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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5CA9C it is the complementary color #3A3563. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5CA9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5CA9C shade: #CACA97, #DBDCAA, #ECEEBD, #FDFFD0 and #FFFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5CA9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5CA9C shade: #C5CA9C, #B4B889, #A3A676, #929463 and #818250

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5CA9C shade: #C4C99C, #C9C29C, #C9B69C, #C9A99C and #C99D9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5CA9C shade: #C4C99C, #B8C99C, #ACC99C, #9FC99C and #9CC9A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5CA9C shade matches the following richer shades: #C4C99C, #CED68F, #D8E283, #E2EF76 and #EBFB6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5CA9C shade: #C4C99C, #BBBDA8, #B1B1B4, #A7A4C1 and #9E98CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5CA9C shade: #C9B69C, #C9C29C, #C5C99C, #B9C99C and #ACC99C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5CA9C shade: #A5AD66, #B5BB81, #C4C99C, #D4D8B6 and #E4E6D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5CA9C shade: #C5CA9C, #9CC9A9 and #BC9CC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5CA9C shade: #C5CA9C, #9CC5C9 and #C99CC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5CA9C shade: #C5CA9C, #9CC9A9, #A09CC9 and #C99CBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5CA9C shade: #C5CA9C, #9CC9B7, #A09CC9 and #C99CAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 23 / 21

HEX #C5CA9C

RGB 197 202 156

HSL 66.52, 0.3%, 0.7%

LAB 79.9, -9.36, 22.45

 

Complementary color

CMYK 41 / 46 / 0 / 61

HEX #3A3563

RGB 58 53 99

HSL 246.52, 0.3%, 0.3%

LAB 24.79, 14.86, -26.53

 

CMYK 0 / 0 / 25 / 21

HEX #CACA97

RGB 202 202 151

HSL 60, 0.32%, 0.69%

LAB 80.2, -8.18, 25.55

 

CMYK 0 / 0 / 23 / 14

HEX #DBDCAA

RGB 219 220 170

HSL 61.2, 0.42%, 0.76%

LAB 86.58, -8.37, 24.53

 

CMYK 1 / 0 / 21 / 7

HEX #ECEEBD

RGB 236 238 189

HSL 62.45, 0.59%, 0.84%

LAB 92.86, -8.54, 23.56

 

CMYK 1 / 0 / 18 / 0

HEX #FDFFD0

RGB 253 255 208

HSL 62.55, 1%, 0.91%

LAB 98.81, -8.19, 22.29

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE3

RGB 255 255 227

HSL 60, 1%, 0.95%

LAB 99.35, -4.64, 13.39

 

CMYK 2 / 0 / 23 / 21

HEX #C5CA9C

RGB 197 202 156

HSL 66.52, 0.3%, 0.7%

LAB 79.9, -9.36, 22.45

 

CMYK 2 / 0 / 26 / 28

HEX #B4B889

RGB 180 184 137

HSL 65.11, 0.25%, 0.63%

LAB 73.41, -9.2, 23.48

 

CMYK 2 / 0 / 29 / 35

HEX #A3A676

RGB 163 166 118

HSL 63.75, 0.21%, 0.56%

LAB 66.8, -9.02, 24.56

 

CMYK 1 / 0 / 33 / 42

HEX #929463

RGB 146 148 99

HSL 62.45, 0.2%, 0.48%

LAB 60.06, -8.8, 25.72

 

CMYK 1 / 0 / 38 / 49

HEX #818250

RGB 129 130 80

HSL 61.2, 0.24%, 0.41%

LAB 53.18, -8.51, 26.96

 

CMYK 2 / 0 / 22 / 21

HEX #C4C99C

RGB 196 201 156

HSL 66.67, 0.29%, 0.7%

LAB 79.56, -9.22, 21.97

 

CMYK 0 / 3 / 22 / 21

HEX #C9C29C

RGB 201 194 156

HSL 50.67, 0.29%, 0.7%

LAB 78.11, -3.7, 20.03

 

CMYK 0 / 9 / 22 / 21

HEX #C9B69C

RGB 201 182 156

HSL 34.67, 0.29%, 0.7%

LAB 75, 2.64, 15.71

 

CMYK 0 / 16 / 22 / 21

HEX #C9A99C

RGB 201 169 156

HSL 17.33, 0.29%, 0.7%

LAB 71.69, 9.64, 11.05

 

CMYK 0 / 22 / 22 / 21

HEX #C99D9C

RGB 201 157 156

HSL 1.33, 0.29%, 0.7%

LAB 68.7, 16.18, 6.79

 

CMYK 2 / 0 / 22 / 21

HEX #C4C99C

RGB 196 201 156

HSL 66.67, 0.29%, 0.7%

LAB 79.56, -9.22, 21.97

 

CMYK 8 / 0 / 22 / 21

HEX #B8C99C

RGB 184 201 156

HSL 82.67, 0.29%, 0.7%

LAB 78.67, -13.66, 20.61

 

CMYK 14 / 0 / 22 / 21

HEX #ACC99C

RGB 172 201 156

HSL 98.67, 0.29%, 0.7%

LAB 77.84, -17.99, 19.33

 

CMYK 21 / 0 / 22 / 21

HEX #9FC99C

RGB 159 201 156

HSL 116, 0.29%, 0.7%

LAB 77.01, -22.54, 18.04

 

CMYK 22 / 0 / 18 / 21

HEX #9CC9A4

RGB 156 201 164

HSL 130.67, 0.29%, 0.7%

LAB 76.99, -22.13, 13.72

 

CMYK 2 / 0 / 22 / 21

HEX #C4C99C

RGB 196 201 156

HSL 66.67, 0.29%, 0.7%

LAB 79.56, -9.22, 21.97

 

CMYK 4 / 0 / 33 / 16

HEX #CED68F

RGB 206 214 143

HSL 66.76, 0.46%, 0.7%

LAB 83.55, -13.8, 34.22

 

CMYK 4 / 0 / 42 / 11

HEX #D8E283

RGB 216 226 131

HSL 66.32, 0.62%, 0.7%

LAB 87.31, -17.29, 45.19

 

CMYK 5 / 0 / 51 / 6

HEX #E2EF76

RGB 226 239 118

HSL 66.45, 0.79%, 0.7%

LAB 91.33, -20.98, 56.41

 

CMYK 6 / 0 / 58 / 2

HEX #EBFB6A

RGB 235 251 106

HSL 66.62, 0.95%, 0.7%

LAB 95.03, -24.15, 66.09

 

CMYK 2 / 0 / 22 / 21

HEX #C4C99C

RGB 196 201 156

HSL 66.67, 0.29%, 0.7%

LAB 79.56, -9.22, 21.97

 

CMYK 1 / 0 / 11 / 26

HEX #BBBDA8

RGB 187 189 168

HSL 65.71, 0.14%, 0.7%

LAB 75.94, -4.41, 10.38

 

CMYK 2 / 2 / 0 / 29

HEX #B1B1B4

RGB 177 177 180

HSL 240, 0.02%, 0.7%

LAB 72.29, 0.57, -1.54

 

CMYK 13 / 15 / 0 / 24

HEX #A7A4C1

RGB 167 164 193

HSL 246.21, 0.19%, 0.7%

LAB 68.47, 6.92, -14.46

 

CMYK 23 / 26 / 0 / 20

HEX #9E98CD

RGB 158 152 205

HSL 246.79, 0.35%, 0.7%

LAB 65.07, 13.49, -26.38

 

CMYK 0 / 9 / 22 / 21

HEX #C9B69C

RGB 201 182 156

HSL 34.67, 0.29%, 0.7%

LAB 75, 2.64, 15.71

 

CMYK 0 / 3 / 22 / 21

HEX #C9C29C

RGB 201 194 156

HSL 50.67, 0.29%, 0.7%

LAB 78.11, -3.7, 20.03

 

CMYK 2 / 0 / 22 / 21

HEX #C5C99C

RGB 197 201 156

HSL 65.33, 0.29%, 0.7%

LAB 79.64, -8.84, 22.09

 

CMYK 8 / 0 / 22 / 21

HEX #B9C99C

RGB 185 201 156

HSL 81.33, 0.29%, 0.7%

LAB 78.75, -13.29, 20.72

 

CMYK 14 / 0 / 22 / 21

HEX #ACC99C

RGB 172 201 156

HSL 98.67, 0.29%, 0.7%

LAB 77.84, -17.99, 19.33

 

CMYK 5 / 0 / 41 / 32

HEX #A5AD66

RGB 165 173 102

HSL 66.76, 0.3%, 0.54%

LAB 68.64, -13.9, 35.48

 

CMYK 3 / 0 / 31 / 27

HEX #B5BB81

RGB 181 187 129

HSL 66.21, 0.3%, 0.62%

LAB 74.16, -11.47, 28.75

 

CMYK 2 / 0 / 22 / 21

HEX #C4C99C

RGB 196 201 156

HSL 66.67, 0.29%, 0.7%

LAB 79.56, -9.22, 21.97

 

CMYK 2 / 0 / 16 / 15

HEX #D4D8B6

RGB 212 216 182

HSL 67.06, 0.3%, 0.78%

LAB 85.24, -7.12, 16.33

 

CMYK 1 / 0 / 9 / 10

HEX #E4E6D1

RGB 228 230 209

HSL 65.71, 0.3%, 0.86%

LAB 90.64, -4.28, 9.99

 

CMYK 2 / 0 / 23 / 21

HEX #C5CA9C

RGB 197 202 156

HSL 66.52, 0.3%, 0.7%

LAB 79.9, -9.36, 22.45

 

CMYK 22 / 0 / 16 / 21

HEX #9CC9A9

RGB 156 201 169

HSL 137.33, 0.29%, 0.7%

LAB 77.1, -21.21, 11.2

 

CMYK 6 / 22 / 0 / 21

HEX #BC9CC9

RGB 188 156 201

HSL 282.67, 0.29%, 0.7%

LAB 68.52, 20.02, -18.65

 

CMYK 2 / 0 / 23 / 21

HEX #C5CA9C

RGB 197 202 156

HSL 66.52, 0.3%, 0.7%

LAB 79.9, -9.36, 22.45

 

CMYK 22 / 2 / 0 / 21

HEX #9CC5C9

RGB 156 197 201

HSL 185.33, 0.29%, 0.7%

LAB 76.81, -12.61, -6.47

 

CMYK 0 / 22 / 2 / 21

HEX #C99CC5

RGB 201 156 197

HSL 305.33, 0.29%, 0.7%

LAB 69.63, 23.62, -14.64

 

CMYK 2 / 0 / 23 / 21

HEX #C5CA9C

RGB 197 202 156

HSL 66.52, 0.3%, 0.7%

LAB 79.9, -9.36, 22.45

 

CMYK 22 / 0 / 16 / 21

HEX #9CC9A9

RGB 156 201 169

HSL 137.33, 0.29%, 0.7%

LAB 77.1, -21.21, 11.2

 

CMYK 20 / 22 / 0 / 21

HEX #A09CC9

RGB 160 156 201

HSL 245.33, 0.29%, 0.7%

LAB 66.11, 10.92, -22.54

 

CMYK 0 / 22 / 6 / 21

HEX #C99CBC

RGB 201 156 188

HSL 317.33, 0.29%, 0.7%

LAB 69.34, 21.98, -10.07

 

CMYK 2 / 0 / 23 / 21

HEX #C5CA9C

RGB 197 202 156

HSL 66.52, 0.3%, 0.7%

LAB 79.9, -9.36, 22.45

 

CMYK 22 / 0 / 9 / 21

HEX #9CC9B7

RGB 156 201 183

HSL 156, 0.29%, 0.7%

LAB 77.44, -18.48, 4.15

 

CMYK 20 / 22 / 0 / 21

HEX #A09CC9

RGB 160 156 201

HSL 245.33, 0.29%, 0.7%

LAB 66.11, 10.92, -22.54

 

CMYK 0 / 22 / 13 / 21

HEX #C99CAE

RGB 201 156 174

HSL 336, 0.29%, 0.7%

LAB 68.93, 19.57, -2.89

 

Description

Color code: HEX #C5CA9C | qconv.com Color code: HEX #C5CA9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 202 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 202 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 23 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 23% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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