50.18, 29.44

 

CMYK 49 / 55 / 0 / 17

HEX #6C5FD3

RGB 108 95 211

HSL 246.72, 0.57%, 0.6%

LAB 47.07, 35.29, -58.41

 

CMYK 0 / 55 / 18 / 17

HEX #D35FAE

RGB 211 95 174

HSL 319.14, 0.57%, 0.6%

LAB 57.16, 54.9, -20.43

 

CMYK 7 / 0 / 55 / 17

HEX #C5D35F

RGB 197 211 95

HSL 67.24, 0.57%, 0.6%

LAB 81.45, -20.8, 54.86

 

CMYK 55 / 0 / 21 / 17

HEX #5FD3A7

RGB 95 211 167

HSL 157.24, 0.57%, 0.6%

LAB 77.17, -43.24, 11.97

 

CMYK 49 / 55 / 0 / 17

HEX #6C5FD3

RGB 108 95 211

HSL 246.72, 0.57%, 0.6%

LAB 47.07, 35.29, -58.41

 

CMYK 0 / 55 / 34 / 17

HEX #D35F8B

RGB 211 95 139

HSL 337.24, 0.57%, 0.6%

LAB 55.98, 50.19, -1.79

 

Description

Color code: HEX #C5D35F | qconv.com Color code: HEX #C5D35F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 211 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 211 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 55 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 55% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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