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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C548C8 it is the complementary color #3AB737. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C548C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C548C8 shade: #CA48C3, #DB5AD6, #EC6CE9, #FD7EFC and #FF90FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C548C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C548C8 shade: #C548C8, #B436B5, #A324A2, #92128F and #81007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C548C8 shade: #C546C8, #C846A8, #C84685, #C84662 and #C84646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C548C8 shade: #C546C8, #A246C8, #7F46C8, #5C46C8 and #4646C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C548C8 shade matches the following richer shades: #C546C8, #D733DB and #EA20EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C548C8 shade: #C546C8, #B25AB4, #A06DA1, #8D818E and #7B947A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C548C8 shade: #7F46C8, #A146C8, #C446C8, #C846AA and #C84687

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C548C8 shade: #8E2B91, #AD35B0, #C546C8, #CF66D1 and #D986DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C548C8 shade: #C548C8, #C85C46 and #46C890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C548C8 shade: #C548C8, #C8C446 and #46C8C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C548C8 shade: #C548C8, #C85C46, #4BC846 and #46B2C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C548C8 shade: #C548C8, #C88346, #4BC846 and #468BC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 64 / 0 / 22

HEX #C548C8

RGB 197 72 200

HSL 298.59, 0.54%, 0.53%

LAB 52.59, 65.33, -42.69

 

Complementary color

CMYK 68 / 0 / 70 / 28

HEX #3AB737

RGB 58 183 55

HSL 118.59, 0.54%, 0.47%

LAB 65.78, -58.28, 52.74

 

CMYK 0 / 64 / 3 / 21

HEX #CA48C3

RGB 202 72 195

HSL 303.23, 0.55%, 0.54%

LAB 53.09, 65.7, -38.97

 

CMYK 0 / 59 / 2 / 14

HEX #DB5AD6

RGB 219 90 214

HSL 302.33, 0.64%, 0.61%

LAB 59.18, 65.65, -40.06

 

CMYK 0 / 54 / 1 / 7

HEX #EC6CE9

RGB 236 108 233

HSL 301.41, 0.77%, 0.67%

LAB 65.31, 65.32, -40.92

 

CMYK 0 / 50 / 0 / 1

HEX #FD7EFC

RGB 253 126 252

HSL 300.47, 0.97%, 0.74%

LAB 71.44, 64.83, -41.62

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 1 / 64 / 0 / 22

HEX #C548C8

RGB 197 72 200

HSL 298.59, 0.54%, 0.53%

LAB 52.59, 65.33, -42.69

 

CMYK 1 / 70 / 0 / 29

HEX #B436B5

RGB 180 54 181

HSL 299.53, 0.54%, 0.46%

LAB 46.55, 64.98, -41.4

 

CMYK 0 / 78 / 1 / 36

HEX #A324A2

RGB 163 36 162

HSL 300.47, 0.64%, 0.39%

LAB 40.67, 63.94, -39.64

 

CMYK 0 / 88 / 2 / 43

HEX #92128F

RGB 146 18 143

HSL 301.41, 0.78%, 0.32%

LAB 35.06, 61.8, -37.21

 

CMYK 0 / 100 / 4 / 49

HEX #81007C

RGB 129 0 124

HSL 302.33, 1%, 0.25%

LAB 29.72, 58.5, -34.06

 

CMYK 1 / 65 / 0 / 22

HEX #C546C8

RGB 197 70 200

HSL 298.62, 0.54%, 0.53%

LAB 52.31, 66.12, -43.14

 

CMYK 0 / 65 / 16 / 22

HEX #C846A8

RGB 200 70 168

HSL 314.77, 0.54%, 0.53%

LAB 51.25, 61.82, -26.16

 

CMYK 0 / 65 / 34 / 22

HEX #C84685

RGB 200 70 133

HSL 330.92, 0.54%, 0.53%

LAB 49.92, 57.2, -7.39

 

CMYK 0 / 65 / 51 / 22

HEX #C84662

RGB 200 70 98

HSL 347.08, 0.54%, 0.53%

LAB 48.94, 53.65, 12.34

 

CMYK 0 / 65 / 65 / 22

HEX #C84646

RGB 200 70 70

HSL 0, 0.54%, 0.53%

LAB 48.39, 51.62, 28.43

 

CMYK 1 / 65 / 0 / 22

HEX #C546C8

RGB 197 70 200

HSL 298.62, 0.54%, 0.53%

LAB 52.31, 66.12, -43.14

 

CMYK 19 / 65 / 0 / 22

HEX #A246C8

RGB 162 70 200

HSL 282.46, 0.54%, 0.53%

LAB 47.28, 58.02, -51.45

 

CMYK 37 / 65 / 0 / 22

HEX #7F46C8

RGB 127 70 200

HSL 266.31, 0.54%, 0.53%

LAB 42.86, 50.33, -58.8

 

CMYK 54 / 65 / 0 / 22

HEX #5C46C8

RGB 92 70 200

HSL 250.15, 0.54%, 0.53%

LAB 39.29, 43.57, -64.76

 

CMYK 65 / 65 / 0 / 22

HEX #4646C8

RGB 70 70 200

HSL 240, 0.54%, 0.53%

LAB 37.58, 40.11, -67.63

 

CMYK 1 / 65 / 0 / 22

HEX #C546C8

RGB 197 70 200

HSL 298.62, 0.54%, 0.53%

LAB 52.31, 66.12, -43.14

 

CMYK 2 / 77 / 0 / 14

HEX #D733DB

RGB 215 51 219

HSL 298.57, 0.7%, 0.53%

LAB 53.95, 79.3, -51.21

 

CMYK 2 / 87 / 0 / 6

HEX #EA20EF

RGB 234 32 239

HSL 298.55, 0.87%, 0.53%

LAB 56.84, 89.74, -57.7

 

CMYK 1 / 65 / 0 / 22

HEX #C546C8

RGB 197 70 200

HSL 298.62, 0.54%, 0.53%

LAB 52.31, 66.12, -43.14

 

CMYK 1 / 50 / 0 / 29

HEX #B25AB4

RGB 178 90 180

HSL 298.67, 0.38%, 0.53%

LAB 51.92, 48.64, -32.38

 

CMYK 1 / 32 / 0 / 37

HEX #A06DA1

RGB 160 109 161

HSL 298.85, 0.22%, 0.53%

LAB 52.93, 29.11, -19.93

 

CMYK 1 / 9 / 0 / 44

HEX #8D818E

RGB 141 129 142

HSL 295.38, 0.05%, 0.53%

LAB 55.4, 7.04, -5.35

 

CMYK 17 / 0 / 18 / 42

HEX #7B947A

RGB 123 148 122

HSL 117.69, 0.11%, 0.53%

LAB 58.78, -14.1, 10.85

 

CMYK 37 / 65 / 0 / 22

HEX #7F46C8

RGB 127 70 200

HSL 266.31, 0.54%, 0.53%

LAB 42.86, 50.33, -58.8

 

CMYK 20 / 65 / 0 / 22

HEX #A146C8

RGB 161 70 200

HSL 282, 0.54%, 0.53%

LAB 47.14, 57.79, -51.68

 

CMYK 2 / 65 / 0 / 22

HEX #C446C8

RGB 196 70 200

HSL 298.15, 0.54%, 0.53%

LAB 52.16, 65.89, -43.38

 

CMYK 0 / 65 / 15 / 22

HEX #C846AA

RGB 200 70 170

HSL 313.85, 0.54%, 0.53%

LAB 51.34, 62.11, -27.2

 

CMYK 0 / 65 / 33 / 22

HEX #C84687

RGB 200 70 135

HSL 330, 0.54%, 0.53%

LAB 49.99, 57.44, -8.49

 

CMYK 2 / 70 / 0 / 43

HEX #8E2B91

RGB 142 43 145

HSL 298.24, 0.54%, 0.37%

LAB 36.97, 54.1, -35.43

 

CMYK 2 / 70 / 0 / 31

HEX #AD35B0

RGB 173 53 176

HSL 298.54, 0.54%, 0.45%

LAB 45.03, 62.93, -40.93

 

CMYK 1 / 65 / 0 / 22

HEX #C546C8

RGB 197 70 200

HSL 298.62, 0.54%, 0.53%

LAB 52.31, 66.12, -43.14

 

CMYK 1 / 51 / 0 / 18

HEX #CF66D1

RGB 207 102 209

HSL 298.88, 0.54%, 0.61%

LAB 59.32, 56.17, -37.15

 

CMYK 1 / 39 / 0 / 14

HEX #D986DB

RGB 217 134 219

HSL 298.59, 0.54%, 0.69%

LAB 67.21, 44.75, -30.38

 

CMYK 1 / 64 / 0 / 22

HEX #C548C8

RGB 197 72 200

HSL 298.59, 0.54%, 0.53%

LAB 52.59, 65.33, -42.69

 

CMYK 0 / 54 / 65 / 22

HEX #C85C46

RGB 200 92 70

HSL 10.15, 0.54%, 0.53%

LAB 52.26, 41.42, 33.19

 

CMYK 65 / 0 / 28 / 22

HEX #46C890

RGB 70 200 144

HSL 154.15, 0.54%, 0.53%

LAB 72.64, -48.55, 17.8

 

CMYK 1 / 64 / 0 / 22

HEX #C548C8

RGB 197 72 200

HSL 298.59, 0.54%, 0.53%

LAB 52.59, 65.33, -42.69

 

CMYK 0 / 2 / 65 / 22

HEX #C8C446

RGB 200 196 70

HSL 58.15, 0.54%, 0.53%

LAB 77.4, -13.86, 61.27

 

CMYK 65 / 0 / 2 / 22

HEX #46C8C4

RGB 70 200 196

HSL 178.15, 0.54%, 0.53%

LAB 73.93, -35.7, -8.43

 

CMYK 1 / 64 / 0 / 22

HEX #C548C8

RGB 197 72 200

HSL 298.59, 0.54%, 0.53%

LAB 52.59, 65.33, -42.69

 

CMYK 0 / 54 / 65 / 22

HEX #C85C46

RGB 200 92 70

HSL 10.15, 0.54%, 0.53%

LAB 52.26, 41.42, 33.19

 

CMYK 63 / 0 / 65 / 22

HEX #4BC846

RGB 75 200 70

HSL 117.69, 0.54%, 0.53%

LAB 71.72, -59.21, 53.16

 

CMYK 65 / 11 / 0 / 22

HEX #46B2C8

RGB 70 178 200

HSL 190.15, 0.54%, 0.53%

LAB 67.51, -23.85, -20.28

 

CMYK 1 / 64 / 0 / 22

HEX #C548C8

RGB 197 72 200

HSL 298.59, 0.54%, 0.53%

LAB 52.59, 65.33, -42.69

 

CMYK 0 / 35 / 65 / 22

HEX #C88346

RGB 200 131 70

HSL 28.15, 0.54%, 0.53%

LAB 60.74, 20.79, 43.17

 

CMYK 63 / 0 / 65 / 22

HEX #4BC846

RGB 75 200 70

HSL 117.69, 0.54%, 0.53%

LAB 71.72, -59.21, 53.16

 

CMYK 65 / 31 / 0 / 22

HEX #468BC8

RGB 70 139 200

HSL 208.15, 0.54%, 0.53%

LAB 56.03, -2.61, -38.03

 

Description

Color code: HEX #C548C8 | qconv.com Color code: HEX #C548C8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 72 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 72 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 64 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 64% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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