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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C55EB3 it is the complementary color #3AA14C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C55EB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C55EB3: #CA5EAE, #DB70C1, #EC82D4, #FD94E7 and #FFA6FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C55EB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C55EB3: #C55EB3, #B44CA0, #A33A8D, #92287A and #811667

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 9 / 23

HEX #C55EB3

RGB 197 94 179

HSL 310.49, 0.47%, 0.57%

LAB 55.21, 52.02, -26.49

 

Complementary color

CMYK 64 / 0 / 53 / 37

HEX #3AA14C

RGB 58 161 76

HSL 130.49, 0.47%, 0.43%

LAB 58.89, -47.92, 35.42

 

CMYK 0 / 53 / 14 / 21

HEX #CA5EAE

RGB 202 94 174

HSL 315.56, 0.5%, 0.58%

LAB 55.7, 52.7, -22.77

 

CMYK 0 / 49 / 12 / 14

HEX #DB70C1

RGB 219 112 193

HSL 314.58, 0.6%, 0.65%

LAB 62.08, 52.08, -23.67

 

CMYK 0 / 45 / 10 / 7

HEX #EC82D4

RGB 236 130 212

HSL 313.58, 0.74%, 0.72%

LAB 68.43, 51.38, -24.43

 

CMYK 0 / 42 / 9 / 1

HEX #FD94E7

RGB 253 148 231

HSL 312.57, 0.96%, 0.79%

LAB 74.72, 50.66, -25.09

 

CMYK 0 / 35 / 2 / 0

HEX #FFA6FA

RGB 255 166 250

HSL 303.37, 1%, 0.83%

LAB 79.29, 45.33, -28.37

 

CMYK 0 / 52 / 9 / 23

HEX #C55EB3

RGB 197 94 179

HSL 310.49, 0.47%, 0.57%

LAB 55.21, 52.02, -26.49

 

CMYK 0 / 58 / 11 / 29

HEX #B44CA0

RGB 180 76 160

HSL 311.54, 0.41%, 0.5%

LAB 48.77, 52.51, -25.53

 

CMYK 0 / 64 / 13 / 36

HEX #A33A8D

RGB 163 58 141

HSL 312.57, 0.48%, 0.43%

LAB 42.36, 52.74, -24.29

 

CMYK 0 / 73 / 16 / 43

HEX #92287A

RGB 146 40 122

HSL 313.58, 0.57%, 0.36%

LAB 36.05, 52.45, -22.62

 

CMYK 0 / 83 / 20 / 49

HEX #811667

RGB 129 22 103

HSL 314.58, 0.71%, 0.3%

LAB 29.96, 51.24, -20.27

 

CMYK 0 / 52 / 9 / 23

HEX #C55EB3

RGB 197 94 179

HSL 310.49, 0.47%, 0.57%

LAB 55.21, 52.02, -26.49

 

CMYK 0 / 53 / 17 / 23

HEX #C45DA2

RGB 196 93 162

HSL 319.81, 0.47%, 0.57%

LAB 54.21, 49.5, -18.15

 

CMYK 0 / 53 / 26 / 23

HEX #C45D91

RGB 196 93 145

HSL 329.71, 0.47%, 0.57%

LAB 53.61, 47.03, -9.08

 

CMYK 0 / 53 / 35 / 23

HEX #C45D80

RGB 196 93 128

HSL 339.61, 0.47%, 0.57%

LAB 53.08, 44.82, 0.19

 

CMYK 0 / 53 / 44 / 23

HEX #C45D6E

RGB 196 93 110

HSL 350.1, 0.47%, 0.57%

LAB 52.61, 42.78, 10.19

 

CMYK 0 / 52 / 9 / 23

HEX #C55EB3

RGB 197 94 179

HSL 310.49, 0.47%, 0.57%

LAB 55.21, 52.02, -26.49

 

CMYK 0 / 52 / 9 / 3

HEX #F876E1

RGB 248 118 225

HSL 310.62, 0.9%, 0.72%

LAB 68.28, 62.73, -31.75

 

CMYK 0 / 52 / 9 / 83

HEX #2C1528

RGB 44 21 40

HSL 310.43, 0.35%, 0.13%

LAB 10.74, 15.24, -7.99

 

CMYK 0 / 53 / 9 / 63

HEX #5F2D56

RGB 95 45 86

HSL 310.8, 0.36%, 0.27%

LAB 26.68, 28.92, -14.74

 

CMYK 0 / 52 / 9 / 43

HEX #924685

RGB 146 70 133

HSL 310.26, 0.35%, 0.42%

LAB 41.51, 40.72, -20.95

 

CMYK 0 / 52 / 9 / 23

HEX #C55EB3

RGB 197 94 179

HSL 310.49, 0.47%, 0.57%

LAB 55.21, 52.02, -26.49

 

CMYK 0 / 33 / 53 / 23

HEX #C4835D

RGB 196 131 93

HSL 22.14, 0.47%, 0.57%

LAB 60.57, 20.88, 30.65

 

CMYK 53 / 0 / 12 / 23

HEX #5DC4AC

RGB 93 196 172

HSL 166.02, 0.47%, 0.57%

LAB 72.75, -35.8, 2.94

 

CMYK 0 / 52 / 9 / 23

HEX #C55EB3

RGB 197 94 179

HSL 310.49, 0.47%, 0.57%

LAB 55.21, 52.02, -26.49

 

CMYK 9 / 0 / 53 / 23

HEX #B3C45D

RGB 179 196 93

HSL 69.9, 0.47%, 0.57%

LAB 75.98, -20.82, 49.12

 

CMYK 53 / 9 / 0 / 23

HEX #5DB3C4

RGB 93 179 196

HSL 189.9, 0.47%, 0.57%

LAB 68.43, -21.23, -16.61

 

CMYK 0 / 52 / 9 / 23

HEX #C55EB3

RGB 197 94 179

HSL 310.49, 0.47%, 0.57%

LAB 55.21, 52.02, -26.49

 

CMYK 0 / 33 / 53 / 23

HEX #C4835D

RGB 196 131 93

HSL 22.14, 0.47%, 0.57%

LAB 60.57, 20.88, 30.65

 

CMYK 53 / 0 / 44 / 23

HEX #5DC46E

RGB 93 196 110

HSL 129.9, 0.47%, 0.57%

LAB 71.51, -48.23, 34.21

 

CMYK 53 / 19 / 0 / 23

HEX #5D9FC4

RGB 93 159 196

HSL 201.55, 0.47%, 0.57%

LAB 62.6, -10.61, -25.5

 

CMYK 0 / 52 / 9 / 23

HEX #C55EB3

RGB 197 94 179

HSL 310.49, 0.47%, 0.57%

LAB 55.21, 52.02, -26.49

 

CMYK 0 / 17 / 53 / 23

HEX #C4A25D

RGB 196 162 93

HSL 40.19, 0.47%, 0.57%

LAB 68.29, 3.92, 40.28

 

CMYK 53 / 0 / 44 / 23

HEX #5DC46E

RGB 93 196 110

HSL 129.9, 0.47%, 0.57%

LAB 71.51, -48.23, 34.21

 

CMYK 53 / 35 / 0 / 23

HEX #5D80C4

RGB 93 128 196

HSL 219.61, 0.47%, 0.57%

LAB 53.76, 7.21, -39.25

 

Description

Color code: HEX #C55EB3 | qconv.com Color code: HEX #C55EB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 94 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 94 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 9 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 9% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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