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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5BC1D it is the complementary color #3A43E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5BC1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5BC1D shade: #CABC18, #DBCE2B, #ECE03E, #FDF251 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5BC1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5BC1D shade: #C5BC1D, #B4AA0A, #A39800, #928600 and #817400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5BC1D shade: #C3BA1D, #C38E1D, #C3611D, #C3341D and #C31D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5BC1D shade: #C3BA1D, #9FC31D, #73C31D, #46C31D and #1DC321

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5BC1D shade matches the following richer shades: #C3BA1D and #D5CB0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5BC1D shade: #C3BA1D, #B1AA2F, #9F9A41, #8D8A54 and #7B7966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5BC1D shade: #C3601D, #C38C1D, #C3B81D, #A2C31D and #76C31D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5BC1D shade: #7B7612, #9F9818, #C3BA1D, #DFD62A and #E5DD4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5BC1D shade: #C5BC1D, #1DC333 and #761DC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5BC1D shade: #C5BC1D, #1DC3B8 and #B81DC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5BC1D shade: #C5BC1D, #1DC333, #1D28C3 and #C31DAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5BC1D shade: #C5BC1D, #1DC365, #1D28C3 and #C31D7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 85 / 23

HEX #C5BC1D

RGB 197 188 29

HSL 56.79, 0.74%, 0.44%

LAB 74.78, -12.78, 71.92

 

Complementary color

CMYK 74 / 70 / 0 / 11

HEX #3A43E2

RGB 58 67 226

HSL 236.79, 0.74%, 0.56%

LAB 38.56, 49.17, -81.01

 

CMYK 0 / 7 / 88 / 21

HEX #CABC18

RGB 202 188 24

HSL 55.28, 0.79%, 0.44%

LAB 75.19, -10.72, 73.46

 

CMYK 0 / 6 / 80 / 14

HEX #DBCE2B

RGB 219 206 43

HSL 55.57, 0.71%, 0.51%

LAB 81.5, -12.05, 74.89

 

CMYK 0 / 5 / 74 / 7

HEX #ECE03E

RGB 236 224 62

HSL 55.86, 0.82%, 0.58%

LAB 87.72, -13.18, 75.35

 

CMYK 0 / 4 / 68 / 1

HEX #FDF251

RGB 253 242 81

HSL 56.16, 0.98%, 0.65%

LAB 93.87, -14.15, 75.18

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 5 / 85 / 23

HEX #C5BC1D

RGB 197 188 29

HSL 56.79, 0.74%, 0.44%

LAB 74.78, -12.78, 71.92

 

CMYK 0 / 6 / 94 / 29

HEX #B4AA0A

RGB 180 170 10

HSL 56.47, 0.89%, 0.37%

LAB 68.37, -11.35, 69.52

 

CMYK 0 / 7 / 100 / 36

HEX #A39800

RGB 163 152 0

HSL 55.95, 1%, 0.32%

LAB 61.86, -9.67, 65.36

 

CMYK 0 / 8 / 100 / 43

HEX #928600

RGB 146 134 0

HSL 55.07, 1%, 0.29%

LAB 55.24, -7.8, 59.87

 

CMYK 0 / 10 / 100 / 49

HEX #817400

RGB 129 116 0

HSL 53.95, 1%, 0.25%

LAB 48.46, -5.85, 54.25

 

CMYK 0 / 5 / 85 / 24

HEX #C3BA1D

RGB 195 186 29

HSL 56.75, 0.74%, 0.44%

LAB 74.07, -12.63, 71.26

 

CMYK 0 / 27 / 85 / 24

HEX #C38E1D

RGB 195 142 29

HSL 40.84, 0.74%, 0.44%

LAB 62.54, 10.75, 61.73

 

CMYK 0 / 50 / 85 / 24

HEX #C3611D

RGB 195 97 29

HSL 24.58, 0.74%, 0.44%

LAB 52.11, 35.12, 52.96

 

CMYK 0 / 73 / 85 / 24

HEX #C3341D

RGB 195 52 29

HSL 8.31, 0.74%, 0.44%

LAB 44.44, 55.3, 46.4

 

CMYK 0 / 85 / 85 / 24

HEX #C31D1D

RGB 195 29 29

HSL 0, 0.74%, 0.44%

LAB 42.11, 61.87, 44.36

 

CMYK 0 / 5 / 85 / 24

HEX #C3BA1D

RGB 195 186 29

HSL 56.75, 0.74%, 0.44%

LAB 74.07, -12.63, 71.26

 

CMYK 18 / 0 / 85 / 24

HEX #9FC31D

RGB 159 195 29

HSL 73.01, 0.74%, 0.44%

LAB 73.86, -32.28, 69.99

 

CMYK 41 / 0 / 85 / 24

HEX #73C31D

RGB 115 195 29

HSL 88.92, 0.74%, 0.44%

LAB 71.39, -48.8, 66.9

 

CMYK 64 / 0 / 85 / 24

HEX #46C31D

RGB 70 195 29

HSL 105.18, 0.74%, 0.44%

LAB 69.77, -61.48, 64.85

 

CMYK 85 / 0 / 83 / 24

HEX #1DC321

RGB 29 195 33

HSL 121.45, 0.74%, 0.44%

LAB 69.04, -67.7, 62.94

 

CMYK 0 / 5 / 85 / 24

HEX #C3BA1D

RGB 195 186 29

HSL 56.75, 0.74%, 0.44%

LAB 74.07, -12.63, 71.26

 

CMYK 0 / 5 / 95 / 16

HEX #D5CB0B

RGB 213 203 11

HSL 57.03, 0.9%, 0.44%

LAB 80.11, -13.75, 79.5

 

CMYK 0 / 5 / 85 / 24

HEX #C3BA1D

RGB 195 186 29

HSL 56.75, 0.74%, 0.44%

LAB 74.07, -12.63, 71.26

 

CMYK 0 / 4 / 73 / 31

HEX #B1AA2F

RGB 177 170 47

HSL 56.77, 0.58%, 0.44%

LAB 68.24, -11.62, 60.3

 

CMYK 0 / 3 / 59 / 38

HEX #9F9A41

RGB 159 154 65

HSL 56.81, 0.42%, 0.44%

LAB 62.39, -10, 46.31

 

CMYK 0 / 2 / 40 / 45

HEX #8D8A54

RGB 141 138 84

HSL 56.84, 0.25%, 0.44%

LAB 56.56, -7.31, 29.3

 

CMYK 0 / 2 / 17 / 52

HEX #7B7966

RGB 123 121 102

HSL 54.29, 0.09%, 0.44%

LAB 50.51, -2.73, 10.71

 

CMYK 0 / 51 / 85 / 24

HEX #C3601D

RGB 195 96 29

HSL 24.22, 0.74%, 0.44%

LAB 51.9, 35.64, 52.79

 

CMYK 0 / 28 / 85 / 24

HEX #C38C1D

RGB 195 140 29

HSL 40.12, 0.74%, 0.44%

LAB 62.04, 11.85, 61.31

 

CMYK 0 / 6 / 85 / 24

HEX #C3B81D

RGB 195 184 29

HSL 56.02, 0.74%, 0.44%

LAB 73.53, -11.61, 70.82

 

CMYK 17 / 0 / 85 / 24

HEX #A2C31D

RGB 162 195 29

HSL 71.93, 0.74%, 0.44%

LAB 74.06, -31.06, 70.24

 

CMYK 39 / 0 / 85 / 24

HEX #76C31D

RGB 118 195 29

HSL 87.83, 0.74%, 0.44%

LAB 71.53, -47.78, 67.08

 

CMYK 0 / 4 / 85 / 52

HEX #7B7612

RGB 123 118 18

HSL 57.14, 0.74%, 0.28%

LAB 48.53, -9.4, 50.07

 

CMYK 0 / 4 / 85 / 38

HEX #9F9818

RGB 159 152 24

HSL 56.89, 0.74%, 0.36%

LAB 61.56, -11.03, 60.79

 

CMYK 0 / 5 / 85 / 24

HEX #C3BA1D

RGB 195 186 29

HSL 56.75, 0.74%, 0.44%

LAB 74.07, -12.63, 71.26

 

CMYK 0 / 4 / 81 / 13

HEX #DFD62A

RGB 223 214 42

HSL 57.02, 0.74%, 0.52%

LAB 83.94, -14.38, 77.39

 

CMYK 0 / 3 / 66 / 10

HEX #E5DD4E

RGB 229 221 78

HSL 56.82, 0.74%, 0.6%

LAB 86.46, -13.83, 68.19

 

CMYK 0 / 5 / 85 / 23

HEX #C5BC1D

RGB 197 188 29

HSL 56.79, 0.74%, 0.44%

LAB 74.78, -12.78, 71.92

 

CMYK 85 / 0 / 74 / 24

HEX #1DC333

RGB 29 195 51

HSL 127.95, 0.74%, 0.44%

LAB 69.13, -66.52, 57.53

 

CMYK 39 / 85 / 0 / 24

HEX #761DC3

RGB 118 29 195

HSL 272.17, 0.74%, 0.44%

LAB 35.34, 64.55, -68.18

 

CMYK 0 / 5 / 85 / 23

HEX #C5BC1D

RGB 197 188 29

HSL 56.79, 0.74%, 0.44%

LAB 74.78, -12.78, 71.92

 

CMYK 85 / 0 / 6 / 24

HEX #1DC3B8

RGB 29 195 184

HSL 176.02, 0.74%, 0.44%

LAB 71.39, -41.33, -5.75

 

CMYK 6 / 85 / 0 / 24

HEX #B81DC3

RGB 184 29 195

HSL 296.02, 0.74%, 0.44%

LAB 45.65, 74.93, -50.98

 

CMYK 0 / 5 / 85 / 23

HEX #C5BC1D

RGB 197 188 29

HSL 56.79, 0.74%, 0.44%

LAB 74.78, -12.78, 71.92

 

CMYK 85 / 0 / 74 / 24

HEX #1DC333

RGB 29 195 51

HSL 127.95, 0.74%, 0.44%

LAB 69.13, -66.52, 57.53

 

CMYK 85 / 79 / 0 / 24

HEX #1D28C3

RGB 29 40 195

HSL 236.02, 0.74%, 0.44%

LAB 28.69, 51.88, -79.42

 

CMYK 0 / 85 / 11 / 24

HEX #C31DAD

RGB 195 29 173

HSL 307.95, 0.74%, 0.44%

LAB 46.31, 73.7, -36.9

 

CMYK 0 / 5 / 85 / 23

HEX #C5BC1D

RGB 197 188 29

HSL 56.79, 0.74%, 0.44%

LAB 74.78, -12.78, 71.92

 

CMYK 85 / 0 / 48 / 24

HEX #1DC365

RGB 29 195 101

HSL 146.02, 0.74%, 0.44%

LAB 69.63, -60.4, 36.08

 

CMYK 85 / 79 / 0 / 24

HEX #1D28C3

RGB 29 40 195

HSL 236.02, 0.74%, 0.44%

LAB 28.69, 51.88, -79.42

 

CMYK 0 / 85 / 37 / 24

HEX #C31D7B

RGB 195 29 123

HSL 326.02, 0.74%, 0.44%

LAB 44.1, 67.65, -10.11

 

Description

Color code: HEX #C5BC1D | qconv.com Color code: HEX #C5BC1D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 188 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 188 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 85 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 85% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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