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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5CAAE it is the complementary color #3A3551. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5CAAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C5CAAE: #CACAA9, #DBDCBC, #ECEECF, #FDFFE2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5CAAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C5CAAE: #C5CAAE, #B4B89B, #A3A688, #929475 and #818262

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 14 / 21

HEX #C5CAAE

RGB 197 202 174

HSL 70.71, 0.21%, 0.74%

LAB 80.27, -6.59, 13.41

 

Complementary color

CMYK 28 / 35 / 0 / 68

HEX #3A3551

RGB 58 53 81

HSL 250.71, 0.21%, 0.26%

LAB 23.8, 9.36, -16.27

 

CMYK 0 / 0 / 16 / 21

HEX #CACAA9

RGB 202 202 169

HSL 60, 0.24%, 0.73%

LAB 80.55, -5.56, 16.51

 

CMYK 0 / 0 / 15 / 14

HEX #DBDCBC

RGB 219 220 188

HSL 61.88, 0.31%, 0.8%

LAB 86.94, -5.71, 15.63

 

CMYK 1 / 0 / 13 / 7

HEX #ECEECF

RGB 236 238 207

HSL 63.87, 0.48%, 0.87%

LAB 93.23, -5.85, 14.79

 

CMYK 1 / 0 / 11 / 0

HEX #FDFFE2

RGB 253 255 226

HSL 64.14, 1%, 0.94%

LAB 99.18, -5.48, 13.64

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 2 / 0 / 14 / 21

HEX #C5CAAE

RGB 197 202 174

HSL 70.71, 0.21%, 0.74%

LAB 80.27, -6.59, 13.41

 

CMYK 2 / 0 / 16 / 28

HEX #B4B89B

RGB 180 184 155

HSL 68.28, 0.17%, 0.66%

LAB 73.77, -6.48, 14.28

 

CMYK 2 / 0 / 18 / 35

HEX #A3A688

RGB 163 166 136

HSL 66, 0.14%, 0.59%

LAB 67.15, -6.35, 15.2

 

CMYK 1 / 0 / 21 / 42

HEX #929475

RGB 146 148 117

HSL 63.87, 0.13%, 0.52%

LAB 60.4, -6.2, 16.19

 

CMYK 1 / 0 / 25 / 49

HEX #818262

RGB 129 130 98

HSL 61.88, 0.14%, 0.45%

LAB 53.51, -6.02, 17.25

 

CMYK 2 / 0 / 14 / 21

HEX #C5CAAE

RGB 197 202 174

HSL 70.71, 0.21%, 0.74%

LAB 80.27, -6.59, 13.41

 

CMYK 4 / 0 / 14 / 21

HEX #C1CAAE

RGB 193 202 174

HSL 79.29, 0.21%, 0.74%

LAB 79.97, -8.04, 12.94

 

CMYK 7 / 0 / 14 / 21

HEX #BCCAAE

RGB 188 202 174

HSL 90, 0.21%, 0.74%

LAB 79.61, -9.82, 12.37

 

CMYK 9 / 0 / 14 / 21

HEX #B8CAAE

RGB 184 202 174

HSL 98.57, 0.21%, 0.74%

LAB 79.32, -11.24, 11.92

 

CMYK 11 / 0 / 14 / 21

HEX #B3CAAE

RGB 179 202 174

HSL 109.29, 0.21%, 0.74%

LAB 78.97, -13, 11.38

 

CMYK 2 / 0 / 14 / 21

HEX #C5CAAE

RGB 197 202 174

HSL 70.71, 0.21%, 0.74%

LAB 80.27, -6.59, 13.41

 

CMYK 2 / 0 / 14 / 1

HEX #F7FDDA

RGB 247 253 218

HSL 70.29, 0.9%, 0.92%

LAB 98.07, -7.81, 16.09

 

CMYK 2 / 0 / 14 / 81

HEX #30312A

RGB 48 49 42

HSL 68.57, 0.08%, 0.18%

LAB 20.01, -2.01, 4.32

 

CMYK 2 / 0 / 14 / 61

HEX #626456

RGB 98 100 86

HSL 68.57, 0.08%, 0.36%

LAB 41.82, -3.55, 7.68

 

CMYK 3 / 0 / 14 / 41

HEX #939782

RGB 147 151 130

HSL 71.43, 0.09%, 0.55%

LAB 61.61, -5.32, 10.58

 

CMYK 2 / 0 / 14 / 21

HEX #C5CAAE

RGB 197 202 174

HSL 70.71, 0.21%, 0.74%

LAB 80.27, -6.59, 13.41

 

CMYK 14 / 0 / 9 / 21

HEX #AECAB8

RGB 174 202 184

HSL 141.43, 0.21%, 0.74%

LAB 78.87, -12.89, 5.83

 

CMYK 3 / 14 / 0 / 21

HEX #C4AECA

RGB 196 174 202

HSL 287.14, 0.21%, 0.74%

LAB 73.72, 12.99, -11.3

 

CMYK 2 / 0 / 14 / 21

HEX #C5CAAE

RGB 197 202 174

HSL 70.71, 0.21%, 0.74%

LAB 80.27, -6.59, 13.41

 

CMYK 14 / 2 / 0 / 21

HEX #AEC5CA

RGB 174 197 202

HSL 190.71, 0.21%, 0.74%

LAB 77.99, -6.73, -5.14

 

CMYK 0 / 14 / 2 / 21

HEX #CAAEC5

RGB 202 174 197

HSL 310.71, 0.21%, 0.74%

LAB 74.1, 14.11, -7.94

 

CMYK 2 / 0 / 14 / 21

HEX #C5CAAE

RGB 197 202 174

HSL 70.71, 0.21%, 0.74%

LAB 80.27, -6.59, 13.41

 

CMYK 14 / 0 / 9 / 21

HEX #AECAB8

RGB 174 202 184

HSL 141.43, 0.21%, 0.74%

LAB 78.87, -12.89, 5.83

 

CMYK 11 / 14 / 0 / 21

HEX #B3AECA

RGB 179 174 202

HSL 250.71, 0.21%, 0.74%

LAB 72.31, 7.28, -13.56

 

CMYK 0 / 14 / 5 / 21

HEX #CAAEC0

RGB 202 174 192

HSL 321.43, 0.21%, 0.74%

LAB 73.96, 13.2, -5.42

 

CMYK 2 / 0 / 14 / 21

HEX #C5CAAE

RGB 197 202 174

HSL 70.71, 0.21%, 0.74%

LAB 80.27, -6.59, 13.41

 

CMYK 14 / 0 / 4 / 21

HEX #AECAC1

RGB 174 202 193

HSL 160.71, 0.21%, 0.74%

LAB 79.09, -11.15, 1.32

 

CMYK 11 / 14 / 0 / 21

HEX #B3AECA

RGB 179 174 202

HSL 250.71, 0.21%, 0.74%

LAB 72.31, 7.28, -13.56

 

CMYK 0 / 14 / 9 / 21

HEX #CAAEB8

RGB 202 174 184

HSL 338.57, 0.21%, 0.74%

LAB 73.73, 11.79, -1.36

 

Description

Color code: HEX #C5CAAE | qconv.com Color code: HEX #C5CAAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 202 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 202 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 14 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 14% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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