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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5CF8C it is the complementary color #3A3073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5CF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5CF8C shade: #CACF87, #DBE19A, #ECF3AD, #FDFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5CF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5CF8C shade: #C5CF8C, #B4BD79, #A3AB66, #929953 and #818740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5CF8C shade: #C5CF8C, #CFC78C, #CFB58C, #CFA38C and #CF918C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5CF8C shade: #C5CF8C, #B3CF8C, #A1CF8C, #8FCF8C and #8CCF9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5CF8C shade matches the following richer shades: #C5CF8C, #CEDC7F, #D7E972 and #E1F664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5CF8C shade: #C5CF8C, #BCC299, #B2B4A6, #A9A7B4 and #A09AC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5CF8C shade: #CFB48C, #CFC68C, #C6CF8C, #B4CF8C and #A2CF8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5CF8C shade: #A7B752, #B6C36F, #C5CF8C, #D4DBA9 and #E2E7C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5CF8C shade: #C5CF8C, #8CCFA2 and #BD8CCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5CF8C shade: #C5CF8C, #8CC6CF and #CF8CC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5CF8C shade: #C5CF8C, #8CCFA2, #958CCF and #CF8CB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5CF8C shade: #C5CF8C, #8CCFB6, #958CCF and #CF8CA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 32 / 19

HEX #C5CF8C

RGB 197 207 140

HSL 68.96, 0.41%, 0.68%

LAB 80.95, -14.09, 32.22

 

Complementary color

CMYK 50 / 58 / 0 / 55

HEX #3A3073

RGB 58 48 115

HSL 248.96, 0.41%, 0.32%

LAB 24.49, 23.43, -37.32

 

CMYK 2 / 0 / 35 / 19

HEX #CACF87

RGB 202 207 135

HSL 64.17, 0.43%, 0.67%

LAB 81.25, -12.78, 35.25

 

CMYK 3 / 0 / 32 / 12

HEX #DBE19A

RGB 219 225 154

HSL 65.07, 0.54%, 0.74%

LAB 87.6, -13, 34.14

 

CMYK 3 / 0 / 29 / 5

HEX #ECF3AD

RGB 236 243 173

HSL 66, 0.74%, 0.82%

LAB 93.86, -13.18, 33.06

 

CMYK 1 / 0 / 25 / 0

HEX #FDFFC0

RGB 253 255 192

HSL 61.9, 1%, 0.88%

LAB 98.51, -10.4, 29.98

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 5 / 0 / 32 / 19

HEX #C5CF8C

RGB 197 207 140

HSL 68.96, 0.41%, 0.68%

LAB 80.95, -14.09, 32.22

 

CMYK 5 / 0 / 36 / 26

HEX #B4BD79

RGB 180 189 121

HSL 67.94, 0.34%, 0.61%

LAB 74.5, -13.91, 33.36

 

CMYK 5 / 0 / 40 / 33

HEX #A3AB66

RGB 163 171 102

HSL 66.96, 0.29%, 0.54%

LAB 67.93, -13.68, 34.55

 

CMYK 5 / 0 / 46 / 40

HEX #929953

RGB 146 153 83

HSL 66, 0.3%, 0.46%

LAB 61.24, -13.38, 35.77

 

CMYK 4 / 0 / 53 / 47

HEX #818740

RGB 129 135 64

HSL 65.07, 0.36%, 0.39%

LAB 54.41, -12.99, 36.99

 

CMYK 5 / 0 / 32 / 19

HEX #C5CF8C

RGB 197 207 140

HSL 68.96, 0.41%, 0.68%

LAB 80.95, -14.09, 32.22

 

CMYK 0 / 4 / 32 / 19

HEX #CFC78C

RGB 207 199 140

HSL 52.84, 0.41%, 0.68%

LAB 79.62, -6.14, 30.6

 

CMYK 0 / 13 / 32 / 19

HEX #CFB58C

RGB 207 181 140

HSL 36.72, 0.41%, 0.68%

LAB 74.96, 3.31, 24.35

 

CMYK 0 / 21 / 32 / 19

HEX #CFA38C

RGB 207 163 140

HSL 20.6, 0.41%, 0.68%

LAB 70.42, 12.99, 18.15

 

CMYK 0 / 30 / 32 / 19

HEX #CF918C

RGB 207 145 140

HSL 4.48, 0.41%, 0.68%

LAB 66.07, 22.8, 12.07

 

CMYK 5 / 0 / 32 / 19

HEX #C5CF8C

RGB 197 207 140

HSL 68.96, 0.41%, 0.68%

LAB 80.95, -14.09, 32.22

 

CMYK 14 / 0 / 32 / 19

HEX #B3CF8C

RGB 179 207 140

HSL 85.07, 0.41%, 0.68%

LAB 79.67, -20.85, 30.29

 

CMYK 22 / 0 / 32 / 19

HEX #A1CF8C

RGB 161 207 140

HSL 101.19, 0.41%, 0.68%

LAB 78.52, -27.34, 28.55

 

CMYK 31 / 0 / 32 / 19

HEX #8FCF8C

RGB 143 207 140

HSL 117.31, 0.41%, 0.68%

LAB 77.49, -33.45, 27

 

CMYK 32 / 0 / 25 / 19

HEX #8CCF9B

RGB 140 207 155

HSL 133.43, 0.41%, 0.68%

LAB 77.62, -31.84, 19.26

 

CMYK 5 / 0 / 32 / 19

HEX #C5CF8C

RGB 197 207 140

HSL 68.96, 0.41%, 0.68%

LAB 80.95, -14.09, 32.22

 

CMYK 6 / 0 / 42 / 14

HEX #CEDC7F

RGB 206 220 127

HSL 69.03, 0.57%, 0.68%

LAB 84.92, -18.63, 44

 

CMYK 8 / 0 / 51 / 9

HEX #D7E972

RGB 215 233 114

HSL 69.08, 0.73%, 0.68%

LAB 88.89, -22.73, 55.17

 

CMYK 9 / 0 / 59 / 4

HEX #E1F664

RGB 225 246 100

HSL 68.63, 0.89%, 0.68%

LAB 92.94, -26.14, 66.1

 

CMYK 5 / 0 / 32 / 19

HEX #C5CF8C

RGB 197 207 140

HSL 68.96, 0.41%, 0.68%

LAB 80.95, -14.09, 32.22

 

CMYK 3 / 0 / 21 / 24

HEX #BCC299

RGB 188 194 153

HSL 68.78, 0.25%, 0.68%

LAB 77.03, -9.04, 19.98

 

CMYK 1 / 0 / 8 / 29

HEX #B2B4A6

RGB 178 180 166

HSL 68.57, 0.09%, 0.68%

LAB 72.8, -3.24, 6.89

 

CMYK 6 / 7 / 0 / 29

HEX #A9A7B4

RGB 169 167 180

HSL 249.23, 0.08%, 0.68%

LAB 69.02, 3.24, -6.43

 

CMYK 17 / 20 / 0 / 24

HEX #A09AC1

RGB 160 154 193

HSL 249.23, 0.24%, 0.68%

LAB 65.31, 10.22, -19.31

 

CMYK 0 / 13 / 32 / 19

HEX #CFB48C

RGB 207 180 140

HSL 35.82, 0.41%, 0.68%

LAB 74.7, 3.84, 24

 

CMYK 0 / 4 / 32 / 19

HEX #CFC68C

RGB 207 198 140

HSL 51.94, 0.41%, 0.68%

LAB 79.36, -5.62, 30.25

 

CMYK 4 / 0 / 32 / 19

HEX #C6CF8C

RGB 198 207 140

HSL 68.06, 0.41%, 0.68%

LAB 81.03, -13.7, 32.34

 

CMYK 13 / 0 / 32 / 19

HEX #B4CF8C

RGB 180 207 140

HSL 84.18, 0.41%, 0.68%

LAB 79.74, -20.48, 30.39

 

CMYK 22 / 0 / 32 / 19

HEX #A2CF8C

RGB 162 207 140

HSL 100.3, 0.41%, 0.68%

LAB 78.58, -26.99, 28.64

 

CMYK 9 / 0 / 55 / 28

HEX #A7B752

RGB 167 183 82

HSL 69.5, 0.41%, 0.52%

LAB 71.35, -20.19, 48.67

 

CMYK 7 / 0 / 43 / 24

HEX #B6C36F

RGB 182 195 111

HSL 69.29, 0.41%, 0.6%

LAB 76.14, -17.32, 40.6

 

CMYK 5 / 0 / 32 / 19

HEX #C5CF8C

RGB 197 207 140

HSL 68.96, 0.41%, 0.68%

LAB 80.95, -14.09, 32.22

 

CMYK 3 / 0 / 23 / 14

HEX #D4DBA9

RGB 212 219 169

HSL 68.4, 0.41%, 0.76%

LAB 85.77, -10.59, 23.86

 

CMYK 2 / 0 / 14 / 9

HEX #E2E7C6

RGB 226 231 198

HSL 69.09, 0.41%, 0.84%

LAB 90.5, -7.25, 15.51

 

CMYK 5 / 0 / 32 / 19

HEX #C5CF8C

RGB 197 207 140

HSL 68.96, 0.41%, 0.68%

LAB 80.95, -14.09, 32.22

 

CMYK 32 / 0 / 22 / 19

HEX #8CCFA2

RGB 140 207 162

HSL 139.7, 0.41%, 0.68%

LAB 77.76, -30.55, 15.74

 

CMYK 9 / 32 / 0 / 19

HEX #BD8CCF

RGB 189 140 207

HSL 283.88, 0.41%, 0.68%

LAB 65.03, 30.46, -27.32

 

CMYK 5 / 0 / 32 / 19

HEX #C5CF8C

RGB 197 207 140

HSL 68.96, 0.41%, 0.68%

LAB 80.95, -14.09, 32.22

 

CMYK 32 / 4 / 0 / 19

HEX #8CC6CF

RGB 140 198 207

HSL 188.06, 0.41%, 0.68%

LAB 76.36, -16.43, -10.49

 

CMYK 0 / 32 / 4 / 19

HEX #CF8CC6

RGB 207 140 198

HSL 308.06, 0.41%, 0.68%

LAB 66.6, 34.56, -19.73

 

CMYK 5 / 0 / 32 / 19

HEX #C5CF8C

RGB 197 207 140

HSL 68.96, 0.41%, 0.68%

LAB 80.95, -14.09, 32.22

 

CMYK 32 / 0 / 22 / 19

HEX #8CCFA2

RGB 140 207 162

HSL 139.7, 0.41%, 0.68%

LAB 77.76, -30.55, 15.74

 

CMYK 28 / 32 / 0 / 19

HEX #958CCF

RGB 149 140 207

HSL 248.06, 0.41%, 0.68%

LAB 61.35, 18.13, -33.3

 

CMYK 0 / 32 / 11 / 19

HEX #CF8CB9

RGB 207 140 185

HSL 319.7, 0.41%, 0.68%

LAB 66.15, 32.28, -13.11

 

CMYK 5 / 0 / 32 / 19

HEX #C5CF8C

RGB 197 207 140

HSL 68.96, 0.41%, 0.68%

LAB 80.95, -14.09, 32.22

 

CMYK 32 / 0 / 12 / 19

HEX #8CCFB6

RGB 140 207 182

HSL 157.61, 0.41%, 0.68%

LAB 78.22, -26.56, 5.7

 

CMYK 28 / 32 / 0 / 19

HEX #958CCF

RGB 149 140 207

HSL 248.06, 0.41%, 0.68%

LAB 61.35, 18.13, -33.3

 

CMYK 0 / 32 / 21 / 19

HEX #CF8CA4

RGB 207 140 164

HSL 338.51, 0.41%, 0.68%

LAB 65.52, 28.9, -2.24

 

Description

Color code: HEX #C5CF8C | qconv.com Color code: HEX #C5CF8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 207 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 207 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 32 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 32% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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