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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C58947 it is the complementary color #3A76B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C58947. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C58947 shade: #CA8942, #DB9B55, #ECAD68, #FDBF7B and #FFD18E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C58947. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C58947 shade: #C58947, #B47734, #A36521, #92530E and #814100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C58947 shade: #C58A49, #C56949 and #C54949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C58947 shade: #C58A49, #C5AC49, #BEC549, #9CC549 and #7AC549

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C58947 shade matches the following richer shades: #C58A49, #D98B35 and #EC8C22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C58947 shade: #C58A49, #B2895C, #9F8870, #8B8783 and #788696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C58947 shade: #C5494B, #C56849, #C58949, #C5AA49 and #BFC549

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C58947 shade: #8F602D, #AE7537, #C58A49, #CF9E68 and #D9B288

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C58947 shade: #C58947, #6CC549 and #5749C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C58947 shade: #C58947, #49C589 and #8949C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C58947 shade: #C58947, #6CC549, #4985C5 and #A249C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C58947 shade: #C58947, #49C54B, #4985C5 and #C549C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 64 / 23

HEX #C58947

RGB 197 137 71

HSL 31.43, 0.52%, 0.53%

LAB 61.84, 16.29, 43.83

 

Complementary color

CMYK 68 / 36 / 0 / 28

HEX #3A76B8

RGB 58 118 184

HSL 211.43, 0.52%, 0.47%

LAB 48.66, 2.33, -40.53

 

CMYK 0 / 32 / 67 / 21

HEX #CA8942

RGB 202 137 66

HSL 31.32, 0.56%, 0.53%

LAB 62.37, 18.11, 47.05

 

CMYK 0 / 29 / 61 / 14

HEX #DB9B55

RGB 219 155 85

HSL 31.34, 0.65%, 0.6%

LAB 68.87, 16.76, 45.6

 

CMYK 0 / 27 / 56 / 7

HEX #ECAD68

RGB 236 173 104

HSL 31.36, 0.78%, 0.67%

LAB 75.28, 15.6, 44.14

 

CMYK 0 / 25 / 51 / 1

HEX #FDBF7B

RGB 253 191 123

HSL 31.38, 0.97%, 0.74%

LAB 81.61, 14.57, 42.74

 

CMYK 0 / 18 / 44 / 0

HEX #FFD18E

RGB 255 209 142

HSL 35.58, 1%, 0.78%

LAB 86.41, 7.78, 39.25

 

CMYK 0 / 30 / 64 / 23

HEX #C58947

RGB 197 137 71

HSL 31.43, 0.52%, 0.53%

LAB 61.84, 16.29, 43.83

 

CMYK 0 / 34 / 71 / 29

HEX #B47734

RGB 180 119 52

HSL 31.41, 0.55%, 0.45%

LAB 55.22, 17.75, 45.26

 

CMYK 0 / 38 / 80 / 36

HEX #A36521

RGB 163 101 33

HSL 31.38, 0.66%, 0.38%

LAB 48.52, 19.47, 46.43

 

CMYK 0 / 43 / 90 / 43

HEX #92530E

RGB 146 83 14

HSL 31.36, 0.83%, 0.31%

LAB 41.73, 21.5, 46.74

 

CMYK 0 / 50 / 100 / 49

HEX #814100

RGB 129 65 0

HSL 30.23, 1%, 0.25%

LAB 34.9, 23.85, 45.13

 

CMYK 0 / 30 / 63 / 23

HEX #C58A49

RGB 197 138 73

HSL 31.45, 0.52%, 0.53%

LAB 62.11, 15.87, 43.13

 

CMYK 0 / 47 / 63 / 23

HEX #C56949

RGB 197 105 73

HSL 15.48, 0.52%, 0.53%

LAB 54.51, 33.78, 34.14

 

CMYK 0 / 63 / 63 / 23

HEX #C54949

RGB 197 73 73

HSL 0, 0.52%, 0.53%

LAB 48.41, 49.48, 26.57

 

CMYK 0 / 30 / 63 / 23

HEX #C58A49

RGB 197 138 73

HSL 31.45, 0.52%, 0.53%

LAB 62.11, 15.87, 43.13

 

CMYK 0 / 13 / 63 / 23

HEX #C5AC49

RGB 197 172 73

HSL 47.9, 0.52%, 0.53%

LAB 70.77, -2.53, 52.85

 

CMYK 4 / 0 / 63 / 23

HEX #BEC549

RGB 190 197 73

HSL 63.39, 0.52%, 0.53%

LAB 76.9, -18.36, 59.27

 

CMYK 21 / 0 / 63 / 23

HEX #9CC549

RGB 156 197 73

HSL 79.84, 0.52%, 0.53%

LAB 74.5, -32.1, 55.98

 

CMYK 38 / 0 / 63 / 23

HEX #7AC549

RGB 122 197 73

HSL 96.29, 0.52%, 0.53%

LAB 72.6, -44.52, 53.36

 

CMYK 0 / 30 / 63 / 23

HEX #C58A49

RGB 197 138 73

HSL 31.45, 0.52%, 0.53%

LAB 62.11, 15.87, 43.13

 

CMYK 0 / 36 / 76 / 15

HEX #D98B35

RGB 217 139 53

HSL 31.46, 0.68%, 0.53%

LAB 64.54, 22.75, 55.8

 

CMYK 0 / 41 / 86 / 7

HEX #EC8C22

RGB 236 140 34

HSL 31.49, 0.84%, 0.53%

LAB 67.05, 29.55, 65.98

 

CMYK 0 / 30 / 63 / 23

HEX #C58A49

RGB 197 138 73

HSL 31.45, 0.52%, 0.53%

LAB 62.11, 15.87, 43.13

 

CMYK 0 / 23 / 48 / 30

HEX #B2895C

RGB 178 137 92

HSL 31.4, 0.36%, 0.53%

LAB 60.01, 9.92, 30.07

 

CMYK 0 / 14 / 30 / 38

HEX #9F8870

RGB 159 136 112

HSL 30.64, 0.2%, 0.53%

LAB 58.18, 4.95, 16.12

 

CMYK 0 / 3 / 6 / 45

HEX #8B8783

RGB 139 135 131

HSL 30, 0.03%, 0.53%

LAB 56.54, 0.73, 2.67

 

CMYK 20 / 11 / 0 / 41

HEX #788696

RGB 120 134 150

HSL 212, 0.13%, 0.53%

LAB 55.32, -1.48, -10.27

 

CMYK 0 / 63 / 62 / 23

HEX #C5494B

RGB 197 73 75

HSL 359.03, 0.52%, 0.53%

LAB 48.44, 49.61, 25.43

 

CMYK 0 / 47 / 63 / 23

HEX #C56849

RGB 197 104 73

HSL 15, 0.52%, 0.53%

LAB 54.29, 34.31, 33.88

 

CMYK 0 / 30 / 63 / 23

HEX #C58949

RGB 197 137 73

HSL 30.97, 0.52%, 0.53%

LAB 61.86, 16.42, 42.85

 

CMYK 0 / 14 / 63 / 23

HEX #C5AA49

RGB 197 170 73

HSL 46.94, 0.52%, 0.53%

LAB 70.25, -1.47, 52.28

 

CMYK 3 / 0 / 63 / 23

HEX #BFC549

RGB 191 197 73

HSL 62.9, 0.52%, 0.53%

LAB 76.97, -17.95, 59.37

 

CMYK 0 / 33 / 69 / 44

HEX #8F602D

RGB 143 96 45

HSL 31.22, 0.52%, 0.37%

LAB 44.79, 13.94, 36.09

 

CMYK 0 / 33 / 68 / 32

HEX #AE7537

RGB 174 117 55

HSL 31.26, 0.52%, 0.45%

LAB 54.02, 16.41, 42.29

 

CMYK 0 / 30 / 63 / 23

HEX #C58A49

RGB 197 138 73

HSL 31.45, 0.52%, 0.53%

LAB 62.11, 15.87, 43.13

 

CMYK 0 / 24 / 50 / 19

HEX #CF9E68

RGB 207 158 104

HSL 31.46, 0.52%, 0.61%

LAB 68.55, 11.69, 35.12

 

CMYK 0 / 18 / 37 / 15

HEX #D9B288

RGB 217 178 136

HSL 31.11, 0.52%, 0.69%

LAB 75.06, 8.37, 26.79

 

CMYK 0 / 30 / 64 / 23

HEX #C58947

RGB 197 137 71

HSL 31.43, 0.52%, 0.53%

LAB 61.84, 16.29, 43.83

 

CMYK 45 / 0 / 63 / 23

HEX #6CC549

RGB 108 197 73

HSL 103.06, 0.52%, 0.53%

LAB 71.96, -49.03, 52.48

 

CMYK 56 / 63 / 0 / 23

HEX #5749C5

RGB 87 73 197

HSL 246.77, 0.52%, 0.53%

LAB 39.28, 40.03, -63.05

 

CMYK 0 / 30 / 64 / 23

HEX #C58947

RGB 197 137 71

HSL 31.43, 0.52%, 0.53%

LAB 61.84, 16.29, 43.83

 

CMYK 63 / 0 / 30 / 23

HEX #49C589

RGB 73 197 137

HSL 150.97, 0.52%, 0.53%

LAB 71.66, -48.23, 20.19

 

CMYK 30 / 63 / 0 / 23

HEX #8949C5

RGB 137 73 197

HSL 270.97, 0.52%, 0.53%

LAB 44.4, 50.24, -54.52

 

CMYK 0 / 30 / 64 / 23

HEX #C58947

RGB 197 137 71

HSL 31.43, 0.52%, 0.53%

LAB 61.84, 16.29, 43.83

 

CMYK 45 / 0 / 63 / 23

HEX #6CC549

RGB 108 197 73

HSL 103.06, 0.52%, 0.53%

LAB 71.96, -49.03, 52.48

 

CMYK 63 / 32 / 0 / 23

HEX #4985C5

RGB 73 133 197

HSL 210.97, 0.52%, 0.53%

LAB 54.26, 0.44, -39.09

 

CMYK 18 / 63 / 0 / 23

HEX #A249C5

RGB 162 73 197

HSL 283.06, 0.52%, 0.53%

LAB 47.6, 56.03, -49.21

 

CMYK 0 / 30 / 64 / 23

HEX #C58947

RGB 197 137 71

HSL 31.43, 0.52%, 0.53%

LAB 61.84, 16.29, 43.83

 

CMYK 63 / 0 / 62 / 23

HEX #49C54B

RGB 73 197 75

HSL 120.97, 0.52%, 0.53%

LAB 70.77, -58.06, 49.95

 

CMYK 63 / 32 / 0 / 23

HEX #4985C5

RGB 73 133 197

HSL 210.97, 0.52%, 0.53%

LAB 54.26, 0.44, -39.09

 

CMYK 0 / 63 / 1 / 23

HEX #C549C3

RGB 197 73 195

HSL 300.97, 0.52%, 0.53%

LAB 52.48, 64.08, -39.99

 

Description

Color code: HEX #C58947 | qconv.com Color code: HEX #C58947 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 137 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 137 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 64 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 64% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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