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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C59AD5 it is the complementary color #3A652A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C59AD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C59AD5 shade: #CA9AD0, #DBACE3, #ECBEF6, #FDD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C59AD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C59AD5 shade: #C59AD5, #B488C2, #A376AF, #92649C and #815289

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C59AD5 shade: #C59AD5, #D59AD5, #D59AC5, #D59AB5 and #D59AA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C59AD5 shade: #C59AD5, #B59AD5, #A59AD5 and #9A9AD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C59AD5 shade matches the following richer shades: #C59AD5, #CA8FE0, #D083EC and #D578F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C59AD5 shade: #C59AD5, #C0A6C9, #BAB1BE, #B5BDB2 and #B0C9A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C59AD5 shade: #A59AD5, #B59AD5, #C49AD5, #D49AD5 and #D59AC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C59AD5 shade: #A360BD, #B47DC9, #C59AD5, #D6B7E1 and #E7D5ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C59AD5 shade: #C59AD5, #D59A9F and #9AD5AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C59AD5 shade: #C59AD5, #D5C49A and #9AD5C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C59AD5 shade: #C59AD5, #D59A9F, #ABD59A and #9AD5D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C59AD5 shade: #C59AD5, #D5A79A, #ABD59A and #9AC8D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

Complementary color

CMYK 43 / 0 / 58 / 60

HEX #3A652A

RGB 58 101 42

HSL 103.73, 0.41%, 0.28%

LAB 38.51, -27.2, 28.42

 

CMYK 3 / 26 / 0 / 18

HEX #CA9AD0

RGB 202 154 208

HSL 293.33, 0.36%, 0.71%

LAB 69.63, 27.14, -20.72

 

CMYK 4 / 24 / 0 / 11

HEX #DBACE3

RGB 219 172 227

HSL 291.27, 0.5%, 0.78%

LAB 76.14, 26.54, -21.08

 

CMYK 4 / 23 / 0 / 4

HEX #ECBEF6

RGB 236 190 246

HSL 289.29, 0.76%, 0.85%

LAB 82.55, 25.99, -21.44

 

CMYK 1 / 18 / 0 / 0

HEX #FDD0FF

RGB 253 208 255

HSL 297.45, 1%, 0.91%

LAB 88.55, 23.62, -17

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

CMYK 7 / 30 / 0 / 24

HEX #B488C2

RGB 180 136 194

HSL 285.52, 0.32%, 0.65%

LAB 62.68, 27.13, -23.71

 

CMYK 7 / 33 / 0 / 31

HEX #A376AF

RGB 163 118 175

HSL 287.37, 0.26%, 0.57%

LAB 55.93, 27.82, -23.42

 

CMYK 6 / 36 / 0 / 39

HEX #92649C

RGB 146 100 156

HSL 289.29, 0.22%, 0.5%

LAB 49.04, 28.56, -23.11

 

CMYK 6 / 40 / 0 / 46

HEX #815289

RGB 129 82 137

HSL 291.27, 0.25%, 0.43%

LAB 42.01, 29.35, -22.78

 

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

CMYK 0 / 28 / 0 / 16

HEX #D59AD5

RGB 213 154 213

HSL 300, 0.41%, 0.72%

LAB 70.91, 31.69, -21.42

 

CMYK 0 / 28 / 8 / 16

HEX #D59AC5

RGB 213 154 197

HSL 316.27, 0.41%, 0.72%

LAB 70.38, 28.8, -13.39

 

CMYK 0 / 28 / 15 / 16

HEX #D59AB5

RGB 213 154 181

HSL 332.54, 0.41%, 0.72%

LAB 69.89, 26.11, -5.24

 

CMYK 0 / 28 / 22 / 16

HEX #D59AA6

RGB 213 154 166

HSL 347.8, 0.41%, 0.72%

LAB 69.48, 23.78, 2.5

 

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

CMYK 15 / 28 / 0 / 16

HEX #B59AD5

RGB 181 154 213

HSL 267.46, 0.41%, 0.72%

LAB 67.83, 21.38, -26.41

 

CMYK 23 / 28 / 0 / 16

HEX #A59AD5

RGB 165 154 213

HSL 251.19, 0.41%, 0.72%

LAB 66.45, 16.4, -28.64

 

CMYK 28 / 28 / 0 / 16

HEX #9A9AD5

RGB 154 154 213

HSL 240, 0.41%, 0.72%

LAB 65.58, 13.08, -30.06

 

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

CMYK 10 / 36 / 0 / 12

HEX #CA8FE0

RGB 202 143 224

HSL 283.7, 0.57%, 0.72%

LAB 67.71, 36.33, -32.51

 

CMYK 12 / 44 / 0 / 7

HEX #D083EC

RGB 208 131 236

HSL 284, 0.73%, 0.72%

LAB 66.29, 46.96, -41.3

 

CMYK 14 / 52 / 0 / 3

HEX #D578F8

RGB 213 120 248

HSL 283.59, 0.9%, 0.72%

LAB 65.24, 56.37, -49.51

 

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

CMYK 4 / 17 / 0 / 21

HEX #C0A6C9

RGB 192 166 201

HSL 284.57, 0.24%, 0.72%

LAB 71.35, 15.83, -14.35

 

CMYK 2 / 7 / 0 / 25

HEX #BAB1BE

RGB 186 177 190

HSL 281.54, 0.09%, 0.72%

LAB 73.29, 5.61, -5.47

 

CMYK 4 / 0 / 6 / 26

HEX #B5BDB2

RGB 181 189 178

HSL 103.64, 0.08%, 0.72%

LAB 75.72, -4.81, 4.59

 

CMYK 12 / 0 / 17 / 21

HEX #B0C9A7

RGB 176 201 167

HSL 104.12, 0.24%, 0.72%

LAB 78.34, -14.75, 14.2

 

CMYK 23 / 28 / 0 / 16

HEX #A59AD5

RGB 165 154 213

HSL 251.19, 0.41%, 0.72%

LAB 66.45, 16.4, -28.64

 

CMYK 15 / 28 / 0 / 16

HEX #B59AD5

RGB 181 154 213

HSL 267.46, 0.41%, 0.72%

LAB 67.83, 21.38, -26.41

 

CMYK 8 / 28 / 0 / 16

HEX #C49AD5

RGB 196 154 213

HSL 282.71, 0.41%, 0.72%

LAB 69.22, 26.17, -24.16

 

CMYK 0 / 28 / 0 / 16

HEX #D49AD5

RGB 212 154 213

HSL 298.98, 0.41%, 0.72%

LAB 70.81, 31.37, -21.59

 

CMYK 0 / 28 / 7 / 16

HEX #D59AC6

RGB 213 154 198

HSL 315.25, 0.41%, 0.72%

LAB 70.41, 28.98, -13.9

 

CMYK 14 / 49 / 0 / 26

HEX #A360BD

RGB 163 96 189

HSL 283.23, 0.41%, 0.56%

LAB 51.64, 43, -38.16

 

CMYK 10 / 38 / 0 / 21

HEX #B47DC9

RGB 180 125 201

HSL 283.42, 0.41%, 0.64%

LAB 60.42, 34.71, -31.16

 

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

CMYK 5 / 19 / 0 / 12

HEX #D6B7E1

RGB 214 183 225

HSL 284.29, 0.41%, 0.8%

LAB 78.23, 18.57, -16.88

 

CMYK 3 / 10 / 0 / 7

HEX #E7D5ED

RGB 231 213 237

HSL 285, 0.4%, 0.88%

LAB 87.34, 10.46, -9.51

 

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

CMYK 0 / 28 / 25 / 16

HEX #D59A9F

RGB 213 154 159

HSL 354.92, 0.41%, 0.72%

LAB 69.3, 22.76, 6.14

 

CMYK 28 / 0 / 19 / 16

HEX #9AD5AD

RGB 154 213 173

HSL 139.32, 0.41%, 0.72%

LAB 80.45, -26.99, 13.78

 

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

CMYK 0 / 8 / 28 / 16

HEX #D5C49A

RGB 213 196 154

HSL 42.71, 0.41%, 0.72%

LAB 79.59, -0.45, 23.29

 

CMYK 28 / 0 / 8 / 16

HEX #9AD5C4

RGB 154 213 196

HSL 162.71, 0.41%, 0.72%

LAB 80.99, -22.41, 2.32

 

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

CMYK 0 / 28 / 25 / 16

HEX #D59A9F

RGB 213 154 159

HSL 354.92, 0.41%, 0.72%

LAB 69.3, 22.76, 6.14

 

CMYK 20 / 0 / 28 / 16

HEX #ABD59A

RGB 171 213 154

HSL 102.71, 0.41%, 0.72%

LAB 81.06, -24.6, 24.79

 

CMYK 28 / 0 / 2 / 16

HEX #9AD5D0

RGB 154 213 208

HSL 174.92, 0.41%, 0.72%

LAB 81.3, -19.82, -3.62

 

CMYK 8 / 28 / 0 / 16

HEX #C59AD5

RGB 197 154 213

HSL 283.73, 0.41%, 0.72%

LAB 69.32, 26.5, -24

 

CMYK 0 / 22 / 28 / 16

HEX #D5A79A

RGB 213 167 154

HSL 13.22, 0.41%, 0.72%

LAB 72.31, 15.01, 13.19

 

CMYK 20 / 0 / 28 / 16

HEX #ABD59A

RGB 171 213 154

HSL 102.71, 0.41%, 0.72%

LAB 81.06, -24.6, 24.79

 

CMYK 28 / 6 / 0 / 16

HEX #9AC8D5

RGB 154 200 213

HSL 193.22, 0.41%, 0.72%

LAB 77.86, -12.05, -11.4

 

Description

Color code: HEX #C59AD5 | qconv.com Color code: HEX #C59AD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 154 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 154 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 28 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 28% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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