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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C57413 it is the complementary color #3A8BEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C57413. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C57413 shade: #CA740E, #DB8621, #EC9834, #FDAA47 and #FFBC5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C57413. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C57413 shade: #C57413, #B46200, #A35000, #923E00 and #812C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C57413 shade: #C37313, #C34413, #C31413 and #C31313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C57413 shade: #C37313, #C3A213, #B4C313, #85C313 and #55C313

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C57413 shade matches the following richer shades: #C37313 and #D47502

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C57413 shade: #C37313, #B27125, #A07036, #8F6E47 and #7E6D59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C57413 shade: #C31313, #C34213, #C37113, #C3A013 and #B7C313

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C57413 shade: #78470C, #9D5D10, #C37313, #E88917 and #EC9C3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C57413 shade: #C57413, #42C313 and #2B13C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C57413 shade: #C57413, #13C371 and #7113C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C57413 shade: #C57413, #42C313, #1365C3 and #9413C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C57413 shade: #C57413, #13C319, #1365C3 and #C313BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 90 / 23

HEX #C57413

RGB 197 116 19

HSL 32.7, 0.82%, 0.42%

LAB 56.49, 25.63, 59.76

 

Complementary color

CMYK 75 / 41 / 0 / 7

HEX #3A8BEC

RGB 58 139 236

HSL 212.7, 0.82%, 0.58%

LAB 57.48, 8.33, -55.92

 

CMYK 0 / 43 / 93 / 21

HEX #CA740E

RGB 202 116 14

HSL 32.55, 0.87%, 0.42%

LAB 57.15, 27.68, 61.7

 

CMYK 0 / 39 / 85 / 14

HEX #DB8621

RGB 219 134 33

HSL 32.58, 0.74%, 0.49%

LAB 63.52, 25.61, 62.49

 

CMYK 0 / 36 / 78 / 7

HEX #EC9834

RGB 236 152 52

HSL 32.61, 0.83%, 0.56%

LAB 69.85, 23.77, 62.12

 

CMYK 0 / 33 / 72 / 1

HEX #FDAA47

RGB 253 170 71

HSL 32.64, 0.98%, 0.64%

LAB 76.12, 22.14, 61.17

 

CMYK 0 / 26 / 65 / 0

HEX #FFBC5A

RGB 255 188 90

HSL 35.64, 1%, 0.68%

LAB 80.72, 14.56, 57.72

 

CMYK 0 / 41 / 90 / 23

HEX #C57413

RGB 197 116 19

HSL 32.7, 0.82%, 0.42%

LAB 56.49, 25.63, 59.76

 

CMYK 0 / 46 / 100 / 29

HEX #B46200

RGB 180 98 0

HSL 32.67, 1%, 0.35%

LAB 50.02, 27.85, 58.25

 

CMYK 0 / 51 / 100 / 36

HEX #A35000

RGB 163 80 0

HSL 29.45, 1%, 0.32%

LAB 43.54, 30.34, 53.04

 

CMYK 0 / 58 / 100 / 43

HEX #923E00

RGB 146 62 0

HSL 25.48, 1%, 0.29%

LAB 37.03, 32.78, 47.83

 

CMYK 0 / 66 / 100 / 49

HEX #812C00

RGB 129 44 0

HSL 20.47, 1%, 0.25%

LAB 30.56, 34.97, 42.34

 

CMYK 0 / 41 / 90 / 24

HEX #C37313

RGB 195 115 19

HSL 32.73, 0.82%, 0.42%

LAB 56, 25.32, 59.26

 

CMYK 0 / 65 / 90 / 24

HEX #C34413

RGB 195 68 19

HSL 16.7, 0.82%, 0.42%

LAB 46.69, 48.82, 52.31

 

CMYK 0 / 90 / 90 / 24

HEX #C31413

RGB 195 20 19

HSL 0.34, 0.82%, 0.42%

LAB 41.45, 63.36, 48.53

 

CMYK 0 / 90 / 90 / 24

HEX #C31313

RGB 195 19 19

HSL 0, 0.82%, 0.42%

LAB 41.4, 63.52, 48.49

 

CMYK 0 / 41 / 90 / 24

HEX #C37313

RGB 195 115 19

HSL 32.73, 0.82%, 0.42%

LAB 56, 25.32, 59.26

 

CMYK 0 / 17 / 90 / 24

HEX #C3A213

RGB 195 162 19

HSL 48.75, 0.82%, 0.42%

LAB 67.64, -0.3, 68.19

 

CMYK 8 / 0 / 90 / 24

HEX #B4C313

RGB 180 195 19

HSL 65.11, 0.82%, 0.42%

LAB 75.31, -23.79, 73.65

 

CMYK 32 / 0 / 90 / 24

HEX #85C313

RGB 133 195 19

HSL 81.14, 0.82%, 0.42%

LAB 72.27, -42.69, 69.93

 

CMYK 56 / 0 / 90 / 24

HEX #55C313

RGB 85 195 19

HSL 97.5, 0.82%, 0.42%

LAB 70.18, -58.19, 67.34

 

CMYK 0 / 41 / 90 / 24

HEX #C37313

RGB 195 115 19

HSL 32.73, 0.82%, 0.42%

LAB 56, 25.32, 59.26

 

CMYK 0 / 45 / 99 / 17

HEX #D47502

RGB 212 117 2

HSL 32.86, 0.98%, 0.42%

LAB 58.72, 31.21, 65.54

 

CMYK 0 / 41 / 90 / 24

HEX #C37313

RGB 195 115 19

HSL 32.73, 0.82%, 0.42%

LAB 56, 25.32, 59.26

 

CMYK 0 / 37 / 79 / 30

HEX #B27125

RGB 178 113 37

HSL 32.34, 0.66%, 0.42%

LAB 53.39, 19.53, 50.06

 

CMYK 0 / 30 / 66 / 37

HEX #A07036

RGB 160 112 54

HSL 32.83, 0.5%, 0.42%

LAB 51.07, 12.98, 39.04

 

CMYK 0 / 23 / 50 / 44

HEX #8F6E47

RGB 143 110 71

HSL 32.5, 0.34%, 0.42%

LAB 48.82, 7.96, 26.69

 

CMYK 0 / 13 / 29 / 51

HEX #7E6D59

RGB 126 109 89

HSL 32.43, 0.17%, 0.42%

LAB 47.1, 3.39, 13.65

 

CMYK 0 / 90 / 90 / 24

HEX #C31313

RGB 195 19 19

HSL 0, 0.82%, 0.42%

LAB 41.4, 63.52, 48.49

 

CMYK 0 / 66 / 90 / 24

HEX #C34213

RGB 195 66 19

HSL 16.02, 0.82%, 0.42%

LAB 46.37, 49.67, 52.08

 

CMYK 0 / 42 / 90 / 24

HEX #C37113

RGB 195 113 19

HSL 32.05, 0.82%, 0.42%

LAB 55.54, 26.4, 58.92

 

CMYK 0 / 18 / 90 / 24

HEX #C3A013

RGB 195 160 19

HSL 48.07, 0.82%, 0.42%

LAB 67.12, 0.77, 67.79

 

CMYK 6 / 0 / 90 / 24

HEX #B7C313

RGB 183 195 19

HSL 64.09, 0.82%, 0.42%

LAB 75.54, -22.52, 73.93

 

CMYK 0 / 41 / 90 / 53

HEX #78470C

RGB 120 71 12

HSL 32.78, 0.82%, 0.26%

LAB 35.06, 16.49, 40.48

 

CMYK 0 / 41 / 90 / 38

HEX #9D5D10

RGB 157 93 16

HSL 32.77, 0.82%, 0.34%

LAB 45.68, 20.8, 49.9

 

CMYK 0 / 41 / 90 / 24

HEX #C37313

RGB 195 115 19

HSL 32.73, 0.82%, 0.42%

LAB 56, 25.32, 59.26

 

CMYK 0 / 41 / 90 / 9

HEX #E88917

RGB 232 137 23

HSL 32.73, 0.82%, 0.5%

LAB 65.83, 29.25, 67.82

 

CMYK 0 / 34 / 74 / 7

HEX #EC9C3D

RGB 236 156 61

HSL 32.57, 0.82%, 0.58%

LAB 70.83, 22.01, 59.43

 

CMYK 0 / 41 / 90 / 23

HEX #C57413

RGB 197 116 19

HSL 32.7, 0.82%, 0.42%

LAB 56.49, 25.63, 59.76

 

CMYK 66 / 0 / 90 / 24

HEX #42C313

RGB 66 195 19

HSL 103.98, 0.82%, 0.42%

LAB 69.64, -62.69, 66.66

 

CMYK 78 / 90 / 0 / 24

HEX #2B13C3

RGB 43 19 195

HSL 248.18, 0.82%, 0.42%

LAB 26.5, 61.04, -83.04

 

CMYK 0 / 41 / 90 / 23

HEX #C57413

RGB 197 116 19

HSL 32.7, 0.82%, 0.42%

LAB 56.49, 25.63, 59.76

 

CMYK 90 / 0 / 42 / 24

HEX #13C371

RGB 19 195 113

HSL 152.05, 0.82%, 0.42%

LAB 69.73, -59, 30.07

 

CMYK 42 / 90 / 0 / 24

HEX #7113C3

RGB 113 19 195

HSL 272.05, 0.82%, 0.42%

LAB 33.81, 66.43, -70.72

 

CMYK 0 / 41 / 90 / 23

HEX #C57413

RGB 197 116 19

HSL 32.7, 0.82%, 0.42%

LAB 56.49, 25.63, 59.76

 

CMYK 66 / 0 / 90 / 24

HEX #42C313

RGB 66 195 19

HSL 103.98, 0.82%, 0.42%

LAB 69.64, -62.69, 66.66

 

CMYK 90 / 48 / 0 / 24

HEX #1365C3

RGB 19 101 195

HSL 212.05, 0.82%, 0.42%

LAB 43.34, 13.06, -55.45

 

CMYK 24 / 90 / 0 / 24

HEX #9413C3

RGB 148 19 195

HSL 283.98, 0.82%, 0.42%

LAB 39.07, 70.98, -61.9

 

CMYK 0 / 41 / 90 / 23

HEX #C57413

RGB 197 116 19

HSL 32.7, 0.82%, 0.42%

LAB 56.49, 25.63, 59.76

 

CMYK 90 / 0 / 87 / 24

HEX #13C319

RGB 19 195 25

HSL 122.05, 0.82%, 0.42%

LAB 68.92, -68.86, 64.65

 

CMYK 90 / 48 / 0 / 24

HEX #1365C3

RGB 19 101 195

HSL 212.05, 0.82%, 0.42%

LAB 43.34, 13.06, -55.45

 

CMYK 0 / 90 / 3 / 24

HEX #C313BD

RGB 195 19 189

HSL 302.05, 0.82%, 0.42%

LAB 46.63, 77.58, -45.79

 

Description

Color code: HEX #C57413 | qconv.com Color code: HEX #C57413 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 116 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 116 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 90 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 90% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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