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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5BC3C it is the complementary color #3A43C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5BC3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5BC3C shade: #CABC37, #DBCE4A, #ECE05D, #FDF270 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5BC3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5BC3C shade: #C5BC3C, #B4AA29, #A39816, #928603 and #817400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5BC3C shade: #C4BB3B, #C4963B, #C4713B, #C44C3B and #C43B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5BC3C shade: #C4BB3B, #A8C43B, #83C43B, #5EC43B and #3BC43C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5BC3C shade matches the following richer shades: #C4BB3B, #D9CD26 and #EEDF11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5BC3C shade: #C4BB3B, #B0A94F, #9B9764, #868679 and #72748D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5BC3C shade: #C4723B, #C4963B, #C4BB3B, #A9C43B and #84C43B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5BC3C shade: #857F28, #A59D31, #C4BB3B, #CEC65A and #D7D17A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5BC3C shade: #C5BC3C, #3BC44D and #843BC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5BC3C shade: #C5BC3C, #3BC4BB and #BB3BC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5BC3C shade: #C5BC3C, #3BC44D, #3B44C4 and #C43BB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5BC3C shade: #C5BC3C, #3BC476, #3B44C4 and #C43B89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 70 / 23

HEX #C5BC3C

RGB 197 188 60

HSL 56.06, 0.54%, 0.5%

LAB 74.93, -11.62, 62.6

 

Complementary color

CMYK 70 / 66 / 0 / 24

HEX #3A43C3

RGB 58 67 195

HSL 236.06, 0.54%, 0.5%

LAB 35.7, 38.68, -67.81

 

CMYK 0 / 7 / 73 / 21

HEX #CABC37

RGB 202 188 55

HSL 54.29, 0.58%, 0.5%

LAB 75.33, -9.72, 64.98

 

CMYK 0 / 6 / 66 / 14

HEX #DBCE4A

RGB 219 206 74

HSL 54.62, 0.67%, 0.57%

LAB 81.67, -10.71, 64.58

 

CMYK 0 / 5 / 61 / 7

HEX #ECE05D

RGB 236 224 93

HSL 54.97, 0.79%, 0.65%

LAB 87.94, -11.54, 63.82

 

CMYK 0 / 4 / 56 / 1

HEX #FDF270

RGB 253 242 112

HSL 55.32, 0.97%, 0.72%

LAB 94.12, -12.25, 62.86

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 5 / 70 / 23

HEX #C5BC3C

RGB 197 188 60

HSL 56.06, 0.54%, 0.5%

LAB 74.93, -11.62, 62.6

 

CMYK 0 / 6 / 77 / 29

HEX #B4AA29

RGB 180 170 41

HSL 55.68, 0.63%, 0.43%

LAB 68.47, -10.56, 62.65

 

CMYK 0 / 7 / 87 / 36

HEX #A39816

RGB 163 152 22

HSL 55.32, 0.76%, 0.36%

LAB 61.91, -9.28, 61.71

 

CMYK 0 / 8 / 98 / 43

HEX #928603

RGB 146 134 3

HSL 54.97, 0.96%, 0.29%

LAB 55.24, -7.75, 59.35

 

CMYK 0 / 10 / 100 / 49

HEX #817400

RGB 129 116 0

HSL 53.95, 1%, 0.25%

LAB 48.46, -5.85, 54.25

 

CMYK 0 / 5 / 70 / 23

HEX #C4BB3B

RGB 196 187 59

HSL 56.06, 0.54%, 0.5%

LAB 74.57, -11.59, 62.59

 

CMYK 0 / 23 / 70 / 23

HEX #C4963B

RGB 196 150 59

HSL 39.85, 0.54%, 0.5%

LAB 64.85, 8.02, 52.74

 

CMYK 0 / 42 / 70 / 23

HEX #C4713B

RGB 196 113 59

HSL 23.65, 0.54%, 0.5%

LAB 55.95, 28.25, 43.21

 

CMYK 0 / 61 / 70 / 23

HEX #C44C3B

RGB 196 76 59

HSL 7.45, 0.54%, 0.5%

LAB 48.54, 46.98, 34.81

 

CMYK 0 / 70 / 70 / 23

HEX #C43B3B

RGB 196 59 59

HSL 0, 0.54%, 0.5%

LAB 45.88, 54.14, 31.68

 

CMYK 0 / 5 / 70 / 23

HEX #C4BB3B

RGB 196 187 59

HSL 56.06, 0.54%, 0.5%

LAB 74.57, -11.59, 62.59

 

CMYK 14 / 0 / 70 / 23

HEX #A8C43B

RGB 168 196 59

HSL 72.26, 0.54%, 0.5%

LAB 74.9, -27.79, 62.21

 

CMYK 33 / 0 / 70 / 23

HEX #83C43B

RGB 131 196 59

HSL 88.47, 0.54%, 0.5%

LAB 72.64, -42.06, 59.19

 

CMYK 52 / 0 / 70 / 23

HEX #5EC43B

RGB 94 196 59

HSL 104.67, 0.54%, 0.5%

LAB 70.99, -53.98, 56.97

 

CMYK 70 / 0 / 69 / 23

HEX #3BC43C

RGB 59 196 60

HSL 120.44, 0.54%, 0.5%

LAB 69.99, -61.99, 55.23

 

CMYK 0 / 5 / 70 / 23

HEX #C4BB3B

RGB 196 187 59

HSL 56.06, 0.54%, 0.5%

LAB 74.57, -11.59, 62.59

 

CMYK 0 / 6 / 82 / 15

HEX #D9CD26

RGB 217 205 38

HSL 55.98, 0.7%, 0.5%

LAB 81.05, -12.54, 75.73

 

CMYK 0 / 6 / 93 / 7

HEX #EEDF11

RGB 238 223 17

HSL 55.93, 0.87%, 0.5%

LAB 87.48, -13, 85.33

 

CMYK 0 / 5 / 70 / 23

HEX #C4BB3B

RGB 196 187 59

HSL 56.06, 0.54%, 0.5%

LAB 74.57, -11.59, 62.59

 

CMYK 0 / 4 / 55 / 31

HEX #B0A94F

RGB 176 169 79

HSL 55.67, 0.38%, 0.5%

LAB 68.15, -9.5, 46.6

 

CMYK 0 / 3 / 35 / 39

HEX #9B9764

RGB 155 151 100

HSL 55.64, 0.22%, 0.5%

LAB 61.67, -6.58, 27.43

 

CMYK 0 / 0 / 10 / 47

HEX #868679

RGB 134 134 121

HSL 60, 0.05%, 0.5%

LAB 55.58, -2.45, 7

 

CMYK 19 / 18 / 0 / 45

HEX #72748D

RGB 114 116 141

HSL 235.56, 0.11%, 0.5%

LAB 49.49, 4.83, -13.86

 

CMYK 0 / 42 / 70 / 23

HEX #C4723B

RGB 196 114 59

HSL 24.09, 0.54%, 0.5%

LAB 56.17, 27.71, 43.46

 

CMYK 0 / 23 / 70 / 23

HEX #C4963B

RGB 196 150 59

HSL 39.85, 0.54%, 0.5%

LAB 64.85, 8.02, 52.74

 

CMYK 0 / 5 / 70 / 23

HEX #C4BB3B

RGB 196 187 59

HSL 56.06, 0.54%, 0.5%

LAB 74.57, -11.59, 62.59

 

CMYK 14 / 0 / 70 / 23

HEX #A9C43B

RGB 169 196 59

HSL 71.82, 0.54%, 0.5%

LAB 74.97, -27.39, 62.3

 

CMYK 33 / 0 / 70 / 23

HEX #84C43B

RGB 132 196 59

HSL 88.03, 0.54%, 0.5%

LAB 72.69, -41.7, 59.26

 

CMYK 0 / 5 / 70 / 48

HEX #857F28

RGB 133 127 40

HSL 56.13, 0.54%, 0.34%

LAB 52.2, -8.71, 45.96

 

CMYK 0 / 5 / 70 / 35

HEX #A59D31

RGB 165 157 49

HSL 55.86, 0.54%, 0.42%

LAB 63.62, -9.98, 54.69

 

CMYK 0 / 5 / 70 / 23

HEX #C4BB3B

RGB 196 187 59

HSL 56.06, 0.54%, 0.5%

LAB 74.57, -11.59, 62.59

 

CMYK 0 / 4 / 56 / 19

HEX #CEC65A

RGB 206 198 90

HSL 55.86, 0.54%, 0.58%

LAB 78.61, -11.02, 54.08

 

CMYK 0 / 3 / 43 / 16

HEX #D7D17A

RGB 215 209 122

HSL 56.13, 0.54%, 0.66%

LAB 82.62, -10.12, 43.75

 

CMYK 0 / 5 / 70 / 23

HEX #C5BC3C

RGB 197 188 60

HSL 56.06, 0.54%, 0.5%

LAB 74.93, -11.62, 62.6

 

CMYK 70 / 0 / 61 / 23

HEX #3BC44D

RGB 59 196 77

HSL 127.88, 0.54%, 0.5%

LAB 70.14, -60.23, 48.25

 

CMYK 33 / 70 / 0 / 23

HEX #843BC4

RGB 132 59 196

HSL 271.97, 0.54%, 0.5%

LAB 41.25, 55.73, -59.06

 

CMYK 0 / 5 / 70 / 23

HEX #C5BC3C

RGB 197 188 60

HSL 56.06, 0.54%, 0.5%

LAB 74.93, -11.62, 62.6

 

CMYK 70 / 0 / 5 / 23

HEX #3BC4BB

RGB 59 196 187

HSL 176.06, 0.54%, 0.5%

LAB 72.23, -37.93, -6.09

 

CMYK 5 / 70 / 0 / 23

HEX #BB3BC4

RGB 187 59 196

HSL 296.06, 0.54%, 0.5%

LAB 49.1, 67.29, -46.01

 

CMYK 0 / 5 / 70 / 23

HEX #C5BC3C

RGB 197 188 60

HSL 56.06, 0.54%, 0.5%

LAB 74.93, -11.62, 62.6

 

CMYK 70 / 0 / 61 / 23

HEX #3BC44D

RGB 59 196 77

HSL 127.88, 0.54%, 0.5%

LAB 70.14, -60.23, 48.25

 

CMYK 70 / 65 / 0 / 23

HEX #3B44C4

RGB 59 68 196

HSL 236.06, 0.54%, 0.5%

LAB 36.08, 38.53, -67.77

 

CMYK 0 / 70 / 9 / 23

HEX #C43BB2

RGB 196 59 178

HSL 307.88, 0.54%, 0.5%

LAB 49.59, 66.43, -34.67

 

CMYK 0 / 5 / 70 / 23

HEX #C5BC3C

RGB 197 188 60

HSL 56.06, 0.54%, 0.5%

LAB 74.93, -11.62, 62.6

 

CMYK 70 / 0 / 40 / 23

HEX #3BC476

RGB 59 196 118

HSL 145.84, 0.54%, 0.5%

LAB 70.68, -54.04, 28.82

 

CMYK 70 / 65 / 0 / 23

HEX #3B44C4

RGB 59 68 196

HSL 236.06, 0.54%, 0.5%

LAB 36.08, 38.53, -67.77

 

CMYK 0 / 70 / 30 / 23

HEX #C43B89

RGB 196 59 137

HSL 325.84, 0.54%, 0.5%

LAB 47.84, 60.83, -12.99

 

Description

Color code: HEX #C5BC3C | qconv.com Color code: HEX #C5BC3C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 188 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 188 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 70 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 70% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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