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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C55B5E it is the complementary color #3AA4A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C55B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C55B5E shade: #CA5B59, #DB6D6C, #EC7F7F, #FD9192 and #FFA3A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C55B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C55B5E shade: #C55B5E, #B4494B, #A33738, #922525 and #811312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C55B5E shade: #C4585B and #C45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C55B5E shade: #C4585B, #C45879, #C45896, #C458B3 and #B958C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C55B5E shade matches the following richer shades: #C4585B, #D6464A, #E83439 and #FB2228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C55B5E shade: #C4585B, #B26B6D, #A07D7E, #8E8F8F and #7CA1A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C55B5E shade: #C45895, #C45879, #C4585C, #C47258 and #C48E58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C55B5E shade: #963437, #B43F42, #C4585B, #CF7779 and #DA9697

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C55B5E shade: #C55B5E, #B2C458 and #5887C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C55B5E shade: #C55B5E, #5CC458 and #585CC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C55B5E shade: #C55B5E, #B2C458, #58C4C1 and #6A58C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C55B5E shade: #C55B5E, #92C458, #58C4C1 and #8B58C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 52 / 23

HEX #C55B5E

RGB 197 91 94

HSL 358.3, 0.48%, 0.56%

LAB 52.02, 42.6, 18.88

 

Complementary color

CMYK 65 / 0 / 2 / 36

HEX #3AA4A1

RGB 58 164 161

HSL 178.3, 0.48%, 0.44%

LAB 61.67, -30.37, -7.36

 

CMYK 0 / 55 / 56 / 21

HEX #CA5B59

RGB 202 91 89

HSL 1.06, 0.52%, 0.57%

LAB 52.69, 44, 22.85

 

CMYK 0 / 50 / 51 / 14

HEX #DB6D6C

RGB 219 109 108

HSL 0.54, 0.61%, 0.64%

LAB 59.05, 42.87, 20.77

 

CMYK 0 / 46 / 46 / 7

HEX #EC7F7F

RGB 236 127 127

HSL 0, 0.74%, 0.71%

LAB 65.39, 41.77, 18.98

 

CMYK 0 / 43 / 42 / 1

HEX #FD9192

RGB 253 145 146

HSL 359.44, 0.96%, 0.78%

LAB 71.7, 40.72, 17.41

 

CMYK 0 / 36 / 35 / 0

HEX #FFA3A5

RGB 255 163 165

HSL 358.7, 1%, 0.82%

LAB 76.17, 34.29, 13.26

 

CMYK 0 / 54 / 52 / 23

HEX #C55B5E

RGB 197 91 94

HSL 358.3, 0.48%, 0.56%

LAB 52.02, 42.6, 18.88

 

CMYK 0 / 59 / 58 / 29

HEX #B4494B

RGB 180 73 75

HSL 358.88, 0.42%, 0.5%

LAB 45.6, 43.66, 21.2

 

CMYK 0 / 66 / 66 / 36

HEX #A33738

RGB 163 55 56

HSL 359.44, 0.5%, 0.43%

LAB 39.25, 44.58, 24.02

 

CMYK 0 / 75 / 75 / 43

HEX #922525

RGB 146 37 37

HSL 0, 0.6%, 0.36%

LAB 33.07, 45.13, 27.5

 

CMYK 0 / 85 / 86 / 49

HEX #811312

RGB 129 19 18

HSL 0.54, 0.76%, 0.29%

LAB 27.23, 44.84, 31.62

 

CMYK 0 / 55 / 54 / 23

HEX #C4585B

RGB 196 88 91

HSL 358.33, 0.48%, 0.56%

LAB 51.23, 43.46, 19.57

 

CMYK 0 / 55 / 55 / 23

HEX #C45858

RGB 196 88 88

HSL 0, 0.48%, 0.56%

LAB 51.17, 43.21, 21.27

 

CMYK 0 / 55 / 54 / 23

HEX #C4585B

RGB 196 88 91

HSL 358.33, 0.48%, 0.56%

LAB 51.23, 43.46, 19.57

 

CMYK 0 / 55 / 38 / 23

HEX #C45879

RGB 196 88 121

HSL 341.67, 0.48%, 0.56%

LAB 51.95, 46.45, 2.7

 

CMYK 0 / 55 / 23 / 23

HEX #C45896

RGB 196 88 150

HSL 325.56, 0.48%, 0.56%

LAB 52.86, 50.16, -13.16

 

CMYK 0 / 55 / 9 / 23

HEX #C458B3

RGB 196 88 179

HSL 309.44, 0.48%, 0.56%

LAB 54, 54.59, -28.38

 

CMYK 6 / 55 / 0 / 23

HEX #B958C4

RGB 185 88 196

HSL 293.89, 0.48%, 0.56%

LAB 53.25, 54.54, -39.46

 

CMYK 0 / 55 / 54 / 23

HEX #C4585B

RGB 196 88 91

HSL 358.33, 0.48%, 0.56%

LAB 51.23, 43.46, 19.57

 

CMYK 0 / 67 / 65 / 16

HEX #D6464A

RGB 214 70 74

HSL 358.33, 0.64%, 0.56%

LAB 50.89, 56.45, 29.72

 

CMYK 0 / 78 / 75 / 9

HEX #E83439

RGB 232 52 57

HSL 358.33, 0.8%, 0.56%

LAB 51.73, 67.27, 41.29

 

CMYK 0 / 86 / 84 / 2

HEX #FB2228

RGB 251 34 40

HSL 358.34, 0.96%, 0.56%

LAB 53.82, 76.03, 53.51

 

CMYK 0 / 55 / 54 / 23

HEX #C4585B

RGB 196 88 91

HSL 358.33, 0.48%, 0.56%

LAB 51.23, 43.46, 19.57

 

CMYK 0 / 40 / 39 / 30

HEX #B26B6D

RGB 178 107 109

HSL 358.31, 0.32%, 0.56%

LAB 53.04, 28.55, 11.03

 

CMYK 0 / 22 / 21 / 37

HEX #A07D7E

RGB 160 125 126

HSL 358.29, 0.16%, 0.56%

LAB 55.73, 13.69, 4.65

 

CMYK 1 / 0 / 0 / 44

HEX #8E8F8F

RGB 142 143 143

HSL 180, 0%, 0.56%

LAB 59.32, -0.36, -0.14

 

CMYK 23 / 0 / 1 / 37

HEX #7CA1A0

RGB 124 161 160

HSL 178.38, 0.16%, 0.56%

LAB 63.6, -12.8, -3.63

 

CMYK 0 / 55 / 24 / 23

HEX #C45895

RGB 196 88 149

HSL 326.11, 0.48%, 0.56%

LAB 52.82, 50.02, -12.62

 

CMYK 0 / 55 / 38 / 23

HEX #C45879

RGB 196 88 121

HSL 341.67, 0.48%, 0.56%

LAB 51.95, 46.45, 2.7

 

CMYK 0 / 55 / 53 / 23

HEX #C4585C

RGB 196 88 92

HSL 357.78, 0.48%, 0.56%

LAB 51.25, 43.54, 19.01

 

CMYK 0 / 42 / 55 / 23

HEX #C47258

RGB 196 114 88

HSL 14.44, 0.48%, 0.56%

LAB 56.56, 29.72, 28.3

 

CMYK 0 / 28 / 55 / 23

HEX #C48E58

RGB 196 142 88

HSL 30, 0.48%, 0.56%

LAB 63.17, 14.4, 36.6

 

CMYK 0 / 65 / 63 / 41

HEX #963437

RGB 150 52 55

HSL 358.16, 0.49%, 0.4%

LAB 36.4, 41.29, 20.53

 

CMYK 0 / 65 / 63 / 29

HEX #B43F42

RGB 180 63 66

HSL 358.46, 0.48%, 0.48%

LAB 43.73, 47.59, 24.21

 

CMYK 0 / 55 / 54 / 23

HEX #C4585B

RGB 196 88 91

HSL 358.33, 0.48%, 0.56%

LAB 51.23, 43.46, 19.57

 

CMYK 0 / 43 / 42 / 19

HEX #CF7779

RGB 207 119 121

HSL 358.64, 0.48%, 0.64%

LAB 59.74, 34.54, 13.99

 

CMYK 0 / 31 / 31 / 15

HEX #DA9697

RGB 218 150 151

HSL 359.12, 0.48%, 0.72%

LAB 68.72, 25.71, 9.84

 

CMYK 0 / 54 / 52 / 23

HEX #C55B5E

RGB 197 91 94

HSL 358.3, 0.48%, 0.56%

LAB 52.02, 42.6, 18.88

 

CMYK 9 / 0 / 55 / 23

HEX #B2C458

RGB 178 196 88

HSL 70, 0.48%, 0.56%

LAB 75.85, -21.66, 51.28

 

CMYK 55 / 31 / 0 / 23

HEX #5887C4

RGB 88 135 196

HSL 213.89, 0.48%, 0.56%

LAB 55.47, 1.94, -36.58

 

CMYK 0 / 54 / 52 / 23

HEX #C55B5E

RGB 197 91 94

HSL 358.3, 0.48%, 0.56%

LAB 52.02, 42.6, 18.88

 

CMYK 53 / 0 / 55 / 23

HEX #5CC458

RGB 92 196 88

HSL 117.78, 0.48%, 0.56%

LAB 71.19, -51.58, 44.65

 

CMYK 55 / 53 / 0 / 23

HEX #585CC4

RGB 88 92 196

HSL 237.78, 0.48%, 0.56%

LAB 43.82, 28.3, -55.1

 

CMYK 0 / 54 / 52 / 23

HEX #C55B5E

RGB 197 91 94

HSL 358.3, 0.48%, 0.56%

LAB 52.02, 42.6, 18.88

 

CMYK 9 / 0 / 55 / 23

HEX #B2C458

RGB 178 196 88

HSL 70, 0.48%, 0.56%

LAB 75.85, -21.66, 51.28

 

CMYK 55 / 0 / 2 / 23

HEX #58C4C1

RGB 88 196 193

HSL 178.33, 0.48%, 0.56%

LAB 73.16, -31.5, -7.9

 

CMYK 46 / 55 / 0 / 23

HEX #6A58C4

RGB 106 88 196

HSL 250, 0.48%, 0.56%

LAB 44.27, 34.57, -54.3

 

CMYK 0 / 54 / 52 / 23

HEX #C55B5E

RGB 197 91 94

HSL 358.3, 0.48%, 0.56%

LAB 52.02, 42.6, 18.88

 

CMYK 26 / 0 / 55 / 23

HEX #92C458

RGB 146 196 88

HSL 87.78, 0.48%, 0.56%

LAB 73.74, -34.12, 48.28

 

CMYK 55 / 0 / 2 / 23

HEX #58C4C1

RGB 88 196 193

HSL 178.33, 0.48%, 0.56%

LAB 73.16, -31.5, -7.9

 

CMYK 29 / 55 / 0 / 23

HEX #8B58C4

RGB 139 88 196

HSL 268.33, 0.48%, 0.56%

LAB 47.56, 42.49, -48.84

 

Description

Color code: HEX #C55B5E | qconv.com Color code: HEX #C55B5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 91 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 91 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 52 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 52% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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