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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C588EA it is the complementary color #3A7715. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C588EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C588EA shade: #CA88E5, #DB9AF8, #ECACFF, #FDBEFF and #FFD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C588EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C588EA shade: #C588EA, #B476D7, #A364C4, #9252B1 and #81409E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C588EA shade: #C68AEA, #E08AEA, #EA8ADB, #EA8AC1 and #EA8AA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C588EA shade: #C68AEA, #AC8AEA, #928AEA and #8A8AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C588EA shade matches the following richer shades: #C68AEA and #C97FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C588EA shade: #C68AEA, #C395DF, #C0A0D4, #BEABC9 and #BBB7BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C588EA shade: #928AEA, #AC8AEA, #C58AEA, #DF8AEA and #EA8ADC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C588EA shade: #A444DE, #B567E4, #C68AEA, #D7ADF1 and #E8D0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C588EA shade: #C588EA, #EA8A9C and #8AEA9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C588EA shade: #C588EA, #EAC58A and #8AEAC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C588EA shade: #C588EA, #EA8A9C, #AFEA8A and #8AEAD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C588EA shade: #C588EA, #EA958A, #AFEA8A and #8ADFEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 42 / 0 / 8

HEX #C588EA

RGB 197 136 234

HSL 277.35, 0.7%, 0.73%

LAB 66.07, 40.73, -40.62

 

Complementary color

CMYK 51 / 0 / 82 / 53

HEX #3A7715

RGB 58 119 21

HSL 97.35, 0.7%, 0.27%

LAB 44.44, -37.14, 43.85

 

CMYK 12 / 41 / 0 / 10

HEX #CA88E5

RGB 202 136 229

HSL 282.58, 0.64%, 0.72%

LAB 66.38, 41.14, -37.33

 

CMYK 12 / 38 / 0 / 3

HEX #DB9AF8

RGB 219 154 248

HSL 281.49, 0.87%, 0.79%

LAB 72.86, 40.39, -37.53

 

CMYK 7 / 33 / 0 / 0

HEX #ECACFF

RGB 236 172 255

HSL 286.27, 1%, 0.84%

LAB 78.79, 37.3, -32

 

CMYK 1 / 25 / 0 / 0

HEX #FDBEFF

RGB 253 190 255

HSL 298.15, 1%, 0.87%

LAB 84.45, 33.09, -23.2

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 16 / 42 / 0 / 8

HEX #C588EA

RGB 197 136 234

HSL 277.35, 0.7%, 0.73%

LAB 66.07, 40.73, -40.62

 

CMYK 16 / 45 / 0 / 16

HEX #B476D7

RGB 180 118 215

HSL 278.35, 0.55%, 0.65%

LAB 59.5, 41.53, -40.48

 

CMYK 17 / 49 / 0 / 23

HEX #A364C4

RGB 163 100 196

HSL 279.38, 0.45%, 0.58%

LAB 52.82, 42.35, -40.32

 

CMYK 18 / 54 / 0 / 31

HEX #9252B1

RGB 146 82 177

HSL 280.42, 0.38%, 0.51%

LAB 46.07, 43.16, -40.12

 

CMYK 18 / 59 / 0 / 38

HEX #81409E

RGB 129 64 158

HSL 281.49, 0.42%, 0.44%

LAB 39.25, 43.91, -39.81

 

CMYK 15 / 41 / 0 / 8

HEX #C68AEA

RGB 198 138 234

HSL 277.5, 0.7%, 0.73%

LAB 66.61, 39.93, -39.76

 

CMYK 4 / 41 / 0 / 8

HEX #E08AEA

RGB 224 138 234

HSL 293.75, 0.7%, 0.73%

LAB 69.44, 47.55, -35.14

 

CMYK 0 / 41 / 6 / 8

HEX #EA8ADB

RGB 234 138 219

HSL 309.38, 0.7%, 0.73%

LAB 70.02, 47.89, -25.88

 

CMYK 0 / 41 / 18 / 8

HEX #EA8AC1

RGB 234 138 193

HSL 325.63, 0.7%, 0.73%

LAB 69.13, 43.7, -12.81

 

CMYK 0 / 41 / 29 / 8

HEX #EA8AA7

RGB 234 138 167

HSL 341.88, 0.7%, 0.73%

LAB 68.36, 40, 0.61

 

CMYK 15 / 41 / 0 / 8

HEX #C68AEA

RGB 198 138 234

HSL 277.5, 0.7%, 0.73%

LAB 66.61, 39.93, -39.76

 

CMYK 26 / 41 / 0 / 8

HEX #AC8AEA

RGB 172 138 234

HSL 261.25, 0.7%, 0.73%

LAB 64.07, 32.52, -43.93

 

CMYK 38 / 41 / 0 / 8

HEX #928AEA

RGB 146 138 234

HSL 245, 0.7%, 0.73%

LAB 61.85, 25.51, -47.58

 

CMYK 41 / 41 / 0 / 8

HEX #8A8AEA

RGB 138 138 234

HSL 240, 0.7%, 0.73%

LAB 61.24, 23.47, -48.59

 

CMYK 15 / 41 / 0 / 8

HEX #C68AEA

RGB 198 138 234

HSL 277.5, 0.7%, 0.73%

LAB 66.61, 39.93, -39.76

 

CMYK 18 / 48 / 0 / 4

HEX #C97FF5

RGB 201 127 245

HSL 277.63, 0.86%, 0.73%

LAB 65.11, 48.99, -48.16

 

CMYK 15 / 41 / 0 / 8

HEX #C68AEA

RGB 198 138 234

HSL 277.5, 0.7%, 0.73%

LAB 66.61, 39.93, -39.76

 

CMYK 13 / 33 / 0 / 13

HEX #C395DF

RGB 195 149 223

HSL 277.3, 0.54%, 0.73%

LAB 68.33, 30.68, -31.05

 

CMYK 9 / 25 / 0 / 17

HEX #C0A0D4

RGB 192 160 212

HSL 276.92, 0.38%, 0.73%

LAB 70.25, 21.36, -22.07

 

CMYK 5 / 15 / 0 / 21

HEX #BEABC9

RGB 190 171 201

HSL 278, 0.22%, 0.73%

LAB 72.42, 12.4, -12.75

 

CMYK 2 / 4 / 0 / 25

HEX #BBB7BE

RGB 187 183 190

HSL 274.29, 0.05%, 0.73%

LAB 74.92, 2.71, -3.05

 

CMYK 38 / 41 / 0 / 8

HEX #928AEA

RGB 146 138 234

HSL 245, 0.7%, 0.73%

LAB 61.85, 25.51, -47.58

 

CMYK 26 / 41 / 0 / 8

HEX #AC8AEA

RGB 172 138 234

HSL 261.25, 0.7%, 0.73%

LAB 64.07, 32.52, -43.93

 

CMYK 16 / 41 / 0 / 8

HEX #C58AEA

RGB 197 138 234

HSL 276.88, 0.7%, 0.73%

LAB 66.51, 39.64, -39.93

 

CMYK 5 / 41 / 0 / 8

HEX #DF8AEA

RGB 223 138 234

HSL 293.13, 0.7%, 0.73%

LAB 69.33, 47.26, -35.33

 

CMYK 0 / 41 / 6 / 8

HEX #EA8ADC

RGB 234 138 220

HSL 308.75, 0.7%, 0.73%

LAB 70.06, 48.06, -26.38

 

CMYK 26 / 69 / 0 / 13

HEX #A444DE

RGB 164 68 222

HSL 277.4, 0.7%, 0.57%

LAB 48.64, 63.94, -61.86

 

CMYK 21 / 55 / 0 / 11

HEX #B567E4

RGB 181 103 228

HSL 277.44, 0.7%, 0.65%

LAB 57.2, 52.54, -51.4

 

CMYK 15 / 41 / 0 / 8

HEX #C68AEA

RGB 198 138 234

HSL 277.5, 0.7%, 0.73%

LAB 66.61, 39.93, -39.76

 

CMYK 11 / 28 / 0 / 5

HEX #D7ADF1

RGB 215 173 241

HSL 277.06, 0.71%, 0.81%

LAB 76.49, 27.49, -28.17

 

CMYK 6 / 16 / 0 / 3

HEX #E8D0F7

RGB 232 208 247

HSL 276.92, 0.71%, 0.89%

LAB 86.5, 15.31, -16.04

 

CMYK 16 / 42 / 0 / 8

HEX #C588EA

RGB 197 136 234

HSL 277.35, 0.7%, 0.73%

LAB 66.07, 40.73, -40.62

 

CMYK 0 / 41 / 33 / 8

HEX #EA8A9C

RGB 234 138 156

HSL 348.75, 0.7%, 0.73%

LAB 68.07, 38.6, 6.38

 

CMYK 41 / 0 / 32 / 8

HEX #8AEA9F

RGB 138 234 159

HSL 133.13, 0.7%, 0.73%

LAB 85.38, -43.95, 27.77

 

CMYK 16 / 42 / 0 / 8

HEX #C588EA

RGB 197 136 234

HSL 277.35, 0.7%, 0.73%

LAB 66.07, 40.73, -40.62

 

CMYK 0 / 16 / 41 / 8

HEX #EAC58A

RGB 234 197 138

HSL 36.88, 0.7%, 0.73%

LAB 81.43, 5.3, 34.47

 

CMYK 41 / 0 / 16 / 8

HEX #8AEAC5

RGB 138 234 197

HSL 156.88, 0.7%, 0.73%

LAB 86.15, -36.71, 9.13

 

CMYK 16 / 42 / 0 / 8

HEX #C588EA

RGB 197 136 234

HSL 277.35, 0.7%, 0.73%

LAB 66.07, 40.73, -40.62

 

CMYK 0 / 41 / 33 / 8

HEX #EA8A9C

RGB 234 138 156

HSL 348.75, 0.7%, 0.73%

LAB 68.07, 38.6, 6.38

 

CMYK 25 / 0 / 41 / 8

HEX #AFEA8A

RGB 175 234 138

HSL 96.88, 0.7%, 0.73%

LAB 86.9, -35.39, 40.67

 

CMYK 41 / 0 / 7 / 8

HEX #8AEAD9

RGB 138 234 217

HSL 169.38, 0.7%, 0.73%

LAB 86.63, -32.32, -0.65

 

CMYK 16 / 42 / 0 / 8

HEX #C588EA

RGB 197 136 234

HSL 277.35, 0.7%, 0.73%

LAB 66.07, 40.73, -40.62

 

CMYK 0 / 36 / 41 / 8

HEX #EA958A

RGB 234 149 138

HSL 6.88, 0.7%, 0.73%

LAB 70.05, 30.73, 19.2

 

CMYK 25 / 0 / 41 / 8

HEX #AFEA8A

RGB 175 234 138

HSL 96.88, 0.7%, 0.73%

LAB 86.9, -35.39, 40.67

 

CMYK 41 / 5 / 0 / 8

HEX #8ADFEA

RGB 138 223 234

HSL 186.88, 0.7%, 0.73%

LAB 84.03, -22.95, -13.48

 

Description

Color code: HEX #C588EA | qconv.com Color code: HEX #C588EA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 136 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 136 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 42 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 42% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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