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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C59F37 it is the complementary color #3A60C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C59F37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C59F37 shade: #CA9F32, #DBB145, #ECC358, #FDD56B and #FFE77E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C59F37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C59F37 shade: #C59F37, #B48D24, #A37B11, #926900 and #815700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C59F37 shade: #C39D37, #C37837, #C35237 and #C33737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C59F37 shade: #C39D37, #C3C337, #9DC337, #77C337 and #51C337

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C59F37 shade matches the following richer shades: #C39D37, #D7A723 and #EBB00F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C59F37 shade: #C39D37, #AF944B, #9A8B5F, #868174 and #727888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C59F37 shade: #C35137, #C37637, #C39B37, #C3C137 and #A0C337

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C59F37 shade: #836925, #A3832E, #C39D37, #CFAE54 and #D8BD74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C59F37 shade: #C59F37, #43C337 and #6337C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C59F37 shade: #C59F37, #37C39B and #9B37C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C59F37 shade: #C59F37, #43C337, #375FC3 and #B737C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C59F37 shade: #C59F37, #37C355, #375FC3 and #C337A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 72 / 23

HEX #C59F37

RGB 197 159 55

HSL 43.94, 0.56%, 0.49%

LAB 67.23, 3.38, 56.9

 

Complementary color

CMYK 71 / 52 / 0 / 22

HEX #3A60C8

RGB 58 96 200

HSL 223.94, 0.56%, 0.51%

LAB 43.41, 22.01, -58.16

 

CMYK 0 / 21 / 75 / 21

HEX #CA9F32

RGB 202 159 50

HSL 43.03, 0.6%, 0.49%

LAB 67.71, 5.34, 59.52

 

CMYK 0 / 19 / 68 / 14

HEX #DBB145

RGB 219 177 69

HSL 43.2, 0.68%, 0.56%

LAB 74.15, 4.02, 58.84

 

CMYK 0 / 17 / 63 / 7

HEX #ECC358

RGB 236 195 88

HSL 43.38, 0.8%, 0.64%

LAB 80.5, 2.9, 57.84

 

CMYK 0 / 16 / 58 / 1

HEX #FDD56B

RGB 253 213 107

HSL 43.56, 0.97%, 0.71%

LAB 86.77, 1.93, 56.7

 

CMYK 0 / 9 / 51 / 0

HEX #FFE77E

RGB 255 231 126

HSL 48.84, 1%, 0.75%

LAB 91.65, -4.89, 53.62

 

CMYK 0 / 19 / 72 / 23

HEX #C59F37

RGB 197 159 55

HSL 43.94, 0.56%, 0.49%

LAB 67.23, 3.38, 56.9

 

CMYK 0 / 22 / 80 / 29

HEX #B48D24

RGB 180 141 36

HSL 43.75, 0.67%, 0.42%

LAB 60.68, 4.81, 57.24

 

CMYK 0 / 25 / 90 / 36

HEX #A37B11

RGB 163 123 17

HSL 43.56, 0.81%, 0.35%

LAB 54.02, 6.52, 56.53

 

CMYK 0 / 28 / 100 / 43

HEX #926900

RGB 146 105 0

HSL 43.15, 1%, 0.29%

LAB 47.25, 8.54, 54.27

 

CMYK 0 / 33 / 100 / 49

HEX #815700

RGB 129 87 0

HSL 40.47, 1%, 0.25%

LAB 40.38, 10.98, 48.64

 

CMYK 0 / 19 / 72 / 24

HEX #C39D37

RGB 195 157 55

HSL 43.71, 0.56%, 0.49%

LAB 66.51, 3.58, 56.11

 

CMYK 0 / 38 / 72 / 24

HEX #C37837

RGB 195 120 55

HSL 27.86, 0.56%, 0.49%

LAB 57.38, 23.82, 46.69

 

CMYK 0 / 58 / 72 / 24

HEX #C35237

RGB 195 82 55

HSL 11.57, 0.56%, 0.49%

LAB 49.39, 43.6, 37.97

 

CMYK 0 / 72 / 72 / 24

HEX #C33737

RGB 195 55 55

HSL 0, 0.56%, 0.49%

LAB 45.1, 55.13, 33.06

 

CMYK 0 / 19 / 72 / 24

HEX #C39D37

RGB 195 157 55

HSL 43.71, 0.56%, 0.49%

LAB 66.51, 3.58, 56.11

 

CMYK 0 / 0 / 72 / 24

HEX #C3C337

RGB 195 195 55

HSL 60, 0.56%, 0.49%

LAB 76.62, -16.27, 66.02

 

CMYK 19 / 0 / 72 / 24

HEX #9DC337

RGB 157 195 55

HSL 76.29, 0.56%, 0.49%

LAB 73.85, -31.98, 62.37

 

CMYK 39 / 0 / 72 / 24

HEX #77C337

RGB 119 195 55

HSL 92.57, 0.56%, 0.49%

LAB 71.71, -46.11, 59.53

 

CMYK 58 / 0 / 72 / 24

HEX #51C337

RGB 81 195 55

HSL 108.86, 0.56%, 0.49%

LAB 70.21, -57.36, 57.53

 

CMYK 0 / 19 / 72 / 24

HEX #C39D37

RGB 195 157 55

HSL 43.71, 0.56%, 0.49%

LAB 66.51, 3.58, 56.11

 

CMYK 0 / 22 / 84 / 16

HEX #D7A723

RGB 215 167 35

HSL 44, 0.72%, 0.49%

LAB 71.01, 6.23, 67.98

 

CMYK 0 / 25 / 94 / 8

HEX #EBB00F

RGB 235 176 15

HSL 43.91, 0.88%, 0.49%

LAB 75.29, 9.78, 76.41

 

CMYK 0 / 19 / 72 / 24

HEX #C39D37

RGB 195 157 55

HSL 43.71, 0.56%, 0.49%

LAB 66.51, 3.58, 56.11

 

CMYK 0 / 15 / 57 / 31

HEX #AF944B

RGB 175 148 75

HSL 43.8, 0.4%, 0.49%

LAB 62.34, 1.01, 41.79

 

CMYK 0 / 10 / 38 / 40

HEX #9A8B5F

RGB 154 139 95

HSL 44.75, 0.24%, 0.49%

LAB 58.19, -1.04, 25.6

 

CMYK 0 / 4 / 13 / 47

HEX #868174

RGB 134 129 116

HSL 43.33, 0.07%, 0.49%

LAB 54.06, -0.5, 7.72

 

CMYK 16 / 12 / 0 / 47

HEX #727888

RGB 114 120 136

HSL 223.64, 0.09%, 0.49%

LAB 50.44, 1.29, -9.48

 

CMYK 0 / 58 / 72 / 24

HEX #C35137

RGB 195 81 55

HSL 11.14, 0.56%, 0.49%

LAB 49.21, 44.08, 37.76

 

CMYK 0 / 39 / 72 / 24

HEX #C37637

RGB 195 118 55

HSL 27, 0.56%, 0.49%

LAB 56.91, 24.91, 46.19

 

CMYK 0 / 21 / 72 / 24

HEX #C39B37

RGB 195 155 55

HSL 42.86, 0.56%, 0.49%

LAB 66, 4.66, 55.59

 

CMYK 0 / 1 / 72 / 24

HEX #C3C137

RGB 195 193 55

HSL 59.14, 0.56%, 0.49%

LAB 76.08, -15.26, 65.49

 

CMYK 18 / 0 / 72 / 24

HEX #A0C337

RGB 160 195 55

HSL 75, 0.56%, 0.49%

LAB 74.05, -30.78, 62.63

 

CMYK 0 / 20 / 72 / 49

HEX #836925

RGB 131 105 37

HSL 43.4, 0.56%, 0.33%

LAB 45.72, 2.63, 40.6

 

CMYK 0 / 20 / 72 / 36

HEX #A3832E

RGB 163 131 46

HSL 43.59, 0.56%, 0.41%

LAB 56.3, 3.11, 48.52

 

CMYK 0 / 19 / 72 / 24

HEX #C39D37

RGB 195 157 55

HSL 43.71, 0.56%, 0.49%

LAB 66.51, 3.58, 56.11

 

CMYK 0 / 16 / 59 / 19

HEX #CFAE54

RGB 207 174 84

HSL 43.9, 0.56%, 0.57%

LAB 72.35, 1.44, 49.78

 

CMYK 0 / 13 / 46 / 15

HEX #D8BD74

RGB 216 189 116

HSL 43.8, 0.56%, 0.65%

LAB 77.43, 0.01, 40.29

 

CMYK 0 / 19 / 72 / 23

HEX #C59F37

RGB 197 159 55

HSL 43.94, 0.56%, 0.49%

LAB 67.23, 3.38, 56.9

 

CMYK 66 / 0 / 72 / 24

HEX #43C337

RGB 67 195 55

HSL 114.86, 0.56%, 0.49%

LAB 69.82, -60.54, 57.01

 

CMYK 49 / 72 / 0 / 24

HEX #6337C3

RGB 99 55 195

HSL 258.86, 0.56%, 0.49%

LAB 36.6, 51.41, -66.2

 

CMYK 0 / 19 / 72 / 23

HEX #C59F37

RGB 197 159 55

HSL 43.94, 0.56%, 0.49%

LAB 67.23, 3.38, 56.9

 

CMYK 72 / 0 / 21 / 24

HEX #37C39B

RGB 55 195 155

HSL 162.86, 0.56%, 0.49%

LAB 71.01, -46.35, 9.54

 

CMYK 21 / 72 / 0 / 24

HEX #9B37C3

RGB 155 55 195

HSL 282.86, 0.56%, 0.49%

LAB 43.71, 61.83, -54.33

 

CMYK 0 / 19 / 72 / 23

HEX #C59F37

RGB 197 159 55

HSL 43.94, 0.56%, 0.49%

LAB 67.23, 3.38, 56.9

 

CMYK 66 / 0 / 72 / 24

HEX #43C337

RGB 67 195 55

HSL 114.86, 0.56%, 0.49%

LAB 69.82, -60.54, 57.01

 

CMYK 72 / 51 / 0 / 24

HEX #375FC3

RGB 55 95 195

HSL 222.86, 0.56%, 0.49%

LAB 42.67, 20.4, -56.48

 

CMYK 6 / 72 / 0 / 24

HEX #B737C3

RGB 183 55 195

HSL 294.86, 0.56%, 0.49%

LAB 47.93, 67.66, -47.34

 

CMYK 0 / 19 / 72 / 23

HEX #C59F37

RGB 197 159 55

HSL 43.94, 0.56%, 0.49%

LAB 67.23, 3.38, 56.9

 

CMYK 72 / 0 / 56 / 24

HEX #37C355

RGB 55 195 85

HSL 132.86, 0.56%, 0.49%

LAB 69.82, -59.57, 44.19

 

CMYK 72 / 51 / 0 / 24

HEX #375FC3

RGB 55 95 195

HSL 222.86, 0.56%, 0.49%

LAB 42.67, 20.4, -56.48

 

CMYK 0 / 72 / 15 / 24

HEX #C337A5

RGB 195 55 165

HSL 312.86, 0.56%, 0.49%

LAB 48.32, 65.66, -29

 

Description

Color code: HEX #C59F37 | qconv.com Color code: HEX #C59F37 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 159 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 159 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 72 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 72% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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