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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5890E it is the complementary color #3A76F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5890E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5890E shade: #CA8909, #DB9B1C, #ECAD2F, #FDBF42 and #FFD155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5890E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5890E shade: #C5890E, #B47700, #A36500, #925300 and #814100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5890E shade: #C3870D, #C3560D, #C3250D and #C30D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5890E shade: #C3870D, #C3B80D, #9DC30D, #6BC30D and #3AC30D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5890E shade matches the following richer shades: #C3870D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5890E shade: #C3870D, #B2821E, #A17C2F, #907640 and #7F7051

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5890E shade: #C3250D, #C3560D, #C3860D, #C3B70D and #9FC30D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5890E shade: #765208, #9C6D0A, #C3870D, #EAA210 and #F0B232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5890E shade: #C5890E, #25C30D and #3E0DC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5890E shade: #C5890E, #0DC386 and #860DC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5890E shade: #C5890E, #25C30D, #0D4AC3 and #AB0DC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5890E shade: #C5890E, #0DC32B, #0D4AC3 and #C30DA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 93 / 23

HEX #C5890E

RGB 197 137 14

HSL 40.33, 0.87%, 0.41%

LAB 61.48, 14.07, 64.55

 

Complementary color

CMYK 76 / 51 / 0 / 5

HEX #3A76F1

RGB 58 118 241

HSL 220.33, 0.87%, 0.59%

LAB 52.07, 23.06, -67.4

 

CMYK 0 / 32 / 96 / 21

HEX #CA8909

RGB 202 137 9

HSL 39.79, 0.91%, 0.41%

LAB 62.06, 16.22, 66.04

 

CMYK 0 / 29 / 87 / 14

HEX #DB9B1C

RGB 219 155 28

HSL 39.9, 0.77%, 0.48%

LAB 68.45, 14.22, 67.93

 

CMYK 0 / 27 / 80 / 7

HEX #ECAD2F

RGB 236 173 47

HSL 40, 0.83%, 0.55%

LAB 74.78, 12.47, 68.43

 

CMYK 0 / 25 / 74 / 1

HEX #FDBF42

RGB 253 191 66

HSL 40.11, 0.98%, 0.63%

LAB 81.04, 10.95, 68.11

 

CMYK 0 / 18 / 67 / 0

HEX #FFD155

RGB 255 209 85

HSL 43.76, 1%, 0.67%

LAB 85.76, 3.41, 65.36

 

CMYK 0 / 30 / 93 / 23

HEX #C5890E

RGB 197 137 14

HSL 40.33, 0.87%, 0.41%

LAB 61.48, 14.07, 64.55

 

CMYK 0 / 34 / 100 / 29

HEX #B47700

RGB 180 119 0

HSL 39.67, 1%, 0.35%

LAB 54.97, 16.25, 61.42

 

CMYK 0 / 38 / 100 / 36

HEX #A36500

RGB 163 101 0

HSL 37.18, 1%, 0.32%

LAB 48.38, 18.7, 56.05

 

CMYK 0 / 43 / 100 / 43

HEX #925300

RGB 146 83 0

HSL 34.11, 1%, 0.29%

LAB 41.69, 21.24, 50.61

 

CMYK 0 / 50 / 100 / 49

HEX #814100

RGB 129 65 0

HSL 30.23, 1%, 0.25%

LAB 34.9, 23.85, 45.13

 

CMYK 0 / 31 / 93 / 24

HEX #C3870D

RGB 195 135 13

HSL 40.22, 0.88%, 0.41%

LAB 60.75, 14.27, 64.09

 

CMYK 0 / 56 / 93 / 24

HEX #C3560D

RGB 195 86 13

HSL 24.07, 0.88%, 0.41%

LAB 49.84, 40.38, 56.34

 

CMYK 0 / 81 / 93 / 24

HEX #C3250D

RGB 195 37 13

HSL 7.91, 0.88%, 0.41%

LAB 42.69, 59.66, 51.64

 

CMYK 0 / 93 / 93 / 24

HEX #C30D0D

RGB 195 13 13

HSL 0, 0.88%, 0.41%

LAB 41.09, 64.25, 50.65

 

CMYK 0 / 31 / 93 / 24

HEX #C3870D

RGB 195 135 13

HSL 40.22, 0.88%, 0.41%

LAB 60.75, 14.27, 64.09

 

CMYK 0 / 6 / 93 / 24

HEX #C3B80D

RGB 195 184 13

HSL 56.37, 0.88%, 0.41%

LAB 73.49, -11.91, 73.6

 

CMYK 19 / 0 / 93 / 24

HEX #9DC30D

RGB 157 195 13

HSL 72.53, 0.88%, 0.41%

LAB 73.69, -33.45, 72.52

 

CMYK 45 / 0 / 93 / 24

HEX #6BC30D

RGB 107 195 13

HSL 89.01, 0.88%, 0.41%

LAB 71, -51.88, 69.23

 

CMYK 70 / 0 / 93 / 24

HEX #3AC30D

RGB 58 195 13

HSL 105.16, 0.88%, 0.41%

LAB 69.44, -64.42, 67.31

 

CMYK 0 / 31 / 93 / 24

HEX #C3870D

RGB 195 135 13

HSL 40.22, 0.88%, 0.41%

LAB 60.75, 14.27, 64.09

 

CMYK 0 / 31 / 93 / 24

HEX #C3870D

RGB 195 135 13

HSL 40.22, 0.88%, 0.41%

LAB 60.75, 14.27, 64.09

 

CMYK 0 / 27 / 83 / 30

HEX #B2821E

RGB 178 130 30

HSL 40.54, 0.71%, 0.41%

LAB 57.58, 9.79, 56.44

 

CMYK 0 / 23 / 71 / 37

HEX #A17C2F

RGB 161 124 47

HSL 40.53, 0.55%, 0.41%

LAB 54.24, 6.19, 45.88

 

CMYK 0 / 18 / 56 / 44

HEX #907640

RGB 144 118 64

HSL 40.5, 0.38%, 0.41%

LAB 50.99, 3.14, 33.25

 

CMYK 0 / 12 / 36 / 50

HEX #7F7051

RGB 127 112 81

HSL 40.43, 0.22%, 0.41%

LAB 47.87, 0.95, 19.41

 

CMYK 0 / 81 / 93 / 24

HEX #C3250D

RGB 195 37 13

HSL 7.91, 0.88%, 0.41%

LAB 42.69, 59.66, 51.64

 

CMYK 0 / 56 / 93 / 24

HEX #C3560D

RGB 195 86 13

HSL 24.07, 0.88%, 0.41%

LAB 49.84, 40.38, 56.34

 

CMYK 0 / 31 / 93 / 24

HEX #C3860D

RGB 195 134 13

HSL 39.89, 0.88%, 0.41%

LAB 60.5, 14.82, 63.91

 

CMYK 0 / 6 / 93 / 24

HEX #C3B70D

RGB 195 183 13

HSL 56.04, 0.88%, 0.41%

LAB 73.22, -11.4, 73.4

 

CMYK 18 / 0 / 93 / 24

HEX #9FC30D

RGB 159 195 13

HSL 71.87, 0.88%, 0.41%

LAB 73.82, -32.63, 72.68

 

CMYK 0 / 31 / 93 / 54

HEX #765208

RGB 118 82 8

HSL 40.36, 0.87%, 0.25%

LAB 37.67, 8.83, 43.69

 

CMYK 0 / 30 / 94 / 39

HEX #9C6D0A

RGB 156 109 10

HSL 40.68, 0.88%, 0.33%

LAB 49.53, 11.09, 54.28

 

CMYK 0 / 31 / 93 / 24

HEX #C3870D

RGB 195 135 13

HSL 40.22, 0.88%, 0.41%

LAB 60.75, 14.27, 64.09

 

CMYK 0 / 31 / 93 / 8

HEX #EAA210

RGB 234 162 16

HSL 40.18, 0.87%, 0.49%

LAB 71.81, 16.76, 73.68

 

CMYK 0 / 26 / 79 / 6

HEX #F0B232

RGB 240 178 50

HSL 40.42, 0.86%, 0.57%

LAB 76.43, 11.64, 69.07

 

CMYK 0 / 30 / 93 / 23

HEX #C5890E

RGB 197 137 14

HSL 40.33, 0.87%, 0.41%

LAB 61.48, 14.07, 64.55

 

CMYK 81 / 0 / 93 / 24

HEX #25C30D

RGB 37 195 13

HSL 112.09, 0.88%, 0.41%

LAB 69.08, -67.59, 66.86

 

CMYK 68 / 93 / 0 / 24

HEX #3E0DC3

RGB 62 13 195

HSL 256.15, 0.88%, 0.41%

LAB 27.44, 63.45, -81.44

 

CMYK 0 / 30 / 93 / 23

HEX #C5890E

RGB 197 137 14

HSL 40.33, 0.87%, 0.41%

LAB 61.48, 14.07, 64.55

 

CMYK 93 / 0 / 31 / 24

HEX #0DC386

RGB 13 195 134

HSL 159.89, 0.88%, 0.41%

LAB 70.06, -55, 19.45

 

CMYK 31 / 93 / 0 / 24

HEX #860DC3

RGB 134 13 195

HSL 279.89, 0.88%, 0.41%

LAB 36.55, 70.03, -66.11

 

CMYK 0 / 30 / 93 / 23

HEX #C5890E

RGB 197 137 14

HSL 40.33, 0.87%, 0.41%

LAB 61.48, 14.07, 64.55

 

CMYK 81 / 0 / 93 / 24

HEX #25C30D

RGB 37 195 13

HSL 112.09, 0.88%, 0.41%

LAB 69.08, -67.59, 66.86

 

CMYK 93 / 62 / 0 / 24

HEX #0D4AC3

RGB 13 74 195

HSL 219.89, 0.88%, 0.41%

LAB 35.84, 30.6, -67.65

 

CMYK 12 / 93 / 0 / 24

HEX #AB0DC3

RGB 171 13 195

HSL 292.09, 0.88%, 0.41%

LAB 42.59, 75.28, -56.02

 

CMYK 0 / 30 / 93 / 23

HEX #C5890E

RGB 197 137 14

HSL 40.33, 0.87%, 0.41%

LAB 61.48, 14.07, 64.55

 

CMYK 93 / 0 / 78 / 24

HEX #0DC32B

RGB 13 195 43

HSL 129.89, 0.88%, 0.41%

LAB 68.96, -68.24, 59.98

 

CMYK 93 / 62 / 0 / 24

HEX #0D4AC3

RGB 13 74 195

HSL 219.89, 0.88%, 0.41%

LAB 35.84, 30.6, -67.65

 

CMYK 0 / 93 / 15 / 24

HEX #C30DA5

RGB 195 13 165

HSL 309.89, 0.88%, 0.41%

LAB 45.09, 74.98, -34.07

 

Description

Color code: HEX #C5890E | qconv.com Color code: HEX #C5890E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 137 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 137 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 93 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 93% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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