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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5A511 it is the complementary color #3A5AEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5A511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5A511 shade: #CAA50C, #DBB71F, #ECC932, #FDDB45 and #FFED58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5A511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5A511 shade: #C5A511, #B49300, #A38100, #926F00 and #815D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5A511 shade: #C5A511, #C57411, #C54411, #C51311 and #C51111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5A511 shade: #C5A511, #B4C511, #84C511, #53C511 and #22C511

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5A511 shade matches the following richer shades: #C5A511

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5A511 shade: #C5A511, #B39922, #A28E33, #918345 and #7F7856

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5A511 shade: #C54411, #C57411, #C5A411, #B6C511 and #86C511

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5A511 shade: #79650A, #9F850D, #C5A511, #EAC414 and #EDCE3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5A511 shade: #C5A511, #11C514 and #5C11C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5A511 shade: #C5A511, #11C5A4 and #A411C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5A511 shade: #C5A511, #11C514, #1132C5 and #C511C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5A511 shade: #C5A511, #11C54A, #1132C5 and #C5118C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

Complementary color

CMYK 76 / 62 / 0 / 7

HEX #3A5AEE

RGB 58 90 238

HSL 229.33, 0.84%, 0.58%

LAB 44.78, 39.49, -77.59

 

CMYK 0 / 18 / 94 / 21

HEX #CAA50C

RGB 202 165 12

HSL 48.32, 0.89%, 0.42%

LAB 69.11, 1.11, 70.74

 

CMYK 0 / 16 / 86 / 14

HEX #DBB71F

RGB 219 183 31

HSL 48.51, 0.75%, 0.49%

LAB 75.47, -0.57, 72.85

 

CMYK 0 / 15 / 79 / 7

HEX #ECC932

RGB 236 201 50

HSL 48.71, 0.83%, 0.56%

LAB 81.75, -2.03, 73.69

 

CMYK 0 / 13 / 73 / 1

HEX #FDDB45

RGB 253 219 69

HSL 48.91, 0.98%, 0.63%

LAB 87.96, -3.29, 73.7

 

CMYK 0 / 7 / 65 / 0

HEX #FFED58

RGB 255 237 88

HSL 53.53, 1%, 0.67%

LAB 92.81, -10.52, 71.5

 

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

CMYK 0 / 18 / 100 / 29

HEX #B49300

RGB 180 147 0

HSL 49, 1%, 0.35%

LAB 62.14, 0.77, 66.31

 

CMYK 0 / 21 / 100 / 36

HEX #A38100

RGB 163 129 0

HSL 47.48, 1%, 0.32%

LAB 55.57, 2.88, 60.89

 

CMYK 0 / 24 / 100 / 43

HEX #926F00

RGB 146 111 0

HSL 45.62, 1%, 0.29%

LAB 48.86, 5.09, 55.37

 

CMYK 0 / 28 / 100 / 49

HEX #815D00

RGB 129 93 0

HSL 43.26, 1%, 0.25%

LAB 41.99, 7.43, 49.72

 

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

CMYK 0 / 41 / 91 / 23

HEX #C57411

RGB 197 116 17

HSL 33, 0.84%, 0.42%

LAB 56.49, 25.6, 60.24

 

CMYK 0 / 65 / 91 / 23

HEX #C54411

RGB 197 68 17

HSL 17, 0.84%, 0.42%

LAB 47.03, 49.49, 53.4

 

CMYK 0 / 90 / 91 / 23

HEX #C51311

RGB 197 19 17

HSL 0.67, 0.84%, 0.42%

LAB 41.81, 64.02, 49.8

 

CMYK 0 / 91 / 91 / 23

HEX #C51111

RGB 197 17 17

HSL 0, 0.84%, 0.42%

LAB 41.71, 64.31, 49.73

 

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

CMYK 9 / 0 / 91 / 23

HEX #B4C511

RGB 180 197 17

HSL 65.67, 0.84%, 0.42%

LAB 75.87, -24.8, 74.39

 

CMYK 33 / 0 / 91 / 23

HEX #84C511

RGB 132 197 17

HSL 81.67, 0.84%, 0.42%

LAB 72.81, -43.96, 70.66

 

CMYK 58 / 0 / 91 / 23

HEX #53C511

RGB 83 197 17

HSL 98, 0.84%, 0.42%

LAB 70.74, -59.47, 68.1

 

CMYK 83 / 0 / 91 / 23

HEX #22C511

RGB 34 197 17

HSL 114.33, 0.84%, 0.42%

LAB 69.69, -68.41, 66.8

 

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

CMYK 0 / 15 / 81 / 30

HEX #B39922

RGB 179 153 34

HSL 49.24, 0.68%, 0.42%

LAB 63.74, -2.25, 60.59

 

CMYK 0 / 12 / 69 / 36

HEX #A28E33

RGB 162 142 51

HSL 49.19, 0.52%, 0.42%

LAB 59.22, -3.14, 49.31

 

CMYK 0 / 10 / 52 / 43

HEX #918345

RGB 145 131 69

HSL 48.95, 0.36%, 0.42%

LAB 54.74, -3.29, 35.15

 

CMYK 0 / 6 / 32 / 50

HEX #7F7856

RGB 127 120 86

HSL 49.76, 0.19%, 0.42%

LAB 50.24, -2.97, 19.68

 

CMYK 0 / 65 / 91 / 23

HEX #C54411

RGB 197 68 17

HSL 17, 0.84%, 0.42%

LAB 47.03, 49.49, 53.4

 

CMYK 0 / 41 / 91 / 23

HEX #C57411

RGB 197 116 17

HSL 33, 0.84%, 0.42%

LAB 56.49, 25.6, 60.24

 

CMYK 0 / 17 / 91 / 23

HEX #C5A411

RGB 197 164 17

HSL 49, 0.84%, 0.42%

LAB 68.36, -0.51, 69.19

 

CMYK 8 / 0 / 91 / 23

HEX #B6C511

RGB 182 197 17

HSL 65, 0.84%, 0.42%

LAB 76.02, -23.95, 74.57

 

CMYK 32 / 0 / 91 / 23

HEX #86C511

RGB 134 197 17

HSL 81, 0.84%, 0.42%

LAB 72.92, -43.22, 70.79

 

CMYK 0 / 17 / 92 / 53

HEX #79650A

RGB 121 101 10

HSL 49.19, 0.85%, 0.26%

LAB 43.35, -0.92, 47.78

 

CMYK 0 / 16 / 92 / 38

HEX #9F850D

RGB 159 133 13

HSL 49.32, 0.85%, 0.34%

LAB 56.26, -0.99, 58.96

 

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

CMYK 0 / 16 / 91 / 8

HEX #EAC414

RGB 234 196 20

HSL 49.35, 0.84%, 0.5%

LAB 80.19, -1.02, 79.27

 

CMYK 0 / 13 / 76 / 7

HEX #EDCE3A

RGB 237 206 58

HSL 49.61, 0.83%, 0.58%

LAB 83.15, -3.87, 72.44

 

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

CMYK 91 / 0 / 90 / 23

HEX #11C514

RGB 17 197 20

HSL 121, 0.84%, 0.42%

LAB 69.54, -69.73, 66.12

 

CMYK 53 / 91 / 0 / 23

HEX #5C11C5

RGB 92 17 197

HSL 265, 0.84%, 0.42%

LAB 31.13, 65.19, -76.4

 

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

CMYK 91 / 0 / 17 / 23

HEX #11C5A4

RGB 17 197 164

HSL 169, 0.84%, 0.42%

LAB 71.37, -48.34, 5.11

 

CMYK 17 / 91 / 0 / 23

HEX #A411C5

RGB 164 17 197

HSL 289, 0.84%, 0.42%

LAB 41.73, 74.03, -58.64

 

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

CMYK 91 / 0 / 90 / 23

HEX #11C514

RGB 17 197 20

HSL 121, 0.84%, 0.42%

LAB 69.54, -69.73, 66.12

 

CMYK 91 / 75 / 0 / 23

HEX #1132C5

RGB 17 50 197

HSL 229, 0.84%, 0.42%

LAB 30.48, 46.61, -77.65

 

CMYK 0 / 91 / 2 / 23

HEX #C511C2

RGB 197 17 194

HSL 301, 0.84%, 0.42%

LAB 47.19, 78.92, -47.8

 

CMYK 0 / 16 / 91 / 23

HEX #C5A511

RGB 197 165 17

HSL 49.33, 0.84%, 0.42%

LAB 68.62, -1.04, 69.39

 

CMYK 91 / 0 / 62 / 23

HEX #11C54A

RGB 17 197 74

HSL 139, 0.84%, 0.42%

LAB 69.86, -65.74, 49.11

 

CMYK 91 / 75 / 0 / 23

HEX #1132C5

RGB 17 50 197

HSL 229, 0.84%, 0.42%

LAB 30.48, 46.61, -77.65

 

CMYK 0 / 91 / 29 / 23

HEX #C5118C

RGB 197 17 140

HSL 319, 0.84%, 0.42%

LAB 44.47, 71.9, -19.94

 

Description

Color code: HEX #C5A511 | qconv.com Color code: HEX #C5A511 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 165 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 165 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 91 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 91% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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