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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5A751 it is the complementary color #3A58AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5A751. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5A751 shade: #CAA74C, #DBB95F, #ECCB72, #FDDD85 and #FFEF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5A751. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5A751 shade: #C5A751, #B4953E, #A3832B, #927118 and #815F05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5A751 shade: #C6A853, #C68953, #C66A53 and #C65353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5A751 shade: #C6A853, #C4C653, #A5C653, #86C653 and #68C653

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5A751 shade matches the following richer shades: #C6A853, #D8B140, #EBBA2E and #FDC31B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5A751 shade: #C6A853, #B39F65, #A09678, #8E8D8B and #7B849D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5A751 shade: #C66A53, #C68853, #C6A753, #C6C653 and #A7C653

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5A751 shade: #947B31, #B3943C, #C6A853, #D0B872 and #DAC791

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5A751 shade: #C5A751, #5BC653 and #7953C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5A751 shade: #C5A751, #53C6A7 and #A753C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5A751 shade: #C5A751, #5BC653, #5371C6 and #BE53C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5A751 shade: #C5A751, #53C66E, #5371C6 and #C653AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 59 / 23

HEX #C5A751

RGB 197 167 81

HSL 44.48, 0.5%, 0.55%

LAB 69.54, 0.69, 47.75

 

Complementary color

CMYK 67 / 49 / 0 / 32

HEX #3A58AE

RGB 58 88 174

HSL 224.48, 0.5%, 0.45%

LAB 39.47, 17.69, -49.34

 

CMYK 0 / 17 / 62 / 21

HEX #CAA74C

RGB 202 167 76

HSL 43.33, 0.54%, 0.55%

LAB 69.98, 2.48, 50.73

 

CMYK 0 / 16 / 57 / 14

HEX #DBB95F

RGB 219 185 95

HSL 43.55, 0.63%, 0.62%

LAB 76.43, 1.51, 49.53

 

CMYK 0 / 14 / 52 / 7

HEX #ECCB72

RGB 236 203 114

HSL 43.77, 0.76%, 0.69%

LAB 82.79, 0.69, 48.29

 

CMYK 0 / 13 / 47 / 1

HEX #FDDD85

RGB 253 221 133

HSL 44, 0.97%, 0.76%

LAB 89.06, -0.02, 47.05

 

CMYK 0 / 6 / 40 / 0

HEX #FFEF98

RGB 255 239 152

HSL 50.68, 1%, 0.8%

LAB 94, -6.45, 43.99

 

CMYK 0 / 15 / 59 / 23

HEX #C5A751

RGB 197 167 81

HSL 44.48, 0.5%, 0.55%

LAB 69.54, 0.69, 47.75

 

CMYK 0 / 17 / 66 / 29

HEX #B4953E

RGB 180 149 62

HSL 44.24, 0.49%, 0.47%

LAB 62.97, 1.72, 48.89

 

CMYK 0 / 20 / 74 / 36

HEX #A3832B

RGB 163 131 43

HSL 44, 0.58%, 0.4%

LAB 56.28, 2.96, 49.77

 

CMYK 0 / 23 / 84 / 43

HEX #927118

RGB 146 113 24

HSL 43.77, 0.72%, 0.33%

LAB 49.48, 4.48, 49.97

 

CMYK 0 / 26 / 96 / 49

HEX #815F05

RGB 129 95 5

HSL 43.55, 0.93%, 0.26%

LAB 42.56, 6.36, 48.79

 

CMYK 0 / 15 / 58 / 22

HEX #C6A853

RGB 198 168 83

HSL 44.35, 0.5%, 0.55%

LAB 69.92, 0.73, 47.24

 

CMYK 0 / 31 / 58 / 22

HEX #C68953

RGB 198 137 83

HSL 28.17, 0.5%, 0.55%

LAB 62.1, 17.58, 37.99

 

CMYK 0 / 46 / 58 / 22

HEX #C66A53

RGB 198 106 83

HSL 12, 0.5%, 0.55%

LAB 55.01, 34.38, 29.2

 

CMYK 0 / 58 / 58 / 22

HEX #C65353

RGB 198 83 83

HSL 0, 0.5%, 0.55%

LAB 50.47, 45.95, 23.35

 

CMYK 0 / 15 / 58 / 22

HEX #C6A853

RGB 198 168 83

HSL 44.35, 0.5%, 0.55%

LAB 69.92, 0.73, 47.24

 

CMYK 1 / 0 / 58 / 22

HEX #C4C653

RGB 196 198 83

HSL 61.04, 0.5%, 0.55%

LAB 77.73, -15.68, 56.02

 

CMYK 17 / 0 / 58 / 22

HEX #A5C653

RGB 165 198 83

HSL 77.22, 0.5%, 0.55%

LAB 75.46, -28.24, 52.86

 

CMYK 32 / 0 / 58 / 22

HEX #86C653

RGB 134 198 83

HSL 93.39, 0.5%, 0.55%

LAB 73.6, -39.87, 50.25

 

CMYK 47 / 0 / 58 / 22

HEX #68C653

RGB 104 198 83

HSL 109.04, 0.5%, 0.55%

LAB 72.2, -49.61, 48.27

 

CMYK 0 / 15 / 58 / 22

HEX #C6A853

RGB 198 168 83

HSL 44.35, 0.5%, 0.55%

LAB 69.92, 0.73, 47.24

 

CMYK 0 / 18 / 70 / 15

HEX #D8B140

RGB 216 177 64

HSL 44.61, 0.66%, 0.55%

LAB 73.81, 2.48, 60.48

 

CMYK 0 / 21 / 80 / 8

HEX #EBBA2E

RGB 235 186 46

HSL 44.44, 0.83%, 0.55%

LAB 77.86, 5.18, 71.44

 

CMYK 0 / 23 / 89 / 1

HEX #FDC31B

RGB 253 195 27

HSL 44.6, 0.98%, 0.55%

LAB 81.83, 7.75, 80.15

 

CMYK 0 / 15 / 58 / 22

HEX #C6A853

RGB 198 168 83

HSL 44.35, 0.5%, 0.55%

LAB 69.92, 0.73, 47.24

 

CMYK 0 / 11 / 44 / 30

HEX #B39F65

RGB 179 159 101

HSL 44.62, 0.34%, 0.55%

LAB 66, -0.82, 32.9

 

CMYK 0 / 6 / 25 / 37

HEX #A09678

RGB 160 150 120

HSL 45, 0.17%, 0.55%

LAB 62.2, -1.28, 17.18

 

CMYK 0 / 1 / 2 / 44

HEX #8E8D8B

RGB 142 141 139

HSL 40, 0.01%, 0.55%

LAB 58.66, -0.01, 1.19

 

CMYK 22 / 16 / 0 / 38

HEX #7B849D

RGB 123 132 157

HSL 224.12, 0.15%, 0.55%

LAB 55.22, 2.33, -14.44

 

CMYK 0 / 46 / 58 / 22

HEX #C66A53

RGB 198 106 83

HSL 12, 0.5%, 0.55%

LAB 55.01, 34.38, 29.2

 

CMYK 0 / 31 / 58 / 22

HEX #C68853

RGB 198 136 83

HSL 27.65, 0.5%, 0.55%

LAB 61.86, 18.13, 37.7

 

CMYK 0 / 16 / 58 / 22

HEX #C6A753

RGB 198 167 83

HSL 43.83, 0.5%, 0.55%

LAB 69.66, 1.27, 46.94

 

CMYK 0 / 0 / 58 / 22

HEX #C6C653

RGB 198 198 83

HSL 60, 0.5%, 0.55%

LAB 77.89, -14.86, 56.24

 

CMYK 16 / 0 / 58 / 22

HEX #A7C653

RGB 167 198 83

HSL 76.17, 0.5%, 0.55%

LAB 75.59, -27.45, 53.05

 

CMYK 0 / 17 / 67 / 42

HEX #947B31

RGB 148 123 49

HSL 44.85, 0.5%, 0.39%

LAB 52.6, 0.95, 42.8

 

CMYK 0 / 17 / 66 / 30

HEX #B3943C

RGB 179 148 60

HSL 44.37, 0.5%, 0.47%

LAB 62.58, 1.7, 49.36

 

CMYK 0 / 15 / 58 / 22

HEX #C6A853

RGB 198 168 83

HSL 44.35, 0.5%, 0.55%

LAB 69.92, 0.73, 47.24

 

CMYK 0 / 12 / 45 / 18

HEX #D0B872

RGB 208 184 114

HSL 44.68, 0.5%, 0.63%

LAB 75.39, -0.83, 38.59

 

CMYK 0 / 9 / 33 / 15

HEX #DAC791

RGB 218 199 145

HSL 44.38, 0.5%, 0.71%

LAB 80.63, -1.23, 29.5

 

CMYK 0 / 15 / 59 / 23

HEX #C5A751

RGB 197 167 81

HSL 44.48, 0.5%, 0.55%

LAB 69.54, 0.69, 47.75

 

CMYK 54 / 0 / 58 / 22

HEX #5BC653

RGB 91 198 83

HSL 115.83, 0.5%, 0.55%

LAB 71.72, -53.22, 47.58

 

CMYK 39 / 58 / 0 / 22

HEX #7953C6

RGB 121 83 198

HSL 259.83, 0.5%, 0.55%

LAB 44.7, 41.45, -54.7

 

CMYK 0 / 15 / 59 / 23

HEX #C5A751

RGB 197 167 81

HSL 44.48, 0.5%, 0.55%

LAB 69.54, 0.69, 47.75

 

CMYK 58 / 0 / 16 / 22

HEX #53C6A7

RGB 83 198 167

HSL 163.83, 0.5%, 0.55%

LAB 72.9, -40.01, 5.84

 

CMYK 16 / 58 / 0 / 22

HEX #A753C6

RGB 167 83 198

HSL 283.83, 0.5%, 0.55%

LAB 50.07, 52.67, -45.8

 

CMYK 0 / 15 / 59 / 23

HEX #C5A751

RGB 197 167 81

HSL 44.48, 0.5%, 0.55%

LAB 69.54, 0.69, 47.75

 

CMYK 54 / 0 / 58 / 22

HEX #5BC653

RGB 91 198 83

HSL 115.83, 0.5%, 0.55%

LAB 71.72, -53.22, 47.58

 

CMYK 58 / 43 / 0 / 22

HEX #5371C6

RGB 83 113 198

HSL 224.35, 0.5%, 0.55%

LAB 49.16, 14.85, -47.71

 

CMYK 4 / 58 / 0 / 22

HEX #BE53C6

RGB 190 83 198

HSL 295.83, 0.5%, 0.55%

LAB 53.18, 58.55, -40.68

 

CMYK 0 / 15 / 59 / 23

HEX #C5A751

RGB 197 167 81

HSL 44.48, 0.5%, 0.55%

LAB 69.54, 0.69, 47.75

 

CMYK 58 / 0 / 44 / 22

HEX #53C66E

RGB 83 198 110

HSL 134.09, 0.5%, 0.55%

LAB 71.79, -51.47, 34.51

 

CMYK 58 / 43 / 0 / 22

HEX #5371C6

RGB 83 113 198

HSL 224.35, 0.5%, 0.55%

LAB 49.16, 14.85, -47.71

 

CMYK 0 / 58 / 14 / 22

HEX #C653AB

RGB 198 83 171

HSL 314.09, 0.5%, 0.55%

LAB 53.09, 56.18, -25.09

 

Description

Color code: HEX #C5A751 | qconv.com Color code: HEX #C5A751 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 167 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 167 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 59 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 59% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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