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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C587EB3F it is the complementary color #3A78143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C587EB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C587EB3F shade: #CA87E63F, #DB99F93F, #ECABFF3F, #FDBDFF3F and #FFCFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C587EB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C587EB3F shade: #C587EB3F, #B475D83F, #A363C53F, #9251B23F and #813F9F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C587EB3F shade: #C689EB, #E089EB, #EB89DB, #EB89C1 and #EB89A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C587EB3F shade: #C689EB, #AC89EB, #9189EB and #8989EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C587EB3F shade matches the following richer shades: #C689EB and #C97EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C587EB3F shade: #C689EB, #C394E0, #C1A0D5, #BEABCA and #BBB6BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C587EB3F shade: #9189EB, #AB89EB, #C689EB, #E089EB and #EB89DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C587EB3F shade: #A443DF, #B566E5, #C689EB, #D7ADF1 and #E8D0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C587EB3F shade: #C587EB, #EB899B and #89EB9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C587EB3F shade: #C587EB, #EBC689 and #89EBC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C587EB3F shade: #C587EB, #EB899B, #AFEB89 and #89EBD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C587EB3F shade: #C587EB, #EB9589, #AFEB89 and #89E0EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 11 / 0 / 2

HEX #C587EB3F

RGBA 197 135 235 0.25

HSLA 277.2, 0.71%, 0.73%, 0.25

LABA 65.9, 41.48, -41.44, 0.25

 

Complementary color

CMYK 13 / 0 / 21 / 13

HEX #3A78143F

RGBA 58 120 20 0.25

HSLA 97.2, 0.71%, 0.27%, 0.25

LABA 44.78, -37.61, 44.48, 0.25

 

CMYK 3 / 10 / 0 / 2

HEX #CA87E63F

RGBA 202 135 230 0.25

HSLA 282.32, 0.66%, 0.72%, 0.25

LABA 66.21, 41.88, -38.15, 0.25

 

CMYK 3 / 10 / 0 / 1

HEX #DB99F93F

RGBA 219 153 249 0.25

HSLA 281.25, 0.89%, 0.79%, 0.25

LABA 72.68, 41.12, -38.35, 0.25

 

CMYK 2 / 8 / 0 / 0

HEX #ECABFF3F

RGBA 236 171 255 0.25

HSLA 286.43, 1%, 0.84%, 0.25

LABA 78.57, 37.83, -32.34, 0.25

 

CMYK 0 / 6 / 0 / 0

HEX #FDBDFF3F

RGBA 253 189 255 0.25

HSLA 298.18, 1%, 0.87%, 0.25

LABA 84.22, 33.61, -23.54, 0.25

 

CMYK 0 / 5 / 0 / 0

HEX #FFCFFF3F

RGBA 255 207 255 0.25

HSLA 300, 1%, 0.91%, 0.25

LABA 88.5, 24.79, -17.06, 0.25

 

CMYK 4 / 11 / 0 / 2

HEX #C587EB3F

RGBA 197 135 235 0.25

HSLA 277.2, 0.71%, 0.73%, 0.25

LABA 65.9, 41.48, -41.44, 0.25

 

CMYK 4 / 11 / 0 / 4

HEX #B475D83F

RGBA 180 117 216 0.25

HSLA 278.18, 0.56%, 0.65%, 0.25

LABA 59.33, 42.29, -41.31, 0.25

 

CMYK 4 / 12 / 0 / 6

HEX #A363C53F

RGBA 163 99 197 0.25

HSLA 279.18, 0.46%, 0.58%, 0.25

LABA 52.67, 43.11, -41.15, 0.25

 

CMYK 4 / 14 / 0 / 8

HEX #9251B23F

RGBA 146 81 178 0.25

HSLA 280.21, 0.39%, 0.51%, 0.25

LABA 45.92, 43.92, -40.94, 0.25

 

CMYK 5 / 15 / 0 / 9

HEX #813F9F3F

RGBA 129 63 159 0.25

HSLA 281.25, 0.43%, 0.44%, 0.25

LABA 39.11, 44.64, -40.62, 0.25

 

CMYK 16 / 42 / 0 / 8

HEX #C689EB

RGB 198 137 235

HSL 277.35, 0.71%, 0.73%

LAB 66.44, 40.69, -40.59

 

CMYK 5 / 42 / 0 / 8

HEX #E089EB

RGB 224 137 235

HSL 293.27, 0.71%, 0.73%

LAB 69.28, 48.26, -35.94

 

CMYK 0 / 42 / 7 / 8

HEX #EB89DB

RGB 235 137 219

HSL 309.8, 0.71%, 0.73%

LAB 69.94, 48.71, -26

 

CMYK 0 / 42 / 18 / 8

HEX #EB89C1

RGB 235 137 193

HSL 325.71, 0.71%, 0.73%

LAB 69.04, 44.55, -12.92

 

CMYK 0 / 42 / 29 / 8

HEX #EB89A7

RGB 235 137 167

HSL 341.63, 0.71%, 0.73%

LAB 68.27, 40.87, 0.51

 

CMYK 16 / 42 / 0 / 8

HEX #C689EB

RGB 198 137 235

HSL 277.35, 0.71%, 0.73%

LAB 66.44, 40.69, -40.59

 

CMYK 27 / 42 / 0 / 8

HEX #AC89EB

RGB 172 137 235

HSL 261.43, 0.71%, 0.73%

LAB 63.88, 33.32, -44.78

 

CMYK 38 / 42 / 0 / 8

HEX #9189EB

RGB 145 137 235

HSL 244.9, 0.71%, 0.73%

LAB 61.58, 26.1, -48.57

 

CMYK 42 / 42 / 0 / 8

HEX #8989EB

RGB 137 137 235

HSL 240, 0.71%, 0.73%

LAB 60.96, 24.09, -49.58

 

CMYK 16 / 42 / 0 / 8

HEX #C689EB

RGB 198 137 235

HSL 277.35, 0.71%, 0.73%

LAB 66.44, 40.69, -40.59

 

CMYK 18 / 49 / 0 / 4

HEX #C97EF6

RGB 201 126 246

HSL 277.5, 0.87%, 0.73%

LAB 64.96, 49.72, -48.95

 

CMYK 16 / 42 / 0 / 8

HEX #C689EB

RGB 198 137 235

HSL 277.35, 0.71%, 0.73%

LAB 66.44, 40.69, -40.59

 

CMYK 13 / 34 / 0 / 12

HEX #C394E0

RGB 195 148 224

HSL 277.11, 0.55%, 0.73%

LAB 68.14, 31.44, -31.9

 

CMYK 9 / 25 / 0 / 16

HEX #C1A0D5

RGB 193 160 213

HSL 277.36, 0.39%, 0.73%

LAB 70.37, 21.89, -22.42

 

CMYK 6 / 15 / 0 / 21

HEX #BEABCA

RGB 190 171 202

HSL 276.77, 0.23%, 0.73%

LAB 72.45, 12.6, -13.25

 

CMYK 2 / 4 / 0 / 25

HEX #BBB6BE

RGB 187 182 190

HSL 277.5, 0.06%, 0.73%

LAB 74.66, 3.25, -3.43

 

CMYK 38 / 42 / 0 / 8

HEX #9189EB

RGB 145 137 235

HSL 244.9, 0.71%, 0.73%

LAB 61.58, 26.1, -48.57

 

CMYK 27 / 42 / 0 / 8

HEX #AB89EB

RGB 171 137 235

HSL 260.82, 0.71%, 0.73%

LAB 63.79, 33.04, -44.93

 

CMYK 16 / 42 / 0 / 8

HEX #C689EB

RGB 198 137 235

HSL 277.35, 0.71%, 0.73%

LAB 66.44, 40.69, -40.59

 

CMYK 5 / 42 / 0 / 8

HEX #E089EB

RGB 224 137 235

HSL 293.27, 0.71%, 0.73%

LAB 69.28, 48.26, -35.94

 

CMYK 0 / 42 / 6 / 8

HEX #EB89DC

RGB 235 137 220

HSL 309.18, 0.71%, 0.73%

LAB 69.98, 48.87, -26.49

 

CMYK 26 / 70 / 0 / 13

HEX #A443DF

RGB 164 67 223

HSL 277.31, 0.71%, 0.57%

LAB 48.55, 64.57, -62.56

 

CMYK 21 / 55 / 0 / 10

HEX #B566E5

RGB 181 102 229

HSL 277.32, 0.71%, 0.65%

LAB 57.06, 53.27, -52.18

 

CMYK 16 / 42 / 0 / 8

HEX #C689EB

RGB 198 137 235

HSL 277.35, 0.71%, 0.73%

LAB 66.44, 40.69, -40.59

 

CMYK 11 / 28 / 0 / 5

HEX #D7ADF1

RGB 215 173 241

HSL 277.06, 0.71%, 0.81%

LAB 76.49, 27.49, -28.17

 

CMYK 6 / 16 / 0 / 3

HEX #E8D0F7

RGB 232 208 247

HSL 276.92, 0.71%, 0.89%

LAB 86.5, 15.31, -16.04

 

CMYK 16 / 43 / 0 / 8

HEX #C587EB

RGB 197 135 235

HSL 277.2, 0.71%, 0.73%

LAB 65.9, 41.48, -41.44

 

CMYK 0 / 42 / 34 / 8

HEX #EB899B

RGB 235 137 155

HSL 348.98, 0.71%, 0.73%

LAB 67.96, 39.35, 6.8

 

CMYK 42 / 0 / 33 / 8

HEX #89EB9E

RGB 137 235 158

HSL 132.86, 0.71%, 0.73%

LAB 85.61, -44.84, 28.58

 

CMYK 16 / 43 / 0 / 8

HEX #C587EB

RGB 197 135 235

HSL 277.2, 0.71%, 0.73%

LAB 65.9, 41.48, -41.44

 

CMYK 0 / 16 / 42 / 8

HEX #EBC689

RGB 235 198 137

HSL 37.35, 0.71%, 0.73%

LAB 81.76, 5.07, 35.42

 

CMYK 42 / 0 / 16 / 8

HEX #89EBC6

RGB 137 235 198

HSL 157.35, 0.71%, 0.73%

LAB 86.41, -37.21, 8.98

 

CMYK 16 / 43 / 0 / 8

HEX #C587EB

RGB 197 135 235

HSL 277.2, 0.71%, 0.73%

LAB 65.9, 41.48, -41.44

 

CMYK 0 / 42 / 34 / 8

HEX #EB899B

RGB 235 137 155

HSL 348.98, 0.71%, 0.73%

LAB 67.96, 39.35, 6.8

 

CMYK 26 / 0 / 42 / 8

HEX #AFEB89

RGB 175 235 137

HSL 96.73, 0.71%, 0.73%

LAB 87.16, -35.98, 41.51

 

CMYK 42 / 0 / 8 / 8

HEX #89EBD9

RGB 137 235 217

HSL 168.98, 0.71%, 0.73%

LAB 86.87, -33.04, -0.31

 

CMYK 16 / 43 / 0 / 8

HEX #C587EB

RGB 197 135 235

HSL 277.2, 0.71%, 0.73%

LAB 65.9, 41.48, -41.44

 

CMYK 0 / 37 / 42 / 8

HEX #EB9589

RGB 235 149 137

HSL 7.35, 0.71%, 0.73%

LAB 70.15, 31, 19.91

 

CMYK 26 / 0 / 42 / 8

HEX #AFEB89

RGB 175 235 137

HSL 96.73, 0.71%, 0.73%

LAB 87.16, -35.98, 41.51

 

CMYK 42 / 5 / 0 / 8

HEX #89E0EB

RGB 137 224 235

HSL 186.73, 0.71%, 0.73%

LAB 84.29, -23.44, -13.61

 

Description

Color code: HEX #C587EB3F | qconv.com Color code: HEX #C587EB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 135 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 135 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 11 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 11% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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