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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5AF2B it is the complementary color #3A50D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5AF2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5AF2B shade: #CAAF26, #DBC139, #ECD34C, #FDE55F and #FFF772

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5AF2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5AF2B shade: #C5AF2B, #B49D18, #A38B05, #927900 and #816700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5AF2B shade: #C5AF2B, #C5852B, #C55C2B, #C5332B and #C52B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5AF2B shade: #C5AF2B, #B1C52B, #88C52B, #5EC52B and #35C52B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5AF2B shade matches the following richer shades: #C5AF2B, #D8BC18 and #EBCA04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5AF2B shade: #C5AF2B, #B1A13F, #9E9352, #8A8565 and #777779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5AF2B shade: #C55C2B, #C5852B, #C5AE2B, #B3C52B and #8AC52B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5AF2B shade: #81731C, #A39124, #C5AF2B, #D6C143 and #DDCC65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5AF2B shade: #C5AF2B, #2BC533 and #702BC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5AF2B shade: #C5AF2B, #2BC5AE and #AE2BC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5AF2B shade: #C5AF2B, #2BC533, #2B42C5 and #C52BBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5AF2B shade: #C5AF2B, #2BC561, #2B42C5 and #C52B8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 78 / 23

HEX #C5AF2B

RGB 197 175 43

HSL 51.43, 0.64%, 0.47%

LAB 71.35, -5.64, 65.19

 

Complementary color

CMYK 73 / 62 / 0 / 17

HEX #3A50D4

RGB 58 80 212

HSL 231.43, 0.64%, 0.53%

LAB 40.23, 36.54, -70.25

 

CMYK 0 / 13 / 81 / 21

HEX #CAAF26

RGB 202 175 38

HSL 50.12, 0.68%, 0.47%

LAB 71.8, -3.62, 67.29

 

CMYK 0 / 12 / 74 / 14

HEX #DBC139

RGB 219 193 57

HSL 50.37, 0.69%, 0.54%

LAB 78.17, -4.91, 67.51

 

CMYK 0 / 11 / 68 / 7

HEX #ECD34C

RGB 236 211 76

HSL 50.63, 0.81%, 0.61%

LAB 84.45, -6.01, 67.1

 

CMYK 0 / 9 / 62 / 1

HEX #FDE55F

RGB 253 229 95

HSL 50.89, 0.98%, 0.68%

LAB 90.66, -6.96, 66.35

 

CMYK 0 / 3 / 55 / 0

HEX #FFF772

RGB 255 247 114

HSL 56.6, 1%, 0.72%

LAB 95.58, -13.75, 63.68

 

CMYK 0 / 11 / 78 / 23

HEX #C5AF2B

RGB 197 175 43

HSL 51.43, 0.64%, 0.47%

LAB 71.35, -5.64, 65.19

 

CMYK 0 / 13 / 87 / 29

HEX #B49D18

RGB 180 157 24

HSL 51.15, 0.76%, 0.4%

LAB 64.87, -4.24, 64.32

 

CMYK 0 / 15 / 97 / 36

HEX #A38B05

RGB 163 139 5

HSL 50.89, 0.94%, 0.33%

LAB 58.29, -2.58, 61.99

 

CMYK 0 / 17 / 100 / 43

HEX #927900

RGB 146 121 0

HSL 49.73, 1%, 0.29%

LAB 51.59, -0.59, 57.27

 

CMYK 0 / 20 / 100 / 49

HEX #816700

RGB 129 103 0

HSL 47.91, 1%, 0.25%

LAB 44.76, 1.57, 51.63

 

CMYK 0 / 11 / 78 / 23

HEX #C5AF2B

RGB 197 175 43

HSL 51.43, 0.64%, 0.47%

LAB 71.35, -5.64, 65.19

 

CMYK 0 / 32 / 78 / 23

HEX #C5852B

RGB 197 133 43

HSL 35.06, 0.64%, 0.47%

LAB 60.62, 17.02, 55.29

 

CMYK 0 / 53 / 78 / 23

HEX #C55C2B

RGB 197 92 43

HSL 19.09, 0.64%, 0.47%

LAB 51.5, 38.93, 46.47

 

CMYK 0 / 74 / 78 / 23

HEX #C5332B

RGB 197 51 43

HSL 3.12, 0.64%, 0.47%

LAB 44.82, 56.69, 39.68

 

CMYK 0 / 78 / 78 / 23

HEX #C52B2B

RGB 197 43 43

HSL 0, 0.64%, 0.47%

LAB 43.9, 59.24, 38.73

 

CMYK 0 / 11 / 78 / 23

HEX #C5AF2B

RGB 197 175 43

HSL 51.43, 0.64%, 0.47%

LAB 71.35, -5.64, 65.19

 

CMYK 10 / 0 / 78 / 23

HEX #B1C52B

RGB 177 197 43

HSL 67.79, 0.64%, 0.47%

LAB 75.73, -25.34, 68.53

 

CMYK 31 / 0 / 78 / 23

HEX #88C52B

RGB 136 197 43

HSL 83.77, 0.64%, 0.47%

LAB 73.12, -41.6, 65.17

 

CMYK 52 / 0 / 78 / 23

HEX #5EC52B

RGB 94 197 43

HSL 100.13, 0.64%, 0.47%

LAB 71.21, -55.45, 62.69

 

CMYK 73 / 0 / 78 / 23

HEX #35C52B

RGB 53 197 43

HSL 116.1, 0.64%, 0.47%

LAB 70.08, -64.64, 61.23

 

CMYK 0 / 11 / 78 / 23

HEX #C5AF2B

RGB 197 175 43

HSL 51.43, 0.64%, 0.47%

LAB 71.35, -5.64, 65.19

 

CMYK 0 / 13 / 89 / 15

HEX #D8BC18

RGB 216 188 24

HSL 51.25, 0.8%, 0.47%

LAB 76.46, -4.63, 74.99

 

CMYK 0 / 14 / 98 / 8

HEX #EBCA04

RGB 235 202 4

HSL 51.43, 0.97%, 0.47%

LAB 81.79, -3.84, 82.27

 

CMYK 0 / 11 / 78 / 23

HEX #C5AF2B

RGB 197 175 43

HSL 51.43, 0.64%, 0.47%

LAB 71.35, -5.64, 65.19

 

CMYK 0 / 9 / 64 / 31

HEX #B1A13F

RGB 177 161 63

HSL 51.58, 0.48%, 0.47%

LAB 65.9, -6.01, 51.51

 

CMYK 0 / 7 / 48 / 38

HEX #9E9352

RGB 158 147 82

HSL 51.32, 0.32%, 0.47%

LAB 60.56, -5.17, 35.69

 

CMYK 0 / 4 / 27 / 46

HEX #8A8565

RGB 138 133 101

HSL 51.89, 0.15%, 0.47%

LAB 55.19, -3.56, 17.97

 

CMYK 2 / 2 / 0 / 53

HEX #777779

RGB 119 119 121

HSL 240, 0.01%, 0.47%

LAB 50.09, 0.41, -1.1

 

CMYK 0 / 53 / 78 / 23

HEX #C55C2B

RGB 197 92 43

HSL 19.09, 0.64%, 0.47%

LAB 51.5, 38.93, 46.47

 

CMYK 0 / 32 / 78 / 23

HEX #C5852B

RGB 197 133 43

HSL 35.06, 0.64%, 0.47%

LAB 60.62, 17.02, 55.29

 

CMYK 0 / 12 / 78 / 23

HEX #C5AE2B

RGB 197 174 43

HSL 51.04, 0.64%, 0.47%

LAB 71.09, -5.12, 64.95

 

CMYK 9 / 0 / 78 / 23

HEX #B3C52B

RGB 179 197 43

HSL 67.01, 0.64%, 0.47%

LAB 75.88, -24.51, 68.72

 

CMYK 30 / 0 / 78 / 23

HEX #8AC52B

RGB 138 197 43

HSL 82.99, 0.64%, 0.47%

LAB 73.23, -40.86, 65.31

 

CMYK 0 / 11 / 78 / 49

HEX #81731C

RGB 129 115 28

HSL 51.68, 0.64%, 0.31%

LAB 48.28, -4.51, 46.8

 

CMYK 0 / 11 / 78 / 36

HEX #A39124

RGB 163 145 36

HSL 51.5, 0.64%, 0.39%

LAB 60.04, -5.06, 56.02

 

CMYK 0 / 11 / 78 / 23

HEX #C5AF2B

RGB 197 175 43

HSL 51.43, 0.64%, 0.47%

LAB 71.35, -5.64, 65.19

 

CMYK 0 / 10 / 69 / 16

HEX #D6C143

RGB 214 193 67

HSL 51.43, 0.64%, 0.55%

LAB 77.78, -6.57, 63.24

 

CMYK 0 / 8 / 54 / 13

HEX #DDCC65

RGB 221 204 101

HSL 51.5, 0.64%, 0.63%

LAB 81.56, -7.03, 52.73

 

CMYK 0 / 11 / 78 / 23

HEX #C5AF2B

RGB 197 175 43

HSL 51.43, 0.64%, 0.47%

LAB 71.35, -5.64, 65.19

 

CMYK 78 / 0 / 74 / 23

HEX #2BC533

RGB 43 197 51

HSL 123.12, 0.64%, 0.47%

LAB 69.95, -65.56, 58.42

 

CMYK 43 / 78 / 0 / 23

HEX #702BC5

RGB 112 43 197

HSL 266.88, 0.64%, 0.47%

LAB 36.37, 59.37, -67.69

 

CMYK 0 / 11 / 78 / 23

HEX #C5AF2B

RGB 197 175 43

HSL 51.43, 0.64%, 0.47%

LAB 71.35, -5.64, 65.19

 

CMYK 78 / 0 / 12 / 23

HEX #2BC5AE

RGB 43 197 174

HSL 171.04, 0.64%, 0.47%

LAB 71.89, -43.79, 0.46

 

CMYK 12 / 78 / 0 / 23

HEX #AE2BC5

RGB 174 43 197

HSL 291.04, 0.64%, 0.47%

LAB 45.3, 70.03, -52.79

 

CMYK 0 / 11 / 78 / 23

HEX #C5AF2B

RGB 197 175 43

HSL 51.43, 0.64%, 0.47%

LAB 71.35, -5.64, 65.19

 

CMYK 78 / 0 / 74 / 23

HEX #2BC533

RGB 43 197 51

HSL 123.12, 0.64%, 0.47%

LAB 69.95, -65.56, 58.42

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C5

RGB 43 66 197

HSL 231.04, 0.64%, 0.47%

LAB 34.89, 38.43, -70.35

 

CMYK 0 / 78 / 4 / 23

HEX #C52BBD

RGB 197 43 189

HSL 303.12, 0.64%, 0.47%

LAB 48.6, 73.23, -42.65

 

CMYK 0 / 11 / 78 / 23

HEX #C5AF2B

RGB 197 175 43

HSL 51.43, 0.64%, 0.47%

LAB 71.35, -5.64, 65.19

 

CMYK 78 / 0 / 51 / 23

HEX #2BC561

RGB 43 197 97

HSL 141.04, 0.64%, 0.47%

LAB 70.39, -60.26, 39.06

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C5

RGB 43 66 197

HSL 231.04, 0.64%, 0.47%

LAB 34.89, 38.43, -70.35

 

CMYK 0 / 78 / 27 / 23

HEX #C52B8F

RGB 197 43 143

HSL 321.04, 0.64%, 0.47%

LAB 46.42, 66.96, -18.76

 

Description

Color code: HEX #C5AF2B | qconv.com Color code: HEX #C5AF2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 175 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 175 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 78 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 78% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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