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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5CF02 it is the complementary color #3A30FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5CF02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5CF02 shade: #CACF00, #DBE110, #ECF323, #FDFF36 and #FFFF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5CF02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5CF02 shade: #C5CF02, #B4BD00, #A3AB00, #929900 and #818700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5CF02 shade: #C5CF02, #CFA202, #CF6A02, #CF3302 and #CF0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5CF02 shade: #C5CF02, #8ECF02, #56CF02, #1FCF02 and #02CF1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5CF02 shade matches the following richer shades: #C5CF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5CF02 shade: #C5CF02, #B6BE13, #A6AD24, #979C35 and #888B46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5CF02 shade: #CF6902, #CF9F02, #C8CF02, #92CF02 and #5BCF02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5CF02 shade: #777D01, #9EA602, #C5CF02, #ECF803 and #F2FD27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5CF02 shade: #C5CF02, #02CF32 and #8402CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5CF02 shade: #C5CF02, #02C8CF and #CF02C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5CF02 shade: #C5CF02, #02CF32, #0902CF and #CF029F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5CF02 shade: #C5CF02, #02CF6F, #0902CF and #CF0262

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 99 / 19

HEX #C5CF02

RGB 197 207 2

HSL 62.93, 0.98%, 0.41%

LAB 79.9, -22.65, 79.62

 

Complementary color

CMYK 77 / 81 / 0 / 1

HEX #3A30FD

RGB 58 48 253

HSL 242.93, 0.98%, 0.59%

LAB 38.03, 67.12, -97.14

 

CMYK 2 / 0 / 100 / 19

HEX #CACF00

RGB 202 207 0

HSL 61.45, 1%, 0.41%

LAB 80.28, -20.55, 80.27

 

CMYK 3 / 0 / 93 / 12

HEX #DBE110

RGB 219 225 16

HSL 61.72, 0.87%, 0.47%

LAB 86.48, -21.97, 84.01

 

CMYK 3 / 0 / 86 / 5

HEX #ECF323

RGB 236 243 35

HSL 62.02, 0.9%, 0.55%

LAB 92.6, -23.23, 86.54

 

CMYK 1 / 0 / 79 / 0

HEX #FDFF36

RGB 253 255 54

HSL 60.6, 1%, 0.61%

LAB 97.09, -21.49, 86.62

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF49

RGB 255 255 73

HSL 60, 1%, 0.64%

LAB 97.33, -19.98, 81.37

 

CMYK 5 / 0 / 99 / 19

HEX #C5CF02

RGB 197 207 2

HSL 62.93, 0.98%, 0.41%

LAB 79.9, -22.65, 79.62

 

CMYK 5 / 0 / 100 / 26

HEX #B4BD00

RGB 180 189 0

HSL 62.86, 1%, 0.37%

LAB 73.61, -21.1, 74.58

 

CMYK 5 / 0 / 100 / 33

HEX #A3AB00

RGB 163 171 0

HSL 62.81, 1%, 0.34%

LAB 67.21, -19.5, 69.26

 

CMYK 5 / 0 / 100 / 40

HEX #929900

RGB 146 153 0

HSL 62.75, 1%, 0.3%

LAB 60.69, -17.87, 63.84

 

CMYK 4 / 0 / 100 / 47

HEX #818700

RGB 129 135 0

HSL 62.67, 1%, 0.26%

LAB 54.02, -16.2, 58.3

 

CMYK 5 / 0 / 99 / 19

HEX #C5CF02

RGB 197 207 2

HSL 62.93, 0.98%, 0.41%

LAB 79.9, -22.65, 79.62

 

CMYK 0 / 22 / 99 / 19

HEX #CFA202

RGB 207 162 2

HSL 46.83, 0.98%, 0.41%

LAB 68.83, 4.82, 72.02

 

CMYK 0 / 49 / 99 / 19

HEX #CF6A02

RGB 207 106 2

HSL 30.44, 0.98%, 0.41%

LAB 55.66, 34.9, 63.28

 

CMYK 0 / 75 / 99 / 19

HEX #CF3302

RGB 207 51 2

HSL 14.34, 0.98%, 0.41%

LAB 46.5, 59.01, 58.19

 

CMYK 0 / 99 / 99 / 19

HEX #CF0202

RGB 207 2 2

HSL 0, 0.98%, 0.41%

LAB 43.23, 68.29, 56.78

 

CMYK 5 / 0 / 99 / 19

HEX #C5CF02

RGB 197 207 2

HSL 62.93, 0.98%, 0.41%

LAB 79.9, -22.65, 79.62

 

CMYK 31 / 0 / 99 / 19

HEX #8ECF02

RGB 142 207 2

HSL 79.02, 0.98%, 0.41%

LAB 76.3, -44.74, 75.31

 

CMYK 58 / 0 / 99 / 19

HEX #56CF02

RGB 86 207 2

HSL 95.41, 0.98%, 0.41%

LAB 73.94, -62.42, 72.45

 

CMYK 85 / 0 / 99 / 19

HEX #1FCF02

RGB 31 207 2

HSL 111.51, 0.98%, 0.41%

LAB 72.84, -71.86, 71.11

 

CMYK 99 / 0 / 86 / 19

HEX #02CF1C

RGB 2 207 28

HSL 127.61, 0.98%, 0.41%

LAB 72.71, -72.84, 67.33

 

CMYK 5 / 0 / 99 / 19

HEX #C5CF02

RGB 197 207 2

HSL 62.93, 0.98%, 0.41%

LAB 79.9, -22.65, 79.62

 

CMYK 5 / 0 / 99 / 19

HEX #C5CF02

RGB 197 207 2

HSL 62.93, 0.98%, 0.41%

LAB 79.9, -22.65, 79.62

 

CMYK 4 / 0 / 90 / 25

HEX #B6BE13

RGB 182 190 19

HSL 62.81, 0.82%, 0.41%

LAB 74.07, -20.48, 72.74

 

CMYK 4 / 0 / 79 / 32

HEX #A6AD24

RGB 166 173 36

HSL 63.07, 0.66%, 0.41%

LAB 68.11, -18.41, 63.42

 

CMYK 3 / 0 / 66 / 39

HEX #979C35

RGB 151 156 53

HSL 62.91, 0.49%, 0.41%

LAB 62.18, -15.37, 51.22

 

CMYK 2 / 0 / 50 / 45

HEX #888B46

RGB 136 139 70

HSL 62.61, 0.33%, 0.41%

LAB 56.23, -11.52, 36.22

 

CMYK 0 / 49 / 99 / 19

HEX #CF6902

RGB 207 105 2

HSL 30.15, 0.98%, 0.41%

LAB 55.45, 35.42, 63.16

 

CMYK 0 / 23 / 99 / 19

HEX #CF9F02

RGB 207 159 2

HSL 45.95, 0.98%, 0.41%

LAB 68.07, 6.43, 71.49

 

CMYK 3 / 0 / 99 / 19

HEX #C8CF02

RGB 200 207 2

HSL 62.05, 0.98%, 0.41%

LAB 80.13, -21.38, 79.89

 

CMYK 29 / 0 / 99 / 19

HEX #92CF02

RGB 146 207 2

HSL 77.85, 0.98%, 0.41%

LAB 76.52, -43.25, 75.58

 

CMYK 56 / 0 / 99 / 19

HEX #5BCF02

RGB 91 207 2

HSL 93.95, 0.98%, 0.41%

LAB 74.1, -61.14, 72.64

 

CMYK 5 / 0 / 99 / 51

HEX #777D01

RGB 119 125 1

HSL 62.9, 0.98%, 0.25%

LAB 50.21, -15.49, 54.91

 

CMYK 5 / 0 / 99 / 35

HEX #9EA602

RGB 158 166 2

HSL 62.93, 0.98%, 0.33%

LAB 65.39, -19.14, 67.48

 

CMYK 5 / 0 / 99 / 19

HEX #C5CF02

RGB 197 207 2

HSL 62.93, 0.98%, 0.41%

LAB 79.9, -22.65, 79.62

 

CMYK 5 / 0 / 99 / 3

HEX #ECF803

RGB 236 248 3

HSL 62.94, 0.98%, 0.49%

LAB 93.87, -26.01, 91.22

 

CMYK 4 / 0 / 85 / 1

HEX #F2FD27

RGB 242 253 39

HSL 63.08, 0.98%, 0.57%

LAB 95.69, -25.42, 88.49

 

CMYK 5 / 0 / 99 / 19

HEX #C5CF02

RGB 197 207 2

HSL 62.93, 0.98%, 0.41%

LAB 79.9, -22.65, 79.62

 

CMYK 99 / 0 / 76 / 19

HEX #02CF32

RGB 2 207 50

HSL 134.05, 0.98%, 0.41%

LAB 72.81, -71.6, 61.48

 

CMYK 36 / 99 / 0 / 19

HEX #8402CF

RGB 132 2 207

HSL 278.05, 0.98%, 0.41%

LAB 36.84, 73.53, -72.64

 

CMYK 5 / 0 / 99 / 19

HEX #C5CF02

RGB 197 207 2

HSL 62.93, 0.98%, 0.41%

LAB 79.9, -22.65, 79.62

 

CMYK 99 / 3 / 0 / 19

HEX #02C8CF

RGB 2 200 207

HSL 182.05, 0.98%, 0.41%

LAB 73.43, -37.86, -15.23

 

CMYK 0 / 99 / 3 / 19

HEX #CF02C8

RGB 207 2 200

HSL 302.05, 0.98%, 0.41%

LAB 48.86, 82.8, -48.52

 

CMYK 5 / 0 / 99 / 19

HEX #C5CF02

RGB 197 207 2

HSL 62.93, 0.98%, 0.41%

LAB 79.9, -22.65, 79.62

 

CMYK 99 / 0 / 76 / 19

HEX #02CF32

RGB 2 207 50

HSL 134.05, 0.98%, 0.41%

LAB 72.81, -71.6, 61.48

 

CMYK 96 / 99 / 0 / 19

HEX #0902CF

RGB 9 2 207

HSL 242.05, 0.98%, 0.41%

LAB 25.58, 67.32, -91.65

 

CMYK 0 / 99 / 23 / 19

HEX #CF029F

RGB 207 2 159

HSL 314.05, 0.98%, 0.41%

LAB 46.73, 77.5, -27.76

 

CMYK 5 / 0 / 99 / 19

HEX #C5CF02

RGB 197 207 2

HSL 62.93, 0.98%, 0.41%

LAB 79.9, -22.65, 79.62

 

CMYK 99 / 0 / 46 / 19

HEX #02CF6F

RGB 2 207 111

HSL 151.9, 0.98%, 0.41%

LAB 73.41, -64.13, 35.82

 

CMYK 96 / 99 / 0 / 19

HEX #0902CF

RGB 9 2 207

HSL 242.05, 0.98%, 0.41%

LAB 25.58, 67.32, -91.65

 

CMYK 0 / 99 / 53 / 19

HEX #CF0262

RGB 207 2 98

HSL 331.9, 0.98%, 0.41%

LAB 44.51, 71.73, 6.29

 

Description

Color code: HEX #C5CF02 | qconv.com Color code: HEX #C5CF02 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 207 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 207 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 99 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 99% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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