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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C56746 it is the complementary color #3A98B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C56746. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C56746 shade: #CA6741, #DB7954, #EC8B67, #FD9D7A and #FFAF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C56746. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C56746 shade: #C56746, #B45533, #A34320, #92310D and #811F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C56746 shade: #C46645 and #C44545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C56746 shade: #C46645, #C48845, #C4AB45, #BBC445 and #99C445

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C56746 shade matches the following richer shades: #C46645, #D85D31 and #EC531D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C56746 shade: #C46645, #B07059, #9D796D, #898380 and #758C94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C56746 shade: #C44569, #C44547, #C46545, #C48745 and #C4A945

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C56746 shade: #8B452C, #AA5436, #C46645, #CE8064 and #D89A84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C56746 shade: #C56746, #8BC445 and #4558C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C56746 shade: #C56746, #45C465 and #6545C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C56746 shade: #C56746, #8BC445, #45A4C4 and #7E45C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C56746 shade: #C56746, #65C445, #45A4C4 and #A445C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 64 / 23

HEX #C56746

RGB 197 103 70

HSL 15.59, 0.52%, 0.52%

LAB 54.04, 34.64, 35.23

 

Complementary color

CMYK 69 / 18 / 0 / 27

HEX #3A98B9

RGB 58 152 185

HSL 195.59, 0.52%, 0.48%

LAB 58.84, -16.87, -25.2

 

CMYK 0 / 49 / 68 / 21

HEX #CA6741

RGB 202 103 65

HSL 16.64, 0.56%, 0.52%

LAB 54.7, 36.31, 38.9

 

CMYK 0 / 45 / 62 / 14

HEX #DB7954

RGB 219 121 84

HSL 16.44, 0.65%, 0.59%

LAB 61.11, 34.84, 36.87

 

CMYK 0 / 41 / 56 / 7

HEX #EC8B67

RGB 236 139 103

HSL 16.24, 0.78%, 0.66%

LAB 67.48, 33.49, 35.02

 

CMYK 0 / 38 / 52 / 1

HEX #FD9D7A

RGB 253 157 122

HSL 16.03, 0.97%, 0.74%

LAB 73.81, 32.27, 33.33

 

CMYK 0 / 31 / 45 / 0

HEX #FFAF8D

RGB 255 175 141

HSL 17.89, 1%, 0.78%

LAB 78.37, 25.41, 29.24

 

CMYK 0 / 48 / 64 / 23

HEX #C56746

RGB 197 103 70

HSL 15.59, 0.52%, 0.52%

LAB 54.04, 34.64, 35.23

 

CMYK 0 / 53 / 72 / 29

HEX #B45533

RGB 180 85 51

HSL 15.81, 0.56%, 0.45%

LAB 47.55, 36.17, 37.42

 

CMYK 0 / 59 / 80 / 36

HEX #A34320

RGB 163 67 32

HSL 16.03, 0.67%, 0.38%

LAB 41.06, 37.78, 39.72

 

CMYK 0 / 66 / 91 / 43

HEX #92310D

RGB 146 49 13

HSL 16.24, 0.84%, 0.31%

LAB 34.67, 39.36, 41.62

 

CMYK 0 / 76 / 100 / 49

HEX #811F00

RGB 129 31 0

HSL 14.42, 1%, 0.25%

LAB 28.5, 40.56, 40.75

 

CMYK 0 / 48 / 65 / 23

HEX #C46645

RGB 196 102 69

HSL 15.59, 0.52%, 0.52%

LAB 53.67, 34.7, 35.31

 

CMYK 0 / 65 / 65 / 23

HEX #C44545

RGB 196 69 69

HSL 0, 0.52%, 0.52%

LAB 47.52, 50.63, 27.79

 

CMYK 0 / 48 / 65 / 23

HEX #C46645

RGB 196 102 69

HSL 15.59, 0.52%, 0.52%

LAB 53.67, 34.7, 35.31

 

CMYK 0 / 31 / 65 / 23

HEX #C48845

RGB 196 136 69

HSL 31.65, 0.52%, 0.52%

LAB 61.46, 16.28, 44.36

 

CMYK 0 / 13 / 65 / 23

HEX #C4AB45

RGB 196 171 69

HSL 48.19, 0.52%, 0.52%

LAB 70.38, -2.69, 54.18

 

CMYK 5 / 0 / 65 / 23

HEX #BBC445

RGB 187 196 69

HSL 64.25, 0.52%, 0.52%

LAB 76.36, -19.37, 60.27

 

CMYK 22 / 0 / 65 / 23

HEX #99C445

RGB 153 196 69

HSL 80.31, 0.52%, 0.52%

LAB 73.99, -33.1, 57.04

 

CMYK 0 / 48 / 65 / 23

HEX #C46645

RGB 196 102 69

HSL 15.59, 0.52%, 0.52%

LAB 53.67, 34.7, 35.31

 

CMYK 0 / 57 / 77 / 15

HEX #D85D31

RGB 216 93 49

HSL 15.81, 0.68%, 0.52%

LAB 54.71, 45.88, 47.76

 

CMYK 0 / 65 / 88 / 7

HEX #EC531D

RGB 236 83 29

HSL 15.65, 0.84%, 0.52%

LAB 56.2, 56.85, 59.01

 

CMYK 0 / 48 / 65 / 23

HEX #C46645

RGB 196 102 69

HSL 15.59, 0.52%, 0.52%

LAB 53.67, 34.7, 35.31

 

CMYK 0 / 36 / 49 / 31

HEX #B07059

RGB 176 112 89

HSL 15.86, 0.36%, 0.52%

LAB 53.54, 22.77, 23.3

 

CMYK 0 / 23 / 31 / 38

HEX #9D796D

RGB 157 121 109

HSL 15, 0.2%, 0.52%

LAB 53.97, 12.23, 11.97

 

CMYK 0 / 4 / 7 / 46

HEX #898380

RGB 137 131 128

HSL 20, 0.04%, 0.52%

LAB 55.18, 1.69, 2.42

 

CMYK 21 / 5 / 0 / 42

HEX #758C94

RGB 117 140 148

HSL 195.48, 0.13%, 0.52%

LAB 56.76, -6.34, -6.99

 

CMYK 0 / 65 / 46 / 23

HEX #C44569

RGB 196 69 105

HSL 342.99, 0.52%, 0.52%

LAB 48.28, 53.42, 7.06

 

CMYK 0 / 65 / 64 / 23

HEX #C44547

RGB 196 69 71

HSL 359.06, 0.52%, 0.52%

LAB 47.56, 50.76, 26.64

 

CMYK 0 / 48 / 65 / 23

HEX #C46545

RGB 196 101 69

HSL 15.12, 0.52%, 0.52%

LAB 53.46, 35.22, 35.05

 

CMYK 0 / 31 / 65 / 23

HEX #C48745

RGB 196 135 69

HSL 31.18, 0.52%, 0.52%

LAB 61.21, 16.83, 44.08

 

CMYK 0 / 14 / 65 / 23

HEX #C4A945

RGB 196 169 69

HSL 47.24, 0.52%, 0.52%

LAB 69.85, -1.63, 53.62

 

CMYK 0 / 50 / 68 / 45

HEX #8B452C

RGB 139 69 44

HSL 15.79, 0.52%, 0.36%

LAB 37.71, 27.61, 28.4

 

CMYK 0 / 51 / 68 / 33

HEX #AA5436

RGB 170 84 54

HSL 15.52, 0.52%, 0.44%

LAB 45.84, 32.87, 33.42

 

CMYK 0 / 48 / 65 / 23

HEX #C46645

RGB 196 102 69

HSL 15.59, 0.52%, 0.52%

LAB 53.67, 34.7, 35.31

 

CMYK 0 / 38 / 51 / 19

HEX #CE8064

RGB 206 128 100

HSL 15.85, 0.52%, 0.6%

LAB 61.2, 27.22, 27.84

 

CMYK 0 / 29 / 39 / 15

HEX #D89A84

RGB 216 154 132

HSL 15.71, 0.52%, 0.68%

LAB 69.02, 20.43, 20.77

 

CMYK 0 / 48 / 64 / 23

HEX #C56746

RGB 197 103 70

HSL 15.59, 0.52%, 0.52%

LAB 54.04, 34.64, 35.23

 

CMYK 29 / 0 / 65 / 23

HEX #8BC445

RGB 139 196 69

HSL 86.93, 0.52%, 0.52%

LAB 73.15, -38.41, 55.91

 

CMYK 65 / 55 / 0 / 23

HEX #4558C4

RGB 69 88 196

HSL 231.02, 0.52%, 0.52%

LAB 41.58, 27.36, -58.79

 

CMYK 0 / 48 / 64 / 23

HEX #C56746

RGB 197 103 70

HSL 15.59, 0.52%, 0.52%

LAB 54.04, 34.64, 35.23

 

CMYK 65 / 0 / 48 / 23

HEX #45C465

RGB 69 196 101

HSL 135.12, 0.52%, 0.52%

LAB 70.65, -55.11, 37.51

 

CMYK 48 / 65 / 0 / 23

HEX #6545C4

RGB 101 69 196

HSL 255.12, 0.52%, 0.52%

LAB 39.59, 44.59, -61.9

 

CMYK 0 / 48 / 64 / 23

HEX #C56746

RGB 197 103 70

HSL 15.59, 0.52%, 0.52%

LAB 54.04, 34.64, 35.23

 

CMYK 29 / 0 / 65 / 23

HEX #8BC445

RGB 139 196 69

HSL 86.93, 0.52%, 0.52%

LAB 73.15, -38.41, 55.91

 

CMYK 65 / 16 / 0 / 23

HEX #45A4C4

RGB 69 164 196

HSL 195.12, 0.52%, 0.52%

LAB 63.18, -17.99, -24.68

 

CMYK 36 / 65 / 0 / 23

HEX #7E45C4

RGB 126 69 196

HSL 266.93, 0.52%, 0.52%

LAB 42.27, 49.63, -57.43

 

CMYK 0 / 48 / 64 / 23

HEX #C56746

RGB 197 103 70

HSL 15.59, 0.52%, 0.52%

LAB 54.04, 34.64, 35.23

 

CMYK 48 / 0 / 65 / 23

HEX #65C445

RGB 101 196 69

HSL 104.88, 0.52%, 0.52%

LAB 71.33, -51.12, 53.41

 

CMYK 65 / 16 / 0 / 23

HEX #45A4C4

RGB 69 164 196

HSL 195.12, 0.52%, 0.52%

LAB 63.18, -17.99, -24.68

 

CMYK 16 / 65 / 0 / 23

HEX #A445C4

RGB 164 69 196

HSL 284.88, 0.52%, 0.52%

LAB 47.15, 58.11, -49.33

 

Description

Color code: HEX #C56746 | qconv.com Color code: HEX #C56746 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 103 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 103 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 64 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 64% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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