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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B813 it is the complementary color #3A47EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B813. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5B813 shade: #CAB80E, #DBCA21, #ECDC34, #FDEE47 and #FFFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B813. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5B813 shade: #C5B813, #B4A600, #A39400, #928200 and #817000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5B813 shade: #C3B613, #C38713, #C35713, #C32813 and #C31313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5B813 shade: #C3B613, #A0C313, #71C313, #42C313 and #13C314

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5B813 shade matches the following richer shades: #C3B613 and #D4C502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5B813 shade: #C3B613, #B2A725, #A09936, #8F8A47 and #7E7B59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5B813 shade: #C35713, #C38513, #C3B413, #A3C313 and #74C313

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5B813 shade: #78700C, #9D9310, #C3B613, #E8D917 and #ECDF3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5B813 shade: #C5B813, #13C328 and #6E13C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5B813 shade: #C5B813, #13C3B4 and #B413C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5B813 shade: #C5B813, #13C328, #1322C3 and #C313AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5B813 shade: #C5B813, #13C35C, #1322C3 and #C3137A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 90 / 23

HEX #C5B813

RGB 197 184 19

HSL 55.62, 0.82%, 0.42%

LAB 73.67, -10.95, 72.96

 

Complementary color

CMYK 75 / 70 / 0 / 7

HEX #3A47EC

RGB 58 71 236

HSL 235.62, 0.82%, 0.58%

LAB 40.35, 50.18, -83.74

 

CMYK 0 / 9 / 93 / 21

HEX #CAB80E

RGB 202 184 14

HSL 54.26, 0.87%, 0.42%

LAB 74.11, -8.83, 74.21

 

CMYK 0 / 8 / 85 / 14

HEX #DBCA21

RGB 219 202 33

HSL 54.52, 0.74%, 0.49%

LAB 80.41, -10.3, 76.43

 

CMYK 0 / 7 / 78 / 7

HEX #ECDC34

RGB 236 220 52

HSL 54.78, 0.83%, 0.56%

LAB 86.64, -11.57, 77.44

 

CMYK 0 / 6 / 72 / 1

HEX #FDEE47

RGB 253 238 71

HSL 55.05, 0.98%, 0.64%

LAB 92.79, -12.66, 77.65

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 7 / 90 / 23

HEX #C5B813

RGB 197 184 19

HSL 55.62, 0.82%, 0.42%

LAB 73.67, -10.95, 72.96

 

CMYK 0 / 8 / 100 / 29

HEX #B4A600

RGB 180 166 0

HSL 55.33, 1%, 0.35%

LAB 67.26, -9.38, 69.95

 

CMYK 0 / 9 / 100 / 36

HEX #A39400

RGB 163 148 0

HSL 54.48, 1%, 0.32%

LAB 60.75, -7.53, 64.56

 

CMYK 0 / 11 / 100 / 43

HEX #928200

RGB 146 130 0

HSL 53.42, 1%, 0.29%

LAB 54.11, -5.61, 59.06

 

CMYK 0 / 13 / 100 / 49

HEX #817000

RGB 129 112 0

HSL 52.09, 1%, 0.25%

LAB 47.31, -3.6, 53.43

 

CMYK 0 / 7 / 90 / 24

HEX #C3B613

RGB 195 182 19

HSL 55.57, 0.82%, 0.42%

LAB 72.96, -10.8, 72.32

 

CMYK 0 / 31 / 90 / 24

HEX #C38713

RGB 195 135 19

HSL 39.55, 0.82%, 0.42%

LAB 60.76, 14.37, 62.89

 

CMYK 0 / 55 / 90 / 24

HEX #C35713

RGB 195 87 19

HSL 23.18, 0.82%, 0.42%

LAB 50.06, 39.98, 54.8

 

CMYK 0 / 79 / 90 / 24

HEX #C32813

RGB 195 40 19

HSL 7.16, 0.82%, 0.42%

LAB 43.01, 58.93, 49.64

 

CMYK 0 / 90 / 90 / 24

HEX #C31313

RGB 195 19 19

HSL 0, 0.82%, 0.42%

LAB 41.4, 63.52, 48.49

 

CMYK 0 / 7 / 90 / 24

HEX #C3B613

RGB 195 182 19

HSL 55.57, 0.82%, 0.42%

LAB 72.96, -10.8, 72.32

 

CMYK 18 / 0 / 90 / 24

HEX #A0C313

RGB 160 195 19

HSL 71.93, 0.82%, 0.42%

LAB 73.9, -32.12, 71.93

 

CMYK 42 / 0 / 90 / 24

HEX #71C313

RGB 113 195 19

HSL 87.95, 0.82%, 0.42%

LAB 71.27, -49.78, 68.7

 

CMYK 66 / 0 / 90 / 24

HEX #42C313

RGB 66 195 19

HSL 103.98, 0.82%, 0.42%

LAB 69.64, -62.69, 66.66

 

CMYK 90 / 0 / 90 / 24

HEX #13C314

RGB 19 195 20

HSL 120.34, 0.82%, 0.42%

LAB 68.91, -69.04, 65.59

 

CMYK 0 / 7 / 90 / 24

HEX #C3B613

RGB 195 182 19

HSL 55.57, 0.82%, 0.42%

LAB 72.96, -10.8, 72.32

 

CMYK 0 / 7 / 99 / 17

HEX #D4C502

RGB 212 197 2

HSL 55.71, 0.98%, 0.42%

LAB 78.42, -11.25, 79.09

 

CMYK 0 / 7 / 90 / 24

HEX #C3B613

RGB 195 182 19

HSL 55.57, 0.82%, 0.42%

LAB 72.96, -10.8, 72.32

 

CMYK 0 / 6 / 79 / 30

HEX #B2A725

RGB 178 167 37

HSL 55.32, 0.66%, 0.42%

LAB 67.45, -10.03, 62.92

 

CMYK 0 / 4 / 66 / 37

HEX #A09936

RGB 160 153 54

HSL 56.04, 0.5%, 0.42%

LAB 62.1, -9.78, 50.96

 

CMYK 0 / 3 / 50 / 44

HEX #8F8A47

RGB 143 138 71

HSL 55.83, 0.34%, 0.42%

LAB 56.56, -7.84, 36.24

 

CMYK 0 / 2 / 29 / 51

HEX #7E7B59

RGB 126 123 89

HSL 55.14, 0.17%, 0.42%

LAB 51.06, -4.67, 19.05

 

CMYK 0 / 55 / 90 / 24

HEX #C35713

RGB 195 87 19

HSL 23.18, 0.82%, 0.42%

LAB 50.06, 39.98, 54.8

 

CMYK 0 / 32 / 90 / 24

HEX #C38513

RGB 195 133 19

HSL 38.86, 0.82%, 0.42%

LAB 60.27, 15.46, 62.52

 

CMYK 0 / 8 / 90 / 24

HEX #C3B413

RGB 195 180 19

HSL 54.89, 0.82%, 0.42%

LAB 72.42, -9.76, 71.91

 

CMYK 16 / 0 / 90 / 24

HEX #A3C313

RGB 163 195 19

HSL 70.91, 0.82%, 0.42%

LAB 74.1, -30.89, 72.18

 

CMYK 41 / 0 / 90 / 24

HEX #74C313

RGB 116 195 19

HSL 86.93, 0.82%, 0.42%

LAB 71.41, -48.76, 68.87

 

CMYK 0 / 7 / 90 / 53

HEX #78700C

RGB 120 112 12

HSL 55.56, 0.82%, 0.26%

LAB 46.46, -7.65, 49.77

 

CMYK 0 / 6 / 90 / 38

HEX #9D9310

RGB 157 147 16

HSL 55.74, 0.82%, 0.34%

LAB 59.95, -9.48, 61.19

 

CMYK 0 / 7 / 90 / 24

HEX #C3B613

RGB 195 182 19

HSL 55.57, 0.82%, 0.42%

LAB 72.96, -10.8, 72.32

 

CMYK 0 / 6 / 90 / 9

HEX #E8D917

RGB 232 217 23

HSL 55.69, 0.82%, 0.5%

LAB 85.42, -12.48, 82.74

 

CMYK 0 / 6 / 74 / 7

HEX #ECDF3D

RGB 236 223 61

HSL 55.54, 0.82%, 0.58%

LAB 87.46, -12.72, 75.43

 

CMYK 0 / 7 / 90 / 23

HEX #C5B813

RGB 197 184 19

HSL 55.62, 0.82%, 0.42%

LAB 73.67, -10.95, 72.96

 

CMYK 90 / 0 / 79 / 24

HEX #13C328

RGB 19 195 40

HSL 127.16, 0.82%, 0.42%

LAB 68.98, -68.09, 60.93

 

CMYK 44 / 90 / 0 / 24

HEX #6E13C3

RGB 110 19 195

HSL 271.02, 0.82%, 0.42%

LAB 33.39, 66.09, -71.42

 

CMYK 0 / 7 / 90 / 23

HEX #C5B813

RGB 197 184 19

HSL 55.62, 0.82%, 0.42%

LAB 73.67, -10.95, 72.96

 

CMYK 90 / 0 / 8 / 24

HEX #13C3B4

RGB 19 195 180

HSL 174.89, 0.82%, 0.42%

LAB 71.19, -43.04, -3.87

 

CMYK 8 / 90 / 0 / 24

HEX #B413C3

RGB 180 19 195

HSL 294.89, 0.82%, 0.42%

LAB 44.39, 75.94, -53.04

 

CMYK 0 / 7 / 90 / 23

HEX #C5B813

RGB 197 184 19

HSL 55.62, 0.82%, 0.42%

LAB 73.67, -10.95, 72.96

 

CMYK 90 / 0 / 79 / 24

HEX #13C328

RGB 19 195 40

HSL 127.16, 0.82%, 0.42%

LAB 68.98, -68.09, 60.93

 

CMYK 90 / 83 / 0 / 24

HEX #1322C3

RGB 19 34 195

HSL 234.89, 0.82%, 0.42%

LAB 27.36, 54.46, -81.65

 

CMYK 0 / 90 / 11 / 24

HEX #C313AE

RGB 195 19 174

HSL 307.16, 0.82%, 0.42%

LAB 45.8, 75.46, -38.29

 

CMYK 0 / 7 / 90 / 23

HEX #C5B813

RGB 197 184 19

HSL 55.62, 0.82%, 0.42%

LAB 73.67, -10.95, 72.96

 

CMYK 90 / 0 / 53 / 24

HEX #13C35C

RGB 19 195 92

HSL 144.89, 0.82%, 0.42%

LAB 69.43, -62.56, 40.25

 

CMYK 90 / 83 / 0 / 24

HEX #1322C3

RGB 19 34 195

HSL 234.89, 0.82%, 0.42%

LAB 27.36, 54.46, -81.65

 

CMYK 0 / 90 / 37 / 24

HEX #C3137A

RGB 195 19 122

HSL 324.89, 0.82%, 0.42%

LAB 43.47, 69.29, -10.45

 

Description

Color code: HEX #C5B813 | qconv.com Color code: HEX #C5B813 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 184 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 184 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 90 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 90% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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