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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C577EB it is the complementary color #3A8814. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C577EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C577EB shade: #CA77E6, #DB89F9, #EC9BFF, #FDADFF and #FFBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C577EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C577EB shade: #C577EB, #B465D8, #A353C5, #9241B2 and #812F9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C577EB shade: #C475EA, #E475EA, #EA75D2, #EA75B2 and #EA7593

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C577EB shade: #C475EA, #A575EA, #8575EA and #7575EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C577EB shade matches the following richer shades: #C475EA and #C969F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C577EB shade: #C475EA, #C082DE, #BB8FD1, #B79CC4 and #B2A9B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C577EB shade: #8575EA, #A475EA, #C375EA, #E375EA and #EA75D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C577EB shade: #A52EE0, #B552E5, #C475EA, #D399F0 and #E3BDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C577EB shade: #C577EB, #EA7585 and #75EA95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C577EB shade: #C577EB, #EAC375 and #75EAC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C577EB shade: #C577EB, #EA7585, #9CEA75 and #75EADB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C577EB shade: #C577EB, #EA8975, #9CEA75 and #75D7EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 49 / 0 / 8

HEX #C577EB

RGB 197 119 235

HSL 280.34, 0.74%, 0.69%

LAB 62.56, 49.97, -46.69

 

Complementary color

CMYK 57 / 0 / 85 / 47

HEX #3A8814

RGB 58 136 20

HSL 100.34, 0.74%, 0.31%

LAB 50.17, -43.96, 49.41

 

CMYK 12 / 48 / 0 / 10

HEX #CA77E6

RGB 202 119 230

HSL 284.86, 0.69%, 0.68%

LAB 62.9, 50.31, -43.35

 

CMYK 12 / 45 / 0 / 2

HEX #DB89F9

RGB 219 137 249

HSL 283.93, 0.9%, 0.76%

LAB 69.32, 49.55, -43.6

 

CMYK 7 / 39 / 0 / 0

HEX #EC9BFF

RGB 236 155 255

HSL 288.6, 1%, 0.8%

LAB 75.14, 46.24, -37.65

 

CMYK 1 / 32 / 0 / 0

HEX #FDADFF

RGB 253 173 255

HSL 298.54, 1%, 0.84%

LAB 80.73, 41.99, -28.87

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 16 / 49 / 0 / 8

HEX #C577EB

RGB 197 119 235

HSL 280.34, 0.74%, 0.69%

LAB 62.56, 49.97, -46.69

 

CMYK 17 / 53 / 0 / 15

HEX #B465D8

RGB 180 101 216

HSL 281.22, 0.6%, 0.62%

LAB 56.06, 50.74, -46.47

 

CMYK 17 / 58 / 0 / 23

HEX #A353C5

RGB 163 83 197

HSL 282.11, 0.5%, 0.55%

LAB 49.5, 51.45, -46.16

 

CMYK 18 / 63 / 0 / 30

HEX #9241B2

RGB 146 65 178

HSL 283.01, 0.47%, 0.48%

LAB 42.92, 51.99, -45.71

 

CMYK 19 / 70 / 0 / 38

HEX #812F9F

RGB 129 47 159

HSL 283.93, 0.54%, 0.4%

LAB 36.37, 52.2, -45.01

 

CMYK 16 / 50 / 0 / 8

HEX #C475EA

RGB 196 117 234

HSL 280.51, 0.74%, 0.69%

LAB 62, 50.53, -47.03

 

CMYK 3 / 50 / 0 / 8

HEX #E475EA

RGB 228 117 234

HSL 296.92, 0.74%, 0.69%

LAB 65.87, 59.19, -40.68

 

CMYK 0 / 50 / 10 / 8

HEX #EA75D2

RGB 234 117 210

HSL 312.31, 0.74%, 0.69%

LAB 65.65, 56.82, -27.6

 

CMYK 0 / 50 / 24 / 8

HEX #EA75B2

RGB 234 117 178

HSL 328.72, 0.74%, 0.69%

LAB 64.51, 52.07, -11.29

 

CMYK 0 / 50 / 37 / 8

HEX #EA7593

RGB 234 117 147

HSL 344.62, 0.74%, 0.69%

LAB 63.61, 48.17, 5.06

 

CMYK 16 / 50 / 0 / 8

HEX #C475EA

RGB 196 117 234

HSL 280.51, 0.74%, 0.69%

LAB 62, 50.53, -47.03

 

CMYK 29 / 50 / 0 / 8

HEX #A575EA

RGB 165 117 234

HSL 264.62, 0.74%, 0.69%

LAB 58.66, 42.38, -52.53

 

CMYK 43 / 50 / 0 / 8

HEX #8575EA

RGB 133 117 234

HSL 248.21, 0.74%, 0.69%

LAB 55.74, 34.55, -57.37

 

CMYK 50 / 50 / 0 / 8

HEX #7575EA

RGB 117 117 234

HSL 240, 0.74%, 0.69%

LAB 54.5, 30.99, -59.43

 

CMYK 16 / 50 / 0 / 8

HEX #C475EA

RGB 196 117 234

HSL 280.51, 0.74%, 0.69%

LAB 62, 50.53, -47.03

 

CMYK 19 / 57 / 0 / 3

HEX #C969F7

RGB 201 105 247

HSL 280.56, 0.9%, 0.69%

LAB 60.99, 60.51, -55.8

 

CMYK 16 / 50 / 0 / 8

HEX #C475EA

RGB 196 117 234

HSL 280.51, 0.74%, 0.69%

LAB 62, 50.53, -47.03

 

CMYK 14 / 41 / 0 / 13

HEX #C082DE

RGB 192 130 222

HSL 280.43, 0.58%, 0.69%

LAB 63.71, 39.98, -37.7

 

CMYK 11 / 32 / 0 / 18

HEX #BB8FD1

RGB 187 143 209

HSL 280, 0.42%, 0.69%

LAB 65.6, 28.57, -27.57

 

CMYK 7 / 20 / 0 / 23

HEX #B79CC4

RGB 183 156 196

HSL 280.5, 0.25%, 0.69%

LAB 67.89, 17.34, -16.87

 

CMYK 3 / 8 / 0 / 28

HEX #B2A9B7

RGB 178 169 183

HSL 278.57, 0.09%, 0.69%

LAB 70.36, 5.85, -6.02

 

CMYK 43 / 50 / 0 / 8

HEX #8575EA

RGB 133 117 234

HSL 248.21, 0.74%, 0.69%

LAB 55.74, 34.55, -57.37

 

CMYK 30 / 50 / 0 / 8

HEX #A475EA

RGB 164 117 234

HSL 264.1, 0.74%, 0.69%

LAB 58.56, 42.12, -52.7

 

CMYK 17 / 50 / 0 / 8

HEX #C375EA

RGB 195 117 234

HSL 280, 0.74%, 0.69%

LAB 61.88, 50.26, -47.22

 

CMYK 3 / 50 / 0 / 8

HEX #E375EA

RGB 227 117 234

HSL 296.41, 0.74%, 0.69%

LAB 65.74, 58.92, -40.88

 

CMYK 0 / 50 / 10 / 8

HEX #EA75D3

RGB 234 117 211

HSL 311.79, 0.74%, 0.69%

LAB 65.68, 56.98, -28.1

 

CMYK 26 / 79 / 0 / 12

HEX #A52EE0

RGB 165 46 224

HSL 280.11, 0.74%, 0.53%

LAB 46.09, 72.61, -67.11

 

CMYK 21 / 64 / 0 / 10

HEX #B552E5

RGB 181 82 229

HSL 280.41, 0.74%, 0.61%

LAB 53.51, 62.88, -57.86

 

CMYK 16 / 50 / 0 / 8

HEX #C475EA

RGB 196 117 234

HSL 280.51, 0.74%, 0.69%

LAB 62, 50.53, -47.03

 

CMYK 12 / 36 / 0 / 6

HEX #D399F0

RGB 211 153 240

HSL 280, 0.74%, 0.77%

LAB 71.5, 36.91, -35.34

 

CMYK 7 / 23 / 0 / 4

HEX #E3BDF5

RGB 227 189 245

HSL 280.71, 0.74%, 0.85%

LAB 81.47, 23.45, -22.62

 

CMYK 16 / 49 / 0 / 8

HEX #C577EB

RGB 197 119 235

HSL 280.34, 0.74%, 0.69%

LAB 62.56, 49.97, -46.69

 

CMYK 0 / 50 / 43 / 8

HEX #EA7585

RGB 234 117 133

HSL 351.79, 0.74%, 0.69%

LAB 63.27, 46.66, 12.58

 

CMYK 50 / 0 / 36 / 8

HEX #75EA95

RGB 117 234 149

HSL 136.41, 0.74%, 0.69%

LAB 84.38, -51.28, 31.38

 

CMYK 16 / 49 / 0 / 8

HEX #C577EB

RGB 197 119 235

HSL 280.34, 0.74%, 0.69%

LAB 62.56, 49.97, -46.69

 

CMYK 0 / 17 / 50 / 8

HEX #EAC375

RGB 234 195 117

HSL 40, 0.74%, 0.69%

LAB 80.63, 4.29, 44.14

 

CMYK 50 / 0 / 17 / 8

HEX #75EAC3

RGB 117 234 195

HSL 160, 0.74%, 0.69%

LAB 85.29, -42.28, 8.84

 

CMYK 16 / 49 / 0 / 8

HEX #C577EB

RGB 197 119 235

HSL 280.34, 0.74%, 0.69%

LAB 62.56, 49.97, -46.69

 

CMYK 0 / 50 / 43 / 8

HEX #EA7585

RGB 234 117 133

HSL 351.79, 0.74%, 0.69%

LAB 63.27, 46.66, 12.58

 

CMYK 33 / 0 / 50 / 8

HEX #9CEA75

RGB 156 234 117

HSL 100, 0.74%, 0.69%

LAB 85.6, -44.41, 48.98

 

CMYK 50 / 0 / 6 / 8

HEX #75EADB

RGB 117 234 219

HSL 172.31, 0.74%, 0.69%

LAB 85.88, -36.73, -2.91

 

CMYK 16 / 49 / 0 / 8

HEX #C577EB

RGB 197 119 235

HSL 280.34, 0.74%, 0.69%

LAB 62.56, 49.97, -46.69

 

CMYK 0 / 41 / 50 / 8

HEX #EA8975

RGB 234 137 117

HSL 10.26, 0.74%, 0.69%

LAB 67.03, 34.94, 26.73

 

CMYK 33 / 0 / 50 / 8

HEX #9CEA75

RGB 156 234 117

HSL 100, 0.74%, 0.69%

LAB 85.6, -44.41, 48.98

 

CMYK 50 / 8 / 0 / 8

HEX #75D7EA

RGB 117 215 234

HSL 189.74, 0.74%, 0.69%

LAB 80.92, -23.8, -18.24

 

Description

Color code: HEX #C577EB | qconv.com Color code: HEX #C577EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 119 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 119 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 49 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 49% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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