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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5999C it is the complementary color #3A6663. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5999C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5999C shade: #CA9997, #DBABAA, #ECBDBD, #FDCFD0 and #FFE1E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5999C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5999C shade: #C5999C, #B48789, #A37576, #926363 and #815150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5999C shade: #C69A9D and #C69A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5999C shade: #C69A9D, #C69AA9, #C69AB5, #C69AC1 and #C09AC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5999C shade matches the following richer shades: #C69A9D, #D38D92, #E08087, #EC737C and #F96771

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5999C shade: #C69A9D, #B9A7A8, #ADB3B3, #A0C0BE and #93CDC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5999C shade: #C69AB5, #C69AA9, #C69A9E, #C6A29A and #C6AE9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5999C shade: #A8656A, #B77F83, #C69A9D, #D5B4B6 and #E4CFD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5999C shade: #C5999C, #C1C69A and #9AAFC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5999C shade: #C5999C, #9EC69A and #9A9EC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5999C shade: #C5999C, #C1C69A, #9AC6C2 and #9F9AC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5999C shade: #C5999C, #B4C69A, #9AC6C2 and #AC9AC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 21 / 23

HEX #C5999C

RGB 197 153 156

HSL 355.91, 0.28%, 0.69%

LAB 67.32, 16.87, 4.75

 

Complementary color

CMYK 43 / 0 / 3 / 60

HEX #3A6663

RGB 58 102 99

HSL 175.91, 0.28%, 0.31%

LAB 40.09, -16, -3.09

 

CMYK 0 / 24 / 25 / 21

HEX #CA9997

RGB 202 153 151

HSL 2.35, 0.32%, 0.69%

LAB 67.71, 18.02, 8.17

 

CMYK 0 / 22 / 22 / 14

HEX #DBABAA

RGB 219 171 170

HSL 1.22, 0.4%, 0.76%

LAB 74.25, 17.39, 7.25

 

CMYK 0 / 20 / 20 / 7

HEX #ECBDBD

RGB 236 189 189

HSL 0, 0.55%, 0.83%

LAB 80.68, 16.83, 6.41

 

CMYK 0 / 18 / 18 / 1

HEX #FDCFD0

RGB 253 207 208

HSL 358.7, 0.92%, 0.9%

LAB 87.03, 16.32, 5.61

 

CMYK 0 / 12 / 11 / 0

HEX #FFE1E3

RGB 255 225 227

HSL 356, 1%, 0.94%

LAB 91.98, 10.62, 2.8

 

CMYK 0 / 22 / 21 / 23

HEX #C5999C

RGB 197 153 156

HSL 355.91, 0.28%, 0.69%

LAB 67.32, 16.87, 4.75

 

CMYK 0 / 25 / 24 / 29

HEX #B48789

RGB 180 135 137

HSL 357.33, 0.23%, 0.62%

LAB 60.64, 17.51, 5.64

 

CMYK 0 / 28 / 28 / 36

HEX #A37576

RGB 163 117 118

HSL 358.7, 0.2%, 0.55%

LAB 53.83, 18.22, 6.62

 

CMYK 0 / 32 / 32 / 43

HEX #926363

RGB 146 99 99

HSL 0, 0.19%, 0.48%

LAB 46.89, 19.04, 7.72

 

CMYK 0 / 37 / 38 / 49

HEX #815150

RGB 129 81 80

HSL 1.22, 0.23%, 0.41%

LAB 39.8, 19.99, 8.99

 

CMYK 0 / 22 / 21 / 22

HEX #C69A9D

RGB 198 154 157

HSL 355.91, 0.28%, 0.69%

LAB 67.69, 16.85, 4.74

 

CMYK 0 / 22 / 22 / 22

HEX #C69A9A

RGB 198 154 154

HSL 0, 0.28%, 0.69%

LAB 67.61, 16.39, 6.31

 

CMYK 0 / 22 / 21 / 22

HEX #C69A9D

RGB 198 154 157

HSL 355.91, 0.28%, 0.69%

LAB 67.69, 16.85, 4.74

 

CMYK 0 / 22 / 15 / 22

HEX #C69AA9

RGB 198 154 169

HSL 339.55, 0.28%, 0.69%

LAB 68.01, 18.76, -1.5

 

CMYK 0 / 22 / 9 / 22

HEX #C69AB5

RGB 198 154 181

HSL 323.18, 0.28%, 0.69%

LAB 68.35, 20.79, -7.68

 

CMYK 0 / 22 / 3 / 22

HEX #C69AC1

RGB 198 154 193

HSL 306.82, 0.28%, 0.69%

LAB 68.73, 22.96, -13.8

 

CMYK 3 / 22 / 0 / 22

HEX #C09AC6

RGB 192 154 198

HSL 291.82, 0.28%, 0.69%

LAB 68.31, 21.87, -17.27

 

CMYK 0 / 22 / 21 / 22

HEX #C69A9D

RGB 198 154 157

HSL 355.91, 0.28%, 0.69%

LAB 67.69, 16.85, 4.74

 

CMYK 0 / 33 / 31 / 17

HEX #D38D92

RGB 211 141 146

HSL 355.71, 0.44%, 0.69%

LAB 65.73, 27.28, 8.28

 

CMYK 0 / 43 / 40 / 12

HEX #E08087

RGB 224 128 135

HSL 355.63, 0.61%, 0.69%

LAB 64.19, 37.7, 12.54

 

CMYK 0 / 51 / 47 / 7

HEX #EC737C

RGB 236 115 124

HSL 355.54, 0.76%, 0.69%

LAB 62.97, 47.46, 17.35

 

CMYK 0 / 59 / 55 / 2

HEX #F96771

RGB 249 103 113

HSL 355.89, 0.92%, 0.69%

LAB 62.54, 56.59, 23.37

 

CMYK 0 / 22 / 21 / 22

HEX #C69A9D

RGB 198 154 157

HSL 355.91, 0.28%, 0.69%

LAB 67.69, 16.85, 4.74

 

CMYK 0 / 10 / 9 / 27

HEX #B9A7A8

RGB 185 167 168

HSL 356.67, 0.11%, 0.69%

LAB 70.02, 6.69, 1.85

 

CMYK 3 / 0 / 0 / 30

HEX #ADB3B3

RGB 173 179 179

HSL 180, 0.04%, 0.69%

LAB 72.48, -2.09, -0.74

 

CMYK 17 / 0 / 1 / 25

HEX #A0C0BE

RGB 160 192 190

HSL 176.25, 0.2%, 0.69%

LAB 75.38, -11.13, -2.59

 

CMYK 28 / 0 / 2 / 20

HEX #93CDC9

RGB 147 205 201

HSL 175.86, 0.37%, 0.69%

LAB 78.51, -19.39, -4.02

 

CMYK 0 / 22 / 9 / 22

HEX #C69AB5

RGB 198 154 181

HSL 323.18, 0.28%, 0.69%

LAB 68.35, 20.79, -7.68

 

CMYK 0 / 22 / 15 / 22

HEX #C69AA9

RGB 198 154 169

HSL 339.55, 0.28%, 0.69%

LAB 68.01, 18.76, -1.5

 

CMYK 0 / 22 / 20 / 22

HEX #C69A9E

RGB 198 154 158

HSL 354.55, 0.28%, 0.69%

LAB 67.71, 17, 4.22

 

CMYK 0 / 18 / 22 / 22

HEX #C6A29A

RGB 198 162 154

HSL 10.91, 0.28%, 0.69%

LAB 69.6, 12.01, 9.14

 

CMYK 0 / 12 / 22 / 22

HEX #C6AE9A

RGB 198 174 154

HSL 27.27, 0.28%, 0.69%

LAB 72.63, 5.5, 13.44

 

CMYK 0 / 40 / 37 / 34

HEX #A8656A

RGB 168 101 106

HSL 355.52, 0.28%, 0.53%

LAB 50.3, 27.6, 8.76

 

CMYK 0 / 31 / 28 / 28

HEX #B77F83

RGB 183 127 131

HSL 355.71, 0.28%, 0.61%

LAB 58.87, 22.26, 6.59

 

CMYK 0 / 22 / 21 / 22

HEX #C69A9D

RGB 198 154 157

HSL 355.91, 0.28%, 0.69%

LAB 67.69, 16.85, 4.74

 

CMYK 0 / 15 / 15 / 16

HEX #D5B4B6

RGB 213 180 182

HSL 356.36, 0.28%, 0.77%

LAB 76.17, 12.19, 3.4

 

CMYK 0 / 9 / 9 / 11

HEX #E4CFD0

RGB 228 207 208

HSL 357.14, 0.28%, 0.85%

LAB 84.83, 7.46, 2.15

 

CMYK 0 / 22 / 21 / 23

HEX #C5999C

RGB 197 153 156

HSL 355.91, 0.28%, 0.69%

LAB 67.32, 16.87, 4.75

 

CMYK 3 / 0 / 22 / 22

HEX #C1C69A

RGB 193 198 154

HSL 66.82, 0.28%, 0.69%

LAB 78.5, -9.09, 21.53

 

CMYK 22 / 12 / 0 / 22

HEX #9AAFC6

RGB 154 175 198

HSL 211.36, 0.28%, 0.69%

LAB 70.6, -2.21, -14.12

 

CMYK 0 / 22 / 21 / 23

HEX #C5999C

RGB 197 153 156

HSL 355.91, 0.28%, 0.69%

LAB 67.32, 16.87, 4.75

 

CMYK 20 / 0 / 22 / 22

HEX #9EC69A

RGB 158 198 154

HSL 114.55, 0.28%, 0.69%

LAB 76.06, -21.73, 17.79

 

CMYK 22 / 20 / 0 / 22

HEX #9A9EC6

RGB 154 158 198

HSL 234.55, 0.28%, 0.69%

LAB 66.06, 7.21, -20.99

 

CMYK 0 / 22 / 21 / 23

HEX #C5999C

RGB 197 153 156

HSL 355.91, 0.28%, 0.69%

LAB 67.32, 16.87, 4.75

 

CMYK 3 / 0 / 22 / 22

HEX #C1C69A

RGB 193 198 154

HSL 66.82, 0.28%, 0.69%

LAB 78.5, -9.09, 21.53

 

CMYK 22 / 0 / 2 / 22

HEX #9AC6C2

RGB 154 198 194

HSL 174.55, 0.28%, 0.69%

LAB 76.77, -15.27, -2.76

 

CMYK 20 / 22 / 0 / 22

HEX #9F9AC6

RGB 159 154 198

HSL 246.82, 0.28%, 0.69%

LAB 65.4, 11.04, -21.96

 

CMYK 0 / 22 / 21 / 23

HEX #C5999C

RGB 197 153 156

HSL 355.91, 0.28%, 0.69%

LAB 67.32, 16.87, 4.75

 

CMYK 9 / 0 / 22 / 22

HEX #B4C69A

RGB 180 198 154

HSL 84.55, 0.28%, 0.69%

LAB 77.53, -13.9, 20.05

 

CMYK 22 / 0 / 2 / 22

HEX #9AC6C2

RGB 154 198 194

HSL 174.55, 0.28%, 0.69%

LAB 76.77, -15.27, -2.76

 

CMYK 13 / 22 / 0 / 22

HEX #AC9AC6

RGB 172 154 198

HSL 264.55, 0.28%, 0.69%

LAB 66.49, 15.23, -20.21

 

Description

Color code: HEX #C5999C | qconv.com Color code: HEX #C5999C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 153 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 153 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 21 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 21% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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