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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5B5DD it is the complementary color #3A4A22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5B5DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5B5DD shade: #CAB5D8, #DBC7EB, #ECD9FE, #FDEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5B5DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5B5DD shade: #C5B5DD, #B4A3CA, #A391B7, #927FA4 and #816D91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5B5DD shade: #C5B5DD, #D0B5DD, #DAB5DD, #DDB5D4 and #DDB5CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5B5DD shade: #C5B5DD, #BAB5DD and #B5B5DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5B5DD shade matches the following richer shades: #C5B5DD, #C3ACE5, #C2A4EE and #C09BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5B5DD shade: #C5B5DD, #C7BED4, #C8C6CB, #CACFC3 and #CCD8BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5B5DD shade: #B5BADD, #BAB5DD, #C5B5DD, #D0B5DD and #DAB5DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5B5DD shade: #997DC3, #AF99D0, #C5B5DD, #DBD1EA and #F1EEF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5B5DD shade: #C5B5DD, #DDB5C5 and #B5DDB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5B5DD shade: #C5B5DD, #DDC5B5 and #B5DDC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5B5DD shade: #C5B5DD, #DDB5C5, #CDDDB5 and #B5DDCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5B5DD shade: #C5B5DD, #DDB5B9, #CDDDB5 and #B5DDD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

Complementary color

CMYK 22 / 0 / 54 / 71

HEX #3A4A22

RGB 58 74 34

HSL 84, 0.37%, 0.21%

LAB 29.19, -14.14, 21.7

 

CMYK 6 / 16 / 0 / 15

HEX #CAB5D8

RGB 202 181 216

HSL 276, 0.31%, 0.78%

LAB 76.41, 13.92, -14.84

 

CMYK 7 / 15 / 0 / 8

HEX #DBC7EB

RGB 219 199 235

HSL 273.33, 0.47%, 0.85%

LAB 82.86, 13.55, -15.23

 

CMYK 7 / 15 / 0 / 0

HEX #ECD9FE

RGB 236 217 254

HSL 270.81, 0.95%, 0.92%

LAB 89.21, 13.2, -15.62

 

CMYK 1 / 8 / 0 / 0

HEX #FDEBFF

RGB 253 235 255

HSL 294, 1%, 0.96%

LAB 94.96, 9.55, -7.44

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

CMYK 11 / 19 / 0 / 21

HEX #B4A3CA

RGB 180 163 202

HSL 266.15, 0.27%, 0.72%

LAB 69.58, 13.68, -17.66

 

CMYK 11 / 21 / 0 / 28

HEX #A391B7

RGB 163 145 183

HSL 268.42, 0.21%, 0.64%

LAB 62.89, 14.11, -17.34

 

CMYK 11 / 23 / 0 / 36

HEX #927FA4

RGB 146 127 164

HSL 270.81, 0.17%, 0.57%

LAB 56.06, 14.58, -17.03

 

CMYK 11 / 25 / 0 / 43

HEX #816D91

RGB 129 109 145

HSL 273.33, 0.14%, 0.5%

LAB 49.07, 15.1, -16.73

 

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

CMYK 6 / 18 / 0 / 13

HEX #D0B5DD

RGB 208 181 221

HSL 280.5, 0.37%, 0.79%

LAB 77.09, 16.89, -16.49

 

CMYK 1 / 18 / 0 / 13

HEX #DAB5DD

RGB 218 181 221

HSL 295.5, 0.37%, 0.79%

LAB 77.98, 20.21, -15.06

 

CMYK 0 / 18 / 4 / 13

HEX #DDB5D4

RGB 221 181 212

HSL 313.5, 0.37%, 0.79%

LAB 77.98, 19.57, -10.16

 

CMYK 0 / 18 / 9 / 13

HEX #DDB5CA

RGB 221 181 202

HSL 328.5, 0.37%, 0.79%

LAB 77.69, 17.83, -5.16

 

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

CMYK 16 / 18 / 0 / 13

HEX #BAB5DD

RGB 186 181 221

HSL 247.5, 0.37%, 0.79%

LAB 75.27, 9.75, -19.41

 

CMYK 18 / 18 / 0 / 13

HEX #B5B5DD

RGB 181 181 221

HSL 240, 0.37%, 0.79%

LAB 74.88, 8.17, -20.03

 

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

CMYK 15 / 25 / 0 / 10

HEX #C3ACE5

RGB 195 172 229

HSL 264.21, 0.52%, 0.79%

LAB 74.04, 19.26, -25.57

 

CMYK 18 / 31 / 0 / 7

HEX #C2A4EE

RGB 194 164 238

HSL 264.32, 0.69%, 0.79%

LAB 72.36, 25.33, -33.06

 

CMYK 22 / 37 / 0 / 3

HEX #C09BF7

RGB 192 155 247

HSL 264.13, 0.85%, 0.79%

LAB 70.43, 31.75, -40.97

 

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

CMYK 6 / 10 / 0 / 17

HEX #C7BED4

RGB 199 190 212

HSL 264.55, 0.2%, 0.79%

LAB 78.3, 7.27, -9.88

 

CMYK 1 / 2 / 0 / 20

HEX #C8C6CB

RGB 200 198 203

HSL 264, 0.05%, 0.79%

LAB 80.17, 1.62, -2.26

 

CMYK 2 / 0 / 6 / 19

HEX #CACFC3

RGB 202 207 195

HSL 85, 0.11%, 0.79%

LAB 82.44, -3.87, 5.36

 

CMYK 6 / 0 / 14 / 15

HEX #CCD8BA

RGB 204 216 186

HSL 84, 0.28%, 0.79%

LAB 84.74, -9.34, 13.42

 

CMYK 18 / 16 / 0 / 13

HEX #B5BADD

RGB 181 186 221

HSL 232.5, 0.37%, 0.79%

LAB 76.17, 5.45, -18.09

 

CMYK 16 / 18 / 0 / 13

HEX #BAB5DD

RGB 186 181 221

HSL 247.5, 0.37%, 0.79%

LAB 75.27, 9.75, -19.41

 

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

CMYK 6 / 18 / 0 / 13

HEX #D0B5DD

RGB 208 181 221

HSL 280.5, 0.37%, 0.79%

LAB 77.09, 16.89, -16.49

 

CMYK 1 / 18 / 0 / 13

HEX #DAB5DD

RGB 218 181 221

HSL 295.5, 0.37%, 0.79%

LAB 77.98, 20.21, -15.06

 

CMYK 22 / 36 / 0 / 24

HEX #997DC3

RGB 153 125 195

HSL 264, 0.37%, 0.63%

LAB 57.44, 25.07, -32.59

 

CMYK 16 / 26 / 0 / 18

HEX #AF99D0

RGB 175 153 208

HSL 264, 0.37%, 0.71%

LAB 66.86, 18.94, -25.17

 

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

CMYK 6 / 11 / 0 / 8

HEX #DBD1EA

RGB 219 209 234

HSL 264, 0.37%, 0.87%

LAB 85.3, 8.04, -11.05

 

CMYK 2 / 4 / 0 / 3

HEX #F1EEF7

RGB 241 238 247

HSL 260, 0.36%, 0.95%

LAB 94.55, 2.61, -3.99

 

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

CMYK 0 / 18 / 11 / 13

HEX #DDB5C5

RGB 221 181 197

HSL 336, 0.37%, 0.79%

LAB 77.55, 16.98, -2.65

 

CMYK 18 / 0 / 18 / 13

HEX #B5DDB5

RGB 181 221 181

HSL 120, 0.37%, 0.79%

LAB 84.42, -20.64, 15.38

 

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

CMYK 0 / 11 / 18 / 13

HEX #DDC5B5

RGB 221 197 181

HSL 24, 0.37%, 0.79%

LAB 81.09, 5.9, 11.1

 

CMYK 18 / 0 / 11 / 13

HEX #B5DDC5

RGB 181 221 197

HSL 144, 0.37%, 0.79%

LAB 84.78, -17.74, 7.46

 

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

CMYK 0 / 18 / 11 / 13

HEX #DDB5C5

RGB 221 181 197

HSL 336, 0.37%, 0.79%

LAB 77.55, 16.98, -2.65

 

CMYK 7 / 0 / 18 / 13

HEX #CDDDB5

RGB 205 221 181

HSL 84, 0.37%, 0.79%

LAB 86.02, -12.32, 17.86

 

CMYK 18 / 0 / 7 / 13

HEX #B5DDCD

RGB 181 221 205

HSL 156, 0.37%, 0.79%

LAB 84.97, -16.21, 3.52

 

CMYK 11 / 18 / 0 / 13

HEX #C5B5DD

RGB 197 181 221

HSL 264, 0.37%, 0.79%

LAB 76.15, 13.29, -17.99

 

CMYK 0 / 18 / 16 / 13

HEX #DDB5B9

RGB 221 181 185

HSL 354, 0.37%, 0.79%

LAB 77.23, 15.03, 3.41

 

CMYK 7 / 0 / 18 / 13

HEX #CDDDB5

RGB 205 221 181

HSL 84, 0.37%, 0.79%

LAB 86.02, -12.32, 17.86

 

CMYK 18 / 0 / 2 / 13

HEX #B5DDD9

RGB 181 221 217

HSL 174, 0.37%, 0.79%

LAB 85.27, -13.81, -2.38

 

Description

Color code: HEX #C5B5DD | qconv.com Color code: HEX #C5B5DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 181 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 181 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 18 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 18% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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