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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5A863 it is the complementary color #3A579C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5A863. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5A863 shade: #CAA85E, #DBBA71, #ECCC84, #FDDE97 and #FFF0AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5A863. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5A863 shade: #C5A863, #B49650, #A3843D, #92722A and #816017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5A863 shade: #C5A863, #C58D63, #C57363 and #C56363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5A863 shade: #C5A863, #C5C363, #ADC563, #93C563 and #78C563

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5A863 shade matches the following richer shades: #C5A863, #D6AF51, #E8B640 and #F9BD2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5A863 shade: #C5A863, #B4A174, #A39A85, #919397 and #808CA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5A863 shade: #C57363, #C58D63, #C5A863, #C5C263 and #AEC563

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5A863 shade: #9C7F3A, #BA9745, #C5A863, #D0B981 and #DBCA9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5A863 shade: #C5A863, #6CC563 and #8063C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5A863 shade: #C5A863, #63C5A8 and #A863C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5A863 shade: #C5A863, #6CC563, #6380C5 and #BB63C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5A863 shade: #C5A863, #63C576, #6380C5 and #C563B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

Complementary color

CMYK 63 / 44 / 0 / 39

HEX #3A579C

RGB 58 87 156

HSL 222.24, 0.46%, 0.42%

LAB 38.05, 11.82, -40.9

 

CMYK 0 / 17 / 53 / 21

HEX #CAA85E

RGB 202 168 94

HSL 41.11, 0.5%, 0.58%

LAB 70.43, 3.32, 42.51

 

CMYK 0 / 15 / 48 / 14

HEX #DBBA71

RGB 219 186 113

HSL 41.32, 0.6%, 0.65%

LAB 76.9, 2.52, 41.21

 

CMYK 0 / 14 / 44 / 7

HEX #ECCC84

RGB 236 204 132

HSL 41.54, 0.73%, 0.72%

LAB 83.28, 1.84, 39.95

 

CMYK 0 / 12 / 40 / 1

HEX #FDDE97

RGB 253 222 151

HSL 41.76, 0.96%, 0.79%

LAB 89.56, 1.24, 38.74

 

CMYK 0 / 6 / 33 / 0

HEX #FFF0AA

RGB 255 240 170

HSL 49.41, 1%, 0.83%

LAB 94.52, -4.96, 35.71

 

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

CMYK 0 / 17 / 56 / 29

HEX #B49650

RGB 180 150 80

HSL 42, 0.4%, 0.51%

LAB 63.42, 2.49, 40.67

 

CMYK 0 / 19 / 63 / 36

HEX #A3843D

RGB 163 132 61

HSL 41.76, 0.46%, 0.44%

LAB 56.71, 3.49, 41.97

 

CMYK 0 / 22 / 71 / 43

HEX #92722A

RGB 146 114 42

HSL 41.54, 0.55%, 0.37%

LAB 49.87, 4.73, 43.11

 

CMYK 0 / 26 / 82 / 49

HEX #816017

RGB 129 96 23

HSL 41.32, 0.7%, 0.3%

LAB 42.91, 6.27, 43.73

 

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

CMYK 0 / 28 / 50 / 23

HEX #C58D63

RGB 197 141 99

HSL 25.71, 0.46%, 0.58%

LAB 63.19, 16.35, 30.76

 

CMYK 0 / 42 / 50 / 23

HEX #C57363

RGB 197 115 99

HSL 9.8, 0.46%, 0.58%

LAB 57.11, 30.56, 22.8

 

CMYK 0 / 50 / 50 / 23

HEX #C56363

RGB 197 99 99

HSL 0, 0.46%, 0.58%

LAB 53.7, 39.01, 18.22

 

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

CMYK 0 / 1 / 50 / 23

HEX #C5C363

RGB 197 195 99

HSL 58.78, 0.46%, 0.58%

LAB 77.16, -12.46, 48

 

CMYK 12 / 0 / 50 / 23

HEX #ADC563

RGB 173 197 99

HSL 74.69, 0.46%, 0.58%

LAB 75.9, -23.13, 46.05

 

CMYK 25 / 0 / 50 / 23

HEX #93C563

RGB 147 197 99

HSL 90.61, 0.46%, 0.58%

LAB 74.21, -33.04, 43.62

 

CMYK 39 / 0 / 50 / 23

HEX #78C563

RGB 120 197 99

HSL 107.14, 0.46%, 0.58%

LAB 72.78, -42.36, 41.54

 

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

CMYK 0 / 18 / 62 / 16

HEX #D6AF51

RGB 214 175 81

HSL 42.41, 0.62%, 0.58%

LAB 73.25, 3.68, 52.39

 

CMYK 0 / 22 / 72 / 9

HEX #E8B640

RGB 232 182 64

HSL 42.14, 0.79%, 0.58%

LAB 76.67, 6.69, 63.87

 

CMYK 0 / 24 / 81 / 2

HEX #F9BD2F

RGB 249 189 47

HSL 42.18, 0.94%, 0.58%

LAB 80.03, 9.62, 73.58

 

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

CMYK 0 / 11 / 36 / 29

HEX #B4A174

RGB 180 161 116

HSL 42.19, 0.3%, 0.58%

LAB 66.87, 0.24, 26

 

CMYK 0 / 6 / 18 / 36

HEX #A39A85

RGB 163 154 133

HSL 42, 0.14%, 0.58%

LAB 63.83, -0.31, 12.21

 

CMYK 4 / 3 / 0 / 41

HEX #919397

RGB 145 147 151

HSL 220, 0.03%, 0.58%

LAB 60.89, 0.07, -2.37

 

CMYK 24 / 17 / 0 / 34

HEX #808CA8

RGB 128 140 168

HSL 222, 0.19%, 0.58%

LAB 58.2, 2.01, -16.21

 

CMYK 0 / 42 / 50 / 23

HEX #C57363

RGB 197 115 99

HSL 9.8, 0.46%, 0.58%

LAB 57.11, 30.56, 22.8

 

CMYK 0 / 28 / 50 / 23

HEX #C58D63

RGB 197 141 99

HSL 25.71, 0.46%, 0.58%

LAB 63.19, 16.35, 30.76

 

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

CMYK 0 / 2 / 50 / 23

HEX #C5C263

RGB 197 194 99

HSL 58.16, 0.46%, 0.58%

LAB 76.89, -11.95, 47.68

 

CMYK 12 / 0 / 50 / 23

HEX #AEC563

RGB 174 197 99

HSL 74.08, 0.46%, 0.58%

LAB 75.97, -22.73, 46.15

 

CMYK 0 / 19 / 63 / 39

HEX #9C7F3A

RGB 156 127 58

HSL 42.24, 0.46%, 0.42%

LAB 54.61, 2.94, 40.89

 

CMYK 0 / 19 / 63 / 27

HEX #BA9745

RGB 186 151 69

HSL 42.05, 0.46%, 0.5%

LAB 64.16, 3.72, 47.1

 

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

CMYK 0 / 11 / 38 / 18

HEX #D0B981

RGB 208 185 129

HSL 42.53, 0.46%, 0.66%

LAB 75.88, 0.26, 31.43

 

CMYK 0 / 8 / 27 / 14

HEX #DBCA9F

RGB 219 202 159

HSL 43, 0.45%, 0.74%

LAB 81.73, -0.62, 23.66

 

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

CMYK 45 / 0 / 50 / 23

HEX #6CC563

RGB 108 197 99

HSL 114.49, 0.46%, 0.58%

LAB 72.24, -46.08, 40.77

 

CMYK 35 / 50 / 0 / 23

HEX #8063C5

RGB 128 99 197

HSL 257.76, 0.46%, 0.58%

LAB 48.94, 33.65, -47.29

 

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

CMYK 50 / 0 / 15 / 23

HEX #63C5A8

RGB 99 197 168

HSL 162.24, 0.46%, 0.58%

LAB 73.16, -35.84, 5.74

 

CMYK 15 / 50 / 0 / 23

HEX #A863C5

RGB 168 99 197

HSL 282.24, 0.46%, 0.58%

LAB 53.25, 44.51, -40.18

 

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

CMYK 45 / 0 / 50 / 23

HEX #6CC563

RGB 108 197 99

HSL 114.49, 0.46%, 0.58%

LAB 72.24, -46.08, 40.77

 

CMYK 50 / 35 / 0 / 23

HEX #6380C5

RGB 99 128 197

HSL 222.24, 0.46%, 0.58%

LAB 54.16, 8.92, -39.17

 

CMYK 5 / 50 / 0 / 23

HEX #BB63C5

RGB 187 99 197

HSL 293.88, 0.46%, 0.58%

LAB 55.6, 49.86, -36.32

 

CMYK 0 / 15 / 50 / 23

HEX #C5A863

RGB 197 168 99

HSL 42.24, 0.46%, 0.58%

LAB 70.02, 1.66, 39.35

 

CMYK 50 / 0 / 40 / 23

HEX #63C576

RGB 99 197 118

HSL 131.63, 0.46%, 0.58%

LAB 72.16, -45.79, 30.99

 

CMYK 50 / 35 / 0 / 23

HEX #6380C5

RGB 99 128 197

HSL 222.24, 0.46%, 0.58%

LAB 54.16, 8.92, -39.17

 

CMYK 0 / 50 / 10 / 23

HEX #C563B1

RGB 197 99 177

HSL 312.24, 0.46%, 0.58%

LAB 56.06, 49.24, -24.02

 

Description

Color code: HEX #C5A863 | qconv.com Color code: HEX #C5A863 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 168 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 168 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 50 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 50% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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