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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C57709 it is the complementary color #3A88F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C57709. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C57709 shade: #CA7704, #DB8917, #EC9B2A, #FDAD3D and #FFBF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C57709. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C57709 shade: #C57709, #B46500, #A35300, #924100 and #812F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C57709 shade: #C37609, #C34409, #C31209 and #C30909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C57709 shade: #C37609, #C3A809, #ACC309, #7AC309 and #48C309

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C57709 shade matches the following richer shades: #C37609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C57709 shade: #C37609, #B2731A, #A2702A, #916D3B and #816B4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C57709 shade: #C31209, #C34409, #C37509, #C3A709 and #ADC309

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C57709 shade: #744605, #9B5E07, #C37609, #EA8E0B and #F5A12A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C57709 shade: #C57709, #31C309 and #2B09C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C57709 shade: #C57709, #09C375 and #7509C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C57709 shade: #C57709, #31C309, #0957C3 and #9B09C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C57709 shade: #C57709, #09C319, #0957C3 and #C309B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 95 / 23

HEX #C57709

RGB 197 119 9

HSL 35.11, 0.91%, 0.4%

LAB 57.16, 23.86, 62.32

 

Complementary color

CMYK 76 / 45 / 0 / 4

HEX #3A88F6

RGB 58 136 246

HSL 215.11, 0.91%, 0.6%

LAB 57.23, 13.77, -61.86

 

CMYK 0 / 41 / 98 / 21

HEX #CA7704

RGB 202 119 4

HSL 34.85, 0.96%, 0.4%

LAB 57.81, 25.95, 63.94

 

CMYK 0 / 37 / 89 / 14

HEX #DB8917

RGB 219 137 23

HSL 34.9, 0.81%, 0.47%

LAB 64.17, 23.79, 65.84

 

CMYK 0 / 34 / 82 / 7

HEX #EC9B2A

RGB 236 155 42

HSL 34.95, 0.84%, 0.55%

LAB 70.48, 21.85, 66.31

 

CMYK 0 / 32 / 76 / 1

HEX #FDAD3D

RGB 253 173 61

HSL 35, 0.98%, 0.62%

LAB 76.74, 20.14, 65.88

 

CMYK 0 / 25 / 69 / 0

HEX #FFBF50

RGB 255 191 80

HSL 38.06, 1%, 0.66%

LAB 81.35, 12.44, 62.82

 

CMYK 0 / 40 / 95 / 23

HEX #C57709

RGB 197 119 9

HSL 35.11, 0.91%, 0.4%

LAB 57.16, 23.86, 62.32

 

CMYK 0 / 44 / 100 / 29

HEX #B46500

RGB 180 101 0

HSL 33.67, 1%, 0.35%

LAB 50.7, 26.21, 58.67

 

CMYK 0 / 49 / 100 / 36

HEX #A35300

RGB 163 83 0

HSL 30.55, 1%, 0.32%

LAB 44.19, 28.72, 53.43

 

CMYK 0 / 55 / 100 / 43

HEX #924100

RGB 146 65 0

HSL 26.71, 1%, 0.29%

LAB 37.65, 31.2, 48.18

 

CMYK 0 / 64 / 100 / 49

HEX #812F00

RGB 129 47 0

HSL 21.86, 1%, 0.25%

LAB 31.11, 33.51, 42.74

 

CMYK 0 / 39 / 95 / 24

HEX #C37609

RGB 195 118 9

HSL 35.16, 0.91%, 0.4%

LAB 56.66, 23.54, 61.86

 

CMYK 0 / 65 / 95 / 24

HEX #C34409

RGB 195 68 9

HSL 19.03, 0.91%, 0.4%

LAB 46.65, 48.68, 55.24

 

CMYK 0 / 91 / 95 / 24

HEX #C31209

RGB 195 18 9

HSL 2.9, 0.91%, 0.4%

LAB 41.3, 63.55, 52.11

 

CMYK 0 / 95 / 95 / 24

HEX #C30909

RGB 195 9 9

HSL 0, 0.91%, 0.4%

LAB 40.92, 64.64, 51.91

 

CMYK 0 / 39 / 95 / 24

HEX #C37609

RGB 195 118 9

HSL 35.16, 0.91%, 0.4%

LAB 56.66, 23.54, 61.86

 

CMYK 0 / 14 / 95 / 24

HEX #C3A809

RGB 195 168 9

HSL 51.29, 0.91%, 0.4%

LAB 69.2, -3.63, 70.88

 

CMYK 12 / 0 / 95 / 24

HEX #ACC309

RGB 172 195 9

HSL 67.42, 0.91%, 0.4%

LAB 74.71, -27.31, 74.19

 

CMYK 37 / 0 / 95 / 24

HEX #7AC309

RGB 122 195 9

HSL 83.55, 0.91%, 0.4%

LAB 71.68, -46.88, 70.52

 

CMYK 63 / 0 / 95 / 24

HEX #48C309

RGB 72 195 9

HSL 99.68, 0.91%, 0.4%

LAB 69.77, -61.62, 68.19

 

CMYK 0 / 39 / 95 / 24

HEX #C37609

RGB 195 118 9

HSL 35.16, 0.91%, 0.4%

LAB 56.66, 23.54, 61.86

 

CMYK 0 / 39 / 95 / 24

HEX #C37609

RGB 195 118 9

HSL 35.16, 0.91%, 0.4%

LAB 56.66, 23.54, 61.86

 

CMYK 0 / 35 / 85 / 30

HEX #B2731A

RGB 178 115 26

HSL 35.13, 0.75%, 0.4%

LAB 53.82, 18.05, 54.53

 

CMYK 0 / 31 / 74 / 36

HEX #A2702A

RGB 162 112 42

HSL 35, 0.59%, 0.4%

LAB 51.19, 13.18, 45.06

 

CMYK 0 / 25 / 59 / 43

HEX #916D3B

RGB 145 109 59

HSL 34.88, 0.42%, 0.4%

LAB 48.6, 8.33, 33.11

 

CMYK 0 / 17 / 42 / 49

HEX #816B4B

RGB 129 107 75

HSL 35.56, 0.26%, 0.4%

LAB 46.57, 3.97, 21.19

 

CMYK 0 / 91 / 95 / 24

HEX #C31209

RGB 195 18 9

HSL 2.9, 0.91%, 0.4%

LAB 41.3, 63.55, 52.11

 

CMYK 0 / 65 / 95 / 24

HEX #C34409

RGB 195 68 9

HSL 19.03, 0.91%, 0.4%

LAB 46.65, 48.68, 55.24

 

CMYK 0 / 40 / 95 / 24

HEX #C37509

RGB 195 117 9

HSL 34.84, 0.91%, 0.4%

LAB 56.43, 24.08, 61.7

 

CMYK 0 / 14 / 95 / 24

HEX #C3A709

RGB 195 167 9

HSL 50.97, 0.91%, 0.4%

LAB 68.94, -3.1, 70.68

 

CMYK 11 / 0 / 95 / 24

HEX #ADC309

RGB 173 195 9

HSL 67.1, 0.91%, 0.4%

LAB 74.78, -26.89, 74.28

 

CMYK 0 / 40 / 96 / 55

HEX #744605

RGB 116 70 5

HSL 35.14, 0.92%, 0.24%

LAB 34.2, 15.01, 41.9

 

CMYK 0 / 39 / 95 / 39

HEX #9B5E07

RGB 155 94 7

HSL 35.27, 0.91%, 0.32%

LAB 45.62, 19.16, 52.03

 

CMYK 0 / 39 / 95 / 24

HEX #C37609

RGB 195 118 9

HSL 35.16, 0.91%, 0.4%

LAB 56.66, 23.54, 61.86

 

CMYK 0 / 39 / 95 / 8

HEX #EA8E0B

RGB 234 142 11

HSL 35.25, 0.91%, 0.48%

LAB 67.17, 27.3, 71.17

 

CMYK 0 / 34 / 83 / 4

HEX #F5A12A

RGB 245 161 42

HSL 35.17, 0.91%, 0.56%

LAB 72.94, 22.47, 68.84

 

CMYK 0 / 40 / 95 / 23

HEX #C57709

RGB 197 119 9

HSL 35.11, 0.91%, 0.4%

LAB 57.16, 23.86, 62.32

 

CMYK 75 / 0 / 95 / 24

HEX #31C309

RGB 49 195 9

HSL 107.1, 0.91%, 0.4%

LAB 69.26, -66.03, 67.55

 

CMYK 78 / 95 / 0 / 24

HEX #2B09C3

RGB 43 9 195

HSL 250.97, 0.91%, 0.4%

LAB 25.71, 63.46, -84.37

 

CMYK 0 / 40 / 95 / 23

HEX #C57709

RGB 197 119 9

HSL 35.11, 0.91%, 0.4%

LAB 57.16, 23.86, 62.32

 

CMYK 95 / 0 / 40 / 24

HEX #09C375

RGB 9 195 117

HSL 154.84, 0.91%, 0.4%

LAB 69.73, -58.7, 27.99

 

CMYK 40 / 95 / 0 / 24

HEX #7509C3

RGB 117 9 195

HSL 274.84, 0.91%, 0.4%

LAB 33.81, 68.57, -70.7

 

CMYK 0 / 40 / 95 / 23

HEX #C57709

RGB 197 119 9

HSL 35.11, 0.91%, 0.4%

LAB 57.16, 23.86, 62.32

 

CMYK 75 / 0 / 95 / 24

HEX #31C309

RGB 49 195 9

HSL 107.1, 0.91%, 0.4%

LAB 69.26, -66.03, 67.55

 

CMYK 95 / 55 / 0 / 24

HEX #0957C3

RGB 9 87 195

HSL 214.84, 0.91%, 0.4%

LAB 39.27, 21.83, -62.05

 

CMYK 21 / 95 / 0 / 24

HEX #9B09C3

RGB 155 9 195

HSL 287.1, 0.91%, 0.4%

LAB 39.76, 73.34, -60.74

 

CMYK 0 / 40 / 95 / 23

HEX #C57709

RGB 197 119 9

HSL 35.11, 0.91%, 0.4%

LAB 57.16, 23.86, 62.32

 

CMYK 95 / 0 / 87 / 24

HEX #09C319

RGB 9 195 25

HSL 125.16, 0.91%, 0.4%

LAB 68.87, -69.38, 64.58

 

CMYK 95 / 55 / 0 / 24

HEX #0957C3

RGB 9 87 195

HSL 214.84, 0.91%, 0.4%

LAB 39.27, 21.83, -62.05

 

CMYK 0 / 95 / 8 / 24

HEX #C309B3

RGB 195 9 179

HSL 305.16, 0.91%, 0.4%

LAB 45.71, 77.24, -41.4

 

Description

Color code: HEX #C57709 | qconv.com Color code: HEX #C57709 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 119 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 119 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 95 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 95% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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