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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C56038 it is the complementary color #3A9FC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C56038. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C56038 shade: #CA6033, #DB7246, #EC8459, #FD966C and #FFA87F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C56038. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C56038 shade: #C56038, #B44E25, #A33C12, #922A00 and #811800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C56038 shade: #C76138, #C73A38 and #C73838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C56038 shade: #C76138, #C78738, #C7AE38, #BAC738 and #93C738

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C56038 shade matches the following richer shades: #C76138, #DC5823 and #F04F0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C56038 shade: #C76138, #B26A4D, #9E7261, #897B76 and #74848B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C56038 shade: #C7385C, #C73A38, #C76138, #C78738 and #C7AD38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C56038 shade: #874126, #A7512F, #C76138, #D07A58 and #D99478

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C56038 shade: #C56038, #82C738 and #3849C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C56038 shade: #C56038, #38C761 and #6138C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C56038 shade: #C56038, #82C738, #389EC7 and #7D38C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C56038 shade: #C56038, #57C738, #389EC7 and #A838C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 72 / 23

HEX #C56038

RGB 197 96 56

HSL 17.02, 0.56%, 0.5%

LAB 52.42, 37.46, 40.9

 

Complementary color

CMYK 71 / 20 / 0 / 22

HEX #3A9FC7

RGB 58 159 199

HSL 197.02, 0.56%, 0.5%

LAB 61.5, -16.04, -28.97

 

CMYK 0 / 52 / 75 / 21

HEX #CA6033

RGB 202 96 51

HSL 17.88, 0.6%, 0.5%

LAB 53.13, 39.18, 44.45

 

CMYK 0 / 48 / 68 / 14

HEX #DB7246

RGB 219 114 70

HSL 17.72, 0.67%, 0.57%

LAB 59.47, 37.59, 42.37

 

CMYK 0 / 44 / 62 / 7

HEX #EC8459

RGB 236 132 89

HSL 17.55, 0.79%, 0.64%

LAB 65.79, 36.12, 40.4

 

CMYK 0 / 41 / 57 / 1

HEX #FD966C

RGB 253 150 108

HSL 17.38, 0.97%, 0.71%

LAB 72.08, 34.77, 38.58

 

CMYK 0 / 34 / 50 / 0

HEX #FFA87F

RGB 255 168 127

HSL 19.22, 1%, 0.75%

LAB 76.56, 27.75, 34.29

 

CMYK 0 / 51 / 72 / 23

HEX #C56038

RGB 197 96 56

HSL 17.02, 0.56%, 0.5%

LAB 52.42, 37.46, 40.9

 

CMYK 0 / 57 / 79 / 29

HEX #B44E25

RGB 180 78 37

HSL 17.2, 0.66%, 0.43%

LAB 46.02, 39.1, 43.06

 

CMYK 0 / 63 / 89 / 36

HEX #A33C12

RGB 163 60 18

HSL 17.38, 0.8%, 0.35%

LAB 39.68, 40.75, 44.87

 

CMYK 0 / 71 / 100 / 43

HEX #922A00

RGB 146 42 0

HSL 17.26, 1%, 0.29%

LAB 33.49, 42.17, 45.86

 

CMYK 0 / 81 / 100 / 49

HEX #811800

RGB 129 24 0

HSL 11.16, 1%, 0.25%

LAB 27.63, 43, 40.02

 

CMYK 0 / 51 / 72 / 22

HEX #C76138

RGB 199 97 56

HSL 17.2, 0.56%, 0.5%

LAB 52.92, 37.74, 41.54

 

CMYK 0 / 71 / 72 / 22

HEX #C73A38

RGB 199 58 56

HSL 0.84, 0.56%, 0.5%

LAB 46.25, 55.34, 34

 

CMYK 0 / 72 / 72 / 22

HEX #C73838

RGB 199 56 56

HSL 0, 0.56%, 0.5%

LAB 45.98, 56.08, 33.69

 

CMYK 0 / 51 / 72 / 22

HEX #C76138

RGB 199 97 56

HSL 17.2, 0.56%, 0.5%

LAB 52.92, 37.74, 41.54

 

CMYK 0 / 32 / 72 / 22

HEX #C78738

RGB 199 135 56

HSL 33.15, 0.56%, 0.5%

LAB 61.44, 17.37, 50.64

 

CMYK 0 / 13 / 72 / 22

HEX #C7AE38

RGB 199 174 56

HSL 49.51, 0.56%, 0.5%

LAB 71.35, -3.69, 60.65

 

CMYK 7 / 0 / 72 / 22

HEX #BAC738

RGB 186 199 56

HSL 65.45, 0.56%, 0.5%

LAB 77.02, -21.99, 65.81

 

CMYK 26 / 0 / 72 / 22

HEX #93C738

RGB 147 199 56

HSL 81.82, 0.56%, 0.5%

LAB 74.4, -37.65, 62.36

 

CMYK 0 / 51 / 72 / 22

HEX #C76138

RGB 199 97 56

HSL 17.2, 0.56%, 0.5%

LAB 52.92, 37.74, 41.54

 

CMYK 0 / 60 / 84 / 14

HEX #DC5823

RGB 220 88 35

HSL 17.19, 0.73%, 0.5%

LAB 54.36, 49.23, 54.05

 

CMYK 0 / 67 / 94 / 6

HEX #F04F0F

RGB 240 79 15

HSL 17.07, 0.88%, 0.5%

LAB 56.24, 59.59, 63.69

 

CMYK 0 / 51 / 72 / 22

HEX #C76138

RGB 199 97 56

HSL 17.2, 0.56%, 0.5%

LAB 52.92, 37.74, 41.54

 

CMYK 0 / 40 / 57 / 30

HEX #B26A4D

RGB 178 106 77

HSL 17.23, 0.4%, 0.5%

LAB 52.18, 25.83, 28.45

 

CMYK 0 / 28 / 39 / 38

HEX #9E7261

RGB 158 114 97

HSL 16.72, 0.24%, 0.5%

LAB 52.03, 15.06, 16.27

 

CMYK 0 / 10 / 14 / 46

HEX #897B76

RGB 137 123 118

HSL 15.79, 0.07%, 0.5%

LAB 52.72, 4.46, 4.68

 

CMYK 17 / 5 / 0 / 45

HEX #74848B

RGB 116 132 139

HSL 198.26, 0.09%, 0.5%

LAB 54.11, -4.25, -5.74

 

CMYK 0 / 72 / 54 / 22

HEX #C7385C

RGB 199 56 92

HSL 344.9, 0.56%, 0.5%

LAB 46.64, 58.29, 12.78

 

CMYK 0 / 71 / 72 / 22

HEX #C73A38

RGB 199 58 56

HSL 0.84, 0.56%, 0.5%

LAB 46.25, 55.34, 34

 

CMYK 0 / 51 / 72 / 22

HEX #C76138

RGB 199 97 56

HSL 17.2, 0.56%, 0.5%

LAB 52.92, 37.74, 41.54

 

CMYK 0 / 32 / 72 / 22

HEX #C78738

RGB 199 135 56

HSL 33.15, 0.56%, 0.5%

LAB 61.44, 17.37, 50.64

 

CMYK 0 / 13 / 72 / 22

HEX #C7AD38

RGB 199 173 56

HSL 49.09, 0.56%, 0.5%

LAB 71.09, -3.16, 60.39

 

CMYK 0 / 52 / 72 / 47

HEX #874126

RGB 135 65 38

HSL 16.7, 0.56%, 0.34%

LAB 36.12, 27.78, 29.86

 

CMYK 0 / 51 / 72 / 35

HEX #A7512F

RGB 167 81 47

HSL 17, 0.56%, 0.42%

LAB 44.67, 32.85, 35.82

 

CMYK 0 / 51 / 72 / 22

HEX #C76138

RGB 199 97 56

HSL 17.2, 0.56%, 0.5%

LAB 52.92, 37.74, 41.54

 

CMYK 0 / 41 / 58 / 18

HEX #D07A58

RGB 208 122 88

HSL 17, 0.56%, 0.58%

LAB 59.92, 30.23, 32.89

 

CMYK 0 / 32 / 45 / 15

HEX #D99478

RGB 217 148 120

HSL 17.32, 0.56%, 0.66%

LAB 67.49, 22.75, 25.32

 

CMYK 0 / 51 / 72 / 23

HEX #C56038

RGB 197 96 56

HSL 17.02, 0.56%, 0.5%

LAB 52.42, 37.46, 40.9

 

CMYK 35 / 0 / 72 / 22

HEX #82C738

RGB 130 199 56

HSL 88.95, 0.56%, 0.5%

LAB 73.47, -43.91, 61.11

 

CMYK 72 / 63 / 0 / 22

HEX #3849C7

RGB 56 73 199

HSL 232.87, 0.56%, 0.5%

LAB 37.35, 36.1, -67.44

 

CMYK 0 / 51 / 72 / 23

HEX #C56038

RGB 197 96 56

HSL 17.02, 0.56%, 0.5%

LAB 52.42, 37.46, 40.9

 

CMYK 72 / 0 / 51 / 22

HEX #38C761

RGB 56 199 97

HSL 137.2, 0.56%, 0.5%

LAB 71.25, -59.12, 40.16

 

CMYK 51 / 72 / 0 / 22

HEX #6138C7

RGB 97 56 199

HSL 257.2, 0.56%, 0.5%

LAB 36.92, 51.69, -68.03

 

CMYK 0 / 51 / 72 / 23

HEX #C56038

RGB 197 96 56

HSL 17.02, 0.56%, 0.5%

LAB 52.42, 37.46, 40.9

 

CMYK 35 / 0 / 72 / 22

HEX #82C738

RGB 130 199 56

HSL 88.95, 0.56%, 0.5%

LAB 73.47, -43.91, 61.11

 

CMYK 72 / 21 / 0 / 22

HEX #389EC7

RGB 56 158 199

HSL 197.2, 0.56%, 0.5%

LAB 61.15, -15.78, -29.52

 

CMYK 37 / 72 / 0 / 22

HEX #7D38C7

RGB 125 56 199

HSL 268.95, 0.56%, 0.5%

LAB 40.1, 56.47, -62.7

 

CMYK 0 / 51 / 72 / 23

HEX #C56038

RGB 197 96 56

HSL 17.02, 0.56%, 0.5%

LAB 52.42, 37.46, 40.9

 

CMYK 56 / 0 / 72 / 22

HEX #57C738

RGB 87 199 56

HSL 106.99, 0.56%, 0.5%

LAB 71.66, -57.21, 58.7

 

CMYK 72 / 21 / 0 / 22

HEX #389EC7

RGB 56 158 199

HSL 197.2, 0.56%, 0.5%

LAB 61.15, -15.78, -29.52

 

CMYK 16 / 72 / 0 / 22

HEX #A838C7

RGB 168 56 199

HSL 286.99, 0.56%, 0.5%

LAB 46.01, 64.89, -52.86

 

Description

Color code: HEX #C56038 | qconv.com Color code: HEX #C56038 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 96 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 96 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 72 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 72% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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