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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C579E9 it is the complementary color #3A8616. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C579E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C579E9 shade: #CA79E4, #DB8BF7, #EC9DFF, #FDAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C579E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C579E9 shade: #C579E9, #B467D6, #A355C3, #9243B0 and #81319D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C579E9 shade: #C477E9, #E377E9, #E977D0, #E977B1 and #E97793

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C579E9 shade: #C477E9, #A677E9, #8777E9 and #7777E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C579E9 shade matches the following richer shades: #C477E9 and #C96AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C579E9 shade: #C477E9, #C084DC, #BB91CF, #B79DC2 and #B2AAB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C579E9 shade: #8677E9, #A577E9, #C377E9, #E177E9 and #E977D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C579E9 shade: #A630DD, #B554E3, #C477E9, #D49BEF and #E3BEF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C579E9 shade: #C579E9, #E97786 and #77E995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C579E9 shade: #C579E9, #E9C377 and #77E9C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C579E9 shade: #C579E9, #E97786, #9DE977 and #77E9DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C579E9 shade: #C579E9, #E98A77, #9DE977 and #77D6E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 48 / 0 / 9

HEX #C579E9

RGB 197 121 233

HSL 280.71, 0.72%, 0.69%

LAB 62.87, 48.51, -45.1

 

Complementary color

CMYK 57 / 0 / 84 / 47

HEX #3A8616

RGB 58 134 22

HSL 100.71, 0.72%, 0.31%

LAB 49.51, -43.09, 48.24

 

CMYK 11 / 47 / 0 / 11

HEX #CA79E4

RGB 202 121 228

HSL 285.42, 0.66%, 0.68%

LAB 63.2, 48.87, -41.75

 

CMYK 11 / 44 / 0 / 3

HEX #DB8BF7

RGB 219 139 247

HSL 284.44, 0.87%, 0.76%

LAB 69.64, 48.11, -42

 

CMYK 7 / 38 / 0 / 0

HEX #EC9DFF

RGB 236 157 255

HSL 288.37, 1%, 0.81%

LAB 75.55, 45.2, -37

 

CMYK 1 / 31 / 0 / 0

HEX #FDAFFF

RGB 253 175 255

HSL 298.5, 1%, 0.84%

LAB 81.16, 40.95, -28.21

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 15 / 48 / 0 / 9

HEX #C579E9

RGB 197 121 233

HSL 280.71, 0.72%, 0.69%

LAB 62.87, 48.51, -45.1

 

CMYK 16 / 52 / 0 / 16

HEX #B467D6

RGB 180 103 214

HSL 281.62, 0.58%, 0.62%

LAB 56.35, 49.29, -44.88

 

CMYK 16 / 56 / 0 / 24

HEX #A355C3

RGB 163 85 195

HSL 282.55, 0.48%, 0.55%

LAB 49.77, 50.02, -44.59

 

CMYK 17 / 62 / 0 / 31

HEX #9243B0

RGB 146 67 176

HSL 283.49, 0.45%, 0.48%

LAB 43.15, 50.62, -44.17

 

CMYK 18 / 69 / 0 / 38

HEX #81319D

RGB 129 49 157

HSL 284.44, 0.52%, 0.4%

LAB 36.55, 50.92, -43.51

 

CMYK 16 / 49 / 0 / 9

HEX #C477E9

RGB 196 119 233

HSL 280.53, 0.72%, 0.69%

LAB 62.35, 49.28, -45.92

 

CMYK 3 / 49 / 0 / 9

HEX #E377E9

RGB 227 119 233

HSL 296.84, 0.72%, 0.69%

LAB 66.06, 57.77, -39.83

 

CMYK 0 / 49 / 11 / 9

HEX #E977D0

RGB 233 119 208

HSL 313.16, 0.72%, 0.69%

LAB 65.8, 55.25, -26.25

 

CMYK 0 / 49 / 24 / 9

HEX #E977B1

RGB 233 119 177

HSL 329.47, 0.72%, 0.69%

LAB 64.72, 50.63, -10.42

 

CMYK 0 / 49 / 37 / 9

HEX #E97793

RGB 233 119 147

HSL 345.26, 0.72%, 0.69%

LAB 63.86, 46.84, 5.4

 

CMYK 16 / 49 / 0 / 9

HEX #C477E9

RGB 196 119 233

HSL 280.53, 0.72%, 0.69%

LAB 62.35, 49.28, -45.92

 

CMYK 29 / 49 / 0 / 9

HEX #A677E9

RGB 166 119 233

HSL 264.74, 0.72%, 0.69%

LAB 59.14, 41.29, -51.2

 

CMYK 42 / 49 / 0 / 9

HEX #8777E9

RGB 135 119 233

HSL 248.42, 0.72%, 0.69%

LAB 56.32, 33.56, -55.88

 

CMYK 49 / 49 / 0 / 9

HEX #7777E9

RGB 119 119 233

HSL 240, 0.72%, 0.69%

LAB 55.07, 29.93, -57.94

 

CMYK 16 / 49 / 0 / 9

HEX #C477E9

RGB 196 119 233

HSL 280.53, 0.72%, 0.69%

LAB 62.35, 49.28, -45.92

 

CMYK 18 / 57 / 0 / 4

HEX #C96AF6

RGB 201 106 246

HSL 280.71, 0.89%, 0.69%

LAB 61.12, 59.82, -55.05

 

CMYK 16 / 49 / 0 / 9

HEX #C477E9

RGB 196 119 233

HSL 280.53, 0.72%, 0.69%

LAB 62.35, 49.28, -45.92

 

CMYK 13 / 40 / 0 / 14

HEX #C084DC

RGB 192 132 220

HSL 280.91, 0.56%, 0.69%

LAB 64.06, 38.47, -36.04

 

CMYK 10 / 30 / 0 / 19

HEX #BB91CF

RGB 187 145 207

HSL 280.65, 0.39%, 0.69%

LAB 66, 27.04, -25.85

 

CMYK 6 / 19 / 0 / 24

HEX #B79DC2

RGB 183 157 194

HSL 282.16, 0.23%, 0.69%

LAB 68.08, 16.38, -15.48

 

CMYK 2 / 7 / 0 / 29

HEX #B2AAB6

RGB 178 170 182

HSL 280, 0.08%, 0.69%

LAB 70.59, 5.11, -5.13

 

CMYK 42 / 49 / 0 / 9

HEX #8677E9

RGB 134 119 233

HSL 247.89, 0.72%, 0.69%

LAB 56.23, 33.33, -56.01

 

CMYK 29 / 49 / 0 / 9

HEX #A577E9

RGB 165 119 233

HSL 264.21, 0.72%, 0.69%

LAB 59.04, 41.03, -51.37

 

CMYK 16 / 49 / 0 / 9

HEX #C377E9

RGB 195 119 233

HSL 280, 0.72%, 0.69%

LAB 62.24, 49.01, -46.11

 

CMYK 3 / 49 / 0 / 9

HEX #E177E9

RGB 225 119 233

HSL 295.79, 0.72%, 0.69%

LAB 65.81, 57.22, -40.24

 

CMYK 0 / 49 / 10 / 9

HEX #E977D2

RGB 233 119 210

HSL 312.11, 0.72%, 0.69%

LAB 65.88, 55.57, -27.25

 

CMYK 25 / 78 / 0 / 13

HEX #A630DD

RGB 166 48 221

HSL 280.92, 0.72%, 0.53%

LAB 46.23, 71.56, -65.16

 

CMYK 20 / 63 / 0 / 11

HEX #B554E3

RGB 181 84 227

HSL 280.7, 0.72%, 0.61%

LAB 53.72, 61.56, -56.4

 

CMYK 16 / 49 / 0 / 9

HEX #C477E9

RGB 196 119 233

HSL 280.53, 0.72%, 0.69%

LAB 62.35, 49.28, -45.92

 

CMYK 11 / 35 / 0 / 6

HEX #D49BEF

RGB 212 155 239

HSL 280.71, 0.72%, 0.77%

LAB 72.01, 35.92, -34.01

 

CMYK 7 / 22 / 0 / 4

HEX #E3BEF4

RGB 227 190 244

HSL 281.11, 0.71%, 0.85%

LAB 81.67, 22.72, -21.78

 

CMYK 15 / 48 / 0 / 9

HEX #C579E9

RGB 197 121 233

HSL 280.71, 0.72%, 0.69%

LAB 62.87, 48.51, -45.1

 

CMYK 0 / 49 / 42 / 9

HEX #E97786

RGB 233 119 134

HSL 352.11, 0.72%, 0.69%

LAB 63.54, 45.42, 12.38

 

CMYK 49 / 0 / 36 / 9

HEX #77E995

RGB 119 233 149

HSL 135.79, 0.72%, 0.69%

LAB 84.16, -50.36, 31.09

 

CMYK 15 / 48 / 0 / 9

HEX #C579E9

RGB 197 121 233

HSL 280.71, 0.72%, 0.69%

LAB 62.87, 48.51, -45.1

 

CMYK 0 / 16 / 49 / 9

HEX #E9C377

RGB 233 195 119

HSL 40, 0.72%, 0.69%

LAB 80.56, 4.06, 43.03

 

CMYK 49 / 0 / 16 / 9

HEX #77E9C3

RGB 119 233 195

HSL 160, 0.72%, 0.69%

LAB 85.07, -41.38, 8.54

 

CMYK 15 / 48 / 0 / 9

HEX #C579E9

RGB 197 121 233

HSL 280.71, 0.72%, 0.69%

LAB 62.87, 48.51, -45.1

 

CMYK 0 / 49 / 42 / 9

HEX #E97786

RGB 233 119 134

HSL 352.11, 0.72%, 0.69%

LAB 63.54, 45.42, 12.38

 

CMYK 33 / 0 / 49 / 9

HEX #9DE977

RGB 157 233 119

HSL 100, 0.72%, 0.69%

LAB 85.39, -43.41, 47.78

 

CMYK 49 / 0 / 6 / 9

HEX #77E9DA

RGB 119 233 218

HSL 172.11, 0.72%, 0.69%

LAB 85.64, -36.08, -2.73

 

CMYK 15 / 48 / 0 / 9

HEX #C579E9

RGB 197 121 233

HSL 280.71, 0.72%, 0.69%

LAB 62.87, 48.51, -45.1

 

CMYK 0 / 41 / 49 / 9

HEX #E98A77

RGB 233 138 119

HSL 10, 0.72%, 0.69%

LAB 67.15, 34.22, 25.76

 

CMYK 33 / 0 / 49 / 9

HEX #9DE977

RGB 157 233 119

HSL 100, 0.72%, 0.69%

LAB 85.39, -43.41, 47.78

 

CMYK 49 / 8 / 0 / 9

HEX #77D6E9

RGB 119 214 233

HSL 190, 0.72%, 0.69%

LAB 80.68, -23.14, -18.05

 

Description

Color code: HEX #C579E9 | qconv.com Color code: HEX #C579E9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 121 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 121 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 48 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 48% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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