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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C548C4 it is the complementary color #3AB73B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C548C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C548C4 shade: #CA48BF, #DB5AD2, #EC6CE5, #FD7EF8 and #FF90FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C548C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C548C4 shade: #C548C4, #B436B1, #A3249E, #92128B and #810078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C548C4 shade: #C549C4, #C549A3, #C54981, #C54960 and #C54949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C548C4 shade: #C549C4, #A549C5, #8349C5, #6249C5 and #4949C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C548C4 shade matches the following richer shades: #C549C4, #D935D8 and #EC22EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C548C4 shade: #C549C4, #B25CB1, #9F709E, #8B838B and #789678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C548C4 shade: #8349C5, #A449C5, #C549C5, #C549A4 and #C54983

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C548C4 shade: #8F2D8E, #AE37AD, #C549C4, #CF68CF and #D988D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C548C4 shade: #C548C4, #C56249 and #49C594

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C548C4 shade: #C548C4, #C5C549 and #49C5C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C548C4 shade: #C548C4, #C56249, #49C549 and #49ADC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C548C4 shade: #C548C4, #C58749, #49C549 and #4987C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 1 / 23

HEX #C548C4

RGB 197 72 196

HSL 300.48, 0.52%, 0.53%

LAB 52.39, 64.65, -40.71

 

Complementary color

CMYK 68 / 0 / 68 / 28

HEX #3AB73B

RGB 58 183 59

HSL 120.48, 0.52%, 0.47%

LAB 65.81, -57.91, 51.17

 

CMYK 0 / 64 / 5 / 21

HEX #CA48BF

RGB 202 72 191

HSL 305.08, 0.55%, 0.54%

LAB 52.9, 65.05, -36.97

 

CMYK 0 / 59 / 4 / 14

HEX #DB5AD2

RGB 219 90 210

HSL 304.19, 0.64%, 0.61%

LAB 59, 64.99, -38.09

 

CMYK 0 / 54 / 3 / 7

HEX #EC6CE5

RGB 236 108 229

HSL 303.28, 0.77%, 0.67%

LAB 65.13, 64.65, -38.98

 

CMYK 0 / 50 / 2 / 1

HEX #FD7EF8

RGB 253 126 248

HSL 302.36, 0.97%, 0.74%

LAB 71.27, 64.15, -39.7

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 63 / 1 / 23

HEX #C548C4

RGB 197 72 196

HSL 300.48, 0.52%, 0.53%

LAB 52.39, 64.65, -40.71

 

CMYK 0 / 70 / 2 / 29

HEX #B436B1

RGB 180 54 177

HSL 301.43, 0.54%, 0.46%

LAB 46.33, 64.32, -39.39

 

CMYK 0 / 78 / 3 / 36

HEX #A3249E

RGB 163 36 158

HSL 302.36, 0.64%, 0.39%

LAB 40.44, 63.29, -37.6

 

CMYK 0 / 88 / 5 / 43

HEX #92128B

RGB 146 18 139

HSL 303.28, 0.78%, 0.32%

LAB 34.82, 61.17, -35.12

 

CMYK 0 / 100 / 7 / 49

HEX #810078

RGB 129 0 120

HSL 304.19, 1%, 0.25%

LAB 29.47, 57.89, -31.93

 

CMYK 0 / 63 / 1 / 23

HEX #C549C4

RGB 197 73 196

HSL 300.48, 0.52%, 0.53%

LAB 52.53, 64.25, -40.48

 

CMYK 0 / 63 / 17 / 23

HEX #C549A3

RGB 197 73 163

HSL 316.45, 0.52%, 0.53%

LAB 51.01, 59.06, -23.63

 

CMYK 0 / 63 / 35 / 23

HEX #C54981

RGB 197 73 129

HSL 332.9, 0.52%, 0.53%

LAB 49.76, 54.58, -5.27

 

CMYK 0 / 63 / 51 / 23

HEX #C54960

RGB 197 73 96

HSL 348.87, 0.52%, 0.53%

LAB 48.86, 51.21, 13.37

 

CMYK 0 / 63 / 63 / 23

HEX #C54949

RGB 197 73 73

HSL 0, 0.52%, 0.53%

LAB 48.41, 49.48, 26.57

 

CMYK 0 / 63 / 1 / 23

HEX #C549C4

RGB 197 73 196

HSL 300.48, 0.52%, 0.53%

LAB 52.53, 64.25, -40.48

 

CMYK 16 / 63 / 0 / 23

HEX #A549C5

RGB 165 73 197

HSL 284.52, 0.52%, 0.53%

LAB 48, 56.74, -48.54

 

CMYK 34 / 63 / 0 / 23

HEX #8349C5

RGB 131 73 197

HSL 268.06, 0.52%, 0.53%

LAB 43.69, 48.89, -55.7

 

CMYK 50 / 63 / 0 / 23

HEX #6249C5

RGB 98 73 197

HSL 252.1, 0.52%, 0.53%

LAB 40.23, 42.04, -61.45

 

CMYK 63 / 63 / 0 / 23

HEX #4949C5

RGB 73 73 197

HSL 240, 0.52%, 0.53%

LAB 38.22, 37.73, -64.82

 

CMYK 0 / 63 / 1 / 23

HEX #C549C4

RGB 197 73 196

HSL 300.48, 0.52%, 0.53%

LAB 52.53, 64.25, -40.48

 

CMYK 0 / 76 / 0 / 15

HEX #D935D8

RGB 217 53 216

HSL 300.37, 0.68%, 0.53%

LAB 54.3, 78.69, -48.94

 

CMYK 0 / 86 / 0 / 7

HEX #EC22EB

RGB 236 34 235

HSL 300.3, 0.84%, 0.53%

LAB 57.05, 89.18, -55.1

 

CMYK 0 / 63 / 1 / 23

HEX #C549C4

RGB 197 73 196

HSL 300.48, 0.52%, 0.53%

LAB 52.53, 64.25, -40.48

 

CMYK 0 / 48 / 1 / 30

HEX #B25CB1

RGB 178 92 177

HSL 300.7, 0.36%, 0.53%

LAB 52.17, 47.07, -30.25

 

CMYK 0 / 30 / 1 / 38

HEX #9F709E

RGB 159 112 158

HSL 301.28, 0.2%, 0.53%

LAB 53.41, 26.47, -17.45

 

CMYK 0 / 6 / 0 / 45

HEX #8B838B

RGB 139 131 139

HSL 300, 0.03%, 0.53%

LAB 55.67, 4.56, -3.22

 

CMYK 20 / 0 / 20 / 41

HEX #789678

RGB 120 150 120

HSL 120, 0.13%, 0.53%

LAB 59.12, -16.62, 12.43

 

CMYK 34 / 63 / 0 / 23

HEX #8349C5

RGB 131 73 197

HSL 268.06, 0.52%, 0.53%

LAB 43.69, 48.89, -55.7

 

CMYK 17 / 63 / 0 / 23

HEX #A449C5

RGB 164 73 197

HSL 284.03, 0.52%, 0.53%

LAB 47.87, 56.5, -48.76

 

CMYK 0 / 63 / 0 / 23

HEX #C549C5

RGB 197 73 197

HSL 300, 0.52%, 0.53%

LAB 52.58, 64.42, -40.98

 

CMYK 0 / 63 / 17 / 23

HEX #C549A4

RGB 197 73 164

HSL 315.97, 0.52%, 0.53%

LAB 51.05, 59.2, -24.15

 

CMYK 0 / 63 / 34 / 23

HEX #C54983

RGB 197 73 131

HSL 331.94, 0.52%, 0.53%

LAB 49.83, 54.81, -6.38

 

CMYK 0 / 69 / 1 / 44

HEX #8F2D8E

RGB 143 45 142

HSL 300.61, 0.52%, 0.37%

LAB 37.24, 53.04, -33.16

 

CMYK 0 / 68 / 1 / 32

HEX #AE37AD

RGB 174 55 173

HSL 300.5, 0.52%, 0.45%

LAB 45.29, 61.92, -38.75

 

CMYK 0 / 63 / 1 / 23

HEX #C549C4

RGB 197 73 196

HSL 300.48, 0.52%, 0.53%

LAB 52.53, 64.25, -40.48

 

CMYK 0 / 50 / 0 / 19

HEX #CF68CF

RGB 207 104 207

HSL 300, 0.52%, 0.61%

LAB 59.59, 54.85, -35.59

 

CMYK 0 / 37 / 0 / 15

HEX #D988D9

RGB 217 136 217

HSL 300, 0.52%, 0.69%

LAB 67.55, 43.33, -28.74

 

CMYK 0 / 63 / 1 / 23

HEX #C548C4

RGB 197 72 196

HSL 300.48, 0.52%, 0.53%

LAB 52.39, 64.65, -40.71

 

CMYK 0 / 50 / 63 / 23

HEX #C56249

RGB 197 98 73

HSL 12.1, 0.52%, 0.53%

LAB 53.04, 37.43, 32.35

 

CMYK 63 / 0 / 25 / 23

HEX #49C594

RGB 73 197 148

HSL 156.29, 0.52%, 0.53%

LAB 71.88, -45.88, 14.61

 

CMYK 0 / 63 / 1 / 23

HEX #C548C4

RGB 197 72 196

HSL 300.48, 0.52%, 0.53%

LAB 52.39, 64.65, -40.71

 

CMYK 0 / 0 / 63 / 23

HEX #C5C549

RGB 197 197 73

HSL 60, 0.52%, 0.53%

LAB 77.45, -15.44, 60.02

 

CMYK 63 / 0 / 0 / 23

HEX #49C5C5

RGB 73 197 197

HSL 180, 0.52%, 0.53%

LAB 73.14, -33.55, -10.14

 

CMYK 0 / 63 / 1 / 23

HEX #C548C4

RGB 197 72 196

HSL 300.48, 0.52%, 0.53%

LAB 52.39, 64.65, -40.71

 

CMYK 0 / 50 / 63 / 23

HEX #C56249

RGB 197 98 73

HSL 12.1, 0.52%, 0.53%

LAB 53.04, 37.43, 32.35

 

CMYK 63 / 0 / 63 / 23

HEX #49C549

RGB 73 197 73

HSL 120, 0.52%, 0.53%

LAB 70.75, -58.28, 50.8

 

CMYK 63 / 12 / 0 / 23

HEX #49ADC5

RGB 73 173 197

HSL 191.61, 0.52%, 0.53%

LAB 66.01, -21.71, -20.9

 

CMYK 0 / 63 / 1 / 23

HEX #C548C4

RGB 197 72 196

HSL 300.48, 0.52%, 0.53%

LAB 52.39, 64.65, -40.71

 

CMYK 0 / 31 / 63 / 23

HEX #C58749

RGB 197 135 73

HSL 30, 0.52%, 0.53%

LAB 61.38, 17.52, 42.28

 

CMYK 63 / 0 / 63 / 23

HEX #49C549

RGB 73 197 73

HSL 120, 0.52%, 0.53%

LAB 70.75, -58.28, 50.8

 

CMYK 63 / 31 / 0 / 23

HEX #4987C5

RGB 73 135 197

HSL 210, 0.52%, 0.53%

LAB 54.84, -0.74, -38.18

 

Description

Color code: HEX #C548C4 | qconv.com Color code: HEX #C548C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 72 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 72 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 1 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 1% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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