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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5A900 it is the complementary color #3A56FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5A900. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5A900 shade: #CAA900, #DBBB0E, #ECCD21, #FDDF34 and #FFF147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5A900. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5A900 shade: #C5A900, #B49700, #A38500, #927300 and #816100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5A900 shade: #C7AB00, #C77500, #C73F00, #C70A00 and #C70000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5A900 shade: #C7AB00, #AEC700, #78C700, #42C700 and #0DC700

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5A900 shade matches the following richer shades: #C7AB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5A900 shade: #C7AB00, #B79F10, #A79420, #978830 and #877D40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5A900 shade: #C73F00, #C77400, #C7A900, #B0C700 and #7BC700

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5A900 shade: #746400, #9E8700, #C7AB00, #F0CE00 and #FFDF1A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5A900 shade: #C5A900, #00C70A and #5A00C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5A900 shade: #C5A900, #00C7A9 and #A900C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5A900 shade: #C5A900, #00C70A, #001EC7 and #C700BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5A900 shade: #C5A900, #00C746, #001EC7 and #C70081

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 100 / 23

HEX #C5A900

RGB 197 169 0

HSL 51.47, 1%, 0.39%

LAB 69.64, -3.37, 72.38

Complementary color

CMYK 77 / 66 / 0 / 0

HEX #3A56FF

RGB 58 86 255

HSL 231.47, 1%, 0.61%

LAB 45.32, 47.8, -86.21

 

CMYK 0 / 16 / 100 / 21

HEX #CAA900

RGB 202 169 0

HSL 50.2, 1%, 0.4%

LAB 70.13, -1.15, 72.95

 

CMYK 0 / 15 / 94 / 14

HEX #DBBB0E

RGB 219 187 14

HSL 50.63, 0.88%, 0.46%

LAB 76.46, -2.95, 76.67

 

CMYK 0 / 13 / 86 / 7

HEX #ECCD21

RGB 236 205 33

HSL 50.84, 0.84%, 0.53%

LAB 82.7, -4.54, 78.93

 

CMYK 0 / 12 / 79 / 1

HEX #FDDF34

RGB 253 223 52

HSL 51.04, 0.98%, 0.6%

LAB 88.88, -5.93, 79.99

 

CMYK 0 / 5 / 72 / 0

HEX #FFF147

RGB 255 241 71

HSL 55.43, 1%, 0.64%

LAB 93.72, -13.31, 78.59

 

CMYK 0 / 14 / 100 / 23

HEX #C5A900

RGB 197 169 0

HSL 51.47, 1%, 0.39%

LAB 69.64, -3.37, 72.38

HEX #C5A900

CMYK 0 / 16 / 100 / 29

HEX #B49700

RGB 180 151 0

HSL 50.33, 1%, 0.35%

LAB 63.21, -1.4, 67.06

HEX #B49700

CMYK 0 / 18 / 100 / 36

HEX #A38500

RGB 163 133 0

HSL 48.96, 1%, 0.32%

LAB 56.65, 0.65, 61.64

HEX #A38500

CMYK 0 / 21 / 100 / 43

HEX #927300

RGB 146 115 0

HSL 47.26, 1%, 0.29%

LAB 49.94, 2.81, 56.12

HEX #927300

CMYK 0 / 25 / 100 / 49

HEX #816100

RGB 129 97 0

HSL 45.12, 1%, 0.25%

LAB 43.09, 5.08, 50.47

HEX #816100

CMYK 0 / 14 / 100 / 22

HEX #C7AB00

RGB 199 171 0

HSL 51.56, 1%, 0.39%

LAB 70.36, -3.54, 72.98

 

CMYK 0 / 41 / 100 / 22

HEX #C77500

RGB 199 117 0

HSL 35.28, 1%, 0.39%

LAB 56.94, 25.7, 63.9

 

CMYK 0 / 68 / 100 / 22

HEX #C73F00

RGB 199 63 0

HSL 18.99, 1%, 0.39%

LAB 46.57, 52.05, 57.95

 

CMYK 0 / 95 / 100 / 22

HEX #C70A00

RGB 199 10 0

HSL 3.02, 1%, 0.39%

LAB 41.78, 65.48, 55.89

 

CMYK 0 / 100 / 100 / 22

HEX #C70000

RGB 199 0 0

HSL 0, 1%, 0.39%

LAB 41.44, 66.47, 55.77

 

CMYK 0 / 14 / 100 / 22

HEX #C7AB00

RGB 199 171 0

HSL 51.56, 1%, 0.39%

LAB 70.36, -3.54, 72.98

 

CMYK 13 / 0 / 100 / 22

HEX #AEC700

RGB 174 199 0

HSL 67.54, 1%, 0.39%

LAB 75.97, -28.49, 76.14

 

CMYK 40 / 0 / 100 / 22

HEX #78C700

RGB 120 199 0

HSL 83.82, 1%, 0.39%

LAB 72.79, -49.34, 72.32

 

CMYK 67 / 0 / 100 / 22

HEX #42C700

RGB 66 199 0

HSL 100.1, 1%, 0.39%

LAB 70.87, -64.38, 70

 

CMYK 93 / 0 / 100 / 22

HEX #0DC700

RGB 13 199 0

HSL 116.08, 1%, 0.39%

LAB 70.13, -70.96, 69.09

 

CMYK 0 / 14 / 100 / 22

HEX #C7AB00

RGB 199 171 0

HSL 51.56, 1%, 0.39%

LAB 70.36, -3.54, 72.98

 

CMYK 0 / 14 / 100 / 22

HEX #C7AB00

RGB 199 171 0

HSL 51.56, 1%, 0.39%

LAB 70.36, -3.54, 72.98

 

CMYK 0 / 13 / 91 / 28

HEX #B79F10

RGB 183 159 16

HSL 51.38, 0.84%, 0.39%

LAB 65.67, -4.12, 66.71

 

CMYK 0 / 11 / 81 / 35

HEX #A79420

RGB 167 148 32

HSL 51.56, 0.68%, 0.39%

LAB 61.22, -5.03, 58.55

 

CMYK 0 / 10 / 68 / 41

HEX #978830

RGB 151 136 48

HSL 51.26, 0.52%, 0.39%

LAB 56.49, -4.98, 47.45

 

CMYK 0 / 7 / 53 / 47

HEX #877D40

RGB 135 125 64

HSL 51.55, 0.36%, 0.39%

LAB 52.05, -4.86, 34.32

 

CMYK 0 / 68 / 100 / 22

HEX #C73F00

RGB 199 63 0

HSL 18.99, 1%, 0.39%

LAB 46.57, 52.05, 57.95

 

CMYK 0 / 42 / 100 / 22

HEX #C77400

RGB 199 116 0

HSL 34.97, 1%, 0.39%

LAB 56.72, 26.24, 63.75

 

CMYK 0 / 15 / 100 / 22

HEX #C7A900

RGB 199 169 0

HSL 50.95, 1%, 0.39%

LAB 69.84, -2.48, 72.61

 

CMYK 12 / 0 / 100 / 22

HEX #B0C700

RGB 176 199 0

HSL 66.93, 1%, 0.39%

LAB 76.12, -27.65, 76.31

 

CMYK 38 / 0 / 100 / 22

HEX #7BC700

RGB 123 199 0

HSL 82.91, 1%, 0.39%

LAB 72.93, -48.3, 72.49

 

CMYK 0 / 14 / 100 / 55

HEX #746400

RGB 116 100 0

HSL 51.72, 1%, 0.23%

LAB 42.5, -3.02, 49.39

 

CMYK 0 / 15 / 100 / 38

HEX #9E8700

RGB 158 135 0

HSL 51.27, 1%, 0.31%

LAB 56.68, -2.77, 61.43

 

CMYK 0 / 14 / 100 / 22

HEX #C7AB00

RGB 199 171 0

HSL 51.56, 1%, 0.39%

LAB 70.36, -3.54, 72.98

 

CMYK 0 / 14 / 100 / 6

HEX #F0CE00

RGB 240 206 0

HSL 51.5, 1%, 0.47%

LAB 83.27, -3.76, 83.9

 

CMYK 0 / 13 / 90 / 0

HEX #FFDF1A

RGB 255 223 26

HSL 51.62, 1%, 0.55%

LAB 88.97, -5.69, 85.89

 

CMYK 0 / 14 / 100 / 23

HEX #C5A900

RGB 197 169 0

HSL 51.47, 1%, 0.39%

LAB 69.64, -3.37, 72.38

HEX #C5A900

CMYK 100 / 0 / 95 / 22

HEX #00C70A

RGB 0 199 10

HSL 123.02, 1%, 0.39%

LAB 70.08, -71.3, 67.93

HEX #00C70A

CMYK 55 / 100 / 0 / 22

HEX #5A00C7

RGB 90 0 199

HSL 267.14, 1%, 0.39%

LAB 30.15, 68.4, -79.21

HEX #5A00C7

CMYK 0 / 14 / 100 / 23

HEX #C5A900

RGB 197 169 0

HSL 51.47, 1%, 0.39%

LAB 69.64, -3.37, 72.38

HEX #C5A900

CMYK 100 / 0 / 15 / 22

HEX #00C7A9

RGB 0 199 169

HSL 170.95, 1%, 0.39%

LAB 72.04, -48.42, 3.34

HEX #00C7A9

CMYK 15 / 100 / 0 / 22

HEX #A900C7

RGB 169 0 199

HSL 290.95, 1%, 0.39%

LAB 42.09, 76.95, -59.17

HEX #A900C7

CMYK 0 / 14 / 100 / 23

HEX #C5A900

RGB 197 169 0

HSL 51.47, 1%, 0.39%

LAB 69.64, -3.37, 72.38

HEX #C5A900

CMYK 100 / 0 / 95 / 22

HEX #00C70A

RGB 0 199 10

HSL 123.02, 1%, 0.39%

LAB 70.08, -71.3, 67.93

HEX #00C70A

CMYK 100 / 85 / 0 / 22

HEX #001EC7

RGB 0 30 199

HSL 230.95, 1%, 0.39%

LAB 26.88, 57.14, -84.8

HEX #001EC7

CMYK 0 / 100 / 5 / 22

HEX #C700BD

RGB 199 0 189

HSL 303.02, 1%, 0.39%

LAB 46.73, 80.09, -45.6

HEX #C700BD

CMYK 0 / 14 / 100 / 23

HEX #C5A900

RGB 197 169 0

HSL 51.47, 1%, 0.39%

LAB 69.64, -3.37, 72.38

HEX #C5A900

CMYK 100 / 0 / 65 / 22

HEX #00C746

RGB 0 199 70

HSL 141.11, 1%, 0.39%

LAB 70.38, -67.53, 51.39

HEX #00C746

CMYK 100 / 85 / 0 / 22

HEX #001EC7

RGB 0 30 199

HSL 230.95, 1%, 0.39%

LAB 26.88, 57.14, -84.8

HEX #001EC7

CMYK 0 / 100 / 35 / 22

HEX #C70081

RGB 199 0 129

HSL 321.11, 1%, 0.39%

LAB 43.84, 72.84, -14.13

HEX #C70081

Description

Color code: HEX #C5A900 | qconv.com Color code: HEX #C5A900 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 169 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 169 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 100 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 100% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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