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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5626B it is the complementary color #3A9D94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5626B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5626B shade: #CA6266, #DB7479, #EC868C, #FD989F and #FFAAB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5626B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5626B shade: #C5626B, #B45058, #A33E45, #922C32 and #811A1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5626B shade: #C5636C and #C56363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5626B shade: #C5636C, #C56386, #C563A1, #C563BB and #B463C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5626B shade matches the following richer shades: #C5636C, #D6515D, #E8404F and #F92F41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5626B shade: #C5636C, #B4747A, #A38588, #919796 and #80A8A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5626B shade: #C563A1, #C56387, #C5636C, #C57363 and #C58D63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5626B shade: #9C3A42, #BA454F, #C5636C, #D08188 and #DB9FA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5626B shade: #C5626B, #BBC563 and #6394C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5626B shade: #C5626B, #6CC563 and #636CC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5626B shade: #C5626B, #BBC563, #63C5BB and #6C63C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5626B shade: #C5626B, #9EC563, #63C5BB and #8A63C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 46 / 23

HEX #C5626B

RGB 197 98 107

HSL 354.55, 0.46%, 0.58%

LAB 53.67, 40.3, 13.48

 

Complementary color

CMYK 63 / 0 / 6 / 38

HEX #3A9D94

RGB 58 157 148

HSL 174.55, 0.46%, 0.42%

LAB 59.11, -30.66, -3.81

 

CMYK 0 / 51 / 50 / 21

HEX #CA6266

RGB 202 98 102

HSL 357.69, 0.5%, 0.59%

LAB 54.29, 41.64, 17.39

 

CMYK 0 / 47 / 45 / 14

HEX #DB7479

RGB 219 116 121

HSL 357.09, 0.59%, 0.66%

LAB 60.72, 40.57, 15.59

 

CMYK 0 / 43 / 41 / 7

HEX #EC868C

RGB 236 134 140

HSL 356.47, 0.73%, 0.73%

LAB 67.11, 39.53, 14.04

 

CMYK 0 / 40 / 37 / 1

HEX #FD989F

RGB 253 152 159

HSL 355.84, 0.96%, 0.79%

LAB 73.44, 38.55, 12.67

 

CMYK 0 / 33 / 30 / 0

HEX #FFAAB2

RGB 255 170 178

HSL 354.35, 1%, 0.83%

LAB 78.01, 32.24, 8.78

 

CMYK 0 / 50 / 46 / 23

HEX #C5626B

RGB 197 98 107

HSL 354.55, 0.46%, 0.58%

LAB 53.67, 40.3, 13.48

 

CMYK 0 / 56 / 51 / 29

HEX #B45058

RGB 180 80 88

HSL 355.2, 0.4%, 0.51%

LAB 47.16, 41.35, 15.44

 

CMYK 0 / 62 / 58 / 36

HEX #A33E45

RGB 163 62 69

HSL 355.84, 0.45%, 0.44%

LAB 40.67, 42.33, 17.83

 

CMYK 0 / 70 / 66 / 43

HEX #922C32

RGB 146 44 50

HSL 356.47, 0.54%, 0.37%

LAB 34.28, 43.06, 20.83

 

CMYK 0 / 80 / 76 / 49

HEX #811A1F

RGB 129 26 31

HSL 357.09, 0.66%, 0.3%

LAB 28.13, 43.21, 24.67

 

CMYK 0 / 50 / 45 / 23

HEX #C5636C

RGB 197 99 108

HSL 354.49, 0.46%, 0.58%

LAB 53.9, 39.89, 13.2

 

CMYK 0 / 50 / 50 / 23

HEX #C56363

RGB 197 99 99

HSL 0, 0.46%, 0.58%

LAB 53.7, 39.01, 18.22

 

CMYK 0 / 50 / 45 / 23

HEX #C5636C

RGB 197 99 108

HSL 354.49, 0.46%, 0.58%

LAB 53.9, 39.89, 13.2

 

CMYK 0 / 50 / 32 / 23

HEX #C56386

RGB 197 99 134

HSL 338.57, 0.46%, 0.58%

LAB 54.57, 42.9, -1.16

 

CMYK 0 / 50 / 18 / 23

HEX #C563A1

RGB 197 99 161

HSL 322.04, 0.46%, 0.58%

LAB 55.45, 46.69, -15.67

 

CMYK 0 / 50 / 5 / 23

HEX #C563BB

RGB 197 99 187

HSL 306.12, 0.46%, 0.58%

LAB 56.47, 50.93, -29.15

 

CMYK 9 / 50 / 0 / 23

HEX #B463C5

RGB 180 99 197

HSL 289.59, 0.46%, 0.58%

LAB 54.72, 47.88, -37.77

 

CMYK 0 / 50 / 45 / 23

HEX #C5636C

RGB 197 99 108

HSL 354.49, 0.46%, 0.58%

LAB 53.9, 39.89, 13.2

 

CMYK 0 / 62 / 57 / 16

HEX #D6515D

RGB 214 81 93

HSL 354.59, 0.62%, 0.58%

LAB 52.92, 53.11, 21.15

 

CMYK 0 / 72 / 66 / 9

HEX #E8404F

RGB 232 64 79

HSL 354.64, 0.79%, 0.58%

LAB 53.37, 64.5, 30.59

 

CMYK 0 / 81 / 74 / 2

HEX #F92F41

RGB 249 47 65

HSL 354.65, 0.94%, 0.58%

LAB 54.61, 73.55, 40.9

 

CMYK 0 / 50 / 45 / 23

HEX #C5636C

RGB 197 99 108

HSL 354.49, 0.46%, 0.58%

LAB 53.9, 39.89, 13.2

 

CMYK 0 / 36 / 32 / 29

HEX #B4747A

RGB 180 116 122

HSL 354.38, 0.3%, 0.58%

LAB 55.68, 25.99, 7.2

 

CMYK 0 / 18 / 17 / 36

HEX #A38588

RGB 163 133 136

HSL 354, 0.14%, 0.58%

LAB 58.36, 11.93, 2.7

 

CMYK 4 / 0 / 1 / 41

HEX #919796

RGB 145 151 150

HSL 170, 0.03%, 0.58%

LAB 61.96, -2.36, -0.23

 

CMYK 24 / 0 / 2 / 34

HEX #80A8A4

RGB 128 168 164

HSL 174, 0.19%, 0.58%

LAB 65.96, -14.35, -2.37

 

CMYK 0 / 50 / 18 / 23

HEX #C563A1

RGB 197 99 161

HSL 322.04, 0.46%, 0.58%

LAB 55.45, 46.69, -15.67

 

CMYK 0 / 50 / 31 / 23

HEX #C56387

RGB 197 99 135

HSL 337.96, 0.46%, 0.58%

LAB 54.6, 43.03, -1.71

 

CMYK 0 / 50 / 45 / 23

HEX #C5636C

RGB 197 99 108

HSL 354.49, 0.46%, 0.58%

LAB 53.9, 39.89, 13.2

 

CMYK 0 / 42 / 50 / 23

HEX #C57363

RGB 197 115 99

HSL 9.8, 0.46%, 0.58%

LAB 57.11, 30.56, 22.8

 

CMYK 0 / 28 / 50 / 23

HEX #C58D63

RGB 197 141 99

HSL 25.71, 0.46%, 0.58%

LAB 63.19, 16.35, 30.76

 

CMYK 0 / 63 / 58 / 39

HEX #9C3A42

RGB 156 58 66

HSL 355.1, 0.46%, 0.42%

LAB 38.7, 41.47, 16.86

 

CMYK 0 / 63 / 58 / 27

HEX #BA454F

RGB 186 69 79

HSL 354.87, 0.46%, 0.5%

LAB 45.99, 47.91, 19.47

 

CMYK 0 / 50 / 45 / 23

HEX #C5636C

RGB 197 99 108

HSL 354.49, 0.46%, 0.58%

LAB 53.9, 39.89, 13.2

 

CMYK 0 / 38 / 35 / 18

HEX #D08188

RGB 208 129 136

HSL 354.68, 0.46%, 0.66%

LAB 62.41, 31.34, 9.18

 

CMYK 0 / 27 / 25 / 14

HEX #DB9FA4

RGB 219 159 164

HSL 355, 0.45%, 0.74%

LAB 71.24, 23, 6.24

 

CMYK 0 / 50 / 46 / 23

HEX #C5626B

RGB 197 98 107

HSL 354.55, 0.46%, 0.58%

LAB 53.67, 40.3, 13.48

 

CMYK 5 / 0 / 50 / 23

HEX #BBC563

RGB 187 197 99

HSL 66.12, 0.46%, 0.58%

LAB 76.92, -17.54, 47.52

 

CMYK 50 / 25 / 0 / 23

HEX #6394C5

RGB 99 148 197

HSL 210, 0.46%, 0.58%

LAB 59.77, -2.78, -30.41

 

CMYK 0 / 50 / 46 / 23

HEX #C5626B

RGB 197 98 107

HSL 354.55, 0.46%, 0.58%

LAB 53.67, 40.3, 13.48

 

CMYK 45 / 0 / 50 / 23

HEX #6CC563

RGB 108 197 99

HSL 114.49, 0.46%, 0.58%

LAB 72.24, -46.08, 40.77

 

CMYK 50 / 45 / 0 / 23

HEX #636CC5

RGB 99 108 197

HSL 234.49, 0.46%, 0.58%

LAB 48.77, 21.09, -47.7

 

CMYK 0 / 50 / 46 / 23

HEX #C5626B

RGB 197 98 107

HSL 354.55, 0.46%, 0.58%

LAB 53.67, 40.3, 13.48

 

CMYK 5 / 0 / 50 / 23

HEX #BBC563

RGB 187 197 99

HSL 66.12, 0.46%, 0.58%

LAB 76.92, -17.54, 47.52

 

CMYK 50 / 0 / 5 / 23

HEX #63C5BB

RGB 99 197 187

HSL 173.88, 0.46%, 0.58%

LAB 73.66, -31.24, -3.85

 

CMYK 45 / 50 / 0 / 23

HEX #6C63C5

RGB 108 99 197

HSL 245.51, 0.46%, 0.58%

LAB 47.16, 28.69, -50.23

 

CMYK 0 / 50 / 46 / 23

HEX #C5626B

RGB 197 98 107

HSL 354.55, 0.46%, 0.58%

LAB 53.67, 40.3, 13.48

 

CMYK 20 / 0 / 50 / 23

HEX #9EC563

RGB 158 197 99

HSL 83.88, 0.46%, 0.58%

LAB 74.89, -28.94, 44.6

 

CMYK 50 / 0 / 5 / 23

HEX #63C5BB

RGB 99 197 187

HSL 173.88, 0.46%, 0.58%

LAB 73.66, -31.24, -3.85

 

CMYK 30 / 50 / 0 / 23

HEX #8A63C5

RGB 138 99 197

HSL 263.88, 0.46%, 0.58%

LAB 49.93, 36.28, -45.66

 

Description

Color code: HEX #C5626B | qconv.com Color code: HEX #C5626B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 98 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 98 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 46 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 46% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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