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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5C4DF4C it is the complementary color #3A3B204C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5C4DF4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5C4DF4C shade: #CAC4DA4C, #DBD6ED4C, #ECE8FF4C, #FDFAFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5C4DF4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5C4DF4C shade: #C5C4DF4C, #B4B2CC4C, #A3A0B94C, #928EA64C and #817C934C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5C4DF4C shade: #C4C3DF, #CCC3DF, #D3C3DF, #DBC3DF and #DFC3DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5C4DF4C shade: #C4C3DF and #C3C3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5C4DF4C shade matches the following richer shades: #C4C3DF, #BDBCE6, #B7B4EE, #B0ADF5 and #A9A6FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5C4DF4C shade: #C4C3DF, #CBCBD7, #D2D2D0, #D9DAC9 and #E0E1C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5C4DF4C shade: #C3D1DF, #C3CADF, #C4C3DF, #CCC3DF and #D3C3DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5C4DF4C shade: #908EC2, #AAA9D0, #C4C3DF, #DFDEED and #F9F9FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5C4DF4C shade: #C5C4DF, #DFC3D8 and #CDDFC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5C4DF4C shade: #C5C4DF, #DFC4C3 and #C3DFC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5C4DF4C shade: #C5C4DF, #DFC3D8, #DEDFC3 and #C3DFCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5C4DF4C shade: #C5C4DF, #DFC3D0, #DEDFC3 and #C3DFD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 4 / 0 / 4

HEX #C5C4DF4C

RGBA 197 196 223 0.3

HSLA 242.22, 0.3%, 0.82%, 0.3

LABA 80, 5.59, -13.28, 0.3

 

Complementary color

CMYK 1 / 0 / 14 / 23

HEX #3A3B204C

RGBA 58 59 32 0.3

HSLA 62.22, 0.3%, 0.18%, 0.3

LABA 24.1, -5.41, 16.59, 0.3

 

CMYK 2 / 3 / 0 / 4

HEX #CAC4DA4C

RGBA 202 196 218 0.3

HSLA 256.36, 0.23%, 0.81%, 0.3

LABA 80.23, 6.23, -10.2, 0.3

 

CMYK 2 / 3 / 0 / 2

HEX #DBD6ED4C

RGBA 219 214 237 0.3

HSLA 253.04, 0.39%, 0.88%, 0.3

LABA 86.64, 5.99, -10.65, 0.3

 

CMYK 2 / 3 / 0 / 0

HEX #ECE8FF4C

RGBA 236 232 255 0.3

HSLA 250.43, 1%, 0.95%, 0.3

LABA 92.91, 5.57, -10.62, 0.3

 

CMYK 0 / 1 / 0 / 0

HEX #FDFAFF4C

RGBA 253 250 255 0.3

HSLA 276, 1%, 0.99%, 0.3

LABA 98.62, 1.88, -2.05, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 3 / 4 / 0 / 4

HEX #C5C4DF4C

RGBA 197 196 223 0.3

HSLA 242.22, 0.3%, 0.82%, 0.3

LABA 80, 5.59, -13.28, 0.3

 

CMYK 4 / 4 / 0 / 6

HEX #B4B2CC4C

RGBA 180 178 204 0.3

HSLA 244.62, 0.2%, 0.75%, 0.3

LABA 73.48, 5.84, -12.89, 0.3

 

CMYK 4 / 4 / 0 / 8

HEX #A3A0B94C

RGBA 163 160 185 0.3

HSLA 247.2, 0.15%, 0.68%, 0.3

LABA 66.85, 6.1, -12.49, 0.3

 

CMYK 4 / 4 / 0 / 10

HEX #928EA64C

RGBA 146 142 166 0.3

HSLA 250, 0.12%, 0.6%, 0.3

LABA 60.08, 6.39, -12.1, 0.3

 

CMYK 4 / 5 / 0 / 13

HEX #817C934C

RGBA 129 124 147 0.3

HSLA 253.04, 0.1%, 0.53%, 0.3

LABA 53.16, 6.7, -11.71, 0.3

 

CMYK 12 / 13 / 0 / 13

HEX #C4C3DF

RGB 196 195 223

HSL 242.14, 0.3%, 0.82%

LAB 79.67, 5.81, -13.79

 

CMYK 9 / 13 / 0 / 13

HEX #CCC3DF

RGB 204 195 223

HSL 259.29, 0.3%, 0.82%

LAB 80.29, 8.41, -12.79

 

CMYK 5 / 13 / 0 / 13

HEX #D3C3DF

RGB 211 195 223

HSL 274.29, 0.3%, 0.82%

LAB 80.85, 10.73, -11.89

 

CMYK 2 / 13 / 0 / 13

HEX #DBC3DF

RGB 219 195 223

HSL 291.43, 0.3%, 0.82%

LAB 81.52, 13.39, -10.82

 

CMYK 0 / 13 / 1 / 13

HEX #DFC3DC

RGB 223 195 220

HSL 306.43, 0.3%, 0.82%

LAB 81.78, 14.19, -8.8

 

CMYK 12 / 13 / 0 / 13

HEX #C4C3DF

RGB 196 195 223

HSL 242.14, 0.3%, 0.82%

LAB 79.67, 5.81, -13.79

 

CMYK 13 / 13 / 0 / 13

HEX #C3C3DF

RGB 195 195 223

HSL 240, 0.3%, 0.82%

LAB 79.59, 5.48, -13.91

 

CMYK 12 / 13 / 0 / 13

HEX #C4C3DF

RGB 196 195 223

HSL 242.14, 0.3%, 0.82%

LAB 79.67, 5.81, -13.79

 

CMYK 18 / 18 / 0 / 10

HEX #BDBCE6

RGB 189 188 230

HSL 241.43, 0.46%, 0.82%

LAB 77.58, 8.84, -20.76

 

CMYK 23 / 24 / 0 / 7

HEX #B7B4EE

RGB 183 180 238

HSL 243.1, 0.63%, 0.82%

LAB 75.38, 13.18, -28.48

 

CMYK 28 / 29 / 0 / 4

HEX #B0ADF5

RGB 176 173 245

HSL 242.5, 0.78%, 0.82%

LAB 73.36, 16.66, -35.43

 

CMYK 33 / 34 / 0 / 1

HEX #A9A6FD

RGB 169 166 253

HSL 242.07, 0.96%, 0.82%

LAB 71.42, 20.61, -42.82

 

CMYK 12 / 13 / 0 / 13

HEX #C4C3DF

RGB 196 195 223

HSL 242.14, 0.3%, 0.82%

LAB 79.67, 5.81, -13.79

 

CMYK 6 / 6 / 0 / 16

HEX #CBCBD7

RGB 203 203 215

HSL 240, 0.13%, 0.82%

LAB 82.01, 2.26, -5.95

 

CMYK 0 / 0 / 1 / 18

HEX #D2D2D0

RGB 210 210 208

HSL 60, 0.02%, 0.82%

LAB 84.15, -0.36, 0.98

 

CMYK 0 / 0 / 8 / 15

HEX #D9DAC9

RGB 217 218 201

HSL 63.53, 0.19%, 0.82%

LAB 86.56, -3.3, 8.24

 

CMYK 0 / 0 / 14 / 12

HEX #E0E1C1

RGB 224 225 193

HSL 61.88, 0.35%, 0.82%

LAB 88.71, -5.7, 15.57

 

CMYK 13 / 6 / 0 / 13

HEX #C3D1DF

RGB 195 209 223

HSL 210, 0.3%, 0.82%

LAB 83.19, -1.95, -8.53

 

CMYK 13 / 9 / 0 / 13

HEX #C3CADF

RGB 195 202 223

HSL 225, 0.3%, 0.82%

LAB 81.39, 1.75, -11.23

 

CMYK 12 / 13 / 0 / 13

HEX #C4C3DF

RGB 196 195 223

HSL 242.14, 0.3%, 0.82%

LAB 79.67, 5.81, -13.79

 

CMYK 9 / 13 / 0 / 13

HEX #CCC3DF

RGB 204 195 223

HSL 259.29, 0.3%, 0.82%

LAB 80.29, 8.41, -12.79

 

CMYK 5 / 13 / 0 / 13

HEX #D3C3DF

RGB 211 195 223

HSL 274.29, 0.3%, 0.82%

LAB 80.85, 10.73, -11.89

 

CMYK 26 / 27 / 0 / 24

HEX #908EC2

RGB 144 142 194

HSL 242.31, 0.3%, 0.66%

LAB 60.93, 12.25, -26.68

 

CMYK 18 / 19 / 0 / 18

HEX #AAA9D0

RGB 170 169 208

HSL 241.54, 0.29%, 0.74%

LAB 70.51, 8.41, -19.65

 

CMYK 12 / 13 / 0 / 13

HEX #C4C3DF

RGB 196 195 223

HSL 242.14, 0.3%, 0.82%

LAB 79.67, 5.81, -13.79

 

CMYK 6 / 6 / 0 / 7

HEX #DFDEED

RGB 223 222 237

HSL 244, 0.29%, 0.9%

LAB 88.94, 3.11, -7.19

 

CMYK 1 / 1 / 0 / 1

HEX #F9F9FC

RGB 249 249 252

HSL 240, 0.33%, 0.98%

LAB 98, 0.54, -1.44

 

CMYK 12 / 12 / 0 / 13

HEX #C5C4DF

RGB 197 196 223

HSL 242.22, 0.3%, 0.82%

LAB 80, 5.59, -13.28

 

CMYK 0 / 13 / 3 / 13

HEX #DFC3D8

RGB 223 195 216

HSL 315, 0.3%, 0.82%

LAB 81.66, 13.47, -6.82

 

CMYK 8 / 0 / 13 / 13

HEX #CDDFC3

RGB 205 223 195

HSL 98.57, 0.3%, 0.82%

LAB 86.85, -11.04, 11.69

 

CMYK 12 / 12 / 0 / 13

HEX #C5C4DF

RGB 197 196 223

HSL 242.22, 0.3%, 0.82%

LAB 80, 5.59, -13.28

 

CMYK 0 / 12 / 13 / 13

HEX #DFC4C3

RGB 223 196 195

HSL 2.14, 0.3%, 0.82%

LAB 81.35, 9.35, 3.99

 

CMYK 13 / 0 / 12 / 13

HEX #C3DFC4

RGB 195 223 196

HSL 122.14, 0.3%, 0.82%

LAB 86.19, -14.29, 10.13

 

CMYK 12 / 12 / 0 / 13

HEX #C5C4DF

RGB 197 196 223

HSL 242.22, 0.3%, 0.82%

LAB 80, 5.59, -13.28

 

CMYK 0 / 13 / 3 / 13

HEX #DFC3D8

RGB 223 195 216

HSL 315, 0.3%, 0.82%

LAB 81.66, 13.47, -6.82

 

CMYK 0 / 0 / 13 / 13

HEX #DEDFC3

RGB 222 223 195

HSL 62.14, 0.3%, 0.82%

LAB 88.09, -5.08, 13.62

 

CMYK 13 / 0 / 9 / 13

HEX #C3DFCA

RGB 195 223 202

HSL 135, 0.3%, 0.82%

LAB 86.33, -13.21, 7.17

 

CMYK 12 / 12 / 0 / 13

HEX #C5C4DF

RGB 197 196 223

HSL 242.22, 0.3%, 0.82%

LAB 80, 5.59, -13.28

 

CMYK 0 / 13 / 7 / 13

HEX #DFC3D0

RGB 223 195 208

HSL 332.14, 0.3%, 0.82%

LAB 81.44, 12.06, -2.85

 

CMYK 0 / 0 / 13 / 13

HEX #DEDFC3

RGB 222 223 195

HSL 62.14, 0.3%, 0.82%

LAB 88.09, -5.08, 13.62

 

CMYK 13 / 0 / 6 / 13

HEX #C3DFD2

RGB 195 223 210

HSL 152.14, 0.3%, 0.82%

LAB 86.52, -11.72, 3.24

 

Description

Color code: HEX #C5C4DF4C | qconv.com Color code: HEX #C5C4DF4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 196 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 196 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 4 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 4% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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