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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C548E3 it is the complementary color #3AB71C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C548E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C548E3 shade: #CA48DE, #DB5AF1, #EC6CFF, #FD7EFF and #FF90FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C548E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C548E3 shade: #C548E3, #B436D0, #A324BD, #9212AA and #810097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C548E3 shade: #C54AE3, #E34AD7, #E34AAE, #E34A85 and #E34A5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C548E3 shade: #C54AE3, #9C4AE3, #734AE3 and #4A4AE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C548E3 shade matches the following richer shades: #C54AE3 and #D039F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C548E3 shade: #C54AE3, #BB5BD2, #B06CC1, #A67DB0 and #9C8E9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C548E3 shade: #734AE3, #9C4AE3, #C44AE3, #E34AD9 and #E34AB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C548E3 shade: #9E1DBD, #BA26DD, #C54AE3, #D16EE8 and #DC92EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C548E3 shade: #C548E3, #E34A4A and #4AE387

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C548E3 shade: #C548E3, #E3C44A and #4AE3C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C548E3 shade: #C548E3, #E34A4A, #69E34A and #4AE3E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C548E3 shade: #C548E3, #E3784A, #69E34A and #4AB5E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 68 / 0 / 11

HEX #C548E3

RGB 197 72 227

HSL 288.39, 0.73%, 0.59%

LAB 54.08, 70.13, -55.69

 

Complementary color

CMYK 68 / 0 / 85 / 28

HEX #3AB71C

RGB 58 183 28

HSL 108.39, 0.73%, 0.41%

LAB 65.63, -60.08, 61.28

 

CMYK 9 / 68 / 0 / 13

HEX #CA48DE

RGB 202 72 222

HSL 292, 0.69%, 0.58%

LAB 54.52, 70.3, -52.13

 

CMYK 9 / 63 / 0 / 5

HEX #DB5AF1

RGB 219 90 241

HSL 291.26, 0.84%, 0.65%

LAB 60.54, 70.33, -53.05

 

CMYK 7 / 58 / 0 / 0

HEX #EC6CFF

RGB 236 108 255

HSL 292.24, 1%, 0.71%

LAB 66.35, 69.15, -51.42

 

CMYK 1 / 51 / 0 / 0

HEX #FD7EFF

RGB 253 126 255

HSL 299.07, 1%, 0.75%

LAB 71.57, 65.34, -43.05

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 13 / 68 / 0 / 11

HEX #C548E3

RGB 197 72 227

HSL 288.39, 0.73%, 0.59%

LAB 54.08, 70.13, -55.69

 

CMYK 13 / 74 / 0 / 18

HEX #B436D0

RGB 180 54 208

HSL 289.09, 0.62%, 0.51%

LAB 48.13, 69.7, -54.55

 

CMYK 14 / 81 / 0 / 26

HEX #A324BD

RGB 163 36 189

HSL 289.8, 0.68%, 0.44%

LAB 42.34, 68.55, -52.97

 

CMYK 14 / 89 / 0 / 33

HEX #9212AA

RGB 146 18 170

HSL 290.53, 0.81%, 0.37%

LAB 36.83, 66.31, -50.75

 

CMYK 15 / 100 / 0 / 41

HEX #810097

RGB 129 0 151

HSL 291.26, 1%, 0.3%

LAB 31.58, 62.92, -47.87

 

CMYK 13 / 67 / 0 / 11

HEX #C54AE3

RGB 197 74 227

HSL 288.24, 0.73%, 0.59%

LAB 54.36, 69.35, -55.25

 

CMYK 0 / 67 / 5 / 11

HEX #E34AD7

RGB 227 74 215

HSL 304.71, 0.73%, 0.59%

LAB 58.16, 74, -42.15

 

CMYK 0 / 67 / 23 / 11

HEX #E34AAE

RGB 227 74 174

HSL 320.78, 0.73%, 0.59%

LAB 56.37, 68.19, -21.42

 

CMYK 0 / 67 / 41 / 11

HEX #E34A85

RGB 227 74 133

HSL 336.86, 0.73%, 0.59%

LAB 54.99, 63.51, 0.6

 

CMYK 0 / 67 / 59 / 11

HEX #E34A5C

RGB 227 74 92

HSL 352.94, 0.73%, 0.59%

LAB 54.03, 60.12, 23.61

 

CMYK 13 / 67 / 0 / 11

HEX #C54AE3

RGB 197 74 227

HSL 288.24, 0.73%, 0.59%

LAB 54.36, 69.35, -55.25

 

CMYK 31 / 67 / 0 / 11

HEX #9C4AE3

RGB 156 74 227

HSL 272.16, 0.73%, 0.59%

LAB 48.9, 60.79, -64.32

 

CMYK 49 / 67 / 0 / 11

HEX #734AE3

RGB 115 74 227

HSL 256.08, 0.73%, 0.59%

LAB 44.36, 53.13, -71.9

 

CMYK 67 / 67 / 0 / 11

HEX #4A4AE3

RGB 74 74 227

HSL 240, 0.73%, 0.59%

LAB 41.06, 47.13, -77.44

 

CMYK 13 / 67 / 0 / 11

HEX #C54AE3

RGB 197 74 227

HSL 288.24, 0.73%, 0.59%

LAB 54.36, 69.35, -55.25

 

CMYK 15 / 77 / 0 / 4

HEX #D039F4

RGB 208 57 244

HSL 288.45, 0.89%, 0.59%

LAB 54.94, 80.46, -63.78

 

CMYK 13 / 67 / 0 / 11

HEX #C54AE3

RGB 197 74 227

HSL 288.24, 0.73%, 0.59%

LAB 54.36, 69.35, -55.25

 

CMYK 11 / 57 / 0 / 18

HEX #BB5BD2

RGB 187 91 210

HSL 288.4, 0.57%, 0.59%

LAB 54.76, 56.31, -45.06

 

CMYK 9 / 44 / 0 / 24

HEX #B06CC1

RGB 176 108 193

HSL 288, 0.41%, 0.59%

LAB 55.89, 41.16, -33.68

 

CMYK 6 / 29 / 0 / 31

HEX #A67DB0

RGB 166 125 176

HSL 288.24, 0.24%, 0.59%

LAB 57.95, 25.04, -20.86

 

CMYK 2 / 11 / 0 / 38

HEX #9C8E9F

RGB 156 142 159

HSL 289.41, 0.08%, 0.59%

LAB 60.71, 8.43, -7.08

 

CMYK 49 / 67 / 0 / 11

HEX #734AE3

RGB 115 74 227

HSL 256.08, 0.73%, 0.59%

LAB 44.36, 53.13, -71.9

 

CMYK 31 / 67 / 0 / 11

HEX #9C4AE3

RGB 156 74 227

HSL 272.16, 0.73%, 0.59%

LAB 48.9, 60.79, -64.32

 

CMYK 14 / 67 / 0 / 11

HEX #C44AE3

RGB 196 74 227

HSL 287.84, 0.73%, 0.59%

LAB 54.22, 69.14, -55.48

 

CMYK 0 / 67 / 4 / 11

HEX #E34AD9

RGB 227 74 217

HSL 303.92, 0.73%, 0.59%

LAB 58.26, 74.31, -43.13

 

CMYK 0 / 67 / 22 / 11

HEX #E34AB0

RGB 227 74 176

HSL 320, 0.73%, 0.59%

LAB 56.45, 68.45, -22.46

 

CMYK 16 / 85 / 0 / 26

HEX #9E1DBD

RGB 158 29 189

HSL 288.38, 0.73%, 0.43%

LAB 40.93, 69.42, -55.29

 

CMYK 16 / 83 / 0 / 13

HEX #BA26DD

RGB 186 38 221

HSL 288.52, 0.73%, 0.51%

LAB 48.32, 77.68, -61.64

 

CMYK 13 / 67 / 0 / 11

HEX #C54AE3

RGB 197 74 227

HSL 288.24, 0.73%, 0.59%

LAB 54.36, 69.35, -55.25

 

CMYK 10 / 53 / 0 / 9

HEX #D16EE8

RGB 209 110 232

HSL 288.69, 0.73%, 0.67%

LAB 62.11, 57.11, -45.64

 

CMYK 8 / 39 / 0 / 7

HEX #DC92EE

RGB 220 146 238

HSL 288.26, 0.73%, 0.75%

LAB 70.83, 42.94, -35.21

 

CMYK 13 / 68 / 0 / 11

HEX #C548E3

RGB 197 72 227

HSL 288.39, 0.73%, 0.59%

LAB 54.08, 70.13, -55.69

 

CMYK 0 / 67 / 67 / 11

HEX #E34A4A

RGB 227 74 74

HSL 0, 0.73%, 0.59%

LAB 53.73, 59.05, 33.73

 

CMYK 67 / 0 / 41 / 11

HEX #4AE387

RGB 74 227 135

HSL 143.92, 0.73%, 0.59%

LAB 80.82, -60.08, 33.52

 

CMYK 13 / 68 / 0 / 11

HEX #C548E3

RGB 197 72 227

HSL 288.39, 0.73%, 0.59%

LAB 54.08, 70.13, -55.69

 

CMYK 0 / 14 / 67 / 11

HEX #E3C44A

RGB 227 196 74

HSL 47.84, 0.73%, 0.59%

LAB 79.79, -2.23, 62.85

 

CMYK 67 / 0 / 14 / 11

HEX #4AE3C4

RGB 74 227 196

HSL 167.84, 0.73%, 0.59%

LAB 82.04, -47.11, 3.49

 

CMYK 13 / 68 / 0 / 11

HEX #C548E3

RGB 197 72 227

HSL 288.39, 0.73%, 0.59%

LAB 54.08, 70.13, -55.69

 

CMYK 0 / 67 / 67 / 11

HEX #E34A4A

RGB 227 74 74

HSL 0, 0.73%, 0.59%

LAB 53.73, 59.05, 33.73

 

CMYK 54 / 0 / 67 / 11

HEX #69E34A

RGB 105 227 74

HSL 107.84, 0.73%, 0.59%

LAB 80.98, -61.25, 61.8

 

CMYK 67 / 0 / 0 / 11

HEX #4AE3E3

RGB 74 227 227

HSL 180, 0.73%, 0.59%

LAB 82.88, -38.96, -11.7

 

CMYK 13 / 68 / 0 / 11

HEX #C548E3

RGB 197 72 227

HSL 288.39, 0.73%, 0.59%

LAB 54.08, 70.13, -55.69

 

CMYK 0 / 47 / 67 / 11

HEX #E3784A

RGB 227 120 74

HSL 18.04, 0.73%, 0.59%

LAB 61.88, 37.86, 43.35

 

CMYK 54 / 0 / 67 / 11

HEX #69E34A

RGB 105 227 74

HSL 107.84, 0.73%, 0.59%

LAB 80.98, -61.25, 61.8

 

CMYK 67 / 20 / 0 / 11

HEX #4AB5E3

RGB 74 181 227

HSL 198.04, 0.73%, 0.59%

LAB 69.5, -16.38, -32.03

 

Description

Color code: HEX #C548E3 | qconv.com Color code: HEX #C548E3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 72 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 72 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 68 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 68% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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