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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5588C it is the complementary color #3AA773. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5588C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5588C shade: #CA5887, #DB6A9A, #EC7CAD, #FD8EC0 and #FFA0D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5588C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5588C shade: #C5588C, #B44679, #A33466, #922253 and #811040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5588C shade: #C5598C, #C5596F and #C55959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5588C shade: #C5598C, #C559A9, #C359C5, #A659C5 and #8959C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5588C shade matches the following richer shades: #C5598C, #D7478B, #E9358B and #FB228A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5588C shade: #C5598C, #B36B8D, #A07D8E, #8E8F8F and #7CA290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5588C shade: #C359C5, #C559AA, #C5598D, #C55970 and #C55E59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5588C shade: #963563, #B54077, #C5598C, #CF77A1 and #DA96B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5588C shade: #C5588C, #C5A659 and #59B8C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5588C shade: #C5588C, #8DC559 and #598DC5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5588C shade: #C5588C, #C5A659, #59C591 and #5977C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5588C shade: #C5588C, #C3C559, #59C591 and #5B59C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 29 / 23

HEX #C5588C

RGB 197 88 140

HSL 331.38, 0.48%, 0.56%

LAB 52.67, 49.11, -7.52

 

Complementary color

CMYK 65 / 0 / 31 / 35

HEX #3AA773

RGB 58 167 115

HSL 151.38, 0.48%, 0.44%

LAB 61.46, -43.29, 18.03

 

CMYK 0 / 56 / 33 / 21

HEX #CA5887

RGB 202 88 135

HSL 335.26, 0.52%, 0.57%

LAB 53.26, 50.1, -3.59

 

CMYK 0 / 52 / 30 / 14

HEX #DB6A9A

RGB 219 106 154

HSL 334.51, 0.61%, 0.64%

LAB 59.62, 49.38, -5.04

 

CMYK 0 / 47 / 27 / 7

HEX #EC7CAD

RGB 236 124 173

HSL 333.75, 0.75%, 0.71%

LAB 65.95, 48.6, -6.27

 

CMYK 0 / 44 / 24 / 1

HEX #FD8EC0

RGB 253 142 192

HSL 332.97, 0.97%, 0.77%

LAB 72.25, 47.8, -7.34

 

CMYK 0 / 37 / 17 / 0

HEX #FFA0D3

RGB 255 160 211

HSL 327.79, 1%, 0.81%

LAB 76.74, 42.05, -11.08

 

CMYK 0 / 55 / 29 / 23

HEX #C5588C

RGB 197 88 140

HSL 331.38, 0.48%, 0.56%

LAB 52.67, 49.11, -7.52

 

CMYK 0 / 61 / 33 / 29

HEX #B44679

RGB 180 70 121

HSL 332.18, 0.44%, 0.49%

LAB 46.26, 49.68, -5.93

 

CMYK 0 / 68 / 37 / 36

HEX #A33466

RGB 163 52 102

HSL 332.97, 0.52%, 0.42%

LAB 39.92, 49.94, -3.92

 

CMYK 0 / 77 / 43 / 43

HEX #922253

RGB 146 34 83

HSL 333.75, 0.62%, 0.35%

LAB 33.73, 49.62, -1.27

 

CMYK 0 / 88 / 50 / 49

HEX #811040

RGB 129 16 64

HSL 334.51, 0.78%, 0.28%

LAB 27.87, 48.25, 2.34

 

CMYK 0 / 55 / 29 / 23

HEX #C5598C

RGB 197 89 140

HSL 331.67, 0.48%, 0.56%

LAB 52.85, 48.63, -7.25

 

CMYK 0 / 55 / 44 / 23

HEX #C5596F

RGB 197 89 111

HSL 347.78, 0.48%, 0.56%

LAB 52.02, 45.21, 8.79

 

CMYK 0 / 55 / 55 / 23

HEX #C55959

RGB 197 89 89

HSL 0, 0.48%, 0.56%

LAB 51.54, 43.16, 21.19

 

CMYK 0 / 55 / 29 / 23

HEX #C5598C

RGB 197 89 140

HSL 331.67, 0.48%, 0.56%

LAB 52.85, 48.63, -7.25

 

CMYK 0 / 55 / 14 / 23

HEX #C559A9

RGB 197 89 169

HSL 315.56, 0.48%, 0.56%

LAB 53.9, 52.81, -22.7

 

CMYK 1 / 55 / 0 / 23

HEX #C359C5

RGB 195 89 197

HSL 298.89, 0.48%, 0.56%

LAB 54.84, 56.93, -37.44

 

CMYK 16 / 55 / 0 / 23

HEX #A659C5

RGB 166 89 197

HSL 282.78, 0.48%, 0.56%

LAB 51.02, 49.19, -43.73

 

CMYK 30 / 55 / 0 / 23

HEX #8959C5

RGB 137 89 197

HSL 266.67, 0.48%, 0.56%

LAB 47.62, 41.68, -49.35

 

CMYK 0 / 55 / 29 / 23

HEX #C5598C

RGB 197 89 140

HSL 331.67, 0.48%, 0.56%

LAB 52.85, 48.63, -7.25

 

CMYK 0 / 67 / 35 / 16

HEX #D7478B

RGB 215 71 139

HSL 331.67, 0.64%, 0.56%

LAB 52.75, 61.84, -6.5

 

CMYK 0 / 77 / 40 / 9

HEX #E9358B

RGB 233 53 139

HSL 331.33, 0.8%, 0.56%

LAB 53.74, 72.63, -4.68

 

CMYK 0 / 86 / 45 / 2

HEX #FB228A

RGB 251 34 138

HSL 331.24, 0.96%, 0.56%

LAB 55.57, 81.03, -1.01

 

CMYK 0 / 55 / 29 / 23

HEX #C5598C

RGB 197 89 140

HSL 331.67, 0.48%, 0.56%

LAB 52.85, 48.63, -7.25

 

CMYK 0 / 40 / 21 / 30

HEX #B36B8D

RGB 179 107 141

HSL 331.67, 0.32%, 0.56%

LAB 54.05, 33.33, -6.31

 

CMYK 0 / 22 / 11 / 37

HEX #A07D8E

RGB 160 125 142

HSL 330.86, 0.16%, 0.56%

LAB 56.18, 16.39, -3.98

 

CMYK 1 / 0 / 0 / 44

HEX #8E8F8F

RGB 142 143 143

HSL 180, 0%, 0.56%

LAB 59.32, -0.36, -0.14

 

CMYK 23 / 0 / 11 / 36

HEX #7CA290

RGB 124 162 144

HSL 151.58, 0.17%, 0.56%

LAB 63.46, -16.81, 5.14

 

CMYK 1 / 55 / 0 / 23

HEX #C359C5

RGB 195 89 197

HSL 298.89, 0.48%, 0.56%

LAB 54.84, 56.93, -37.44

 

CMYK 0 / 55 / 14 / 23

HEX #C559AA

RGB 197 89 170

HSL 315, 0.48%, 0.56%

LAB 53.94, 52.97, -23.22

 

CMYK 0 / 55 / 28 / 23

HEX #C5598D

RGB 197 89 141

HSL 331.11, 0.48%, 0.56%

LAB 52.88, 48.77, -7.79

 

CMYK 0 / 55 / 43 / 23

HEX #C55970

RGB 197 89 112

HSL 347.22, 0.48%, 0.56%

LAB 52.05, 45.32, 8.23

 

CMYK 0 / 52 / 55 / 23

HEX #C55E59

RGB 197 94 89

HSL 2.78, 0.48%, 0.56%

LAB 52.51, 40.67, 22.47

 

CMYK 0 / 65 / 34 / 41

HEX #963563

RGB 150 53 99

HSL 331.55, 0.48%, 0.4%

LAB 37.72, 45.12, -5.54

 

CMYK 0 / 65 / 34 / 29

HEX #B54077

RGB 181 64 119

HSL 331.79, 0.48%, 0.48%

LAB 45.39, 52.38, -5.99

 

CMYK 0 / 55 / 29 / 23

HEX #C5598C

RGB 197 89 140

HSL 331.67, 0.48%, 0.56%

LAB 52.85, 48.63, -7.25

 

CMYK 0 / 43 / 22 / 19

HEX #CF77A1

RGB 207 119 161

HSL 331.36, 0.48%, 0.64%

LAB 60.81, 39.71, -7.48

 

CMYK 0 / 31 / 17 / 15

HEX #DA96B6

RGB 218 150 182

HSL 331.76, 0.48%, 0.72%

LAB 69.54, 30.2, -6.26

 

CMYK 0 / 55 / 29 / 23

HEX #C5588C

RGB 197 88 140

HSL 331.38, 0.48%, 0.56%

LAB 52.67, 49.11, -7.52

 

CMYK 0 / 16 / 55 / 23

HEX #C5A659

RGB 197 166 89

HSL 42.78, 0.48%, 0.56%

LAB 69.37, 1.85, 43.63

 

CMYK 55 / 7 / 0 / 23

HEX #59B8C5

RGB 89 184 197

HSL 187.22, 0.48%, 0.56%

LAB 69.78, -24.32, -15.14

 

CMYK 0 / 55 / 29 / 23

HEX #C5588C

RGB 197 88 140

HSL 331.38, 0.48%, 0.56%

LAB 52.67, 49.11, -7.52

 

CMYK 28 / 0 / 55 / 23

HEX #8DC559

RGB 141 197 89

HSL 91.11, 0.48%, 0.56%

LAB 73.75, -36.31, 47.76

 

CMYK 55 / 28 / 0 / 23

HEX #598DC5

RGB 89 141 197

HSL 211.11, 0.48%, 0.56%

LAB 57.27, -1.03, -34.32

 

CMYK 0 / 55 / 29 / 23

HEX #C5588C

RGB 197 88 140

HSL 331.38, 0.48%, 0.56%

LAB 52.67, 49.11, -7.52

 

CMYK 0 / 16 / 55 / 23

HEX #C5A659

RGB 197 166 89

HSL 42.78, 0.48%, 0.56%

LAB 69.37, 1.85, 43.63

 

CMYK 55 / 0 / 26 / 23

HEX #59C591

RGB 89 197 145

HSL 151.11, 0.48%, 0.56%

LAB 72.3, -43.22, 16.87

 

CMYK 55 / 40 / 0 / 23

HEX #5977C5

RGB 89 119 197

HSL 223.33, 0.48%, 0.56%

LAB 51.09, 12.09, -44.05

 

CMYK 0 / 55 / 29 / 23

HEX #C5588C

RGB 197 88 140

HSL 331.38, 0.48%, 0.56%

LAB 52.67, 49.11, -7.52

 

CMYK 1 / 0 / 55 / 23

HEX #C3C559

RGB 195 197 89

HSL 61.11, 0.48%, 0.56%

LAB 77.43, -15.14, 52.97

 

CMYK 55 / 0 / 26 / 23

HEX #59C591

RGB 89 197 145

HSL 151.11, 0.48%, 0.56%

LAB 72.3, -43.22, 16.87

 

CMYK 54 / 55 / 0 / 23

HEX #5B59C5

RGB 91 89 197

HSL 241.11, 0.48%, 0.56%

LAB 43.36, 31.08, -56.42

 

Description

Color code: HEX #C5588C | qconv.com Color code: HEX #C5588C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 88 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 88 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 29 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 29% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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