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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C567C8 it is the complementary color #3A9837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C567C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C567C8 shade: #CA67C3, #DB79D6, #EC8BE9, #FD9DFC and #FFAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C567C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C567C8 shade: #C567C8, #B455B5, #A343A2, #92318F and #811F7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C567C8 shade: #C565C8, #C865B0, #C86596, #C8657B and #C86565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C567C8 shade: #C565C8, #AA65C8, #9065C8, #7565C8 and #6565C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C567C8 shade matches the following richer shades: #C565C8, #D454D9, #E443E9 and #F433FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C567C8 shade: #C565C8, #B576B7, #A587A6, #959895 and #85A984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C567C8 shade: #9065C8, #AA65C8, #C465C8, #C865B1 and #C86596

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C567C8 shade: #9D3AA1, #B947BD, #C565C8, #D084D3 and #DCA2DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C567C8 shade: #C567C8, #C87665 and #65C89D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C567C8 shade: #C567C8, #C8C465 and #65C8C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C567C8 shade: #C567C8, #C87665, #69C865 and #65B7C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C567C8 shade: #C567C8, #C89365, #69C865 and #659AC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 49 / 0 / 22

HEX #C567C8

RGB 197 103 200

HSL 298.14, 0.47%, 0.59%

LAB 57.79, 51.25, -34.52

 

Complementary color

CMYK 62 / 0 / 64 / 40

HEX #3A9837

RGB 58 152 55

HSL 118.14, 0.47%, 0.41%

LAB 55.72, -47.21, 41.83

 

CMYK 0 / 49 / 3 / 21

HEX #CA67C3

RGB 202 103 195

HSL 304.24, 0.48%, 0.6%

LAB 58.22, 51.8, -30.95

 

CMYK 0 / 45 / 2 / 14

HEX #DB79D6

RGB 219 121 214

HSL 303.06, 0.58%, 0.67%

LAB 64.64, 51.12, -31.56

 

CMYK 0 / 41 / 1 / 7

HEX #EC8BE9

RGB 236 139 233

HSL 301.86, 0.72%, 0.74%

LAB 71, 50.41, -32.08

 

CMYK 0 / 38 / 0 / 1

HEX #FD9DFC

RGB 253 157 252

HSL 300.63, 0.96%, 0.8%

LAB 77.3, 49.69, -32.54

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 1 / 49 / 0 / 22

HEX #C567C8

RGB 197 103 200

HSL 298.14, 0.47%, 0.59%

LAB 57.79, 51.25, -34.52

 

CMYK 1 / 53 / 0 / 29

HEX #B455B5

RGB 180 85 181

HSL 299.38, 0.39%, 0.52%

LAB 51.31, 51.86, -33.89

 

CMYK 0 / 59 / 1 / 36

HEX #A343A2

RGB 163 67 162

HSL 300.63, 0.42%, 0.45%

LAB 44.81, 52.28, -33.08

 

CMYK 0 / 66 / 2 / 43

HEX #92318F

RGB 146 49 143

HSL 301.86, 0.5%, 0.38%

LAB 38.36, 52.35, -31.97

 

CMYK 0 / 76 / 4 / 49

HEX #811F7C

RGB 129 31 124

HSL 303.06, 0.61%, 0.31%

LAB 32.04, 51.74, -30.38

 

CMYK 1 / 50 / 0 / 22

HEX #C565C8

RGB 197 101 200

HSL 298.18, 0.47%, 0.59%

LAB 57.41, 52.25, -35.11

 

CMYK 0 / 50 / 12 / 22

HEX #C865B0

RGB 200 101 176

HSL 314.55, 0.47%, 0.59%

LAB 56.8, 48.99, -22.27

 

CMYK 0 / 50 / 25 / 22

HEX #C86596

RGB 200 101 150

HSL 330.3, 0.47%, 0.59%

LAB 55.88, 45.05, -8.57

 

CMYK 0 / 50 / 39 / 22

HEX #C8657B

RGB 200 101 123

HSL 346.67, 0.47%, 0.59%

LAB 55.09, 41.59, 6.12

 

CMYK 0 / 50 / 50 / 22

HEX #C86565

RGB 200 101 101

HSL 0, 0.47%, 0.59%

LAB 54.58, 39.29, 18.32

 

CMYK 1 / 50 / 0 / 22

HEX #C565C8

RGB 197 101 200

HSL 298.18, 0.47%, 0.59%

LAB 57.41, 52.25, -35.11

 

CMYK 15 / 50 / 0 / 22

HEX #AA65C8

RGB 170 101 200

HSL 281.82, 0.47%, 0.59%

LAB 54.05, 44.64, -40.62

 

CMYK 28 / 50 / 0 / 22

HEX #9065C8

RGB 144 101 200

HSL 266.06, 0.47%, 0.59%

LAB 51.16, 37.49, -45.39

 

CMYK 42 / 50 / 0 / 22

HEX #7565C8

RGB 117 101 200

HSL 249.7, 0.47%, 0.59%

LAB 48.59, 30.53, -49.64

 

CMYK 50 / 50 / 0 / 22

HEX #6565C8

RGB 101 101 200

HSL 240, 0.47%, 0.59%

LAB 47.29, 26.77, -51.78

 

CMYK 1 / 50 / 0 / 22

HEX #C565C8

RGB 197 101 200

HSL 298.18, 0.47%, 0.59%

LAB 57.41, 52.25, -35.11

 

CMYK 2 / 61 / 0 / 15

HEX #D454D9

RGB 212 84 217

HSL 297.74, 0.64%, 0.59%

LAB 57.41, 66.95, -44.62

 

CMYK 2 / 71 / 0 / 9

HEX #E443E9

RGB 228 67 233

HSL 298.19, 0.79%, 0.59%

LAB 58.41, 79.41, -51.9

 

CMYK 2 / 80 / 0 / 2

HEX #F433FA

RGB 244 51 250

HSL 298.19, 0.95%, 0.59%

LAB 60.34, 89.48, -58.14

 

CMYK 1 / 50 / 0 / 22

HEX #C565C8

RGB 197 101 200

HSL 298.18, 0.47%, 0.59%

LAB 57.41, 52.25, -35.11

 

CMYK 1 / 36 / 0 / 28

HEX #B576B7

RGB 181 118 183

HSL 298.15, 0.31%, 0.59%

LAB 58.23, 35.28, -24.3

 

CMYK 1 / 19 / 0 / 35

HEX #A587A6

RGB 165 135 166

HSL 298.06, 0.15%, 0.59%

LAB 59.96, 16.99, -12.1

 

CMYK 2 / 0 / 2 / 40

HEX #959895

RGB 149 152 149

HSL 120, 0.01%, 0.59%

LAB 62.52, -1.66, 1.19

 

CMYK 21 / 0 / 22 / 34

HEX #85A984

RGB 133 169 132

HSL 118.38, 0.18%, 0.59%

LAB 65.77, -19.67, 15.16

 

CMYK 28 / 50 / 0 / 22

HEX #9065C8

RGB 144 101 200

HSL 266.06, 0.47%, 0.59%

LAB 51.16, 37.49, -45.39

 

CMYK 15 / 50 / 0 / 22

HEX #AA65C8

RGB 170 101 200

HSL 281.82, 0.47%, 0.59%

LAB 54.05, 44.64, -40.62

 

CMYK 2 / 50 / 0 / 22

HEX #C465C8

RGB 196 101 200

HSL 297.58, 0.47%, 0.59%

LAB 57.28, 51.96, -35.32

 

CMYK 0 / 50 / 12 / 22

HEX #C865B1

RGB 200 101 177

HSL 313.94, 0.47%, 0.59%

LAB 56.84, 49.15, -22.78

 

CMYK 0 / 50 / 25 / 22

HEX #C86596

RGB 200 101 150

HSL 330.3, 0.47%, 0.59%

LAB 55.88, 45.05, -8.57

 

CMYK 2 / 64 / 0 / 37

HEX #9D3AA1

RGB 157 58 161

HSL 297.67, 0.47%, 0.43%

LAB 42.41, 54.53, -36.34

 

CMYK 2 / 62 / 0 / 26

HEX #B947BD

RGB 185 71 189

HSL 297.97, 0.47%, 0.51%

LAB 50.09, 60.94, -40.41

 

CMYK 1 / 50 / 0 / 22

HEX #C565C8

RGB 197 101 200

HSL 298.18, 0.47%, 0.59%

LAB 57.41, 52.25, -35.11

 

CMYK 1 / 37 / 0 / 17

HEX #D084D3

RGB 208 132 211

HSL 297.72, 0.47%, 0.67%

LAB 65.45, 41.55, -28.73

 

CMYK 0 / 27 / 0 / 13

HEX #DCA2DD

RGB 220 162 221

HSL 298.98, 0.46%, 0.75%

LAB 73.72, 31.14, -21.47

 

CMYK 1 / 49 / 0 / 22

HEX #C567C8

RGB 197 103 200

HSL 298.14, 0.47%, 0.59%

LAB 57.79, 51.25, -34.52

 

CMYK 0 / 41 / 50 / 22

HEX #C87665

RGB 200 118 101

HSL 10.3, 0.47%, 0.59%

LAB 58.2, 30.32, 23.19

 

CMYK 50 / 0 / 22 / 22

HEX #65C89D

RGB 101 200 157

HSL 153.94, 0.47%, 0.59%

LAB 73.87, -39.17, 12.7

 

CMYK 1 / 49 / 0 / 22

HEX #C567C8

RGB 197 103 200

HSL 298.14, 0.47%, 0.59%

LAB 57.79, 51.25, -34.52

 

CMYK 0 / 2 / 50 / 22

HEX #C8C465

RGB 200 196 101

HSL 57.58, 0.47%, 0.59%

LAB 77.7, -11.56, 47.74

 

CMYK 50 / 0 / 2 / 22

HEX #65C8C4

RGB 101 200 196

HSL 177.58, 0.47%, 0.59%

LAB 74.86, -29.94, -6.95

 

CMYK 1 / 49 / 0 / 22

HEX #C567C8

RGB 197 103 200

HSL 298.14, 0.47%, 0.59%

LAB 57.79, 51.25, -34.52

 

CMYK 0 / 41 / 50 / 22

HEX #C87665

RGB 200 118 101

HSL 10.3, 0.47%, 0.59%

LAB 58.2, 30.32, 23.19

 

CMYK 48 / 0 / 50 / 22

HEX #69C865

RGB 105 200 101

HSL 117.58, 0.47%, 0.59%

LAB 73.06, -47.92, 40.76

 

CMYK 50 / 9 / 0 / 22

HEX #65B7C8

RGB 101 183 200

HSL 190.3, 0.47%, 0.59%

LAB 70.04, -20.41, -16.35

 

CMYK 1 / 49 / 0 / 22

HEX #C567C8

RGB 197 103 200

HSL 298.14, 0.47%, 0.59%

LAB 57.79, 51.25, -34.52

 

CMYK 0 / 27 / 50 / 22

HEX #C89365

RGB 200 147 101

HSL 27.88, 0.47%, 0.59%

LAB 65.03, 14.5, 32.09

 

CMYK 48 / 0 / 50 / 22

HEX #69C865

RGB 105 200 101

HSL 117.58, 0.47%, 0.59%

LAB 73.06, -47.92, 40.76

 

CMYK 50 / 23 / 0 / 22

HEX #659AC8

RGB 101 154 200

HSL 207.88, 0.47%, 0.59%

LAB 61.7, -4.81, -29.1

 

Description

Color code: HEX #C567C8 | qconv.com Color code: HEX #C567C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 103 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 103 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 49 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 49% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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